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William Blake Jerusalem, Plate 45, "Bath, healing City!...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 45, "Bath, healing City!...."
1804 to 1820
William Blake Jerusalem, Plate 50, "The Atlantic Mountains...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 50, "The Atlantic Mountains...."
1804 to 1820
William Blake Jerusalem, Plate 74, "The Four Zoa's clouded rage...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 74, "The Four Zoa's clouded rage...."
1804 to 1820
William Blake At Length for Hatching Ripe He Breaks the Shell; Plate 8
Print made by William Blake, 1757–1827
At Length for Hatching Ripe He Breaks the Shell; Plate 8
1793
William Blake Help! Help!; Plate 12
Print made by William Blake, 1757–1827
Help! Help!; Plate 12
1793
William Blake Air; Plate 6
Print made by William Blake, 1757–1827
Air; Plate 6
1793
William Blake Visions of the Daughters of Albion, Plate 2, Title Page
William Blake, 1757–1827
Visions of the Daughters of Albion, Plate 2, Title Page
1793
William Blake Visions of the Daughters of Albion, Plate 8, "But when the morn arose . . . . "
William Blake, 1757–1827
Visions of the Daughters of Albion, Plate 8, "But when the morn arose . . . . "
1793
William Blake Songs of Innocence and of Experience, Plate 45, "The Chimney Sweeper" (Bentley 37)
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 45, "The Chimney Sweeper" (Bentley 37)
1794
William Blake Visions of the Daughters of Albion, Plate 1, Frontispiece
William Blake, 1757–1827
Visions of the Daughters of Albion, Plate 1, Frontispiece
1793
William Blake Visions of the Daughters of Albion, Plate 4, "Visions | Enslav'd the Daughters . . . . "
William Blake, 1757–1827
Visions of the Daughters of Albion, Plate 4, "Visions | Enslav'd the Daughters . . . . "
1793
William Blake Young's Night Thoughts, Page 49, "As if the sun could envy, check'd his beam"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 49, "As if the sun could envy, check'd his beam"
ca. 1797
William Blake Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."
ca. 1797
William Blake Young's Night Thoughts, Page 75, "The Sun beheld it -- No, the shocking Scene"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 75, "The Sun beheld it -- No, the shocking Scene"
ca. 1797
William Blake Young's Night Thoughts, Page 86, "His hand the good man fastens on the skies"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 86, "His hand the good man fastens on the skies"
ca. 1797
William Blake The First Book of Urizen, Plate 11, "Two nostrils bent down to the deep . . . ." (Bentley 13)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 11, "Two nostrils bent down to the deep . . . ." (Bentley 13)
1794
William Blake Young's Night Thoughts, Page 35, "Teaching, we learn; and giving, we retain"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 35, "Teaching, we learn; and giving, we retain"
ca. 1797
William Blake Young's Night Thoughts, Page 41, "One radiant Mark, the Deathbed of the Just"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 41, "One radiant Mark, the Deathbed of the Just"
ca. 1797
William Blake Songs of Innocence and of Experience, Plate 34, "Introduction" (Bentley 30)
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 34, "Introduction" (Bentley 30)
1794
William Blake Songs of Innocence and of Experience, Plate 28, "Infant Joy" (Bentley 25)
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 28, "Infant Joy" (Bentley 25)
1789
William Blake Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"
ca. 1797
William Blake Jerusalem, Plate 12, "Why wilt thou give to her...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 12, "Why wilt thou give to her...."
1804 to 1820
William Blake Jerusalem, Plate 20, "But when they saw Albion...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 20, "But when they saw Albion...."
1804 to 1820
William Blake Jerusalem, Plate 78, "The Spectres of..."
William Blake, 1757–1827
Jerusalem, Plate 78, "The Spectres of..."
1804 to 1820
William Blake Jerusalem, Plate 8, "Rose up against me...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 8, "Rose up against me...."
1804 to 1820
William Blake Jerusalem, Plate 81, "I have mockd those...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 81, "I have mockd those...."
1804 to 1820
William Blake Jerusalem, Plate 82, "I have heard Jerusalems groans...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 82, "I have heard Jerusalems groans...."
1804 to 1820
William Blake Jerusalem, Plate 83, "Corruptability appears upon thy limbs...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 83, "Corruptability appears upon thy limbs...."
1804 to 1820
William Blake Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"
1797
William Blake Young's Night Thoughts, Page 41, "One Radiant Mark; the Deathbed of the Just"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 41, "One Radiant Mark; the Deathbed of the Just"
1797
William Blake Young's Night Thoughts, Page 75, "The Sun Beheld it -- No, the Shocking Scene"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 75, "The Sun Beheld it -- No, the Shocking Scene"
1797
William Blake Europe. A Prophecy, Plate 6, "The shrill winds wake . . . . " (Bentley 7)
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 6, "The shrill winds wake . . . . " (Bentley 7)
1794
William Blake For the Sexes: The Gates of Paradise, Plate 6, "Air"
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 6, "Air"
1826
William Blake For the Sexes: The Gates of Paradise, Plate 8, "At length for hatching ripe he breaks the shell"
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 8, "At length for hatching ripe he breaks the shell"
1826
William Blake The Man Sweeping the Interpreter's Parlour
William Blake, 1757–1827
The Man Sweeping the Interpreter's Parlour
ca. 1822
William Blake Abraham and Isaac
William Blake, 1757–1827
Abraham and Isaac
1799 to 1800
William Blake Christ Giving Sight to Bartimaeus
William Blake, 1757–1827
Christ Giving Sight to Bartimaeus
1799 to 1800
William Blake The Gambols of Ghosts According with Their Affections Previous to the Final Judgement
William Blake, 1757–1827
The Gambols of Ghosts According with Their Affections Previous to the Final Judgement
1805 to 1808
William Blake The Parable of the Wise and Foolish Virgins
William Blake, 1757–1827
The Parable of the Wise and Foolish Virgins
ca. 1825
William Blake Satan Approaching the Court of Chaos
William Blake, 1757–1827
Satan Approaching the Court of Chaos
1784 to 1785
William Blake Moses Receiving the Law
William Blake, 1757–1827
Moses Receiving the Law
ca. 1780
William Blake Thomas Alphonso Hayley, Half-Length Drawing
attributed to William Blake, 1757–1827
Thomas Alphonso Hayley, Half-Length Drawing
ca. 1800
Hercules Brabazon Brabazon Mouth of the Humber
Hercules Brabazon Brabazon, 1821–1906
Mouth of the Humber
undated
Thomas Shotter Boys Versailles
Thomas Shotter Boys, 1803–1874
Versailles
between 1831 and 1837
Thomas Shotter Boys Hotel de Ville, Hague
Thomas Shotter Boys, 1803–1874
Hotel de Ville, Hague
1859
Henry Moore Showery June, Picardy
Henry Moore, 1831–1895
Showery June, Picardy
between 1870 and 1880
William James Muller Pines on Hampstead Heath
William James Muller, 1812–1845
Pines on Hampstead Heath
1842
John Varley Mountain Landscape with Castle Ruins on a Cliff
John Varley, 1778–1842
Mountain Landscape with Castle Ruins on a Cliff
undated
John Varley Chepstow Castle
John Varley, 1778–1842
Chepstow Castle
1832
John Varley Bamburgh Castle, Northumberland
John Varley, 1778–1842
Bamburgh Castle, Northumberland
undated
John Warwick Smith Convent at Vietri, near Salerno
John Warwick Smith, 1749–1831
Convent at Vietri, near Salerno
1808
Sir George Howland Beaumont seventh Baronet Landscape Composition
Sir George Howland Beaumont seventh Baronet, 1753–1827
Landscape Composition
1801
Thomas Barker Landscape with Shepherd and Sheep
Thomas Barker, 1769–1847
Landscape with Shepherd and Sheep
undated
David Muirhead Morning
David Muirhead, 1867–1930
Morning
1925
Dominic Serres Shipping in Southampton Water, off Calshott Castle
Dominic Serres, 1722–1793
Shipping in Southampton Water, off Calshott Castle
undated
Sir Robert Smirke the younger Windsor Castle, Berkshire
Sir Robert Smirke the younger, 1781–1867
Windsor Castle, Berkshire
ca. 1823
Thomas Shotter Boys View Near Arundel Castle
Thomas Shotter Boys, 1803–1874
View Near Arundel Castle
1823 and 1874
Sir George Howland Beaumont seventh Baronet View over Valley
Sir George Howland Beaumont seventh Baronet, 1753–1827
View over Valley
undated
William Callow Landscape with Sheep
William Callow, 1812–1908
Landscape with Sheep
undated
unknown artist Sunset Sky
unknown artist
Sunset Sky
undated
William Payne On the River Wye, Monmouthshire
William Payne, active 1850s
On the River Wye, Monmouthshire
unknown artist Illustration to Tonson's Ovid Metamorphosis (one of four)
unknown artist
Illustration to Tonson's Ovid Metamorphosis (one of four)
ca. 1710
Sir James Thornhill Design for a Ceiling
Sir James Thornhill, 1675–1734
Design for a Ceiling
undated
Sir James Thornhill A Design for a Mural Executed in the Salon at Roehampton House, Surrey: Apollo Carrying off Aeneas in a Cloud
Sir James Thornhill, 1675–1734
A Design for a Mural Executed in the Salon at Roehampton House, Surrey: Apollo Carrying off Aeneas in a Cloud
ca. 1715
Sir James Thornhill Design for a portrait of an architect or a painter
Sir James Thornhill, 1675–1734
Design for a portrait of an architect or a painter
undated
Elijah Walton Mountain View: Portion of the Chain of the Terglon Alps as seen from near Rudmannsdorf, Italy
Elijah Walton, 1832–1880
Mountain View: Portion of the Chain of the Terglon Alps as seen from near Rudmannsdorf, Italy
undated
unknown artist Sketch for the Oil Painting "The Conversion of St. Paul"
unknown artist
Sketch for the Oil Painting "The Conversion of St. Paul"
undated
Paul Sandby Roslin Castle, Midlothian
Paul Sandby, 1731–1809
Roslin Castle, Midlothian
ca. 1780
Paul Sandby Welsh Mountain Study
Paul Sandby, 1731–1809
Welsh Mountain Study
between 1800 and 1809
John Henry Mole View from Craig-y-Barns, Dunkeld, Looking South
John Henry Mole, 1814–1886
View from Craig-y-Barns, Dunkeld, Looking South
1855
James Baynes Extensive wooded landscape with figures in foreground left
James Baynes, 1766–1837
Extensive wooded landscape with figures in foreground left
Undated
Hugh William "Grecian" Williams Birnam Wood
Hugh William "Grecian" Williams, 1773–1829
Birnam Wood
before 1801
Joseph Powell Windermere from Rydal Park
Joseph Powell, 1780–1834
Windermere from Rydal Park
undated
John Varley Romantic Landscape with Cliffs and a Castle
John Varley, 1778–1842
Romantic Landscape with Cliffs and a Castle
undated
unknown artist God Creating the Universe
unknown artist
God Creating the Universe
ca. 1800
unknown artist Copy of a Study for a Ceiling Decoration
unknown artist
Copy of a Study for a Ceiling Decoration
undated
Cornelius Varley Cottage on a Bay
Attributed to Cornelius Varley, 1781–1873
Cottage on a Bay
undated
James S. Storer Chepstow
Print made by James S. Storer, 1771–1853
Chepstow
1794
James Walker Rochester
Print made by James Walker, 1748–1808
Rochester
1794
John Landseer Orchard Bay
Print made by John Landseer, 1769–1852
Orchard Bay
1799
John Landseer Freshwater Bay
Print made by John Landseer, 1769–1852
Freshwater Bay
1799
John Landseer Freshwater Bay
Print made by John Landseer, 1769–1852
Freshwater Bay
1799
John Landseer Alum Bay, Isle of Wight
Print made by John Landseer, 1769–1852
Alum Bay, Isle of Wight
1799
John Landseer Orchard Bay
Print made by John Landseer, 1769–1852
Orchard Bay
1799
John Landseer Alum Bay and the Needles
Print made by John Landseer, 1769–1852
Alum Bay and the Needles
1799
John Landseer Alum Bay and the Needles
Print made by John Landseer, 1769–1852
Alum Bay and the Needles
1799
William J. Blacklock Near Broadstairs
William J. Blacklock, 1805–1858
Near Broadstairs
undated
Cornelius Varley A Tree Struck by Lightning
Cornelius Varley, 1781–1873
A Tree Struck by Lightning
undated
John Martin Joshua Commanding the Sun to Stand Still
John Martin, 1789–1854
Joshua Commanding the Sun to Stand Still
1818
William Callow The Rhine at Assmannshausen
William Callow, 1812–1908
The Rhine at Assmannshausen
1863
James Walker Hampton Court, Herefordshire
Print made by James Walker, 1748–1808
Hampton Court, Herefordshire
1797
John Renton A Mountain Landscape with a Shepherd
John Renton, 1774–c.1841
A Mountain Landscape with a Shepherd
undated
Benjamin West A Squall off a Mountainous Coast
Benjamin West, 1738–1820
A Squall off a Mountainous Coast
undated
Robert Smirke Falstaff Instructing Bardolph
Robert Smirke, 1752–1845
Falstaff Instructing Bardolph
1825
John James Barralet The Road to East Grinstead
John James Barralet, 1747–1815
The Road to East Grinstead
Undated
James Walker Rochester
Print made by James Walker, 1748–1808
Rochester
1794
James Walker Bridgenorth
Print made by James Walker, 1748–1808
Bridgenorth
1795
Sir James Thornhill Design for a Ceiling at Addiscombe: Bacchus and Ariadne
Sir James Thornhill, 1675–1734
Design for a Ceiling at Addiscombe: Bacchus and Ariadne
undated
Cornelius Varley Landscape Composition
Cornelius Varley, 1781–1873
Landscape Composition
undated
Cornelius Varley Mountain Panorama in Wales, Cader Idris
Cornelius Varley, 1781–1873
Mountain Panorama in Wales, Cader Idris
1803