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1
- Oberon and Titania
- 1837
2
- Study of a Woman Sewing
- undated
3
- A Great Tree
- ca. 1796
4
- The Poems of Thomas Gray, Design 43, "The Progress of Poesy."
- between 1797 and 1798
5
- The Poems of Thomas Gray, Design 85, "The Descent of Odin."
- between 1797 and 1798
6
- The Poems of Thomas Gray, Design 93, "Ode for Music."
- between 1797 and 1798
7
- The Poems of Thomas Gray, Design 77, "The Descent of Odin."
- between 1797 and 1798
8
- Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"
- 1797
9
- The Poems of Thomas Gray, Design 97, "Ode for Music."
- between 1797 and 1798
10
- The Poems of Thomas Gray, Design 99, "Ode for Music."
- between 1797 and 1798
11
- Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"
- 1797
12
- The Poems of Thomas Gray, Design 101, "Ode for Music."
- between 1797 and 1798
13
- The Poems of Thomas Gray, Design 13, "Ode on a Distant Prospect of Eton College."
- between 1797 and 1798
14
- Songs of Innocence, Plate 18, "A Cradle Song" (Bentley 16)
- 1789
15
- Songs of Innocence, Plate 24, "On Anothers Sorrow" (Bentley 27)
- 1789
16
- Songs of Innocence, Plate 3, "Introduction" (Bentley 4)
- 1789
17
- The Poems of Thomas Gray, Design 105, "Elegy Written in a Country Church-Yard."
- between 1797 and 1798
18
- The Poems of Thomas Gray, Design 23, "A Long Story."
- between 1797 and 1798
19
- The Poems of Thomas Gray, Design 31, "A Long Story."
- between 1797 and 1798
20
- The Poems of Thomas Gray, Design 83, "The Descent of Odin."
- between 1797 and 1798
21
- Songs of Innocence, Plate 8, "The Lamb" (Bentley 8)
- 1789
22
- There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)
- ca. 1788
23
- Songs of Innocence and of Experience, Plate 16, "The Little Boy Lost" (Bentley 13)
- 1789
24
- Songs of Innocence and of Experience, Plate 18, "The Lamb" (Bentley 8)
- 1789
25
- Songs of Innocence and of Experience, Plate 26, "A Cradle Song" (Bentley 16)
- 1789
26
- Jerusalem, Plate 71, "And above Albions Land...."
- 1804 to 1820
27
- Young's Night Thoughts, Page 33, "Like That, the Dial Speaks; and Points to Thee"
- 1797
28
- Mary Magdalen at the Sepulchre
- ca. 1805
29
- Enter Malvolio, Crossgartered..
- 1863
30
- A London Street Crier
- undated
31
- Hero and Leander
- 1801
32
- Leander Taking Leave of Hero Before Swimming Back Across the Hellespont
- undated
33
- A Regency Pair
- 1802
34
- Woodcutter and His Family
- undated
35
- Riders Outside an Inn
- undated
36
- Romantic Landscape
- ca. 1830
37
- A Greek Girl Standing on a Balcony
- 1840
38
- Portrait Study of a Girl
- ca. 1823
39
- Nature unveils herself to the infant Shakespeare: Thomas Gray, The Progress of Poesy, III.1
- undated
40
- Miss Charlotte Sandby
- undated
41
- Wooded Landscape with Figures Round a Cooking Pot
- 1793
42
- Faust and Margaret
- undated
43
- Beside the Lily-Pond
- 1869
44
- A Young Woman Looking Down
- undated
45
- Portrait of a Lady, called Bella Ibbetson, the Artist's Second Wife
- undated
46
- The Cheesecake House, Hyde Park
- ca. 1795
47
- A Goose and a Baboon
- undated
48
- Aldenham Church
- ca. 1817
49
- Mrs. William Wilberforce and Child
- 1824
50
- The Lecture House, Watford
- ca. 1820
51
- A Lady Reading
- ca. 1835
52
- A Regency Pair: Man with Walking Stick
- 1802
53
- Old Farm Buildings
- ca. 1817
54
- Views in the Levant: Faceless Bust of Statue Supporting a Broken Capital on Her Head
- ca. 1785
55
- Views in the Levant: Study of a Woman Wearing Turkish Costume
- ca. 1785
56
- Study of a Classical Female Figure
- undated
57
- Rue Terre Neuve - Woman and Child Walking
- undated
58
- The Messengers Tell Job of the Misfortunes that Have Befallen Him
- undated
59
- L'Allegro
- undated
60
- Cave of the Golden Calf: Study of Two Frenzied Dancers
- 1912
![Thomas Stothard February 1st: Amy Fear Me Not (Vol. 1, p. 81) February 2nd: [Tressilian] Drew His Sword as He Spoke (Vol. 1, P. 89)](https://media.collections.yale.edu/thumbnail/ycba/48b1ec09-041e-4bcd-b9e2-3707f3363a7e)
61
- February 1st: Amy Fear Me Not (Vol. 1, p. 81) February 2nd: [Tressilian] Drew His Sword as He Spoke (Vol. 1, P. 89)
- undated
62
- Taking a Fence Side-Saddle
- undated
63
- Westminster Abbey and St. Paul's from Battersea Fields
- undated
64
- Woman Doing Laundry with Two Girls
- undated
65
- Elderly Couple on a Park Bench, with Two Men Beyond
- undated
66
- Credulity
- 1796
67
- Paysanne des environs de Cracouie; Costume des environs de Cracouie
- ca. 1810
68
- Portrait of a Young Woman
- 1748
69
- The Rustic Lover
- 1786
70
- A Street in Florence with the Duomo and Campanile in the Background
- ca. 1765
71
- Prospero Summoning Ariel
- ca. 1800
72
- Sketches from Life in Paris: Woman and Man Carrying Buckets
- ca. 1835
73
- Portrait of a Lady
- 1783
74
- Woman Carrying Baskets
- undated
75
- Woman Dressing, with Maid
- undated
76
- The Meat Market
- undated
77
- Adelaide
- between 1785 and 1786
78
- St. Vincent's Rock, Clifton, Bristol with Hotwell's Spring House in the Distance
- undated
79
- Mrs. Abington
- undated
80
- The Gate at Blenheim
- 1787
81
- Cat Like Courtship
- undated
82
- View Near the Mill Looking Toward Licenza: Horace's Villa on the Left
- 1783
83
- Peasants Resting
- 1795
84
- Portrait of a Lady
- undated
85
- Portrait of a Lady
- undated
86
- Woman with a Blue Smock
- undated
87
- Landscape with Courting Couple
- 1839
88
- The Woman at the Well
- undated
89
- A Woman Seated and Holding an Image
- undated
90
- Figure Studies: Boy Standing
- undated
91
- A Woman of Fashion in Walking Dress
- undated
92
- The Assignation
- undated
93
- Coast Scene near Plymouth
- undated
94
- The Monnow Bridge, Monmouthshire
- before 1814
95
- The Death of Cordelia
- undated
96
- The Poultry Market
- undated
97
- Mrs. Morland's Portrait
- ca. 1802
98
- The Spoiled Child, Scene III
- ca. 1802
99
- Conway Castle
- 1789
100
- Incantation Scene
- undated