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301
- Several Battleships at Battle: Row Boats with Figures
- undated
302
- Six Battleships Tacking in Heavy Seas
- undated
303
- Le Port De Brest: Dessiné Du Point F Marqué sur Le Plan
- undated
304
- Le Port de L'Orient: Dessine du Point B. Marque fur la Carte
- undated
305
- L'Orient 1776: Map of the Port of Orient
- 1776
306
- The Gate at Blenheim
- 1787
307
- Design for the Haymarket Theatre: "The Battle of Hexham", by Colman the Younger
- 1789
308
- Mrs. Abington
- undated
309
- Side View of Corvette
- undated
310
- Pierre Premier en Hollande: Scene Inside Ship With Peter the Great, Taking Notes, on Shipbuilding
- undated
311
- Two Sloops of War, One Barque and One Schooner (?), Sterns Forward, in Heavy Seas; Several Sailing Vessels in Background
- undated
312
- Single Battleship, Stern Forward
- undated
313
- Several Ships in Formation for Battle in Heavy Seas
- undated
314
- Single Brig with Union Jack and Three Figures
- 1821
315
- Side View of Single Barque
- undated
316
- Position de la Garde de Tierce et le Coup de Seconde
- 1763
317
- Premiere Position du Salut
- 1763
318
- Position de la Garde en Quarte, et le Coup de Flanconnade
- 1763
319
- De la Parade de Quarte au Dehors des Armes sur le Coup de Quarte hors des Armes
- 1763
320
- De la Parade de Tierce, sur le Coup de Tierce
- 1763
321
- De la Parade du Demi-Cercle sur le Coup, de Quarte Basse
- 1763
322
- De la Parade du Cavé sur le Coup de Flanconnade
- 1763
323
- De la Parade Dequinte sur le Coup de Quinte
- 1763
324
- De la Risposte en Seconde aprés Avoir paré la Quarte sur les Armes
- 1763
325
- Du Coupé sur Pointe de Quarte en Quarte sur les Armes
- 1763
326
- De la Risposte de Prime Aprés Avoir Paré le Coup de Seconde
- 1763
327
- De la Risposte du Cavé de Pied Ferme sur le Coup de Flanconnade a ceux qui n'Opposent pas de la Main Gauche
- 1763
328
- De la Passe en Quarte du Dehors des Armes
- 1763
329
- Demi Volte sur les Coups Forcés au Dehors des Armes
- 1763
330
- Du Desarmement Aprés Avoir Paré le Coup de Quarte
- 1763
331
- Echappement du Pied Gauche en Arriere dans le Tems de la Passe au Dehors des Armes
- 1763
332
- De la Volte sur la Passe au Dehors des Armes
- 1763
333
- Du Desarmement sur le Coup de Tierce
- 1763
334
- Position Aprés Avoir Désarmé sur le Coup de Tierce
- 1763
335
- Du Desarmement sur le Coup de Quarte ou de Seconde Paré de Prime
- 1763
336
- Position de la Garde Italienne de L'Epée & Poignard
- 1763
337
- De la Garde Espagnole, Figure A Attaqueé par la Garde Françoise
- 1763
338
- 1) (ll) Lake at Davos, 2) (lr) Entrance of the Pass to Segnes, 3) (ur) Wiesen
- 1817
339
- Sketch of Goths Entering Rome, from Shakespeare's Play, Titus Andronicus
- undated
340
- Sketch of a Battle Sceene, from Shakespeare's Play, Titus Andronicus
- undated
341
- Study of an Interior Scene, with Roman Soldiers
- undated
342
- Study for a Relief with Romanesque Figures
- undated
343
- A Rocky Stream
- undated
344
- Anatomical Study of a Leg
- undated
345
- Sunlight and Shadows
- 1936
346
- Banquet Scene, with a Roman Soldeir Kneeling to a Famale Figure Sitting on a Throne
- undated
347
- Pusa Seals
- ca. 1837
348
- Macacus (Maimon) Brachyurus, White Maimon
- ca. 1837
349
- Medo-Persian Horse and Egyptian Horse
- ca. 1837
350
- The Hinny
- ca. 1837
351
- Parent of the Modern Coach Dog - Turnspit Dog
- ca. 1837
352
- Feral Dog of St. Domingo
- ca. 1837
353
- The Alco: Young, Carrier Dog of the Indians
- ca. 1837
354
- Bedouin Grayhound of Akkaba
- ca. 1837
355
- Wolf of Southern States, North America
- ca. 1837
356
- Fennec of Bruce and Red Backed Fennec
- ca. 1837
357
- The Gray Wolf
- ca. 1837
358
- Senegalese Wolf or Grey Jackal
- ca. 1837
359
- The Gray Fox
- ca. 1837
360
- Black Wolf
- ca. 1837
361
- Crabodago Aguara Fox
- ca. 1837
362
- Turkish Dog-Fox
- ca. 1837
363
- The Syrian Fox and The Egyptian Fox
- ca. 1837
364
- Gray Fox
- ca. 1837
365
- Banded Mongoose
- ca. 1837
366
- Title page for: Drawings of Droitwich and its Environs
- undated
367
- The Prize Fight
- 1787
368
- Stag at Bay - Scene near Taplow, Berks
- between 1795 and 1801
369
- The Grotto at Posillipo
- ca. 1782
370
- Captain Barclay's Rally Match - The Finish
- undated
371
- The Exhibition Stare-Case, Somerset House
- ca. 1800
372
- Portrait Study of John Philip Kemble
- undated
373
- Lichfield Cathedral, Staffordshire
- 1794
374
- A Warship Preparing to Leave the Anchorage
- between 1787 and 1808
375
- The Entrance to Wookey Hole, Somerset
- ca. 1719
376
- Portrait of a Man
- 1774
377
- Men-of-War and Sailing Boats Near a Shore
- undated
378
- Soldiers Carousing at an Inn
- undated
379
- Soldiers Embarking
- undated
380
- The Club
- undated
381
- The Shipwrecked Sailors
- undated
382
- A Village Street with Cattle and Sheep Being Driven Through
- undated
383
- Illustration to the Iliad
- between 1760 and 1769
384
- Valley of Stones, Lynton, Devon
- undated
385
- The Kill
- undated
386
- Concerto a la Catalani
- undated
387
- The Departure from Wakefield
- ca. 1817
388
- The Welcome
- ca. 1817
389
- Attendance on a Nobleman
- ca. 1817
390
- Embarkation at Southampton, June 20th 1794
- 1794
391
- Rag Fair or Rosemary Lane
- undated
392
- A Black Leg Detected Secreting Cards
- undated
393
- The Sailor's Return
- undated
394
- Two Studies of a (?) French Cavalryman
- undated
395
- The Slaughterhouse
- undated
396
- Butterfly Hunting
- ca. 1806
397
- Shipwrecked Sailors
- undated
398
- Dr O'Meara Preaching
- 1809
399
- A Phaeton and Six
- undated
400
- A View at Blackwall
- undated