A Mother with Her Child in Her Arms Flying upon the Ramparts of a City in Flames
undated
11
George Romney, 1734–1802
River God
undated
12
George Romney, 1734–1802
The Bath of Bath-sheba
undated
13
George Romney, 1734–1802
Laocoon
undated
14
George Romney, 1734–1802
Back View of a Standing Classical Male Figure
undated
15
George Romney, 1734–1802
Prospero and Miranda
ca. 1787
16
George Romney, 1734–1802
Two Lovers (Man Awakening from a Dream)
undated
17
George Romney, 1734–1802
Bolingbroke and Head of a Fiend
undated
18
George Romney, 1734–1802
Man and Horse
undated
19
George Romney, 1734–1802
Man (Unidentified Subject)
undated
20
George Romney, 1734–1802
Lear Awakened by Cordelia
ca. 1774
21
George Romney, 1734–1802
Ladies in Waiting
undated
22
George Romney, 1734–1802
Duke of Dorset (So-called)
undated
23
George Romney, 1734–1802
Lord Salisbury, Standing by a Pillar
undated
24
George Romney, 1734–1802
Classical Male Nude with a Rearing Horse
undated
25
George Romney, 1734–1802
John Henderson as Falstaff
1780
26
George Romney, 1734–1802
Classical Male Nude
undated
27
George Romney, 1734–1802
Horseman of Montecavallo
between 1773 and 1774
28
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 3, "I Man cannot naturally . . . ." (Bentley a4)
ca. 1788
29
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 16, "Oft Bursts My Song beyond the Bounds of Life"
1797
30
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 33, "Like That, the Dial Speaks; and Points to Thee"
1797
31
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"
1797
32
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 73, "Draw the Dire Steel? -- Ah No!"
1797
33
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 75, "The Sun Beheld it -- No, the Shocking Scene"
1797
34
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 80, "The Thunder If in That the Almighty Dwells"
1797
35
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 93, "If Angels Tremble, 'Tis at Such a Sight"
1797
36
William Blake, 1757–1827
The Poems of Thomas Gray, Design 101, "Ode for Music."
between 1797 and 1798
37
William Blake, 1757–1827
The Poems of Thomas Gray, Design 105, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
38
William Blake, 1757–1827
The Poems of Thomas Gray, Design 41, "The Progress of Poesy."
between 1797 and 1798
39
William Blake, 1757–1827
The Poems of Thomas Gray, Design 45, "The Progress of Poesy."
between 1797 and 1798
40
William Blake, 1757–1827
The Poems of Thomas Gray, Design 47, "The Progress of Poesy."
between 1797 and 1798
41
William Blake, 1757–1827
The Poems of Thomas Gray, Design 79, "The Descent of Odin."
between 1797 and 1798
42
William Blake, 1757–1827
The Poems of Thomas Gray, Design 83, "The Descent of Odin."
between 1797 and 1798
43
William Blake, 1757–1827
The Poems of Thomas Gray, Design 69, "The Fatal Sisters."
between 1797 and 1798
44
William Blake, 1757–1827
The Poems of Thomas Gray, Design 99, "Ode for Music."
between 1797 and 1798
45
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 1, Frontispiece (Bentley 2)
1789
46
William Blake, 1757–1827
The Poems of Thomas Gray, Design 33, "A Long Story."
between 1797 and 1798
47
William Blake, 1757–1827
The Poems of Thomas Gray, Design 35, "Ode to Adversity."
between 1797 and 1798
48
William Blake, 1757–1827
The Poems of Thomas Gray, Design 37, "Ode to Adversity."
between 1797 and 1798
49
William Blake, 1757–1827
The Poems of Thomas Gray, Design 5, "Ode on the Spring."
between 1797 and 1798
50
William Blake, 1757–1827
The Poems of Thomas Gray, Design 53, "The Bard."
between 1797 and 1798
51
William Blake, 1757–1827
The Poems of Thomas Gray, Design 55, "The Bard."
between 1797 and 1798
52
William Blake, 1757–1827
The Poems of Thomas Gray, Design 65, "The Bard."
between 1797 and 1798
53
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 19, "Emblem of That Which Shall Awake the Dead"
1797
54
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"
1797
55
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 63, "This King of Terrors Is the Prince of Peace"
1797
56
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 86, "His Hand the Good Man Fastens on the Skies"
1797
57
William Blake, 1757–1827
The Poems of Thomas Gray, Design 1, "The Pindaric Genius Receiving His Lyre"
between 1797 and 1798
58
William Blake, 1757–1827
The Poems of Thomas Gray, Design 103, "Epitaph on Mrs. Clarke."
between 1797 and 1798
59
William Blake, 1757–1827
The Poems of Thomas Gray, Design 115, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
60
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"
1797
61
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"
1797
62
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"
1797
63
William Blake, 1757–1827
The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
64
William Blake, 1757–1827
The Poems of Thomas Gray, Design 13, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
65
William Blake, 1757–1827
The Poems of Thomas Gray, Design 27, "A Long Story."
between 1797 and 1798
66
William Blake, 1757–1827
The Poems of Thomas Gray, Design 3, "Ode on the Spring."
between 1797 and 1798
67
William Blake, 1757–1827
The Poems of Thomas Gray, Design 15, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
68
William Blake, 1757–1827
The Poems of Thomas Gray, Design 85, "The Descent of Odin."
between 1797 and 1798
69
William Blake, 1757–1827
Songs of Innocence and of Experience
1789-1794
70
William Blake, 1757–1827
Moses Receiving the Law
ca. 1780
71
attributed to Paul Sandby, 1731–1809
View in Wales
undated
72
Ozias Humphry, 1742–1810
Portrait of a Gentleman
undated
73
Hugh Douglas Hamilton, 1739–1808
Portrait of a Divine
after 1791
74
Hugh Douglas Hamilton, 1739–1808
Henry Reveley
1770
75
Jan Joseph Horemans, 1714–c.1790
Study of a Man
undated
76
Thomas Hearne, 1744–1817
The Cheesecake House, Hyde Park
ca. 1795
77
Attributed to Sir Godfrey Kneller, 1646–1723
Head of a Man
1732
78
unknown artist
Unidentified Sitter
undated
79
Thomas Hand, died 1804
Wooded Landscape with Figures Round a Cooking Pot
1793
80
Angelica Kauffmann, 1741–1807
Dr. John Morgan of Philadelphia
1765
81
William Lock II, 1767–1847
Portrait of the Pugilist Johnson
1790
82
William Birch, 1755–1834
The Nabob of Surat as painted in 1778
1778
83
Valentine Green, 1739–1813
Henry Grattan
1782
84
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela Swooning, after having discovered Mr. B. in the closet, He (frighted) endeavouring to recover her, Mrs. Jervis wringing her hands, and screaming
1745
85
Print made by James S. Storer, 1771–1853
Birmingham
1795
86
Alexander Bannerman, ca. 1730–1780
John Wyck and Thomas Wyck
undated
87
John Dixon, ca. 1740–1811
Henry, tenth Earl of Pembroke and seventh Earl of Montgomery
1769
88
Print made by James Walker, 1748–1808
Bridgenorth
1795
89
Print made by Thomas Chambars, ca. 1724–1789
George Vertue, Engraver
undated
90
Print made by Thomas Chambars, ca. 1724–1789
Henry Cornelius Vroom
undated
91
Print made by Thomas Chambars, ca. 1724–1789
Robert Walker
undated
92
Print made by Francesco Bartolozzi, 1728–1815
William Woollet
1795
93
John Faber the Younger, ca. 1695–1756
Joanni Wootton
1730
94
Alexander Bannerman, ca. 1730–1780
John Wyck and Thomas Wyck
undated
95
Print made by Alexander Bannerman, ca. 1730–1780
Frederick Zucchero
undated
96
Alexander Bannerman, ca. 1730–1780
Gerard Zoust, Edema and Grifiere
undated
97
Print made by John Blackmore, active 1740–1780
Samuel Foote Esq
1771
98
Edward Fisher, 1722–1785
His Royal Highness William Augustus, Duke of Cumberland