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Materials & Techniques gray wash
Remove constraint Materials & Techniques: gray washCredit Line Yale Center for British Art, Paul Mellon Collection
Remove constraint Credit Line: Yale Center for British Art, Paul Mellon CollectionImage Use Free to Use
Remove constraint Image Use: Free to UseClassification Drawings & Watercolors
Remove constraint Classification: Drawings & WatercolorsSearch Results
1
- A Harrow in the Orchard
- ca. 1896
2
- An Ancient Barn at Shoreham
- undated
3
- Cornfields with Barn, Shoreham
- ca. 1829
4
- Boxhill
- 1868
5
- A Cottage among Trees, Shoreham
- undated
6
- A Shepherd and his Flock under the Moon and Stars
- ca. 1827
7
- The Primitive Cottage, Shoreham
- undated
8
- Opening the Fold: Early Morning
- ca. 1880
9
- Study of Waves
- undated
10
- Shoreham, Kent
- between 1831 and 1832
11
- Study for "The Shearers"
- between 1833 and 1834
12
- Helmingham: The Silent Pool
- ca. 1800
13
- Mr. Hobson of Markfield and Family
- ca. 1806
14
- Trees and Deer
- 1825
15
- A Bridge near Salisbury Court, Perhaps Milford Bridge
- ca. 1829
16
- Cottage among Trees
- ca. 1795
17
- Grotesque Female Head
- undated
18
- Grotesque Female Head
- undated
19
- Gabriel Hunt
- undated
20
- Study for the Foundlings
- ca. 1739
21
- Benjamin Read
- ca. 1757
22
- Landscape with Waterfall
- ca. 1796
23
- Rheinfels Looking to Katz and Gourhausen
- 1817
24
- Fisherman's Cottage, Dover
- ca. 1790s
25
- Man with Horse and Cart Entering a Quarry
- ca. 1797
26
- A Three Storied Georgian House in a Park
- ca. 1795
27
- Near Grindelwald
- ca. 1796
28
- Waterfall of Lodore, Cumberland
- undated
29
- Villa d'Este
- ca. 1796
30
- Illustration to Tennyson's "You Ask Me Why": Areka Palms, Ratanapooru, Ceylon - `I will see before I die The Palms and Temples of the South'
- undated
31
- Illustration to Tennyson's "The Gardener's Daughter:" Mount Lebanon, Syria - `A Cedar spread his dark green layers of shade'
- undated
32
- Wady Feiran, Peninsula of Mt. Sinai
- ca. 1880
33
- The Capo Sant' Angelo, Amalfi
- ca. 1885
34
- Study of a Lady Standing
- undated
35
- The Wave
- undated
36
- Tiriel Supporting the Dying Myratana and Cursing His Sons
- 1786 to 1789
37
- Moses Receiving the Law
- ca. 1780
38
- Satan Approaching the Court of Chaos
- 1784 to 1785
39
- View on the Coast of Italy
- undated
40
- Cedros Bay
- 1857
41
- The Bocas from the Old Fort, Macqueripe
- 1857
42
- St. James' Barracks from the Playground of the Model School
- 1857
43
- Riverside, St. Joseph
- 1857
44
- The Reservoir at Maraval
- 1857
45
- Garden Estate, Arouca
- 1857
46
- Avenue and Entrance to St. James Barracks
- 1857
47
- Corbeaux Town, Port of Spain
- 1857
48
- Ruins of the Savoy Palace, London
- undated
49
- Regent's Park, London, The Colosseum, Clergy's Orphans' School and St. Andrew's Place, with Figures and Coaches
- ca. 1831
50
- Extensive View of Windsor Castle
- undated
51
- Figure in Tree near Pond
- undated
52
- View over Valley
- undated
53
- Church in Trees
- undated
54
- Abbey Church at St. Albans
- 1781
55
- Ben Glog (North Wales)
- undated
56
- Bridge over Stream, North Wales
- 1800
57
- Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House
- 1817
58
- Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends
- 1817
59
- Hogarth Declaring His Love to Miss Thornhill
- 1817
60
- Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
- 1817
61
- Man Asleep with his Mouth Wide Open and Hands Crossed
- undated
62
- Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
- 1817
63
- Hogarth Drawing Sarah Malcolm
- 1817
64
- Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers
- 1817
65
- Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him
- 1817
66
- Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
- 1817
67
- Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'
- 1817
68
- Woodpecker and Two Birds
- 1760
69
- Crowned Eagle and Two Birds
- 1760
70
- Rough Diamonds
- ca. 1760
71
- Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont
- 1817
72
- Crystals and Fossils
- ca. 1760
73
- The Humble Bee and Insects
- 1760
74
- Hogarth Sitting to Roubiliac for His Bust
- 1817
75
- Hogarth at Old Slaughter's Hobbing with Highmore the Painter
- 1817
76
- Miss Elizabeth Siddal
- between 1854 and 1855
77
- A Family in Hyde Park
- undated
78
- Illustration to Tonson's Ovid Metamorphosis (three of four)
- ca. 1710
79
- Illustration to Tonson's Ovid Metamorphis (four of four)
- ca. 1710
80
- Goat Hill and Ships
- ca. 1820
81
- A View of Carlisle Bay, Barbados, with Cottages
- ca. 1820
82
- View of Carlisle Bay, Barbados, with Ships and Boat
- ca. 1820
83
- Horsemen in a Landscape
- undated
84
- A Panoramic View of Carlisle Bay, Barbados, with Cottages and Ships
- ca. 1820
85
- Trees by a Lake
- undated
86
- An Eclipse in Harvest Time
- undated
87
- Venetian Fantasy
- undated
88
- The Campagna
- undated
89
- Rusthill Common near Tunbridge Wells, Kent
- ca. 1840
90
- A Church in Italy
- undated
91
- View of the Waterhouse and Old St. Paul's, London
- ca. 1663
92
- Man of War with Other Shipping
- 1791
93
- Hermitage Near Albano
- 1782
94
- From the Window of the Inn at Lauterbraun
- ca. 1811
95
- At St. Albans
- undated
96
- Wooded Landscape with Cattle, Figures and a House
- undated
97
- A Rocky Crag
- undated
98
- Raglan Castle
- undated
99
- Mountain Landscape with Castle Ruins on a Cliff
- undated
100
- Architectural Drawing of a Building with Astrological Symbols
- undated