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Materials & Techniques graphite

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William Hogarth Operation Scene in a Hospital with Subsidiary Sketches in the Margin at the Lower Right
William Hogarth, 1697–1764
Operation Scene in a Hospital with Subsidiary Sketches in the Margin at the Lower Right
undated
Joseph Mallord William Turner Rome from Monte Mario
Joseph Mallord William Turner, 1775–1851
Rome from Monte Mario
ca. 1818
Joseph Mallord William Turner Dartmoor: The Source of the Tamar and the Torridge
Joseph Mallord William Turner, 1775–1851
Dartmoor: The Source of the Tamar and the Torridge
ca. 1813
Edward Lear Opposite Beni Hassan
Edward Lear, 1812–1888
Opposite Beni Hassan
1867
Edward Lear Howatke
Edward Lear, 1812–1888
Howatke
1867
George Romney Study of Three Women
George Romney, 1734–1802
Study of Three Women
undated
George Romney Lear Awakened by Cordelia
George Romney, 1734–1802
Lear Awakened by Cordelia
between 1774 and 1775
George Romney David Playing the Harp
George Romney, 1734–1802
David Playing the Harp
undated
George Romney Sketches of a Prostrate Woman
George Romney, 1734–1802
Sketches of a Prostrate Woman
undated
George Romney The Accusation of Susanna by the Elders
George Romney, 1734–1802
The Accusation of Susanna by the Elders
undated
George Romney Figures Mourning at the Bier of a Woman
George Romney, 1734–1802
Figures Mourning at the Bier of a Woman
undated
George Romney Seated Woman Feeding an Animal
George Romney, 1734–1802
Seated Woman Feeding an Animal
undated
George Romney Mythological Group of Women and Children
George Romney, 1734–1802
Mythological Group of Women and Children
undated
George Romney Women and Children
George Romney, 1734–1802
Women and Children
undated
George Romney Prison Scene
George Romney, 1734–1802
Prison Scene
undated
George Romney Prison Scene
George Romney, 1734–1802
Prison Scene
undated
George Romney Howard Visiting a Prison
George Romney, 1734–1802
Howard Visiting a Prison
undated
George Romney Prison Scene
George Romney, 1734–1802
Prison Scene
undated
George Romney The Banquet Scene
George Romney, 1734–1802
The Banquet Scene
ca. 1792
George Romney The Witches' Cavern
George Romney, 1734–1802
The Witches' Cavern
between 1792 and 1793
George Romney Men Going out to Fight, with a Crowd of Cowering Women Behind
George Romney, 1734–1802
Men Going out to Fight, with a Crowd of Cowering Women Behind
undated
George Romney Prison Scene
George Romney, 1734–1802
Prison Scene
undated
George Romney Group of Figures, Possibly Women and Children Playing
George Romney, 1734–1802
Group of Figures, Possibly Women and Children Playing
undated
George Romney Howard Visiting a Prison
George Romney, 1734–1802
Howard Visiting a Prison
undated
George Romney Howard Visiting a Prison
George Romney, 1734–1802
Howard Visiting a Prison
undated
George Romney Witches' Cavern: MacBeth's Second Visit
George Romney, 1734–1802
Witches' Cavern: MacBeth's Second Visit
undated
George Romney Bacchanalian Scene (Possibly Antediluvian)
George Romney, 1734–1802
Bacchanalian Scene (Possibly Antediluvian)
undated
George Romney David before Saul
George Romney, 1734–1802
David before Saul
undated
George Romney Three Young Witches
George Romney, 1734–1802
Three Young Witches
undated
George Romney Three Lamenting Women
George Romney, 1734–1802
Three Lamenting Women
undated
George Romney Group of Four Women Embracing
George Romney, 1734–1802
Group of Four Women Embracing
between 1789 and 1790
George Romney Howard Visiting a Prison
George Romney, 1734–1802
Howard Visiting a Prison
undated
George Romney Lear Awakened by Cordelia
George Romney, 1734–1802
Lear Awakened by Cordelia
ca. 1774
George Romney Sketches for "The Accusation of Susanna"
George Romney, 1734–1802
Sketches for "The Accusation of Susanna"
undated
George Romney The Accusation of Susanna
George Romney, 1734–1802
The Accusation of Susanna
ca. 1773
George Romney Two Sisters
George Romney, 1734–1802
Two Sisters
undated
George Romney Ladies in Waiting
George Romney, 1734–1802
Ladies in Waiting
undated
William Blake The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 111, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 111, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 75, "The Fatal Sisters."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 75, "The Fatal Sisters."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 29, "A Long Story."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 29, "A Long Story."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 49, "The Progress of Poesy."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 49, "The Progress of Poesy."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 61, "The Bard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 61, "The Bard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 63, "The Bard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 63, "The Bard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 9, "Ode on the Death of a Favourite Cat."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 9, "Ode on the Death of a Favourite Cat."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 11, "Ode on the Death of a Favourite Cat."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 11, "Ode on the Death of a Favourite Cat."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 19, "Ode on a Distant Prospect of Eton College."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 19, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 41, "The Progress of Poesy."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 41, "The Progress of Poesy."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 45, "The Progress of Poesy."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 45, "The Progress of Poesy."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 55, "The Bard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 55, "The Bard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 113, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 113, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 25, "A Long Story."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 25, "A Long Story."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 3, "Ode on the Spring."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 3, "Ode on the Spring."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 35, "Ode to Adversity."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 35, "Ode to Adversity."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 37, "Ode to Adversity."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 37, "Ode to Adversity."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 107, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 107, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 115, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 115, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 17, "Ode on a Distant Prospect of Eton College."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 17, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 27, "A Long Story."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 27, "A Long Story."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 33, "A Long Story."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 33, "A Long Story."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 31, "A Long Story."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 31, "A Long Story."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 39, "Ode to Adversity."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 39, "Ode to Adversity."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 43, "The Progress of Poesy."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 43, "The Progress of Poesy."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 51, "The Progress of Poesy."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 51, "The Progress of Poesy."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 59, "The Bard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 59, "The Bard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 67, "The Fatal Sisters."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 67, "The Fatal Sisters."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 71, "The Fatal Sisters."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 71, "The Fatal Sisters."
between 1797 and 1798
William Blake Satan Approaching the Court of Chaos
William Blake, 1757–1827
Satan Approaching the Court of Chaos
1784 to 1785
William Blake Joseph and Potiphar's Wife
William Blake, 1757–1827
Joseph and Potiphar's Wife
1803 to 1805
William Blake Five Visionary Heads of Women
William Blake, 1757–1827
Five Visionary Heads of Women
1819 to 1820
William Blake The Widow Embracing Her Husband's Grave
William Blake, 1757–1827
The Widow Embracing Her Husband's Grave
1805 to 1808
Walter Richard Sickert Little Dot Hetherington at the Old Bedford, Camden Town, Singing "The Boy I Love Is Up in the Gallery"
Walter Richard Sickert, 1860–1942
Little Dot Hetherington at the Old Bedford, Camden Town, Singing "The Boy I Love Is Up in the Gallery"
ca. 1888
George Augustus Sala Be it ever so Humble, There's no place like Home
George Augustus Sala, 1828–1895
Be it ever so Humble, There's no place like Home
undated
Sir David Wilkie The Interior of Pitlessie Mill with a Man Sieving Corn
Sir David Wilkie, 1785–1841
The Interior of Pitlessie Mill with a Man Sieving Corn
1818
Richard Dadd Landscape with Cottages, Broadmoor
Richard Dadd, 1817–1886
Landscape with Cottages, Broadmoor
1873
Richard Bridgens Planting the sugar cane (Trinidad)
Richard Bridgens, active 1838
Planting the sugar cane (Trinidad)
1838
Robert Hills Farm Laborers and Other Studies
Robert Hills, 1769–1844
Farm Laborers and Other Studies
undated
Julius Caesar Ibbetson Haymaking
Julius Caesar Ibbetson, 1759–1817
Haymaking
1792
unknown artist The Arrival of Ferries at London Bridge (?)
unknown artist
The Arrival of Ferries at London Bridge (?)
undated
Thomas Girtin The Village of Kirkstall, Yorkshire
Thomas Girtin, 1775–1802
The Village of Kirkstall, Yorkshire
1801
Robert Hills Studies of Haymakers
Robert Hills, 1769–1844
Studies of Haymakers
ca. 1807
Paul Sandby Bridgenorth, Shropshire
Paul Sandby, 1731–1809
Bridgenorth, Shropshire
ca. 1801
Thomas Hearne Haymaking
Thomas Hearne, 1744–1817
Haymaking
undated
Samuel Prout Sketches of Peasants and Work-Horses
Samuel Prout, 1783–1852
Sketches of Peasants and Work-Horses
undated
Thomas Rowlandson A Pier at Amsterdam (Version A)
Thomas Rowlandson, 1756–1827
A Pier at Amsterdam (Version A)
1792
Edward Burne-Jones Study for The Wedding Feast of Sir Degrevaunt
Edward Burne-Jones, 1833–1898
Study for The Wedding Feast of Sir Degrevaunt
undated
Edward Burne-Jones The Land of Beulah
Edward Burne-Jones, 1833–1898
The Land of Beulah
1881
J. Findlay Sir Violet Sighaway & Mr. Villiers
J. Findlay, active 1825–1857
Sir Violet Sighaway & Mr. Villiers
undated
Dante Gabriel Rossetti Illustration to the Maids of Elfen-Mere
Dante Gabriel Rossetti, 1828–1882
Illustration to the Maids of Elfen-Mere
1854
Joseph Nash Groups of Men and Women in Conservation
Joseph Nash, 1808–1878
Groups of Men and Women in Conservation
undated
Edmund Thomas Parris Sketches from Life
Edmund Thomas Parris, 1793–1873
Sketches from Life
1826
Samuel Prout Figures on a Beach
Samuel Prout, 1783–1852
Figures on a Beach
after 1827
Samuel Prout Fisherfolk on the Beach, Ostend
Samuel Prout, 1783–1852
Fisherfolk on the Beach, Ostend
undated
Richard Westall Moses Striking the Rock (Numbers 20:11)
Richard Westall, 1765–1836
Moses Striking the Rock (Numbers 20:11)
before 1835
William Simpson The Blessing of the Suez Canal, November 16, 1869
William Simpson, 1823–1899
The Blessing of the Suez Canal, November 16, 1869
after 1869
Robert Smirke Lysander Awakening to See Helena
Robert Smirke, 1752–1845
Lysander Awakening to See Helena
1825
Robert Smirke Falstaff in the Boar's Head
Robert Smirke, 1752–1845
Falstaff in the Boar's Head
1807
Sir David Wilkie Shopping in the Rows, Chester
Sir David Wilkie, 1785–1841
Shopping in the Rows, Chester
1837
Mauritius Lowe The Artist Assaulted by Time, Ignorance and Envy
Mauritius Lowe, 1746–1793
The Artist Assaulted by Time, Ignorance and Envy
between 1772 and 1790
George Shepheard Winkle Street, Southampton
George Shepheard, ca. 1770–1842
Winkle Street, Southampton
1819