Cupid and Cephisa: "Cephisa says, we ought to cut the Wings of Love..."
1789
8
Caroline Watson, 1760–1814
Garrick Reading the Ode at the Shakespeare Jubilee
1784
9
Print made by Lydia Bates, active 1784
A Choral Band
ca. 1777
10
Print made by Lydia Bates, active 1784
Literary Characters Assembled around the Medallion of Shakespeare
ca. 1777
11
Print made by Lydia Bates, active 1784
Landscape with Classical Ruins
1784
12
Print made by Lydia Bates, active 1784
Little Missenden Church from the Southeast
1784
13
Print made by Samuel Cousins, 1801–1887
The Pet Rabbit
1835
14
Print made by Thomas Burke, 1749–1815
Lady Rushout and Daughter
1784
15
Print made by Thomas Cheesman, 1760–1834/35
Marchioness of Townshend and Child
1792
16
Print made by Mary Dawson Turner, 1774–1850
Portrait of Benjamin Robert Haydon
1816
17
Print made by George Cruikshank, 1792–1878
Specimens of Waltzing
1817
18
Print made by Caroline Watson, 1760–1814
Prince Serge and Princess Barbara Gagarin, with their son, Prince Nicholas
1785
19
Print made by James Gillray, 1756–1815
The Theatrical Bubble: Being a New Specimen of the Astonishing Powers of the Great Politico-Punchinello, in the art of Dramatic Puffing
1805
20
Print made by Elizabeth Christiana Fanshawe, 1778–1856
Elizabeth Alexander
1806
21
Print made by Caroline Watson, 1760–1814
Portrait of Mrs. Elizabeth Stanhope
1790
22
Robert Smirke, 1752–1845
Taming of the Shrew
1821
23
Print made by Lydia Bates, active 1784
Coastal Scene
1784
24
Print made by Lydia Bates, active 1784
Deucalion and Pyrrha after the Flood
1784
25
Print made by John Condé, 1765–1794
Mrs. Fitzherbert
1792
26
Louisa Augusta Greville, 1743–active 1762
Man Leading Tow Mules Supporting a Chair, Large Tree in Foreground
1759
27
Print made by Louisa Augusta Greville, 1743–active 1762
Rural Scene with Herdsboys and Three Cows, Large Tree in Foreground
1760
28
Louisa Augusta Greville, 1743–active 1762
Two People Fording a River, Dog on Riverbank, Round Building in Middle Distance
1770
29
Louisa Augusta Greville, 1743–active 1762
Five People Praying
1760
30
James Gillray, 1756–1815
Blowing up the Pic Nic's: or Harlequin Quioxtte Attacking the Puppets
1802
31
Print made by M. Coote, ca. 1758/62–1801
Edgar's Tower at Worcester
before 1786
32
M. Coote, ca. 1758/62–1801
Dudley Priory in Worcestershire, Plate 2
before 1786
33
James Gillray, 1756–1815
The Valley of the Shadow of Death
1808
34
James Gillray, 1756–1815
Weird Sisters; Ministers of Darkness; Minions of the Moon (Thurlow, Pitt, and Dundas)
1791
35
James Gillray, 1756–1815
Presages of the Millenium
1795
36
Print made by James Gillray, 1756–1815
Flannel-Armour; Female-Patriotism, -or- Modern Heroes Accoutred for the Wars
1793
37
James Gillray, 1756–1815
A Kick at the Broad-Bottoms! - i.e.- Emancipation of "All the Talents"
1807
38
Print made by M. Coote, ca. 1758/62–1801
Edgar's Tower at Worcester
before 1786
39
James Gillray, 1756–1815
Le Coup de Maitre
1797
40
Print made by M. Coote, ca. 1758/62–1801
Dudley Priory in Worcestershire, Plate 1
before 1786
41
James Gillray, 1756–1815
The Death of the Great Wolf
1795
42
Print made by M. Coote, ca. 1758/62–1801
Dudley Priory in Worcestershire, Plate 2
before 1786
43
Print made by Letitia Byrne, 1779–1849
Bolton Abbey, Yorkshire
1809
44
Print made by Francesco Bartolozzi, 1728–1815
Hebe
1782
45
Print made by Francesco Bartolozzi, 1728–1815
Paris and Oenone
1780
46
Print made by unknown artist
Grandpapa's Story or The Witches Frolick
1838
47
Print made by James Gillray, 1756–1815
A Cognocenti Contemplating ye Beauties of ye Antique
1801
48
Print made by Thomas Chambars, ca. 1724–1789
Mrs. Beale and her Son Charles
1762
49
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 4 - "Expulsion waits that Son of Alma Mater who dares to shew his face in Boot or Gaiter"
1806
50
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 1 - "Ah me! what perils doth that Youth encounter, who dares within the Fellow's Bog to enter."
1806
51
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 2 - "Ah me! that thou the Freshman's-Guide should'st read, yet venture on the hallowed grass to tread"
1806
52
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 3 - "The Master's Wig the guilty wight appals, who brings his Dog within the College walls."
1806
53
Print made by Pierre Audouin, 1768–1822
Angelica Kauffman
undated
54
Print made by Thomas Burke, 1749–1815
Cupid and Cephisa: "One Day as I was Walking in the Woods..."
1789
55
Print made by Thomas Chambars, ca. 1724–1789
Mrs. Beale and her Son Charles
1762
56
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 5 - "Convened for wearing Gaiters - sad offence! Expelled - nor e'en permitted a defence."
1806
57
Print made by Letitia Byrne, 1779–1849
Kenilworth Castle
1794-1837
58
Print made by Letitia Byrne, 1779–1849
Oxford
undated
59
Print made by Elizabeth Blackwell, died 1774
Lysimachia (Loosestrife), Plate 278 from 'A Curious Herbal', volume II, London, 1737
1737
60
Print made by Elizabeth Blackwell, died 1774
Pastinaca (Parsnip), Plate 379 from 'A Curious Herbal', volume II, London, 1737
1737
61
Print made by Letitia Byrne, 1779–1849
Farm Scene
undated
62
Print made by Caroline Watson, 1760–1814
Judith, or Cowper's Oak
1803-1804
63
Print made by William Baillie, 1723–1810
Portrait of Sofonisba Angusciola Pittrice
between 1761 and 1786
64
James Gillray, 1756–1815
Preliminaries of Peace! - or - John Bull, and His Little Friends "Marching to Paris"
1801
65
James Gillray, 1756–1815
Preparing for The Grand Attack - or - A Private Rehearsal of the Ci-Devant Ministry in Danger
1801
66
James Gillray, 1756–1815
The Spanish-Bull-Fight - or - The Corsical-Matador in Danger
1808
67
James Gillray, 1756–1815
The high-Flying Candidate (i.e. Little Paul-Goose) Mounting from a Blanket
1806
68
James Gillray, 1756–1815
The Bear and His Leader. --"What tho' I am Obliged to Dance A Bear, A Man may be a Gentleman for That, --My Bear Ever Dances to the Genteelest of Tunes"
1806
69
James Gillray, 1756–1815
Comfort's of a Bed of Roses; Vide Charley's Elucidation of Lord C(a)stl(e) R(ea)gh's Speech! --A Nightly Scene near Cleveland Row
1806
70
James Gillray, 1756–1815
The New Dynasty; or the Little Corsican Gardener Planting a Royal Pippin-Tree. -All the Talents (Busy in) are Clearing the Ground of the Old Timber
1807
71
James Gillray, 1756–1815
The Man of Feeling, in Search of Indispensibles: - A Scene at the Little French Milleners
1800
72
James Gillray, 1756–1815
Half Natural
1799
73
James Gillray, 1756–1815
Pen-etration
1799
74
James Gillray, 1756–1815
Citizens Visiting the Bastille, - Vide. Democratic Charities. -
1799
75
James Gillray, 1756–1815
Pizarro, Contemplating (over) The Product of His Peruvian Mine
1799
76
James Gillray, 1756–1815
Westminster-Conscripts under the Training Act
1806
77
James Gillray, 1756–1815
Pacific Overtures - or - A Flight from St. Clouds - "Over the Water to Charley" - A New Dramatic Peace now Rehearsing
1806
78
James Gillray, 1756–1815
Le Diable - Boiteux - or - The Devil Upon Two Sticks, Conveying John Bull, to the Land of Promise
1806
79
James Gillray, 1756–1815
Patriot's Deciding a Point of Honor! - or - An Exact Representation of the Celebrated Rencontre which Took Place at Combe Wood at May 2nd 1807 - Between Little-Paul the Taylor and Sir Francis Goose
1807
80
James Gillray, 1756–1815
The Nursery, with, Britannia Reposing in Peace
1802
81
James Gillray, 1756–1815
The Apotheosis of the Corsican Phoenix
1808
82
James Gillray, 1756–1815
Patriotic-Petitions on the Convention/ the Cockney Petition; The Westminster Petition, The Chelmsford Petition, the Middlesex Petition
1808
83
James Gillray, 1756–1815
Introduction of Citizen Volpone - and His Suite, at Paris
1802
84
James Gillray, 1756–1815
German - Nonchalence: - or - The Vexation of Little Boney
1803
85
James Gillray, 1756–1815
The Apples and The Horse-Turds: - or - Bonaparte, among the Golden Pippins
1800
86
James Gillray, 1756–1815
Confederated- Coalitions; or, The Giant's Storming Heaven, With the Gods Alarmed for their Everlasting Abodes
1804
87
James Gillray, 1756–1815
The Pigs Possessed: - or - The Broad Bottom'd Litter Running Headlong into Ye Sea of Perdition. A Supplement to More Pigs thanTeats
ca. 1808
88
James Gillray, 1756–1815
The New Speaker (i.e. The Law Chick) Between the Hawks and Buzzards - Poor Little Michee!- Just Mounting, and then Funk'd and Frighten'd Out of All His Hopes (from: Caricature, vol. 1)
1800
89
Print made by Susan Fletcher Crawford, active 1892–died 1919
Railway and Commercial Hotel, Stirling
undated
90
Print made by Susan Fletcher Crawford, active 1892–died 1919
Old Castle of Gloom (Castle Campbell)
undated
91
Print made by Susan Fletcher Crawford, active 1892–died 1919
Argyle's Lodgings, Stirling
undated
92
James Gillray, 1756–1815
Tiddy-Doll the Great French-Ginger-Bread-Baker, Drawing Out a Batch of Kings-His Man, Hopping Talley, Mixing the Dough
1806
93
James Gillray, 1756–1815
Political Candour - i.e. - Coalition "Resolutions" of June 14th 1805 - Pro Bono Publico
1805
94
James Gillray, 1756–1815
Political Mathematician's Shaking the Broad Bottom'd Hemispheres
ca. 1811
95
Print made by Adeline S. Illingworth, 1858–ca.1930