Etched by Joseph Mallord William Turner, 1775–1851
The Straw Yard
1808
8
Joseph Mallord William Turner, 1775–1851
Shipping Scene, with Fishermen
between 1815 and 1820
9
Edward Lear, 1812–1888
Manor (Knowsley Lane?)
undated
10
Edward Lear, 1812–1888
Memphis
1867
11
Edward Lear, 1812–1888
Reggio, 26 July 1847
1847
12
Edward Lear, 1812–1888
S. Pietro Degli Agostiniani. Leonessa
1844
13
Edward Lear, 1812–1888
Turin, Italy
after 1872
14
Edward Lear, 1812–1888
The Pontine Marshes above Terracina
ca. 1880
15
Edward Lear, 1812–1888
Albania
between 1848 and 1849
16
Edward Lear, 1812–1888
Bavella, Corsica
ca. 1868
17
George Romney, 1734–1802
David before Saul
undated
18
George Romney, 1734–1802
Lord Salisbury, Standing by a Pillar
undated
19
George Romney, 1734–1802
Standing Male Figure
undated
20
George Romney, 1734–1802
Prison Scene
undated
21
George Romney, 1734–1802
Possibly a Fight Scene
undated
22
George Romney, 1734–1802
A Procession of the Damned: Study for the Damned in Dante's "Inferno"
undated
23
George Romney, 1734–1802
Mythological Group of Women and Children
undated
24
George Romney, 1734–1802
Studies for the Head of a Lady (Studies of a Woman's Head)
undated
25
George Romney, 1734–1802
A Mother with Her Child in Her Arms Flying upon the Ramparts of a City in Flames
undated
26
George Romney, 1734–1802
Two Lovers (Man Awakening from a Dream)
undated
27
George Romney, 1734–1802
Studies of a Seated Woman
undated
28
George Romney, 1734–1802
David Playing the Harp
undated
29
George Romney, 1734–1802
[Small Sketchbook]
1784
30
George Romney, 1734–1802
[Small Sketchbook]
1784
31
George Romney, 1734–1802
[Small Sketchbook]
1784
32
George Romney, 1734–1802
[Small Sketchbook]
1784
33
George Romney, 1734–1802
[Small Sketchbook]
1784
34
George Romney, 1734–1802
[Small Sketchbook]
1784
35
George Romney, 1734–1802
[Small Sketchbook]
1784
36
George Romney, 1734–1802
[Small Sketchbook]
1784
37
George Romney, 1734–1802
[Small Sketchbook]
1784
38
George Romney, 1734–1802
[Small Sketchbook]
1784
39
George Romney, 1734–1802
[Small Sketchbook]
1784
40
George Romney, 1734–1802
[Small Sketchbook]
1784
41
George Romney, 1734–1802
[Small Sketchbook]
1784
42
George Romney, 1734–1802
[Small Sketchbook]
1784
43
George Romney, 1734–1802
[Small Sketchbook]
1784
44
George Romney, 1734–1802
[Small Sketchbook]
1784
45
George Romney, 1734–1802
[Small Sketchbook]
1784
46
George Romney, 1734–1802
[Small Sketchbook]
1784
47
George Romney, 1734–1802
Seated Woman
undated
48
George Romney, 1734–1802
Shepherdess Cutting an Inscription on a Tree
undated
49
George Romney, 1734–1802
Samson Overpowered
undated
50
Michel Jean Cazabon, 1813–1888
On the Cimaronero River
1857
51
John Thomas Smith, 1766–1833
Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House
1817
52
John Thomas Smith, 1766–1833
Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends
1817
53
John Thomas Smith, 1766–1833
Hogarth Engraving His Master's Shop-bill the Sign of the Angel
1817
54
John Thomas Smith, 1766–1833
Hogarth Declaring His Love to Miss Thornhill
1817
55
John Thomas Smith, 1766–1833
Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
1817
56
John Thomas Smith, 1766–1833
Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
1817
57
John Thomas Smith, 1766–1833
Hogarth Drawing Sarah Malcolm
1817
58
John Thomas Smith, 1766–1833
Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers
1817
59
John Thomas Smith, 1766–1833
Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him
1817
60
John Thomas Smith, 1766–1833
Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
1817
61
John Thomas Smith, 1766–1833
Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont
1817
62
John Thomas Smith, 1766–1833
Hogarth Sitting to Roubiliac for His Bust
1817
63
Joseph Wilton, 1722–1803
A Study of Agostino Cornacchini's Statue of Charlemagne, St. Peter's Basilica, Rome
Between 1747 and 1755
64
unknown artist
Design for Wall Paper
ca. 1760
65
Thomas Stothard, 1755–1834
Relief Design for a Silver Salt Cellar
undated
66
Sir James Thornhill, 1675–1734
Sheet of Classical Figure Studies
undated
67
John Martin, 1789–1854
Burial of Sarah
1833
68
John Martin, 1789–1854
The Rescue of Lot
1833
69
John Martin, 1789–1854
The Walls of Jericho
1834
70
Sir Walter Thomas Monnington, 1902–1976
Macrocarpa
undated
71
Isaac Oliver, ca. 1565–1617
Classical Study of Three Figures
undated
72
Isaac Oliver, ca. 1565–1617
Leda and the Swan
undated
73
James Northcote, 1746–1831
Study for a Tiger and Monkeys
undated
74
James Northcote, 1746–1831
Macbeth and the Witches
between 1777 and 1778
75
William Parrott, 1813–ca. 1869
Waterloo Bridge from the Garden of M. A. Taylor, Esq
undated
76
attributed to John Hamilton Mortimer, 1740–1779
Portrait of John Saxby
undated
77
Henry Morton, ca. 1807–1825
St. Thomas' Church, Winchelsea
undated
78
Henry Morton, ca. 1807–1825
The Fish Ponds
undated
79
William Henry Pyne, 1769–1843
An Illustration to Rob Roy: Interior with a Party Drinking
undated
80
James Ward, 1769–1859
An Approaching Storm
undated
81
Sir David Wilkie, 1785–1841
Shopping in the Rows, Chester
1837
82
Sir David Wilkie, 1785–1841
Scene from Quentin Durward
1833
83
Edward Francis Burney, 1760–1848
John Gilpin in the Uxbridge Passage Boat
1820s
84
Thomas Carwitham, active 1723
Anna lamenting the absence of Tobias (Tobit 10:7)
1723
85
Thomas Carwitham, active 1723
Neptune and Coronis: Ovid, Metamorphoses, Book 2
1723
86
Thomas Carwitham, active 1723
Illustration to Homer's Iliad
1723
87
Thomas Carwitham, active 1723
The Daughters of Cecrops discover Ericthonius: Ovid, Metamorphoses, Book 2
1723
88
Samuel De Wilde, 1748–1832
Head of a Man with a Beard Looking to the Left
undated
89
James Barry, 1741–1806
Male with Arms Spread Wide Seen from Behind
undated
90
James Pattison Cockburn, 1779–1847
Dismounted Cavalry
undated
91
Isaac Weld, 1774–1856
Caernarvon (Castle) Eagle Tower
ca. 1809
92
Isaac Weld, 1774–1856
Harlech Castle
1810
93
Isaac Weld, 1774–1856
Harlech Castle
1810
94
Isaac Weld, 1774–1856
Ruins (Roman?)
1818
95
Isaac Weld, 1774–1856
Classical Landscape with Temple
ca. 1818
96
Isaac Weld, 1774–1856
"After Pinnelli" (Group of Peasants Outside a House)
1817
97
Isaac Weld, 1774–1856
After Pinnelli - Group of Peasants Outside a Church