Lady Leaning on a Column: (Possibly a Sketch for "Miss Woodley")
undated
7
George Romney, 1734–1802
Shepherdess Cutting an Inscription on a Tree
undated
8
George Romney, 1734–1802
Slight Group of Figures
undated
9
George Romney, 1734–1802
Prison Scene
undated
10
George Romney, 1734–1802
Seated Woman
undated
11
John Preston Neale, 1771/80–1847
Kingston Lacy, Dorset
undated
12
unknown artist
Thatched Roof and Tree
undated
13
Robert Mabon, died 1798
Bottom of Sword Sheath
undated
14
George Jones, 1786–1869
The Blacksmith
undated
15
Francis Hayman, 1707/8–1776
Flying the Kite
ca. 1740
16
Sir John Everett Millais, 1829–1896
The Dying Man
ca. 1853
17
attributed to Samuel Jackson, 1794–1869
The Moonlit Lake
undated
18
Isaac Shaw, active 1830
Railway Office, Liverpool
ca. 1830
19
Matthew Haughton, 1768–1821
A Fashionable Audience
undated
20
Attributed to unknown artist
A Soldier on Horseback
undated
21
John Martin, 1789–1854
Travelers on a Road above a River
1821
22
Sir Walter Thomas Monnington, 1902–1976
Landscape with Shepherd
undated
23
George Morland, 1763–1804
Peasants in a Grotto
undated
24
William Henry Pyne, 1769–1843
An Illustration to Rob Roy: Interior with a Party Drinking
undated
25
Philippe-Jacques de Loutherbourg, 1740–1812
Smugglers
undated
26
William Daniell, 1769–1837
Harwich, Essex
ca. 1820
27
Henry Dawe, 1790–1848
The Life of a Nobleman: Scene the Second - The First Party
undated
28
Henry Dawe, 1790–1848
The Life of a Nobleman: Scene the Third - The Night House
undated
29
Isaac Oliver, ca. 1565–1617
Classical Study of Three Figures
undated
30
Paul Sandby, 1731–1809
London Cries: Throws for a Ha'penny Have You a Ha'penny
undated
31
Paul Sandby, 1731–1809
London Cries: Small Coal or Brushes
ca. 1759
32
Paul Sandby, 1731–1809
London Cries: A Man Swaggering
undated
33
Paul Sandby, 1731–1809
London Cries: A Man with a Basket (Man Selling Pots and Pans)
undated
34
Paul Sandby, 1731–1809
London Cries: All Fire and No Smoke
ca. 1759
35
Paul Sandby, 1731–1809
London Cries: A Man with a Bottle
ca. 1759
36
Isaac Weld, 1774–1856
An Execution, Rome
1819
37
Paul Sandby, 1731–1809
A Good-bye
undated
38
James Ward, 1769–1859
A Boy and Girl Conversing
undated
39
Edward Francis Burney, 1760–1848
Illustration for The New Doll: Sewing Clothes for the Doll
1825
40
Henry Dawe, 1790–1848
The Life of a Nobleman: Scene the First - The Inheritance
undated
41
Henry Dawe, 1790–1848
The Life of a Nobleman: Scene the Fourth - The Betting Booth
undated
42
Henry Dawe, 1790–1848
The Life of a Nobleman: Scene the Fifth - The Gambling House
undated
43
Henry Dawe, 1790–1848
The Life of a Nobleman: Scene the Ninth - The Sick Room
undated
44
Attributed to Francis Hayman, 1707/8–1776
Figures in Boats
undated
45
Gangaram Chintaman Tambat, active 1790s
Utensils
ca. 1790
46
Henry Dawe, 1790–1848
The Life of a Nobleman: Scene the Sixth - The Usurer
undated
47
Henry Dawe, 1790–1848
The Life of a Nobleman: Scene the Seventh - The Mess Room
undated
48
Henry Dawe, 1790–1848
The Life of a Nobleman: Scene the Eighth - The Duel
undated
49
Edward Francis Burney, 1760–1848
Illustration for The New Doll: The Doll brought Home
1825
50
Edward Francis Burney, 1760–1848
Illustration for The New Doll: Untitled
1825
51
Edward Francis Burney, 1760–1848
Ilustration for The New Doll: Untitled
1825
52
Edward Francis Burney, 1760–1848
Illustration for The New Doll: Untitled
1825
53
Isaac Shaw, active 1830
Opening of the Liverpool and Manchester Railway
ca. 1830
54
Isaac Shaw, active 1830
View on the Liverpool and Manchester Railway with the Locomotive "Twin Sisters" in a Siding
ca. 1830
55
Benjamin West, 1738–1820
A Farm near Windsor
1789
56
Samuel De Wilde, 1748–1832
Head of a Man with a Beard Looking to the Left
undated
57
Paul Sandby, 1731–1809
Group of Figures: A Dogfight
ca. 1785
58
Thomas Stothard, 1755–1834
Twenty Young Girls in a Group Walking to the Left
undated
59
Sir Richard Colt Hoare, 1758–1838
Convent at Valmontone. November 1790
1790
60
William Mulready, 1786–1863
The Fight Interrupted
undated
61
Thomas Rowlandson, 1756–1827
Loading Sacks into a Cart
undated
62
Paul Sandby, 1731–1809
Washerwomen
between 1790 and 1805
63
Benjamin West, 1738–1820
Characters in the Streets of London
1799
64
William Pars, 1742–1782
A View at Lucerne
1775
65
Paul Sandby, 1731–1809
Two Wheeled Cart and Figures
undated
66
Sir David Wilkie, 1785–1841
Shopping in the Rows, Chester
1837
67
Paul Sandby, 1731–1809
Woman and Child Holding a Doll
between 1758 and 1760
68
John Thomas Smith, 1766–1833
Hogarth Engraving His Master's Shop-bill the Sign of the Angel
1817
69
John Thomas Smith, 1766–1833
Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends
1817
70
John Thomas Smith, 1766–1833
Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
1817
71
John Thomas Smith, 1766–1833
Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances
1817
72
John Thomas Smith, 1766–1833
Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
1817
73
John Thomas Smith, 1766–1833
Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill
1817
74
John Thomas Smith, 1766–1833
The Smock Exposed
1817
75
John Thomas Smith, 1766–1833
Hogarth Drawing Sarah Malcolm
1817
76
John Thomas Smith, 1766–1833
Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont
1817
77
John Thomas Smith, 1766–1833
Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House
1817
78
John Thomas Smith, 1766–1833
The Reconcilation
1817
79
John Thomas Smith, 1766–1833
Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
1817
80
John Thomas Smith, 1766–1833
Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him