<< YCBA Home Yale Center for British Art Yale Center for British Art << YCBA Home

YCBA Collections Search

Search Constraints

You searched for:

Materials & Techniques watercolor

Remove constraint Materials & Techniques: watercolor

Collection Prints and Drawings

Remove constraint Collection: Prints and Drawings

Subject Terms man

Remove constraint Subject Terms: man

Search Results

Francis Danby Oberon and Titania
Francis Danby, 1793–1861
Oberon and Titania
1837
John R. Skeaping One of Burch's
John R. Skeaping, 1901–1980
One of Burch's
1974
Samuel Palmer Study of a Pilgrim
attributed to Samuel Palmer, 1805–1881
Study of a Pilgrim
undated
Joseph Mallord William Turner A Great Tree
Joseph Mallord William Turner, 1775–1851
A Great Tree
ca. 1796
Joseph Mallord William Turner Man with Horse and Cart Entering a Quarry
Joseph Mallord William Turner, 1775–1851
Man with Horse and Cart Entering a Quarry
ca. 1797
Edward Lear Greek Woodcutter, June 13 /56
Edward Lear, 1812–1888
Greek Woodcutter, June 13 /56
1856
Edward Lear Egyptian Man
Edward Lear, 1812–1888
Egyptian Man
1867
Edward Lear Egyptian Man
Edward Lear, 1812–1888
Egyptian Man
1867
Edward Lear Egyptian Man
Edward Lear, 1812–1888
Egyptian Man
1867
Edward Lear Egyptian Man
Edward Lear, 1812–1888
Egyptian Man
1867
Edward Lear Egpytian Man on Camel
Edward Lear, 1812–1888
Egpytian Man on Camel
1867
William Blake Young's Night Thoughts, Page 19, "Emblem of That Which Shall Awake the Dead"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 19, "Emblem of That Which Shall Awake the Dead"
1797
William Blake Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"
1797
William Blake Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"
1797
William Blake Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"
1797
William Blake The Poems of Thomas Gray, Design 27, "A Long Story."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 27, "A Long Story."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 3, "Ode on the Spring."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 3, "Ode on the Spring."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 37, "Ode to Adversity."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 37, "Ode to Adversity."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 45, "The Progress of Poesy."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 45, "The Progress of Poesy."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 47, "The Progress of Poesy."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 47, "The Progress of Poesy."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 53, "The Bard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 53, "The Bard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 69, "The Fatal Sisters."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 69, "The Fatal Sisters."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 83, "The Descent of Odin."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 83, "The Descent of Odin."
between 1797 and 1798
William Blake Songs of Innocence, Plate 1, Frontispiece (Bentley 2)
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 1, Frontispiece (Bentley 2)
1789
William Blake Jerusalem, Plate 76
Print made by William Blake, 1757–1827
Jerusalem, Plate 76
1804 to 1820
William Blake Young's Night Thoughts, Page 16, "Oft Bursts My Song beyond the Bounds of Life"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 16, "Oft Bursts My Song beyond the Bounds of Life"
1797
William Blake Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"
1797
William Blake Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"
1797
William Blake Young's Night Thoughts, Page 33, "Like That, the Dial Speaks; and Points to Thee"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 33, "Like That, the Dial Speaks; and Points to Thee"
1797
William Blake Young's Night Thoughts, Page 73, "Draw the Dire Steel? -- Ah No!"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 73, "Draw the Dire Steel? -- Ah No!"
1797
William Blake Young's Night Thoughts, Page 75, "The Sun Beheld it -- No, the Shocking Scene"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 75, "The Sun Beheld it -- No, the Shocking Scene"
1797
William Blake The Poems of Thomas Gray, Design 1, "The Pindaric Genius Receiving His Lyre"
William Blake, 1757–1827
The Poems of Thomas Gray, Design 1, "The Pindaric Genius Receiving His Lyre"
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 101, "Ode for Music."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 101, "Ode for Music."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 103, "Epitaph on Mrs. Clarke."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 103, "Epitaph on Mrs. Clarke."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 105, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 105, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 115, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 115, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 13, "Ode on a Distant Prospect of Eton College."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 13, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 15, "Ode on a Distant Prospect of Eton College."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 15, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 35, "Ode to Adversity."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 35, "Ode to Adversity."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 41, "The Progress of Poesy."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 41, "The Progress of Poesy."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 55, "The Bard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 55, "The Bard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 65, "The Bard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 65, "The Bard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 79, "The Descent of Odin."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 79, "The Descent of Odin."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 85, "The Descent of Odin."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 85, "The Descent of Odin."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 99, "Ode for Music."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 99, "Ode for Music."
between 1797 and 1798
William Blake Young's Night Thoughts, Page 63, "This King of Terrors Is the Prince of Peace"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 63, "This King of Terrors Is the Prince of Peace"
1797
William Blake Young's Night Thoughts, Page 80, "The Thunder If in That the Almighty Dwells"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 80, "The Thunder If in That the Almighty Dwells"
1797
William Blake Young's Night Thoughts, Page 86, "His Hand the Good Man Fastens on the Skies"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 86, "His Hand the Good Man Fastens on the Skies"
1797
William Blake Young's Night Thoughts, Page 93, "If Angels Tremble, 'Tis at Such a Sight"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 93, "If Angels Tremble, 'Tis at Such a Sight"
1797
William Blake The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 33, "A Long Story."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 33, "A Long Story."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 5, "Ode on the Spring."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 5, "Ode on the Spring."
between 1797 and 1798
William Blake An Angel with a Trumpet
William Blake, 1757–1827
An Angel with a Trumpet
between 1805 and 1808
William Blake The Widow Embracing Her Husband's Grave
William Blake, 1757–1827
The Widow Embracing Her Husband's Grave
1805 to 1808
John Hassell The Villa of - Groote Esq near Bromley Kent
John Hassell, 1767–1825
The Villa of - Groote Esq near Bromley Kent
ca. 1812
James Hook A Regency Pair
James Hook, ca. 1772–1828
A Regency Pair
1802
James Hook A Regency Pair: Man with Walking Stick
James Hook, ca. 1772–1828
A Regency Pair: Man with Walking Stick
1802
Thomas Heaphy Inattention
Thomas Heaphy, 1775–1835
Inattention
1808
Thomas Hearne Half Timbered and Thatched Shack
Thomas Hearne, 1744–1817
Half Timbered and Thatched Shack
1798
Thomas Hearne The Poor House, Hadley, Hertfordshire
Thomas Hearne, 1744–1817
The Poor House, Hadley, Hertfordshire
1802
Thomas Hearne The Ruins of the College of Lincluden, Near Dumfries
Thomas Hearne, 1744–1817
The Ruins of the College of Lincluden, Near Dumfries
ca. 1778
John Jackson Self-Portrait
John Jackson, 1778–1831
Self-Portrait
ca. 1823
Thomas Hearne The Cheesecake House, Hyde Park
Thomas Hearne, 1744–1817
The Cheesecake House, Hyde Park
ca. 1795
Samuel Howitt A Lion Standing over a Wounded Leapard
Samuel Howitt, 1756–1822
A Lion Standing over a Wounded Leapard
undated
Samuel Howitt A Boar and a Ram
Samuel Howitt, 1756–1822
A Boar and a Ram
undated
Samuel Howitt Riders Outside an Inn
Samuel Howitt, 1756–1822
Riders Outside an Inn
undated
Alfred Henry Forrester Original Frontispiece for 'Book of Ballads' (Bon Gaultier)
Alfred Henry Forrester, 1804–1872
Original Frontispiece for 'Book of Ballads' (Bon Gaultier)
ca. 1845
John Warwick Smith The Lakes of Llanberis - from the Road from Caernarfon Going to Llanberis, Caernarfonshire
John Warwick Smith, 1749–1831
The Lakes of Llanberis - from the Road from Caernarfon Going to Llanberis, Caernarfonshire
July 14, 1792
John Burr Drifting
John Burr, 1831–1893
Drifting
1885
Sir David Wilkie A Scene from "The Abbot"
Sir David Wilkie, 1785–1841
A Scene from "The Abbot"
1833
Richard Westall An Apple Tree Near a Cottage
Richard Westall, 1765–1836
An Apple Tree Near a Cottage
undated
Edward Burne-Jones Salvator Mundi
Edward Burne-Jones, 1833–1898
Salvator Mundi
1882
Richard Dadd A Seated Figure on Horseback
attributed to Richard Dadd, 1817–1886
A Seated Figure on Horseback
undated
Robert Isaac Cruikshank Design for the Frontspiece of the Annals of Sporting and Fancy Gazette, Volume 1
Print made by Robert Isaac Cruikshank, 1789–1856
Design for the Frontspiece of the Annals of Sporting and Fancy Gazette, Volume 1
1822
Robert Dighton A Lesson Westward, or, A Morning Visit to Betsy Cole
Robert Dighton, 1752–1814
A Lesson Westward, or, A Morning Visit to Betsy Cole
1782
Louis Philippe Boitard Man Asleep in a Long Blue Coat
Louis Philippe Boitard, active 1734–1760
Man Asleep in a Long Blue Coat
undated
William Callow Landscape with Sheep
William Callow, 1812–1908
Landscape with Sheep
undated
Hablot Knight Browne One of eighteen designs for a series of plates illustrating Venus and Adonis
Hablot Knight Browne, 1815–1882
One of eighteen designs for a series of plates illustrating Venus and Adonis
undated
unknown artist The Death of Cordelia
unknown artist
The Death of Cordelia
undated
Ambrose Poynter Sketches from Life in Paris: Man with Hanks of Rope
Ambrose Poynter, 1796–1886
Sketches from Life in Paris: Man with Hanks of Rope
ca. 1835
unknown artist Man
unknown artist
Man
undated
unknown artist Man in Tartan Kilt and Top Armor
unknown artist
Man in Tartan Kilt and Top Armor
undated
Paul Sandby My Pretty Little Ginny Tarters for a Ha'penny a Stick or a Penny a Stick, or a Stick to Beat Your Wives or Dust Your Clothes
Paul Sandby, 1731–1809
My Pretty Little Ginny Tarters for a Ha'penny a Stick or a Penny a Stick, or a Stick to Beat Your Wives or Dust Your Clothes
ca. 1759
Paul Sandby London Cries: A Muffin Man
Paul Sandby, 1731–1809
London Cries: A Muffin Man
ca. 1759
Paul Sandby London Cries: "Turn your Copper into Silver Now before Your Eyes" (Title Page Design)
Paul Sandby, 1731–1809
London Cries: "Turn your Copper into Silver Now before Your Eyes" (Title Page Design)
1760
Paul Sandby London Cries: "Do You Want any Spoons..."
Paul Sandby, 1731–1809
London Cries: "Do You Want any Spoons..."
ca. 1759
John Linnell William Short
John Linnell, 1792–1882
William Short
1820
William Henry Hunt Portrait of a Man
William Henry Hunt, 1790–1864
Portrait of a Man
ca. 1820
William Henry Hunt A Street in a Country Village
William Henry Hunt, 1790–1864
A Street in a Country Village
ca. 1815
William Henry Hunt A Young Scholar Goes Fishing
William Henry Hunt, 1790–1864
A Young Scholar Goes Fishing
ca. 1820
Alfred William Hunt Tynemouth Pier - Lighting the Lamps at Sundown
Alfred William Hunt, 1830–1896
Tynemouth Pier - Lighting the Lamps at Sundown
1868
William Henry Hunt Dagnall Lane, St. Albans
William Henry Hunt, 1790–1864
Dagnall Lane, St. Albans
ca. 1820
William Henry Hunt Interior of the Belfry, Bushey Church
William Henry Hunt, 1790–1864
Interior of the Belfry, Bushey Church
ca. 1822
Henry Pierce Bone Incantation Scene
Henry Pierce Bone, 1779–1855
Incantation Scene
undated
Theodor von Holst Faust and Margaret
Theodor von Holst, 1810–1844
Faust and Margaret
undated
Theodor von Holst Ferdinand Riding the Waves
Theodor von Holst, 1810–1844
Ferdinand Riding the Waves
ca. 1830
John Martin An Elderly Man Petitioning Christ
Attributed to John Martin, 1789–1854
An Elderly Man Petitioning Christ
undated
Daniel Maclise Henry Sass
Daniel Maclise, 1806–1870
Henry Sass
between 1830 and 1835
William Marlow Full Length Man with Tricorn Hat under Left Arm
William Marlow, 1740–1813
Full Length Man with Tricorn Hat under Left Arm
undated
William Marlow Man Seated on a Parapet Waving his Left Arm
William Marlow, 1740–1813
Man Seated on a Parapet Waving his Left Arm
undated