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Collection Prints and Drawings

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Period 18th century

Remove constraint Period: 18th century

Subject Terms man

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George Stubbs Study for the Self-portrait in Enamel
George Stubbs, 1724–1806
Study for the Self-portrait in Enamel
ca. 1781
William Hogarth Hogarth Painting the Comic Muse
Print made by William Hogarth, 1697–1764
Hogarth Painting the Comic Muse
1764
William Hogarth Hymen
William Hogarth, 1697–1764
Hymen
ca. 1748
Joseph Mallord William Turner A Great Tree
Joseph Mallord William Turner, 1775–1851
A Great Tree
ca. 1796
Joseph Mallord William Turner Man with Horse and Cart Entering a Quarry
Joseph Mallord William Turner, 1775–1851
Man with Horse and Cart Entering a Quarry
ca. 1797
William Blake "Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
William Blake, 1757–1827
"Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
between 1797 and 1798
William Blake Sigtryg with the Silken Beard (Design 69)
William Blake, 1757–1827
Sigtryg with the Silken Beard (Design 69)
between 1797 and 1798
William Blake The Bard Weaving Edwards Fate (Design 55)
William Blake, 1757–1827
The Bard Weaving Edwards Fate (Design 55)
between 1797 and 1798
William Blake 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
Print made by William Blake, 1757–1827
'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
1797
William Blake 'The Sun beheld it – No, the shocking scene' (Page 75)
Print made by William Blake, 1757–1827
'The Sun beheld it – No, the shocking scene' (Page 75)
1797
William Blake 'The thunder, if in that the Almighty dwells' (Page 80)
Print made by William Blake, 1757–1827
'The thunder, if in that the Almighty dwells' (Page 80)
1797
William Blake 'If angels tremble, 'tis at such a sight' (Page 93)
Print made by William Blake, 1757–1827
'If angels tremble, 'tis at such a sight' (Page 93)
1797
William Blake "Oft did the harvest to their sickle yield..." (Design 109)
William Blake, 1757–1827
"Oft did the harvest to their sickle yield..." (Design 109)
between 1797 and 1798
William Blake The Purple Year awaking from the Roots of Nature (Design 3)
William Blake, 1757–1827
The Purple Year awaking from the Roots of Nature (Design 3)
between 1797 and 1798
William Blake "Leaning from her golden cloud, The venerable Marg'ret see!..." (Design 99)
William Blake, 1757–1827
"Leaning from her golden cloud, The venerable Marg'ret see!..." (Design 99)
between 1797 and 1798
William Blake Songs of Innocence, Frontispiece (Plate 1)
Print made by William Blake, 1757–1827
Songs of Innocence, Frontispiece (Plate 1)
1789
William Blake "A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)
William Blake, 1757–1827
"A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)
between 1797 and 1798
William Blake "Hie thee hence, and boast at home..." (Design 85)
William Blake, 1757–1827
"Hie thee hence, and boast at home..." (Design 85)
between 1797 and 1798
William Blake 'Like that, the dial speaks; and points to thee' (Page 33)
Print made by William Blake, 1757–1827
'Like that, the dial speaks; and points to thee' (Page 33)
1797
William Blake 'Teaching, we learn; and giving, we retain' (Page 35)
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
1797
William Blake Windsor Terrace, a Boy Contemplating a Distant View of Eton College (Design 13)
William Blake, 1757–1827
Windsor Terrace, a Boy Contemplating a Distant View of Eton College (Design 13)
between 1797 and 1798
William Blake "Her Henry's holy shade..." (Design 15)
William Blake, 1757–1827
"Her Henry's holy shade..." (Design 15)
between 1797 and 1798
William Blake "A brace of warriors... rustling in their silks and tissues..."(Design 27)
William Blake, 1757–1827
"A brace of warriors... rustling in their silks and tissues..."(Design 27)
between 1797 and 1798
William Blake "And purple tyrants vainly groan..." (Design 37)
William Blake, 1757–1827
"And purple tyrants vainly groan..." (Design 37)
between 1797 and 1798
William Blake "Brush'd by the hand of rough Mischance, Or chill'd by Age..." (Design 5)
William Blake, 1757–1827
"Brush'd by the hand of rough Mischance, Or chill'd by Age..." (Design 5)
between 1797 and 1798
William Blake A Welch Bard (Design 53)
William Blake, 1757–1827
A Welch Bard (Design 53)
between 1797 and 1798
William Blake "Him the dog of darkness spied..." (Design 79)
William Blake, 1757–1827
"Him the dog of darkness spied..." (Design 79)
between 1797 and 1798
William Blake 'This King of Terrors is the Prince of Peace' (Page 63)
Print made by William Blake, 1757–1827
'This King of Terrors is the Prince of Peace' (Page 63)
1797
William Blake 'His hand the good man fastens on the skies' (Page 86)
Print made by William Blake, 1757–1827
'His hand the good man fastens on the skies' (Page 86)
1797
William Blake Title Page, The Pindaric Genius Receiving His Lyre (Design 1)
William Blake, 1757–1827
Title Page, The Pindaric Genius Receiving His Lyre (Design 1)
between 1797 and 1798
William Blake "Nor fear the rocks, nor seek the shore..." (Design 101)
William Blake, 1757–1827
"Nor fear the rocks, nor seek the shore..." (Design 101)
between 1797 and 1798
William Blake The Mourner at the Tomb (Design 103)
William Blake, 1757–1827
The Mourner at the Tomb (Design 103)
between 1797 and 1798
William Blake The Author Writing (Design 105)
William Blake, 1757–1827
The Author Writing (Design 105)
between 1797 and 1798
William Blake A Shepherd Reading the Epitaph (Design 115)
William Blake, 1757–1827
A Shepherd Reading the Epitaph (Design 115)
between 1797 and 1798
William Blake "My Lade rose, and with a grace– She smil'd, and bid him come to dinner..." (Design 33)
William Blake, 1757–1827
"My Lade rose, and with a grace– She smil'd, and bid him come to dinner..." (Design 33)
between 1797 and 1798
William Blake The Beginning of Poesy. The Blind Begging Bard (Design 41)
William Blake, 1757–1827
The Beginning of Poesy. The Blind Begging Bard (Design 41)
between 1797 and 1798
William Blake "Cytherea's Day..." (Design 45)
William Blake, 1757–1827
"Cytherea's Day..." (Design 45)
between 1797 and 1798
William Blake "Where shaggy forms o'er ice-built mountains roam..." (Design 47)
William Blake, 1757–1827
"Where shaggy forms o'er ice-built mountains roam..." (Design 47)
between 1797 and 1798
William Blake 'Oft bursts my song beyond the bounds of life' (Page 16)
Print made by William Blake, 1757–1827
'Oft bursts my song beyond the bounds of life' (Page 16)
1797
William Blake 'Emblem of that which shall awake the dead' (Page 19)
Print made by William Blake, 1757–1827
'Emblem of that which shall awake the dead' (Page 19)
1797
William Blake 'We censure nature for a span too short' (Page 23)
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
1797
William Blake 'Time, in advance, behind him hides his wings' (Page 24)
Print made by William Blake, 1757–1827
'Time, in advance, behind him hides his wings' (Page 24)
1797
William Blake 'Measuring his motions by revolving spheres' (Page 26)
Print made by William Blake, 1757–1827
'Measuring his motions by revolving spheres' (Page 26)
1797
William Blake 'As if the sun could envy, check'd his beam' (Page 49)
Print made by William Blake, 1757–1827
'As if the sun could envy, check'd his beam' (Page 49)
1797
William Blake A Widower and Children (Design 35)
William Blake, 1757–1827
A Widower and Children (Design 35)
between 1797 and 1798
William Blake I. "Man cannot naturally Percieve..."(Plate 3)
Print made by William Blake, 1757–1827
I. "Man cannot naturally Percieve..."(Plate 3)
ca. 1788
William Blake Songs of Innocence and of Experience: Shewing the Two Contrary States of the Human Soul
Printed by William Blake, 1757–1827
Songs of Innocence and of Experience: Shewing the Two Contrary States of the Human Soul
1789-1794
William Blake Moses Receiving the Law
William Blake, 1757–1827
Moses Receiving the Law
ca. 1780
George Romney Study of a Male Figure
George Romney, 1734–1802
Study of a Male Figure
undated
George Romney Bolingbroke and Head of a Fiend
George Romney, 1734–1802
Bolingbroke and Head of a Fiend
undated
George Romney Prospero and Miranda
George Romney, 1734–1802
Prospero and Miranda
ca. 1787
George Romney Two Lovers (Man Awakening from a Dream)
George Romney, 1734–1802
Two Lovers (Man Awakening from a Dream)
undated
George Romney Man and Horse
George Romney, 1734–1802
Man and Horse
undated
George Romney Man (Unidentified Subject)
George Romney, 1734–1802
Man (Unidentified Subject)
undated
George Romney Back View of a Standing Classical Male Figure
George Romney, 1734–1802
Back View of a Standing Classical Male Figure
undated
George Romney The Bath of Bath-sheba
George Romney, 1734–1802
The Bath of Bath-sheba
undated
George Romney Study of the Head of a Young Man
attributed to George Romney, 1734–1802
Study of the Head of a Young Man
undated
George Romney A Mother with Her Child in Her Arms Flying upon the Ramparts of a City in Flames
George Romney, 1734–1802
A Mother with Her Child in Her Arms Flying upon the Ramparts of a City in Flames
undated
George Romney Laocoon
George Romney, 1734–1802
Laocoon
undated
George Romney Lear Awakened by Cordelia
George Romney, 1734–1802
Lear Awakened by Cordelia
between 1774 and 1775
George Romney River God
George Romney, 1734–1802
River God
undated
George Romney Borghese Gladiator
George Romney, 1734–1802
Borghese Gladiator
undated
George Romney Classical Male Nude with a Rearing Horse
George Romney, 1734–1802
Classical Male Nude with a Rearing Horse
undated
George Romney John Henderson as Falstaff
George Romney, 1734–1802
John Henderson as Falstaff
1780
George Romney Ladies in Waiting
George Romney, 1734–1802
Ladies in Waiting
undated
George Romney Lord Salisbury, Standing by a Pillar
George Romney, 1734–1802
Lord Salisbury, Standing by a Pillar
undated
George Romney Duke of Dorset (So-called)
George Romney, 1734–1802
Duke of Dorset (So-called)
undated
George Romney Lear Awakened by Cordelia
George Romney, 1734–1802
Lear Awakened by Cordelia
ca. 1774
George Romney Classical Male Nude
George Romney, 1734–1802
Classical Male Nude
undated
George Romney Horseman of Montecavallo
George Romney, 1734–1802
Horseman of Montecavallo
between 1773 and 1774
Hugh Douglas Hamilton Portrait of a Divine
Hugh Douglas Hamilton, 1739–1808
Portrait of a Divine
after 1791
Thomas Hand Wooded Landscape with Figures Round a Cooking Pot
Thomas Hand, died 1804
Wooded Landscape with Figures Round a Cooking Pot
1793
Paul Sandby View in Wales
attributed to Paul Sandby, 1731–1809
View in Wales
undated
Jacob More View Near the Mill Looking Toward Licenza: Horace's Villa on the Left
Jacob More, 1740–1793
View Near the Mill Looking Toward Licenza: Horace's Villa on the Left
1783
Thomas Hearne The Cheesecake House, Hyde Park
Thomas Hearne, 1744–1817
The Cheesecake House, Hyde Park
ca. 1795
unknown artist Hawkstone Hall, Shropshire
unknown artist
Hawkstone Hall, Shropshire
ca. 1790
William Lock II Portrait of the Pugilist Johnson
William Lock II, 1767–1847
Portrait of the Pugilist Johnson
1790
James Northcote Macbeth and the Witches
James Northcote, 1746–1831
Macbeth and the Witches
between 1777 and 1778
Ozias Humphry Portrait of a Gentleman
Ozias Humphry, 1742–1810
Portrait of a Gentleman
undated
James Scouler Portrait of a Gentleman
James Scouler, 1741–1812
Portrait of a Gentleman
1796
Jan Joseph Horemans Study of a Man
Jan Joseph Horemans, 1714–c.1790
Study of a Man
undated
Thomas Hearne The Ruins of the College of Lincluden, Near Dumfries
Thomas Hearne, 1744–1817
The Ruins of the College of Lincluden, Near Dumfries
ca. 1778
Charles Grignion Portrait study of John Inigo Richards, R.A.
Charles Grignion, 1717–1810
Portrait study of John Inigo Richards, R.A
ca. 1771
Thomas Hearne Half Timbered and Thatched Shack
Thomas Hearne, 1744–1817
Half Timbered and Thatched Shack
1798
Thomas Carwitham Jupiter and Callisto: Ovid, Metamorphoses, Book 2
Thomas Carwitham, active 1723
Jupiter and Callisto: Ovid, Metamorphoses, Book 2
ca. 1723
Angelica Kauffmann Dr. John Morgan of Philadelphia
Angelica Kauffmann, 1741–1807
Dr. John Morgan of Philadelphia
1765
Sir Godfrey Kneller Head of a Man
Attributed to Sir Godfrey Kneller, 1646–1723
Head of a Man
1732
unknown artist Unidentified Sitter
unknown artist
Unidentified Sitter
undated
Hugh Douglas Hamilton Henry Reveley
Hugh Douglas Hamilton, 1739–1808
Henry Reveley
1770
John Dixon Flute Player
Print made by John Dixon, ca. 1740–1811
Flute Player
between 1765 and 1771
James Seymour Racehorse at Exercise, Ridden by a Training-Groom
James Seymour, 1702–1752
Racehorse at Exercise, Ridden by a Training-Groom
undated
James Seymour Racehorse at Exercise, Ridden by a Training-Groom
James Seymour, 1702–1752
Racehorse at Exercise, Ridden by a Training-Groom
undated
James Seymour A Lady and a Gentleman Riding Out
James Seymour, 1702–1752
A Lady and a Gentleman Riding Out
undated
James Seymour Lord Godolphin's White Foot, a Very Famous Horse That Was Never Beat
James Seymour, 1702–1752
Lord Godolphin's White Foot, a Very Famous Horse That Was Never Beat
undated
James Seymour A Gentleman on a Managed Horse Riding Out With a Lady
James Seymour, 1702–1752
A Gentleman on a Managed Horse Riding Out With a Lady
undated
James Seymour Victorious
James Seymour, 1702–1752
Victorious
undated
James Seymour Study of a Mounted Jockey, Facing Left, June 3rd, 1744
James Seymour, 1702–1752
Study of a Mounted Jockey, Facing Left, June 3rd, 1744
1744
unknown artist Man with a Stick, Seen From Behind
unknown artist
Man with a Stick, Seen From Behind
1755
James Seymour Racehorse at Exercise, Ridden by a Training-Groom
James Seymour, 1702–1752
Racehorse at Exercise, Ridden by a Training-Groom
undated
Paul Sandby Two-wheeled Tip-cart with Horses
Paul Sandby, 1731–1809
Two-wheeled Tip-cart with Horses
undated