Jerusalem, Plate 70, "And this the form of mighty Hand...."
1804 to 1820
102
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 18, "The Lamb" (Bentley 8)
1789
103
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 30, "Night" (Bentley 20)
1789
104
Print made by William Blake, 1757–1827
Spring, from Songs of Innocence
ca. 1795
105
William Blake, 1757–1827
A Woody Landscape
ca. 1801
106
William Blake, 1757–1827
Christ Giving Sight to Bartimaeus
1799 to 1800
107
George Romney, 1734–1802
Landscape in Westmoreland
undated
108
Francis Wheatley, 1747–1801
Soldiers and Country Women
undated
109
William Callow, 1812–1908
Rheinfels and St. Goar
1838
110
George Richmond, 1809–1896
Margate, Great Cloud
1853
111
John Varley, 1778–1842
Classic Composition
ca. 1800
112
William James Muller, 1812–1845
A Castle Above an Estuary
ca. 1831
113
M. J. Starling, active 1830
Belvoir Castle, Rutland
1835
114
William Daniell, 1769–1837
Belvoir Castle, Rutland
undated
115
William Daniell, 1769–1837
Althorp House, Northamptonshire
undated
116
James Redway, active 1827–1838
Althorp Castle, Northamptonshire
undated
117
attributed to Peter DeWint, 1784–1849
Near Penrith
undated
118
Alexander Runciman, 1736–1785
A Temple Perched on a Rocky Outcrop Seen Across a Lake
ca. 1767
119
Henry Thomas Alken, 1785–1851
"Some Do and Some Don't: It is All a Notion:" Getting into a Difficulty
between 1848 and 1851
120
Hablot Knight Browne, 1815–1882
"You're Not Going to Follow, Belle, Are You?"
undated
121
Henry Thomas Alken, 1785–1851
Wild Duck Shooting
undated
122
Henry Thomas Alken, 1785–1851
'Riding to Horses with Difficulty'
undated
123
Henry Thomas Alken, 1785–1851
Steeplechasing: The Field taking a Low Rail and a Brook
undated
124
Edward Hull, 1810–1877
Foxhunting at Melton Mowbray, 1835: The Cream of the Thing
ca. 1835
125
Julius Caesar Ibbetson, 1759–1817
Salmon Spearing
undated
126
Edwin W. Cooper of Beccles, 1785–1833
Foxhunting: Full Cry
1816
127
Pierre Charles Canot, ca. 1710–1777
A View from one Tree-Hill in Greenwich Park
128
Print made by Matthew Dubourg, active 1786–1838
Grouse Shooting
1822
129
unknown artist
The Expedition against Cape Breton in Nova Scotia
130
unknown artist
West View of the City of Edinburgh
ca. 1765
131
unknown artist
The Prospect of ye Town of Perth
132
unknown artist
The Prospect of ye Town of Dundee
133
Print made by Giles King, active 1732–1746
A View of the Black Rocks, and of the Mountains on the South Side of the Harbour of Dublin
ca. 1744
134
Print made by James Mason, 1710–1783
A Prospect of the City of Dublin, from the Magazine Hill, in his Majesty's Phoenix Park
135
David Cox, 1783–1859
The Junction of the Severn and the Wye with Chepstow in the Distance
1830
136
Henry Thomas Alken, 1785–1851
Grouse Shooting: The Right Sort
undated
137
Print made by Thomas Bowles III, ca. 1712–1767
A Prospect of the New Aqueduct of Lisbon, as crossing over the Valley of Alcantra on Stone Arches, the Largest of which is 150 feet wide, and 249 feet High. Which is 47 feet higher than the Monument in London
between 1780 and 1815
138
unknown artist
A General View of the City of Madrid, the Capital of Kingdom of Spain
139
Print made by unknown artist
A View of the City of Oporto
between 1780 and 1815
140
Print made by Thomas Bowles III, ca. 1712–1767
A View of Florence from the Convent of Capuchins at Montugi
undated
141
Print made by Thomas Bowles III, ca. 1712–1767
A Perspective View of the City of Naples
undated
142
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study for a Mural Decoration, Old Man in Landscape
1912
143
Francis Jukes, 1747–1812
View of Tintern Abbey on the River Wye
1799
144
Print made by M. Coote, ca. 1758/62–1801
Dudley Priory in Worcestershire, Plate 2
before 1786
145
Print made by Thomas Bonnor, ca. 1740–ca. 1812
Blockley Church
1793
146
M. Coote, ca. 1758/62–1801
Dudley Priory in Worcestershire, Plate 2
before 1786
147
Henry Thomas Alken, 1785–1851
"Some Do and Some Don't: It is All a Notion:" Getting Over a Difficulty
between 1848 and 1851
148
Print made by George Richmond, 1809–1896
The Fatal Bellman
1827
149
William Makepeace Thackeray, 1811–1863
A Mail Coach in a Hilly Landscape
undated
150
Possibly Henry Thomas Alken, 1785–1851
The Death
undated
151
Henry Thomas Alken, 1785–1851
The Huntsman and a Rider Encouraging the Hounds
undated
152
Thomas Sunderland, 1744–1828
Myles Sandys' Hounds and Huntsmen Scenting a Hare
undated
153
Thomas Rowlandson, 1756–1827
The Canterbury-Dover Coach Passing Vanbrugh Castle
between 1795 and 1800
154
Print made by Sir David Young Cameron, 1865–1945
Dunvalanree
1910
155
David Charles Read, 1790–1851
Landscape with Hills in the Distance
undated
156
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Check: 'What the Devil Do You Do Here..'
undated
157
Henry Thomas Alken, 1785–1851
"Doing the Thing: and the Thing Done:" Doing it Somehow
1818
158
Henry Thomas Alken, 1785–1851
Steeplechasing: Three Riders Galloping to Right, Mounted Spectators in Background
undated
159
George Jackson, active 1839–1844
In Portsmouth Harbor
undated
160
John Warwick Smith, 1749–1831
View from the Vidette Near Hakin on Signal Hill, Looking Beyond Nangle Point and Thorn Island, Pembrokeshire
1764-1831
161
David Charles Read, 1790–1851
Landscape with Trees; a River in the Background
undated
162
Print made by Lydia Bates, active 1784
Little Missenden Church from the Southeast
1784
163
Thomas Gisborne, active 1798
Men Loading a Cart Beside a River
undated
164
William Havell, 1782–1857
View of Totnes, Devon
undated
165
unknown artist
A View of Fort Gary and Fort Douglas
19th century
166
Thomas Greenwood, died 1797
Cottage Scene
undated
167
John Robert Cozens, 1752–1797
Unknown Ruins
undated
168
John Robert Cozens, 1752–1797
Part of Civita Castellana, between Narni and Rome
undated
169
John Robert Cozens, 1752–1797
Fountain of Vaucluse, behind the Perpendicular Rock
undated
170
John Robert Cozens, 1752–1797
Temple of Vesta, Tivoli
undated
171
John Robert Cozens, 1752–1797
View of a Villa
undated
172
John Robert Cozens, 1752–1797
Temple of Venus near Baia
undated
173
John Robert Cozens, 1752–1797
In the Valley near Vietri, 20 September
undated
174
John Robert Cozens, 1752–1797
Lago di Bolsena
undated
175
John Robert Cozens, 1752–1797
Vernazza
undated
176
John Robert Cozens, 1752–1797
Levanta
undated
177
John Robert Cozens, 1752–1797
Gaeta
undated
178
John Robert Cozens, 1752–1797
Mountain View with Buildings
undated
179
John Robert Cozens, 1752–1797
Between Saint-Thibaud-de-Couz and Chambery
undated
180
John Robert Cozens, 1752–1797
Florence
undated
181
John Robert Cozens, 1752–1797
Lago di Vico
undated
182
John Robert Cozens, 1752–1797
From the Villa at Posillipo, July 29
undated
183
John Robert Cozens, 1752–1797
The Temple of Venus on the Bay of Baia, December 2
undated
184
John Robert Cozens, 1752–1797
Florence
undated
185
John Robert Cozens, 1752–1797
Salerno, September 18
undated
186
John Robert Cozens, 1752–1797
Grand Chartreuse, October 24
undated
187
John Robert Cozens, 1752–1797
The Bridge of Augustus near Narni
undated
188
John Robert Cozens, 1752–1797
Saint Michele, Piedmont, October 18
undated
189
John Robert Cozens, 1752–1797
The Euganean Hills
undated
190
John Robert Cozens, 1752–1797
From Mirabella, June 19
undated
191
John Robert Cozens, 1752–1797
Chiavari
undated
192
John Robert Cozens, 1752–1797
Coast of Genoa
undated
193
Print made by Bradshaw & Blacklock, active ca.1850