West Indian Man of Color, Directing Two Carib Women with a Child
ca. 1780
Not on view
15
Agostino Brunias, 1728–1796
Free West Indian Dominicans
ca. 1770
Not on view
16
Agostino Brunias, 1728–1796
Planter and his Wife, with a Servant
ca. 1780
Not on view
17
Robert Smirke, 1752–1845
The Seven Ages of Man: The Infant, 'As You Like It,' II, vii
between 1798 and 1801
Not on view
18
James Stephanoff, 1787–1874
Falstaff at Herne's Oak, from "The Merry Wives of Windsor," Act V, Scene v
1832
Not on view
19
Thomas Stothard, 1755–1834
Prospero, Miranda and Ariel, from "The Tempest," Act I, scene ii
ca. 1799
Not on view
20
Philippe Mercier, 1689 or 1691–1760
The Sense of Sight
1744 to 1747
Not on view
21
unknown artist
Prospero, Miranda and Ariel, from "The Tempest"
ca. 1780
Not on view
22
Sir James Thornhill, 1675–1734
A Sketch of Gratitude Crowned by Peace, with Other Allegorical Figures of Industry, Fame and Plenty
between 1712 and 1713
Not on view
23
John Collet, ca. 1725–1780
Scene in a London Street
1770
Not on view
24
Walter Richard Sickert, 1860–1942
The Taming of the Shrew
ca. 1937
Not on view
25
John Laguerre, 1688–1746
Hob's Defence
ca. 1725
Not on view
26
Landscape by Thomas Jones, 1742–1803
The Death of Orpheus
ca. 1770
Not on view
27
Thomas Gainsborough, 1727–1788
Wooded Landscape with a Man Talking to Two Seated Women
ca. 1745
Not on view
28
John Laguerre, 1688–1746
Hob Continues Dancing in Spite of his Father
ca. 1725
Not on view
29
unknown artist
The Bell Tower of Evesham
ca. 1795
Not on view
30
unknown artist
A Family Being Served with Tea, possibly the Carter family
ca. 1745
Not on view
31
Edward Penny, 1714–1791
The Virtuous Comforted by Sympathy
1774
Not on view
32
Attributed to Michael Chuke, 1679–1742
The Stowe Reliefs: Mercury conducting Tragic and Comic Poetry to the Hill of Parnassus
ca. 1715
Not on view
33
George Romney, 1734–1802
Lear Awakened by Cordelia
between 1774 and 1775
34
George Romney, 1734–1802
Ladies in Waiting
undated
35
George Romney, 1734–1802
Lear Awakened by Cordelia
ca. 1774
36
William Blake, 1757–1827
The Poems of Thomas Gray, Design 55, "The Bard."
between 1797 and 1798
37
William Blake, 1757–1827
Songs of Innocence and of Experience
1789-1794
38
William Blake, 1757–1827
The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
39
William Blake, 1757–1827
The Poems of Thomas Gray, Design 27, "A Long Story."
between 1797 and 1798
40
William Blake, 1757–1827
The Poems of Thomas Gray, Design 3, "Ode on the Spring."
between 1797 and 1798
41
William Blake, 1757–1827
The Poems of Thomas Gray, Design 33, "A Long Story."
between 1797 and 1798
42
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"
1797
43
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"
1797
44
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"
1797
45
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"
1797
46
William Blake, 1757–1827
The Poems of Thomas Gray, Design 115, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
47
William Blake, 1757–1827
The Poems of Thomas Gray, Design 35, "Ode to Adversity."
between 1797 and 1798
48
William Blake, 1757–1827
The Poems of Thomas Gray, Design 37, "Ode to Adversity."
between 1797 and 1798
49
William Blake, 1757–1827
The Poems of Thomas Gray, Design 41, "The Progress of Poesy."
between 1797 and 1798
50
William Blake, 1757–1827
The Poems of Thomas Gray, Design 45, "The Progress of Poesy."
between 1797 and 1798
51
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"
1797
52
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 93, "If Angels Tremble, 'Tis at Such a Sight"
1797
53
William Blake, 1757–1827
The Widow Embracing Her Husband's Grave
1805 to 1808
54
George Morland, 1763–1804
Peasants in a Grotto
undated
55
Peter Oliver, 1589–1647
Venus and Adonis
1631
56
John Nixon, ca. 1760–1818
At Brighton, 1804: Three Women, Child and Man Looking Out to Sea
1804
57
James Northcote, 1746–1831
Macbeth and the Witches
between 1777 and 1778
58
Sir George Howland Beaumont seventh Baronet, 1753–1827
Two Figures with a Skull
undated
59
Michael "Angelo" Rooker, 1746–1801
Almshouses in St. Cuthbert's Churchyard, Wells
undated
60
Sir James Thornhill, 1675–1734
Design for a portrait of an architect or a painter
undated
61
James Moore, 1762–1799
The Artist Sketching Mlle. de St. Legier as a Shepherdess
1787
62
Richard Westall, 1765–1836
Greatheart's Battle with Grim
undated
63
style of Paul Sandby, 1731–1809
Landscape with a man playing a pipe under an old tree
undated
64
unknown artist
Lake Maggiore
ca. 1850
65
William Pars, 1742–1782
The Secundini Monument at Ighel in the Duchy of Luxembourg
undated
66
Lewis Vaslet, 1742–1808
The Spoiled Child, Scene IV
ca. 1802
67
Richard Westall, 1765–1836
Rosebud, or the Judgement of Paris
1791
68
Thomas Heaphy, 1775–1835
Inattention
1808
69
George Henry Harlow, 1787–1819
Queen Katherine's Dream
1807
70
Robert Smirke, 1752–1845
Lysander Awakening to See Helena
1825
71
Julius Tidd, active 1773–1779
A Bridal Pair (Figures copied from Hogarth's Rake's Progress)
1780
72
follower of Sir James Thornhill, 1675–1734
Diana and Actaeon: A Study for a Panel on a Staircase
undated
73
John Vanderbank, 1694–1739
Conversation Piece
undated
74
Charles Ginner, 1878–1952
Shepherd Market
undated
75
Print made by James McNeill Whistler, 1834–1903
Ryde Pier
1887
76
Thomas Rowlandson, 1756–1827
Interior of a Dressing Room with Jack Bannister
between 1790 and 1795
77
Thomas Rowlandson, 1756–1827
Fortune-Telling
ca. 1817
78
John Goldar, 1729–1795
The Sacrifice
1767
79
John Goldar, 1729–1795
The Refusal
1768
80
Attributed to Richard Cosway, 1742–1821
Time raising Truth, after Rubens’s “The Triumph of Truth”
undated
81
unknown artist
Fishing near a Waterfall
1790
82
Thomas Rowlandson, 1756–1827
A Potter Returning from Market
ca. 1790
83
Print made by Francesco Bartolozzi, 1728–1815
A Lecture on Gadding
1789
84
Print made by Francesco Bartolozzi, 1728–1815
Cornelia, Mother of the Gracchi
1783
85
Print made by John Browne, 1741–1801
Evening
ca. 1797
86
Print made by Agostino Brunias, 1728–1796
Free Natives of Dominica
1780
87
Benjamin Robert Haydon, 1786–1846
Study of the Pieta
undated
88
Print made by John Browne, 1741–1801
Evening
ca. 1797
89
Print made by Henry William Bunbury, 1750–1811
The Judgement of Paris
1771
90
Print made by Matthew Darly, active 1754–1778
The Preposterous Head Dress, or the Feathered Lady
1776
91
Isaac Taylor, 1730–1807
Unidentified Periodical / Play Illustration
undated
92
Isaac Taylor, 1730–1807
Scene from the play, "The Careless Husband"
undated
93
Print made by Richard Parkes Bonington, 1802–1828
La Prière
1826
94
Print made by Edward Calvert, 1799–1883
The Ploughman
1827
95
Print made by Edward Calvert, 1799–1883
The Cyder Feast
1828
96
Print made by unknown artist
The Methodist Tailor Caught in Adultery
1768
97
Robert Smirke, 1752–1845
Launce with his Dog Crab
ca. 1821
98
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela Swooning, after having discovered Mr. B. in the closet, He (frighted) endeavouring to recover her, Mrs. Jervis wringing her hands, and screaming
1745
99
Charles Grignion, 1717–1810
Britannia Allegory
between 1743 and 1747
100
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower