Materials & Techniques: black ink and gray wash / On-site Access: Accessible by appointment in the Study Room / Work Type: watercolor

1. A Harrow in the Orchard

Creator:: Robert Polhill Bevan, 1865–1925
Date:: ca. 1896
Materials & Techniques:: Pen and black ink and gray wash; verso: graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 7/8 × 15 3/8 inches (25.1 × 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. Opening the Fold: Early Morning

Creator:: Samuel Palmer, 1805–1881
Date:: ca. 1880
Materials & Techniques:: Graphite, gray wash, and pen and black ink, squared for transfer on medium, smooth, cream laid paper
Dimensions:: Sheet: 4 1/4 x 5 7/8 inches (10.8 x 14.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. An Ancient Barn at Shoreham

Creator:: Samuel Palmer, 1805–1881
Date:: undated
Materials & Techniques:: Pen and black ink, gray wash, brown wash, and graphite on moderately textured, moderately thick, cream wove paper
Dimensions:: Sheet: 6 1/8 × 11 inches (15.6 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. A Cottage among Trees, Shoreham

Creator:: Samuel Palmer, 1805–1881
Date:: undated
Materials & Techniques:: Pen and black ink with gray wash on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 10 7/8 x 7 1/2 inches (27.6 x 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. Villa d'Este

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1796
Materials & Techniques:: Watercolor, graphite, pen and back ink, blue wash and gray wash on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 16 3/4 x 21 3/4 inches (42.5 x 55.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. Illustration to Tennyson's "You Ask Me Why": Areka Palms, Ratanapooru, Ceylon - `I will see before I die The Palms and Temples of the South'

Creator:: Edward Lear, 1812–1888
Date:: undated
Materials & Techniques:: Pen and black ink, gray ink, and gray wash on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 3 13/16 x 5 13/16 inches (9.7 x 14.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. Moses Receiving the Law

Creator:: William Blake, 1757–1827
Date:: ca. 1780
Materials & Techniques:: Pen and black ink with gray wash, black wash and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 26 x 12 1/4 inches (66 x 31.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Tiriel Supporting the Dying Myratana and Cursing His Sons

Creator:: William Blake, 1757–1827
Date:: 1786 to 1789
Materials & Techniques:: Pen and black ink with gray wash and watercolor on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 3/8 x 10 3/4 inches (18.7 x 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. Howard Visiting a Prison

Creator:: George Romney, 1734–1802
Date:: between 1790 and 1794
Materials & Techniques:: Black and gray wash with black ink over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 1/2 x 20 1/8 inches (31.8 x 51.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

10. King's Wharf, and South Quay-Port of Spain

Creator:: Michel Jean Cazabon, 1813–1888
Date:: 1851
Materials & Techniques:: Pen and black ink, gray wash, white gouache and graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 7 1/2 × 11 3/8 inches (19.1 × 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. Village of Arima and Mount Tamana

Creator:: Michel Jean Cazabon, 1813–1888
Date:: 1851
Materials & Techniques:: Pen and black ink, gray wash, graphite, and white gouache on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 8 1/8 × 11 inches (20.6 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. Riverside, St. Joseph

Creator:: Michel Jean Cazabon, 1813–1888
Date:: 1857
Materials & Techniques:: Pen and black ink, gray ink, gray wash, black wash, graphite, gouache and scratching out on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 7 1/8 × 10 1/8 inches (18.1 × 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. Cedros Bay

Creator:: Michel Jean Cazabon, 1813–1888
Date:: 1857
Materials & Techniques:: Pen and black ink, gray ink, gray wash, black wash, graphite, gouache and scratching out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 × 10 inches (17.8 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. St. James' Barracks from the Playground of the Model School

Creator:: Michel Jean Cazabon, 1813–1888
Date:: 1857
Materials & Techniques:: Pen and black ink, gray ink, gray wash, black wash, graphite and scratching out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 5/8 × 10 inches (16.8 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. The Cottage, Residence of the Governor

Creator:: Michel Jean Cazabon, 1813–1888
Date:: 1857
Materials & Techniques:: Pen and black ink, gray ink, gray wash, graphite, gouache on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 7 × 10 inches (17.8 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. The Reservoir at Maraval

Creator:: Michel Jean Cazabon, 1813–1888
Date:: 1857
Materials & Techniques:: Pen and black ink, gray ink, gray wash, graphite and gouache on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 7 × 10 inches (17.8 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. The Pitch Lake

Creator:: Michel Jean Cazabon, 1813–1888
Date:: 1857
Materials & Techniques:: Pen and black ink, gray ink, gray wash, graphite and gouache on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 7 × 10 inches (17.8 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. Avenue and Entrance to St. James Barracks

Creator:: Michel Jean Cazabon, 1813–1888
Date:: 1857
Materials & Techniques:: Pen and black ink, gray ink, black wash, gray wash, graphite, ang gouache on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/8 × 10 inches (18.1 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Residence at Orange Grove Estate, Tacarigua

Creator:: Michel Jean Cazabon, 1813–1888
Date:: 1857
Materials & Techniques:: Pen and black ink, gray ink, gray wash, black wash, graphite and gouache on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 7 × 10 inches (17.8 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. The Road to the Pitch Lake

Creator:: Michel Jean Cazabon, 1813–1888
Date:: 1857
Materials & Techniques:: Pen and black ink, gray ink, gray wash, graphite and gouache on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 × 10 1/8 inches (17.8 × 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Los Gallos, Icacos Bay

Creator:: Michel Jean Cazabon, 1813–1888
Date:: 1857
Materials & Techniques:: Pen and black ink, gray ink, gray wash, black wash, graphite, gouache and scratching out on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 7 × 10 inches (17.8 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Forest Scenery near Tamana

Creator:: Michel Jean Cazabon, 1813–1888
Date:: 1857
Materials & Techniques:: Pen and black ink, gray ink, gray wash, black wash, graphite, gouache, and scratching out on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 7 × 10 inches (17.8 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Corbeaux Town, Port of Spain

Creator:: Michel Jean Cazabon, 1813–1888
Date:: 1857
Materials & Techniques:: Pen and black ink, gray ink, gray wash, black wash, graphite and gouache on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 7 × 10 inches (17.8 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Regent's Park, London, The Colosseum, Clergy's Orphans' School and St. Andrew's Place, with Figures and Coaches

Creator:: Richard Morris, active 1830
Date:: ca. 1831
Materials & Techniques:: Pen in black ink with brown and gray wash on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 6 9/16 x 20 1/8 inches (16.7 x 51.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Part of Brind Gill in Ligburthwaite

Creator:: Sir George Howland Beaumont seventh Baronet, 1753–1827
Date:: undated
Materials & Techniques:: Pen and black ink and gray wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 1/4 × 6 1/4 inches (23.5 × 15.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Abbey Church at St. Albans

Creator:: Sir George Howland Beaumont seventh Baronet, 1753–1827
Date:: 1781
Materials & Techniques:: Pen and black ink, gray wash and graphite on medium, slightly textured, cream laid paper mounted to medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 3/4 × 9 5/8 inches (17.1 × 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. A Man Asleep with Hands Crossed in a Chair

Creator:: Louis Philippe Boitard, active 1734–1760
Date:: undated
Materials & Techniques:: Pen and black ink and gray wash on medium, slightly textured, beige laid paper mounted to medium, slightly textured cream laid paper
Dimensions:: Sheet: 7 1/2 × 4 3/4 inches (19.1 × 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House.

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, gray ink, black ink, gray wash, brown wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, gray ink, gray wash, brown wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 13/16 × 9 11/16 inches (32.5 × 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Hogarth Declaring His Love to Miss Thornhill

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and black ink, brown ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 15/16 × 9 3/4 inches (32.9 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e

Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and black ink, brown ink, brown wash, gray wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and black ink, brown ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. The Smock Exposed

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 15/16 × 9 5/8 inches (32.9 × 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. The Reconcilation

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 3/4 × 9 3/4 inches (32.4 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Hogarth Drawing Sarah Malcolm

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 15/16 × 9 3/4 inches (32.9 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Hogarth Painting His Picture of Captain Coram for the Foundling Hospital

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, gray ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 15/16 × 9 11/16 inches (32.9 × 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Fireflies

Creator:: Richard Brookes, 1721–1763
Date:: 1760
Materials & Techniques:: Pen and black ink, graphite and gray wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 5/8 × 3 3/8 inches (14.3 × 8.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Rough Diamonds

Creator:: Richard Brookes, 1721–1763
Date:: ca. 1760
Materials & Techniques:: Pen and black ink, and gray wash on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 5 7/8 × 3 1/2 inches (14.9 × 8.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 11/16 inches (32.7 × 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Crowned Eagle and Two Birds

Creator:: Richard Brookes, 1721–1763
Date:: 1760
Materials & Techniques:: Pen and black ink with gray wash on medium, slightly textured, cream laid paper mounted to medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 5/8 × 3 1/2 inches (14.3 × 8.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Hogarth Sitting to Roubiliac for His Bust

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Sheep, and Three Animals

Creator:: Richard Brookes, 1721–1763
Date:: ca. 1760
Materials & Techniques:: Pen and black ink with gray wash on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 5 3/4 × 3 3/8 inches (14.6 × 8.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Hogarth at Old Slaughter's Hobbing with Highmore the Painter

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 13 × 9 3/4 inches (33 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 13 × 9 9/16 inches (33 × 24.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. The Eleventh Hour

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and black ink, gray wash over graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 15/16 × 9 9/16 inches (32.9 × 24.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Allegory of Napoleonic Battles

Creator:: Edward Francis Burney, 1760–1848
Date:: undated
Materials & Techniques:: Pen and black ink and gray wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 3 1/8 x 5in. (7.9 x 12.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Hogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and black ink, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 11/16 inches (32.7 × 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. A View of Carlisle Bay, Barbados, with Cottages

Creator:: Lt. Paul Sandby, ca. 1820
Date:: ca. 1820
Materials & Techniques:: Gray wash, graphite, with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Mount:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. View of Carlisle Bay, Barbados, with Ships and Boat

Creator:: Lt. Paul Sandby, ca. 1820
Date:: ca. 1820
Materials & Techniques:: Gray wash with pen and black ink on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 5 7/8 × 10 1/4 inches (14.9 × 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Ships on a Calm Sea

Creator:: Francis Swaine, 1730–1782
Date:: undated
Materials & Techniques:: Gray wash with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 7/8 × 8 1/4 inches (14.9 × 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Wooded Landscape with Cattle, Figures and a House

Creator:: Charlotte Warren, 18th century
Date:: undated
Materials & Techniques:: Brown wash, gray wash, black wash, graphite, black chalk, pen and black ink, and white gouache on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/2 × 13 1/2 inches (26.7 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. The Flagship of a Commander in Chief

Creator:: Charles Brooking, 1723–1759
Date:: undated
Materials & Techniques:: Pen and gray ink, black ink, and gray wash on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 11 13/16 × 18 1/2 inches (30 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Architectural Drawing of a Building with Astrological Symbols

Creator:: John Varley, 1778–1842
Date:: undated
Materials & Techniques:: Pen and black ink, pen and gray ink, graphite, watercolor and gray wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/4 x 22 inches (31.1 x 55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Cobham Hall, Kent: Elevation of Building with Turret at One End

Creator:: James Wyatt, 1746–1813
Date:: undated
Materials & Techniques:: Graphite, pen and black ink and watercolor on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 14 1/8 x 20 1/4 inches (35.9 x 51.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Cobham Hall, Kent: Design for a Cornice

Creator:: James Wyatt, 1746–1813
Date:: ca. 1790
Materials & Techniques:: Gray wash, graphite and pen and black ink on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 6 1/8 x 16 1/2 inches (15.6 x 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Cobham Hall, Kent: Plan of the Attic Story

Creator:: James Wyatt, 1746–1813
Date:: ca. 1790
Materials & Techniques:: Graphite, pen and black ink and gray wash on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 14 1/4 x 20 1/2 inches (36.2 x 52.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Cobham Hall, Kent: Section of a Turret

Creator:: James Wyatt, 1746–1813
Date:: ca. 1790
Materials & Techniques:: Graphite, pen and black ink and watercolor on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 14 1/4 x 20 7/8 inches (36.2 x 53 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Cobham Hall, Kent: Plan of Stables and Part of Brewhouse

Creator:: James Wyatt, 1746–1813
Date:: ca. 1790
Materials & Techniques:: Graphite, pen and black ink and gray wash on thick, smooth beige laid paper
Dimensions:: Sheet: 4 1/4 x 4 1/4 inches (10.8 x 10.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Cobham Hall, Kent: Section of the Anteroom

Creator:: James Wyatt, 1746–1813
Date:: ca. 1790
Materials & Techniques:: Graphite, pen and black and brown ink and watercolor on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 19 3/4 inches (36.8 x 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Cobham Hall, Kent: Plan of the Library

Creator:: James Wyatt, 1746–1813
Date:: ca. 1790
Materials & Techniques:: Graphite, pen and black ink and watercolor on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 14 5/8 x 20 7/8 inches (37.1 x 53 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Cobham Hall, Kent: Plan of Staircase

Creator:: James Wyatt, 1746–1813
Date:: ca. 1790
Materials & Techniques:: Graphite, pen and black ink and watercolor on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 13 3/4 x 20 3/4 inches (34.9 x 52.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Cobham Hall, Kent: Design for a Lintel for One End of a Passage

Creator:: James Wyatt, 1746–1813
Date:: ca. 1790
Materials & Techniques:: Graphite, pen and black ink and watercolor on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 13 1/4 x 8 inches (33.7 x 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. No. 6 Temple of Neptune the King, View and Elevation of the 2nd temple - seen from the east

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Pen and black ink with gray wash over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 15/16 x 11 5/8 inches (37.9 x 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. No. 9 architecture of the temple of Neptune the King

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Pen and black ink with gray wash over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 3/4 x 11 7/8 inches (37.5 x 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. Plan of the Temple of Ceres Legifera

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Pen and black ink with gray wash over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 7/8 x 19 1/16 inches (30.2 x 48.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. No. 10 Architecture of the Temple of Minerva Polias and Neptune the King

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Pen and black ink with gray wash over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 3/4 x 11 7/8 inches (37.5 x 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. Plan of temple of Minerva Polias and Neptune the King

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Pen and black ink with gray wash over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 7/8 x 18 15/16 inches (30.2 x 48.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. Plan of the Temple of Neptune the King

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Pen and black ink with gray wash over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 13/16 x 19 1/8 inches (30 x 48.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. Finished Drawing of Unidentified Palladian Mansion

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Graphite, pen and black ink, gray wash on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 14 7/8 × 21 3/4 inches (37.8 × 55.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. The Ruins of Carthage

Creator:: James Bruce, 1730–1794
Date:: ca. 1769
Materials & Techniques:: Pen and black ink, gray ink, gray wash, and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 25 5/16 × 38 1/4 inches (64.3 × 97.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. Ceiling Decoration of Arch at Tripoli

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Gray wash and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 26 × 19 1/2 inches (66 × 49.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. Elevation and Plan of the Arch at Zanfour

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Gray wash and graphite with pen and black on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 25 3/4 × 19 1/4 inches (65.4 × 48.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. Elevation of Pedestal Entableature of the Arch at Tripoli

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Gray wash and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 25 1/2 × 19 1/2 inches (64.8 × 49.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. Twenty-eight Arch at Tripoli

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Gray wash and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 19 3/8 × 25 5/8 inches (49.2 × 65.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. Architectural detail of Plaque above Niches in Arch at Tripoli

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Gray wash and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 25 3/4 × 19 3/8 inches (65.4 × 49.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. Tomb de la Chretienne/ Juba and Cleopatra

Creator:: James Bruce, 1730–1794
Date:: ca. 1769
Materials & Techniques:: Watercolor, pen and brown ink, black ink, gouache, gray wash and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 15 3/8 × 21 3/8 inches (39.1 × 54.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. Temple of Jupiter and Minerva

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Pen and black ink, graphite, gray wash on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 38 5/8 × 25 5/8 inches (98.1 × 65.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Capitol Thamugas

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Gray wash, pen and black ink on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 21 1/2 × 15 1/2 inches (54.6 × 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. Plans of Ancient Roman Church: 4. Terme di Tito

Creator:: Giovanni Stern, 1734–1794
Date:: undated
Materials & Techniques:: Gray and brown wash with pen and black ink, over graphite on medium, moderatedly textured, cream laid paper
Dimensions:: Sheet: 23 1/2 x 35 1/4 inches (59.7 x 89.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. Figures in a Landscape

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Pen and black ink and gray wash on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 9 1/4 × 7 inches (23.5 × 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. Study of a Coin

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Gray wash and pen and black ink on moderately thick, slightly textured, blue laid paper
Dimensions:: Sheet: 5 × 8 1/4 inches (12.7 × 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. Herstmonceux Castle, East Sussex: Plan of the Second Floor

Creator:: James Lambert of Lewes, 1725–1788
Date:: undated
Materials & Techniques:: Graphite, pen and black ink and watercolor on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 25 1/4 x 34 1/2in. (64.1 x 87.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. Herstmonceux Castle, East Sussex: Ground Plan

Creator:: James Lambert of Lewes, 1725–1788
Date:: undated
Materials & Techniques:: Graphite, pen and black ink and watercolor on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 25 1/4 x 34 5/8 inches (64.1 x 87.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. Herstmonceux Castle, Sussex

Creator:: Samuel Buck, 1696–1779
Date:: undated
Materials & Techniques:: Graphite, pen and black ink and gray wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 13/16 x 14 3/4 inches (17.3 x 37.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. Plans of Ancient Roman Baths: Terme del Imp. Diocleziano

Creator:: Giovanni Stern, 1734–1794
Date:: undated
Materials & Techniques:: Gray and brown wash with watercolor and pen and black ink over graphite on medium, moderatedly textured, cream laid paper
Dimensions:: Sheet: 23 3/8 x 35 1/4 inches (59.4 x 89.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. Lowther House, Westmorland: Elevation of the Court Front

Creator:: Colen Campbell, 1676–1729
Date:: between 1718 and 1729
Materials & Techniques:: Graphite, pen and black ink, gray wash, within triple-ruled border on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 7/8 x 20 13/16 inches (35.2 x 52.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. Lowther House, Westmorland: Lower Ground Floor Plan

Creator:: Colen Campbell, 1676–1729
Date:: between 1718 and 1729
Materials & Techniques:: Graphite, pen and black ink, gray wash, within triple-ruled border on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 17 3/4 x 11 5/8 inches (45.1 x 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. Lowther House, Westmorland: Elevation of the Garden Front

Creator:: Colen Campbell, 1676–1729
Date:: between 1718 and 1729
Materials & Techniques:: Graphite, pen and wash within triple-ruled border on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 7/8 x 20 13/16 inches (35.2 x 52.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. Whitton House, Middlesex: Ground Floor Plan

Creator:: Roger Morris, 1695–1749
Date:: between 1732 and 1739
Materials & Techniques:: Graphite, pen and black ink and gray wash on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 12 3/8 x 18 3/16 inches (31.4 x 46.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. Whitton House, Middlesex: First Floor Plan

Creator:: Roger Morris, 1695–1749
Date:: between 1732 and 1739
Materials & Techniques:: Pen and black ink with gray wash over graphite on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 12 5/8 x 18 1/2 inches (32.1 x 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. The Spoiled Child, Scene I

Creator:: Lewis Vaslet, 1742–1808
Date:: ca. 1802
Materials & Techniques:: Watercolor with black ink and gray wash over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/8 × 20 1/8 inches (39 × 51.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. The Spoiled Child, Scene IV

Creator:: Lewis Vaslet, 1742–1808
Date:: ca. 1802
Materials & Techniques:: Watercolor with black ink and gray wash over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/2 × 19 1/8 inches (39.4 × 48.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. The Spoiled Child, Scene V

Creator:: Lewis Vaslet, 1742–1808
Date:: ca. 1802
Materials & Techniques:: Watercolor with black ink and gray wash over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/2 × 19 5/8 inches (39.4 × 49.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. The Spoiled Child, Scene VI

Creator:: Lewis Vaslet, 1742–1808
Date:: ca. 1802
Materials & Techniques:: Watercolor with black ink and gray wash over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 × 19 5/8 inches (38.1 × 49.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. Man Asleep in a Bunk on Board a Ship

Creator:: Louis Philippe Boitard, active 1734–1760
Date:: undated
Materials & Techniques:: Pen and black ink and gray wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 1/8 × 7 3/8 inches (13 × 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. Shepherd, Shepherdess and Dog

Creator:: Michel Vincent Brandoin, 1733–1807
Date:: undated
Materials & Techniques:: Pen and black ink, graphite and gray wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 1/8 × 3 7/8 inches (13 × 9.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. Feeding Ducks

Creator:: Peter Casteels, 1684–1749
Date:: undated
Materials & Techniques:: Graphite, pen and black ink, and gray wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/2 × 8 1/4 inches (16.5 × 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Search Constraints

Materials & Techniques black ink

Materials & Techniques gray wash

On-site Access Accessible by appointment in the Study Room

Work Type watercolor

Search Results

1. A Harrow in the Orchard

2. Opening the Fold: Early Morning

3. An Ancient Barn at Shoreham

4. A Cottage among Trees, Shoreham

5. Villa d'Este

6. Illustration to Tennyson's "You Ask Me Why": Areka Palms, Ratanapooru, Ceylon - `I will see before I die The Palms and Temples of the South'

7. Moses Receiving the Law

8. Tiriel Supporting the Dying Myratana and Cursing His Sons

9. Howard Visiting a Prison

10. King's Wharf, and South Quay-Port of Spain

11. Village of Arima and Mount Tamana

12. Riverside, St. Joseph

13. Cedros Bay

14. St. James' Barracks from the Playground of the Model School

15. The Cottage, Residence of the Governor

16. The Reservoir at Maraval

17. The Pitch Lake

18. Avenue and Entrance to St. James Barracks

19. Residence at Orange Grove Estate, Tacarigua

20. The Road to the Pitch Lake

21. Los Gallos, Icacos Bay

22. Forest Scenery near Tamana

23. Corbeaux Town, Port of Spain

24. Regent's Park, London, The Colosseum, Clergy's Orphans' School and St. Andrew's Place, with Figures and Coaches

25. Part of Brind Gill in Ligburthwaite

26. Abbey Church at St. Albans

27. A Man Asleep with Hands Crossed in a Chair

28. Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House.

29. Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends

30. Hogarth Declaring His Love to Miss Thornhill

31. Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e

32. Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber

33. The Smock Exposed

34. Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill

35. The Reconcilation

36. Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances

37. Hogarth Drawing Sarah Malcolm

38. Hogarth Painting His Picture of Captain Coram for the Foundling Hospital

39. Fireflies

40. Rough Diamonds

41. Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'

42. Crowned Eagle and Two Birds

43. Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers

44. Hogarth Sitting to Roubiliac for His Bust

45. Sheep, and Three Animals

46. Hogarth at Old Slaughter's Hobbing with Highmore the Painter

47. Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont

48. The Eleventh Hour

49. Allegory of Napoleonic Battles

50. Hogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance

51. A View of Carlisle Bay, Barbados, with Cottages

52. View of Carlisle Bay, Barbados, with Ships and Boat

53. Ships on a Calm Sea

54. Wooded Landscape with Cattle, Figures and a House

55. The Flagship of a Commander in Chief

56. Architectural Drawing of a Building with Astrological Symbols

57. Cobham Hall, Kent: Elevation of Building with Turret at One End

58. Cobham Hall, Kent: Design for a Cornice

59. Cobham Hall, Kent: Plan of the Attic Story

60. Cobham Hall, Kent: Section of a Turret

61. Cobham Hall, Kent: Plan of Stables and Part of Brewhouse

62. Cobham Hall, Kent: Section of the Anteroom

63. Cobham Hall, Kent: Plan of the Library

64. Cobham Hall, Kent: Plan of Staircase

65. Cobham Hall, Kent: Design for a Lintel for One End of a Passage

66. No. 6 Temple of Neptune the King, View and Elevation of the 2nd temple - seen from the east

67. No. 9 architecture of the temple of Neptune the King

68. Plan of the Temple of Ceres Legifera

69. No. 10 Architecture of the Temple of Minerva Polias and Neptune the King

70. Plan of temple of Minerva Polias and Neptune the King

71. Plan of the Temple of Neptune the King

72. Finished Drawing of Unidentified Palladian Mansion