For the Sexes: The Gates of Paradise, Plate 8, "At length for hatching ripe he breaks the shell"
1826
402
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 9, "Alas!"
1826
403
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 13, "Aged Ignorance"
1826
404
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 14, "Does thy God O Priest take such vengeance as this?"
1826
405
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 16, "The Traveller hasteth in the Evening"
1826
406
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 17, "Death's Door"
1826
407
William Blake, 1757–1827
Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]
1827
408
William Blake, 1757–1827
Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
1827
409
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 2, "Preludium to the Book of Urizen" (Bentley 2a)
1794
410
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 15, "What Time the Thirteen Governors...."
1793
411
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 16, "In the Flames Stood...."
1793
412
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 2, Title Page
1793
413
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 3, "Preludium | The shadowy daughter...."
1793
414
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 4, "Silent as despairing love...."
1793
415
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 6, "Appear to the Americans...."
1793
416
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 8, "The Morning Comes...."
1793
417
Print made by William Blake, 1757–1827
The Book of Thel, Plate 3, "Thel / I / The daughters of Mne Seraphim . . . ."
1789
418
Print made by William Blake, 1757–1827
The Book of Thel, Plate 4, "Why should the mistress . . . ."
1789
419
Print made by William Blake, 1757–1827
The Book of Thel, Plate 5, "II. / O little Cloud . . . ."
1789
420
Print made by William Blake, 1757–1827
The Book of Thel, Plate 8, "IV. / The eternal gates . . . ."
1789
421
Print made by William Blake, 1757–1827
The Book of Thel, Plate 7, "But he that loves the lowly . . . ."
1789
422
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 11, "In thoughts perturb'd . . . ." (Bentley 13)
1794
423
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 13 (Bentley 10)
1794
424
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 17, "Shot from the heights . . . . " (Bentley 18)
1794
425
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 7, "Now comes the night . . . . " (Bentley 8)
1794
426
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 8 (Bentley 9)
1794
427
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 9, "Arise O Rintrah . . . ." (Bentley 11)
1794
428
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 15 (Bentley 14)
1794
429
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 14, "7. From the Caverns of His Jointed Spine...." (Bentley 11)
1794
430
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 17, "8. The Globe of Life Blood Trembled...." (Bentley 18)
1794
431
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 18 (Bentley 21)
1794
432
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 2, "Preludium to the Book of Urizen" (Bentley 2)
1794
433
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 20, "Thus the Eternal Prophet Was Divided...." (Bentley 15)
1794
434
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)
ca. 1788
435
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 11, "II Reason or the ratio . . . . " (Bentley b4)
ca. 1788
436
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 3, "I Man cannot naturally . . . ." (Bentley a4)
ca. 1788
437
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 1, Frontispiece
1793
438
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 14, "So Cried He...."
1793
439
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 10, "Enitharmon slept . . . . " (Bentley 12)
1794
440
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 14, "And the clouds & fires . . . . " (Bentley 15)
1794
441
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 15, "The red limb'd Angel . . . . " (Bentley 16)
1794
442
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 6, "The shrill winds wake . . . . " (Bentley 7)
1794
443
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 1, "The First Book of Urizen." (Bentley 1)
1794
444
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 12, "Los Smitten with Astonishment...." (Bentley 8)
1794
445
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 10, "I Mans perceptions are not bounded . . . . " (Bentley b3)
ca. 1788
446
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 17, "On Albions Angels...."
1793
447
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 18, "Over the Hills...."
1793
448
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 7, "Albions Angel stood...."
1793
449
Print made by William Blake, 1757–1827
The Book of Thel, Plate 1, "Thel's Motto . . . ."
1789
450
Print made by William Blake, 1757–1827
The Book of Thel, Plate 2, Title Page
1789
451
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 12, "Albions Angel rose . . . . " (Bentley 14)
1794
452
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 13, "Chap: IV | 1 Ages on Ages Roll'd over Him...." (Bentley 10)
1794
453
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 16, "Two Nostrils Bent Down to the Deep...." (Bentley 13)
1794
454
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 19, "They Call'd Her Pity and Fled...." (Bentley 19)
1794
455
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 2, "The Argument . . . . " (Bentley a3)
ca. 1788
456
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 7, "V Mans desires . . . . " (Bentley a8)
ca. 1788
457
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 8, "VI The desires & perceptions . . . . " (Bentley a9)
ca. 1788
458
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 9, "Therefore God becomes . . . . " (Bentley b12)
ca. 1788
459
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 10, "The Terror Answered...."
1793
460
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 11, "Sound! Sound! My Loud War-Trumpets...."
1793
461
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 11 (Bentley 17)
1794
462
Print made by William Blake, 1757–1827
Romeo and Juliet, Act IV, Scene V
1799
463
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 30, "The Little Black Boy" (Bentley 10)
1789
464
William Blake, 1757–1827
Illustrations of Imitation of Eclogue I, Page 18
1821
465
William Blake, 1757–1827
Illustrations of Imitation of Eclogue I, Page 17
1821
466
William Blake, 1757–1827
Theocritus
1821
467
William Blake, 1757–1827
Illustrations of Eclogue I, Introductory, The Giant Polypheme
1821
468
William Blake, 1757–1827
Caius Julius Cæsar
1821
469
William Blake, 1757–1827
Sheet from the Blake-Varley Sketchbook of 1819, Pages 37 and 38
1819
470
William Blake, 1757–1827
Sheet from the Blake-Varley Sketchbook of 1819, Pages 27 and 28
1819
471
Print made by William Blake, 1757–1827
The Book of Thel, Plate 4, "Why should the mistress . . . ."
1789
472
William Blake, 1757–1827
The Entrance Front of Hayley's House at Eartham
1801
473
William Blake, 1757–1827
Sealing the Stone and Setting a Watch
1800 to 1803
474
attributed to William Blake, 1757–1827
Thomas Alphonso Hayley, Half-Length Drawing
ca. 1800
475
William Blake, 1757–1827
Joseph and Potiphar's Wife
1803 to 1805
476
William Blake, 1757–1827
The Widow Embracing Her Husband's Grave
1805 to 1808
477
William Blake, 1757–1827
Copy of the Laocoön, for Rees's Cyclopædia
1815
478
William Blake, 1757–1827
An Angel with a Trumpet
between 1805 and 1808
479
William Blake, 1757–1827
A Visionary Head
1819 to 1820
480
William Blake, 1757–1827
Five Visionary Heads of Women
1819 to 1820
481
William Blake, 1757–1827
Socrates, a Visionary Head
ca. 1820
482
William Blake, 1757–1827
The Parable of the Wise and Foolish Virgins
ca. 1825
483
Print made by William Blake, 1757–1827
Pity
ca. 1795
484
Print made by William Blake, 1757–1827
Christ Appearing to the Apostles after the Resurrection