Attributed to Gangaram Chintaman Tambat, active 1790s
Vishnu Riding a Horse Composed of Women
undated
108
Sadanand Vyas, active late 18th century
Archer on Horseback
undated
109
Print made by Thomas Burford, ca. 1710–after 1774
The Death of the Fox
1794
110
Print made by Johnson, active 1766
The Italian Bird Catcher
1766
111
George Bryant Campion, 1796–1870
Hastings Races
undated
112
Print made by Robert Isaac Cruikshank, 1789–1856
Design for the Frontspiece of the Annals of Sporting and Fancy Gazette, Volume 1
1822
113
Thomas Sully, 1783–1872
Two Hunters and Two Dogs in Winter Scene
undated
114
Sir Joshua Reynolds, 1723–1792
Man on Horseback
undated
115
James Gwin, 1700–1769
Position pour la Garde en Quarte
1763
116
James Gwin, 1700–1769
Premiere Position pour tirer L'Epée
1763
117
James Gwin, 1700–1769
Position pour le Garde en Tierce et le Coup de Tierce
1763
118
James Gwin, 1700–1769
Position pour la Garde en Quarte et le Coup de Quarte
1763
119
James Gwin, 1700–1769
Position pour la Garde en Tierce
1763
120
James Gwin, 1700–1769
Position pour la Garde de Tierce, et le Coup de Quarte sur les Armes
1763
121
James Gwin, 1700–1769
Seconde Position du Salut
1763
122
James Gwin, 1700–1769
De la Parade de Quarte au Dedans des Armes sur le Coup de Quarte
1763
123
James Gwin, 1700–1769
Cinquieme Position du Salut
1763
124
James Gwin, 1700–1769
De la Parade de Quarte au Dehors des Armes sur le Coup de Quarte hors des Armes
1763
125
James Gwin, 1700–1769
De la Parade du Demi-Cercle sur le Coup, de Quarte Basse
1763
126
James Gwin, 1700–1769
De la Parade de Seconde sur le Coup de Seconde
1763
127
James Gwin, 1700–1769
De la Parade de Tierce, sur le Coup de Tierce
1763
128
James Gwin, 1700–1769
De la Risposte de Quarte apres la Parade de Quarte
1763
129
James Gwin, 1700–1769
De la Parade Dequinte sur le Coup de Quinte
1763
130
James Gwin, 1700–1769
De la Parade de Prime sur le Coup de Seconde
1763
131
James Gwin, 1700–1769
De la Risposte de Prime Aprés Avoir Paré le Coup de Seconde
1763
132
James Gwin, 1700–1769
De la Risposte en Tierce de Pied Ferme sur le Coup de Tierce
1763
133
James Gwin, 1700–1769
De la Risposte du Cavé de Pied Ferme sur le Coup de Flanconnade a ceux qui n'Opposent pas de la Main Gauche
1763
134
James Gwin, 1700–1769
Echappement du Pied Gauche en Arriere dans le Tems de la Passe au Dehors des Armes
1763
135
James Gwin, 1700–1769
Garde de L'Epée & Manteau Attaquée par L'Epée & Lanterne
1763
136
James Gwin, 1700–1769
Risposte Aprés Avoir Trompé la Parade du Poignard
1763
137
James Gwin, 1700–1769
Du Desarmement Aprés la Parade au Dehors des Armes
1763
138
James Gwin, 1700–1769
De la Garde Espagnole, Figure A Attaqueé par la Garde Françoise
1763
139
James Gwin, 1700–1769
Position de la Garde Italienne de L'Epée & Poignard
1763
140
Print made by William Ward, 1766–1826
Filho da Puta and Sir Joshua
1818
141
Print made by Robert Pollard, 1755–1838
Boys Playing at Peg Top
1786
142
Print made by Thomas Burford, ca. 1710–after 1774
Making a Cast at a Fault
1794
143
Print made by Bernard Lens II, 1659–1725
A Japan Gentlewoman
1680-1690s
144
Print made by Bernard Lens II, 1659–1725
Landscape with Horseman
undated
145
Patrick Nasmyth, 1787–1831
Sportsman and His Dogs
1828
146
John Buckler FSA, 1770–1851
The Spanish Pointer
ca. 1799
147
Print made by Edward Goodall, 1795–1870
A Village Fair
1834
148
Print made by Edward Goodall, 1795–1870
An Old Oak
1834
149
Print made by William John Cooke, 1797–1865
Plymouth, Devonshire
1832
150
Print made by James H. Kernot, active early 19th century
St. Catherine's Hill, near Guildford, Surrey
1832
151
Print made by James T. Willmore, 1800–1863
Llangollen, North Wales
1837
152
Print made by Thomas Higham, 1796–1844
Boulevards, Paris
1835
153
Print made by James Basire the younger, 1769–1822
Whalley Abbey (nearer view)
1800
154
Bruce Davidson, born 1933
Brighton
1960
155
Bruce Davidson, born 1933
Scotland
1960
156
Willoughby Wallace Hooper, 1837–1912
The Tiger Hunt: Bagged
ca. 1872
157
Sir Edwin Henry Landseer, 1802–1873
A Shooting Party: Lord Ossulston, Mr. W. Wells, Lord Abercorn and Sir E. Landseer
1833
158
Sir Edwin Henry Landseer, 1802–1873
A Shooting Party: Mr. C. Leslie and Mr. John Leslie
1833
159
unknown artist
Special Excursions to Race Meetings: Westcliff-on-Sea Coach Services
after 1929
160
Bruce Davidson, born 1933
Brighton
1960
161
C. R. W. Nevinson, 1889–1946
Walkers, For a Good Start Use the Motor-Bus
1921
162
Tom Purvis, 1888–1959
Yorkshire Moors
1930
163
Marcellus Laroon the Younger, 1679–1772
Fencers
undated
164
Thomas Rowlandson, 1756–1827
Drawing Cover
undated
165
Thomas Rowlandson, 1756–1827
A Stag Hunt in the West Country
undated
166
Mrs. P. D. H. Page, 20th century
Indians Fishing, after the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 46 A]
undated
167
Tessa Pullan, born 1953
Racing Scene: three racehorses with jockeys up
1994
168
James Seymour, 1702–1752
Six Studies of Horses and Riders
undated
169
unknown artist
Mid-Day
1799
170
unknown artist
Morning
1799
171
unknown artist
Evening
1799
172
George Alken, 1794–active 1837
Foxhunting: Rider, Taking a Fence
undated
173
George Alken, 1794–active 1837
Exercising a Racehorse
undated
174
George Alken, 1794–active 1837
Foxhunting: Full Cry
between 1827 and 1837
175
Henry Thomas Alken, 1785–1851
A Gentleman Riding With a Groom, and Coversing
undated
176
Henry Thomas Alken, 1785–1851
"Scraps", no. 22: Hunting, Unkennelling with Two Riders Watching
undated
177
Henry Thomas Alken, 1785–1851
"Landscape Scenery", No. 7: Scenes of Cricket and a Waggoner With His Team
1821
178
Henry Thomas Alken, 1785–1851
"Scraps", No. 28: Skittle Alley With Players and Spectators
1823
179
Henry Thomas Alken, 1785–1851
"Scraps", No. 27: Two Dismounted Riders Drinking at an Alehouse Door
1823
180
Henry Thomas Alken, 1785–1851
"Scraps", No. 15: Racehorse with Jockey Up, Two Men Discussing the Horse
1823
181
Henry Thomas Alken, 1785–1851
Symptoms: of Up With a Down Prospect, of Down with an Up Prospect, of Learning to Trot, of a Hard Mouth
between 1818 and 1822
182
Henry Thomas Alken, 1785–1851
"Scraps", No. 24: Hunting -Ttwo Riders, One Opening a Gate For Hounds
1823
183
Henry Thomas Alken, 1785–1851
Symptoms: of Being Bang Up, of a Fine Woman, of Being Bang Down, Of a Quiet One
between 1818 and 1822
184
Henry Thomas Alken, 1785–1851
Turbaned Cavalryman, Right Arm with Curved Sword Upraised
between 1827 and 1851
185
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion You Must Either Pull Him Over or Persuade Him to Pull You Back Again'
between 1831 and 1832
186
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion This May be Called "Riding to the Hounds at a Smashing Rate" '
between 1831 and 1832
187
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'My Good Fellows Have You any Notion Where You Can Get a Saw'
between 1831 and 1832
188
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'This Gives Me a Notion it's Better to "Look Before You Leap" '
between 1831 and 1832
189
Henry Thomas Alken, 1785–1851
"Sporting Notions:" 'Hav'nt You a Notion That Tthis is the Best Mode of Monveyance Over a brook? and I Think by the Look of the Fellow he Never Had Any Thing so Neat in His Thing-a-My Before'
between 1831 and 1832
190
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Meet: 'With Bright Faces and Merry Hearts'
undated
191
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Check: 'What the Devil Do You Do Here..'
undated
192
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": Getting Away: 'Let's Take the Lead'
undated
193
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Leap: 'That Will Shut Out Many, and Make the Thing Select'
undated
194
Henry Thomas Alken, 1785–1851
"Doing the Thing: and the Thing Done:" Morning. Turning Out in Prime Twig. Doing the Least you Can
1818
195
Henry Thomas Alken, 1785–1851
"Doing the Thing: and the Thing Done:" Doing it Somehow
1818
196
Henry Thomas Alken, 1785–1851
"Doing the Thing: and the Thing Done:" Doing the Thing Well - [giving Dribblers the go bye]
1818
197
Henry Thomas Alken, 1785–1851
"Doing the Thing: and the Thing Done:" Doing it No How
1818
198
Henry Thomas Alken, 1785–1851
"Doing the Thing: and the Thing Done:" The Down Leap Done
1818
199
Henry Thomas Alken, 1785–1851
"Doing the Thing: and the Thing Done:" Doing the Down Leap
1818
200
Henry Thomas Alken, 1785–1851
"Doing the Thing: and the Thing Done:" Afternoon. Returning Home in Fine Trim. Doing the Most you Can