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1
- John Henderson as Falstaff
- 1780
2
- The Mansion House
- undated
3
- Langley Park, Norfolk: Elevation of the South Front
- ca. 1750
4
- Port d'Arona
- 1795
5
- Elevations of a Room
- undated
6
- Part of the Ruins Seen From the East End of the Church
- undated
7
- Plan of the Palaces of Charles the Fifth, and of the Moorish Kings in the Alhambra of Granada
- 1775 to 1776
8
- Sketches for Capitals of Columns and Mosaic Squares at Alhambra
- 1775 to 1776
9
- The Great Bath of the Alhambra
- 1775 to 1776
10
- View from a Riverbank
- undated
11
- View of a City Harbor
- undated
12
- View of the Cascine Near Florence
- 1787
13
- View of the Road Near Borchetta
- undated
14
- Bagneres-de-Bigorre, France
- undated
15
- Rocky Landscape with Waterfalls and Goats
- undated
16
- Crowcombe Court: a gentleman with his dog walking by the river
- ca. 1775
17
- View of the Falls of Niagara
- between 1795 and 1797
18
- Herstmonceux Castle, Sussex
- undated
19
- Lowther House, Westmorland: Elevation of the Court Front
- between 1718 and 1729
20
- Premiere Position pour tirer L'Epée
- 1763
21
- Position pour la Garde en Quarte
- 1763
22
- Position pour la Garde en Tierce
- 1763
23
- Position pour la Garde de Tierce, et le Coup de Quarte sur les Armes
- 1763
24
- Position pour la Garde en Quarte et le Coup de Quarte
- 1763
25
- Quatrieme Position du Salut
- 1763
26
- De la Parade de Quarte au Dedans des Armes sur le Coup de Quarte
- 1763
27
- De la Parade du Demi-Cercle sur le Coup, de Quarte Basse
- 1763
28
- De la Parade de Prime sur le Coup de Seconde
- 1763
29
- De la Risposte de Quarte apres la Parade de Quarte
- 1763
30
- De la Risposte en Quinte de Pied forme sur le Coup de Seconde
- 1763
31
- Demi Volte sur les Coups Forcés au Dehors des Armes
- 1763
32
- De la Passe en Quarte du Dehors des Armes
- 1763
33
- Echappement du Pied Gauche en Arriere dans le Tems de la Passe au Dehors des Armes
- 1763
34
- Du Coupé sur Pointe de Quarte en Quarte sur les Armes
- 1763
35
- Du Desarmement Aprés Avoir Paré le Coup de Quarte
- 1763
36
- De la Volte sur la Passe au Dehors des Armes
- 1763
37
- Position de la Garde Italienne de L'Epée & Poignard
- 1763
38
- Risposte Aprés Avoir Trompé la Parade du Poignard
- 1763
39
- De la Garde Espagnole, Figure A Attaqueé par la Garde Françoise
- 1763
40
- Garde de l'Espadonneur. Figure A. Garde Dêfensive du Pointeur. Figure B
- 1763
41
- Battle Scene, Three Battleships, One Sinking; Figures on Left in Rowboat and Standing Pier
- undated
42
- L'Orient 1776: Map of the Port of Orient
- 1776
43
- The Ruins of Carthage
- ca. 1769
44
- Lowther House, Westmorland: Elevation of the Garden Front
- between 1718 and 1729
45
- Cinquieme Position du Salut
- 1763
46
- De la Parade de Quarte au Dehors des Armes sur le Coup de Quarte hors des Armes
- 1763
47
- De la Parade de Seconde sur le Coup de Seconde
- 1763
48
- De la Parade Dequinte sur le Coup de Quinte
- 1763
49
- De la Parade du Cavé sur le Coup de Flanconnade
- 1763
50
- De la Risposte du Cavé de Pied Ferme sur le Coup de Flanconnade a ceux qui n'Opposent pas de la Main Gauche
- 1763
51
- De la Risposte en Tierce de Pied Ferme sur le Coup de Tierce
- 1763
52
- De la Risposte en Seconde aprés Avoir paré la Quarte sur les Armes
- 1763
53
- De la Risposte de Prime Aprés Avoir Paré le Coup de Seconde
- 1763
54
- Position Aprés Avoir Desarmé sur le Coup de Quarte
- 1763
55
- Du Desarmement sur le Coup de Quarte ou de Seconde Paré de Prime
- 1763
56
- Du Desarmement sur le Coup de Tierce
- 1763
57
- Du Desarmement Aprés la Parade au Dehors des Armes
- 1763
58
- Position Aprés Avoir Désarmé sur le Coup de Tierce
- 1763
59
- Position Aprés Avoir Desarme sur le Coup de Quarte ou de Seconde Paré de Prime
- 1763
60
- De la Garde Espagnole Combattüe Aprês la Parade du Coup d'Estramasson
- 1763
61
- A View from Lord Suffok's Bedchamber Window At Elford Down into the Stable Court, 1759
- 1759
62
- Position de la Garde en Quarte, et le Coup de Flanconnade
- 1763
63
- Position de la Garde de Tierce et le Coup de Seconde
- 1763
64
- Premiere Position du Salut
- 1763
65
- Position pour le Garde en Tierce et le Coup de Tierce
- 1763
66
- Position de la Garde en Quarte, et le Coup de Quarte Basse
- 1763
67
- Seconde Position du Salut
- 1763
68
- Troisieme Position du Salut
- 1763
69
- De la Parade de Tierce, sur le Coup de Tierce
- 1763
70
- Garde de L'Epée & Manteau Attaquée par L'Epée & Lanterne
- 1763
71
- L'Epée & Lanterne Combattüe par L'Epée et Manteau
- 1763
72
- Temple of Jupiter Panhellenios at Aegina
- between 1764 and 1766
73
- Plan of the Mesquita of Cordova
- 1775 to 1776
74
- Landscape with Large Cruciform
- 1769
75
- Three Figures in a Landscape
- 1766
76
- Mountain Landscape
- between 1762 and 1783
77
- The Flagship of a Commander in Chief
- undated
78
- Langley Park, Norfolk: Elevation
- 1757
79
- Views in the Levant: Men Loading a Small Sailing Boat With a View of Building and Large Moored Boat
- ca. 1785
80
- Views in the Levant: Three Men in Small Boat Moored to Bank with a View of Buildings on Islands
- ca. 1785
81
- Views in the Levant: Men Sailing Small Boat with Cabin Past Buildings and a Camel
- ca. 1785
82
- Views in the Levant: Men Sailing Small Boat With Canopy Past Buildings and Many Palm Trees
- ca. 1785
83
- Views in the Levant: View of Burial Chamber With Pyramids in Background
- undated
84
- Views in the Levant: Man on Horseback Approaching Gateway to a Town
- ca. 1785
85
- Views in the Levant: Landscape with Domed Building in Compound...
- undated
86
- Views in the Levant: Landscape with Town and Harbour and Distant View of the Sea
- ca. 1785
87
- Views in the Levant: Study of Figures From a Frieze or Panel
- ca. 1785
88
- Haymaking
- undated
89
- Netting Partridges
- ca. 1750
90
- Dosing a Racehorse
- undated
91
- "The Capriole, When He Rises Before & at the Same Time Thro's Out His Hind Legs & Quarters Upon a Strait Line:" Engraved as Plate 25 in "Twenty Five Actions of the Manage Horse..."
- 1729
92
- "The Passage to the Right Aided by the Rider's Rod & the Master Holding the Alonge: Engraved as plate 10 in Twenty Five Actions of the Manage Horse..
- 1729
93
- "The Manege-Gallop with the right leg" engraved as plate 14 in "Twenty Five Actions of the Manage Horse..."
- 1729
94
- Pont Aber Glaslyn
- 1785
95
- Exeter Cathedral, Devon, England
- 1791
96
- Horsemen Colliding
- between 1785 and 1790
97
- Cerne Abbey
- 1791
98
- Moody Hall: Front Elevation and Principal Floor Plan
- undated
99
- Design for a Ceiling
- undated
100
- Design for a Ceiling
- undated