Design for an Altarpiece with a drawing of St. Luke mounted at the center
undated
6
Sir James Thornhill, 1675–1734
Design for a Ceiling at Addiscombe: Bacchus and Ariadne
undated
7
John Thomas Smith, 1766–1833
Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances
1817
8
John Thomas Smith, 1766–1833
The Smock Exposed
1817
9
John Thomas Smith, 1766–1833
Hogarth Drawing Sarah Malcolm
1817
10
John Thomas Smith, 1766–1833
The Reconcilation
1817
11
John Thomas Smith, 1766–1833
Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers
1817
12
John Thomas Smith, 1766–1833
Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
1817
13
John Thomas Smith, 1766–1833
Hogarth Sitting to Roubiliac for His Bust
1817
14
John Thomas Smith, 1766–1833
Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont
1817
15
John Thomas Smith, 1766–1833
Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him
1817
16
Sir James Thornhill, 1675–1734
A Niche for Mr. Portman's House at Sherborne
ca. 1720
17
John Thomas Smith, 1766–1833
Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House
1817
18
John Thomas Smith, 1766–1833
Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends
1817
19
John Thomas Smith, 1766–1833
Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
1817
20
John Thomas Smith, 1766–1833
Hogarth Declaring His Love to Miss Thornhill
1817
21
John Thomas Smith, 1766–1833
Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
1817
22
John Thomas Smith, 1766–1833
Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill
1817
23
Joseph Cartwright, c.1789–1829
Side View of Battleship Surrounded by Several Others in Heavy Seas
undated
24
unknown artist
West Cowes, Isle of Wight
undated
25
Isaac Weld, 1774–1856
An Execution, Rome
1819
26
Heneage Finch fourth Earl of Aylesford, 1751–1812
Tenby
undated
27
attributed to Paul Sandby, 1731–1809
Two Boats at Anchor
undated
28
Rev. William Gilpin, 1724–1804
Landscape with Trees in Foreground
between 1762 and 1783
29
Rev. William Gilpin, 1724–1804
Landscape with Castle in the Distance
between 1762 and 1783
30
Rev. William Gilpin, 1724–1804
Landscape (unfinished)
between 1762 and 1783
31
unknown artist
Lullingstone Castle
ca. 1670
32
Augustus Welby Northmore Pugin, 1812–1852
Our Blessed Lady and St Thomas of Canterbury: Perspective of the Interior
1838
33
Sir Charles D'Oyly, 1781–1845
Totnes from the Seymour Hotel
1838
34
Henry Greaves, 1850–1900
Queen Anne's Court, Cheyne Walk, Chelsea
1874
35
Henry Greaves, 1850–1900
Cheyne Walk, Old Chelsea
1861
36
Attributed to Sir Nicholas Hawksmoor, ca. 1662–1736
Bowling Green at Hampton Court Palace, Richmond: Bird's-eye View
ca. 1690
37
William Henry Hunt, 1790–1864
The Building of Waterloo Bridge
ca. 1816
38
Walter Greaves, 1846–1930
The Old Black Lion, Chelsea
undated
39
Walter Greaves, 1846–1930
Old Chelsea Church
undated
40
John Sanderson, active 1730; died 1774
Langley Park, Norfolk: Elevation of the South Front
ca. 1750
41
Robert Smirke, 1752–1845
Skech for Timon of Athens
undated
42
Sir Edwin Henry Landseer, 1802–1873
A Shooting Party: Mr. C. Leslie and Mr. John Leslie
1833
43
Marcellus Laroon the Younger, 1679–1772
The Tea Party
ca. 1770
44
Jan Wyck, ca. 1645–1700
Cavalry Battle with a Distant view of a Town
undated
45
Thomas Rowlandson, 1756–1827
Norwich Market Place
undated
46
John Michael Rysbrack, 1694–1770
Two Horses' Heads
undated
47
Sawrey Gilpin, 1733–1807
Frightened Horse Tied to a Post
undated
48
Thomas Rowlandson, 1756–1827
A Stage Coach Outside of the Entrance of an Inn
undated
49
unknown artist
Views in the Levant: Landscape with Travellers Resting under Tree, Temple of Minerva, Medici, Rome
ca. 1740
50
Henry Swinburne, 1743–1803
Door of the New Palace at the Alhambra
1775 to 1776
51
Sir Robert Smirke the younger, 1781–1867
Arch of Trajan, Ancona, Italy
1804
52
Sir Robert Smirke the younger, 1781–1867
Study of a Stone Mausoleum
1802-1804
53
Sir Robert Smirke the younger, 1781–1867
Arch of Hadrian
ca. 1804
54
Rev. William Gilpin, 1724–1804
Mountainous Landscape with River, Trees and Foliage in Foreground
between 1745 and 1748
55
Gustave Doré, 1832–1883
Study for a Block on the Road
between 1869 and 1872
56
Rev. William Gilpin, 1724–1804
View Through the Trees
undated
57
Rev. William Gilpin, 1724–1804
Forest Scene
1771
58
Rev. William Gilpin, 1724–1804
Classical Landscape with Ruin on Left, Two Figures on Right
between 1745 and 1748
59
Rev. William Gilpin, 1724–1804
Shipping Scene with Three Figures on shore
between 1745 and 1748
60
Rev. William Gilpin, 1724–1804
Classical Landscape with Two Figures on Horseback at Right
between 1745 and 1748
61
Rev. William Gilpin, 1724–1804
Two Figures on Shore with Mountain Rising Behind
between 1745 and 1748
62
Rev. William Gilpin, 1724–1804
Classical Landscape with Two Figures on Lake Shore
between 1745 and 1748
63
Rev. William Gilpin, 1724–1804
A Rocky Landscape
between 1745 and 1748
64
Rev. William Gilpin, 1724–1804
Landscape with Two Horsemen on a Road
between 1745 and 1748
65
Rev. William Gilpin, 1724–1804
Landscape with Mountain in Center Distance
between 1745 and 1748
66
George Dance, 1741–1825
The Collector
undated
67
Sir William Chambers, 1723–1796
Headfort House: East Elevation of House, East Elevation of Offices, and Attic Story Plan
1765
68
Rev. William Gilpin, 1724–1804
Two Figures on a Road with Castle in Center Distance
between 1745 and 1748
69
Rev. William Gilpin, 1724–1804
Mountainous Landscape with Rocky Crag at Right
between 1745 and 1748
70
Sir William Chambers, 1723–1796
Headfort House, Ireland: Elevations of the North and South Fronts
1765
71
Joseph Farington, 1747–1821
A Mill by a Waterfall
undated
72
Joseph Farington, 1747–1821
A Group of Trees
undated
73
Attributed to Hon. Daniel Finch, 1789–1868
Packington
1834
74
Heneage Finch fourth Earl of Aylesford, 1751–1812
Landscape with a Bridge
1790 to 1795
75
imitator of Thomas Gainsborough, 1727–1788
Landscape with Cows
undated
76
Attributed to Hon. Daniel Finch, 1789–1868
Ashtead
1833
77
Hubert-François Gravelot, 1699–1773
Port Mahon
between 1756 and 1773
78
Joseph Farington, 1747–1821
Waterfall in the Lake District
ca. 1782
79
Joseph Farington, 1747–1821
Windsor Castle
undated
80
William Day, 1764–1807
Wooded Rocks by a Stream (Derbyshire?)
undated
81
Heneage Finch fourth Earl of Aylesford, 1751–1812
An Old Barn, Trees and Cow
undated
82
unknown artist
Edington Church
ca. 1825
83
Mary Andover, 1716–1803
Haystack
undated
84
Stephen Riou, 1720–1780
La Prigioni a Venezia
1752
85
Stephen Riou, 1720–1780
Arco nel Campo Marzo a Vicenza
1752
86
Stephen Riou, 1720–1780
Il diritto della Facciata d'una Casa per fare alla Campagna
1752
87
Stephen Riou, 1720–1780
Alzata di'una faciata d'un Palazzo di 15 finestre per fare in luogo nobile della citta