Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him
1817
34
John Thomas Smith, 1766–1833
Hogarth at Old Slaughter's Hobbing with Highmore the Painter
1817
35
John Thomas Smith, 1766–1833
Hogarth Sitting to Roubiliac for His Bust
1817
36
Francis Swaine, 1730–1782
Hulks in the Medway
undated
37
Robert Byng, 1666–1720
Portrait of a Family, called John Sheffield, Duke of Buckingham, and Family
undated
38
Willem van de Velde the Younger, 1633–1707
An English Man-of-War, Port View from the Stern
ca. 1675
39
Samuel Davis, 1760–1819
View of Shershah's Tomb at Sasaram in Bihar
ca. 1779
40
Alfred Edward Chalon, 1780–1860
Cleopatra on the Cydnus to Meet Antony
ca. 1821
41
Sir John Vanbrugh, 1664–1726
Kings Weston, Bristol: Entrance Front Elevation
ca. 1710
42
Capt. Thomas Hastings, 1778–1854
38 Sketches in Cumberland, Westmoreland, etc
1834 to 1846
43
Sir James Thornhill, 1675–1734
Neptune
undated
44
Giovanni Battista Borra, 1713–1770
Frieze and Capitals (from Priene?)
ca. 1750
45
Hamlet Winstanley, 1698–1756
The Adoration
1723
46
Samuel Scott, 1701/2–1772
Two Boats with Crews, Study for The Royal William at Sea
undated
47
Giovanni Battista Borra, 1713–1770
Details of a Corinthian Temple on the Acropolis of Pergamon
ca. 1750
48
Roger Morris, 1695–1749
Whitton House, Middlesex: Mezzanine and Attic Floor Plans
between 1732 and 1739
49
Henry Fuseli, 1741–1825
Study for 'Finding of the Body of Bassanio'
1804
50
Sir David Wilkie, 1785–1841
Scene from Quentin Durward
1833
51
Sir Charles D'Oyly, 1781–1845
Totnes from the Seymour Hotel
1838
52
William Hamilton, 1751–1801
Ruins in Rome
between 1768 and 1775
53
Attributed to William Hamilton, 1751–1801
Leander Taking Leave of Hero Before Swimming Back Across the Hellespont
undated
54
Henry Greaves, 1850–1900
Cheyne Walk, Old Chelsea
1861
55
Francis Hayman, 1707/8–1776
Battledore and Shuttlecock
ca. 1740
56
James Howe, 1780–1836
Scene with Horse and Rider
undated
57
Walter Greaves, 1846–1930
The Old Black Lion, Chelsea
undated
58
Henry Greaves, 1850–1900
Queen Anne's Court, Cheyne Walk, Chelsea
1874
59
Walter Greaves, 1846–1930
Old Chelsea Church
undated
60
unknown artist
Whitehall Palace, London: Elevation of Proposed Design
between 1710 and 1740
61
Sir James Thornhill, 1675–1734
Design for a Mythological Scene, with Jupiter and Juno
undated
62
Joseph Wilton, 1722–1803
Design for a Chimneypiece
undated
63
John Sanderson, active 1730; died 1774
Langley Park, Norfolk: Elevation of the South Front
ca. 1750
64
Augustus Welby Northmore Pugin, 1812–1852
Our Blessed Lady and St Thomas of Canterbury: Perspective of the Interior
1838
65
Augustus Welby Northmore Pugin, 1812–1852
Our Blessed Lady and St Thomas of Canterbury, Dudley: Perspective
1838
66
John Thomas Smith, 1766–1833
Hogarth Declaring His Love to Miss Thornhill
1817
67
John Thomas Smith, 1766–1833
Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
1817
68
John Thomas Smith, 1766–1833
The Smock Exposed
1817
69
John Thomas Smith, 1766–1833
Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill
1817
70
John Thomas Smith, 1766–1833
Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
1817
71
John Thomas Smith, 1766–1833
Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
1817
72
John Thomas Smith, 1766–1833
The Reconcilation
1817
73
John Thomas Smith, 1766–1833
Hogarth Drawing Sarah Malcolm
1817
74
John Thomas Smith, 1766–1833
Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers
1817
75
John Thomas Smith, 1766–1833
Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'
1817
76
unknown artist
Scarborough
undated
77
Moses Haughton Jr., 1772–1848
A Young Country Couple
undated
78
William Green, 1760–1823
Landscape with River and a Bridge
undated
79
attributed to William Henry Hunt, 1790–1864
Beauvais
ca. 1831
80
Thomas Sunderland, 1744–1828
Landscape at Ambleside
ca. 1800
81
imitator of Canaletto, 1697–1768
Venetian Fantasy
undated
82
Dominic Serres, 1722–1793
Firing a Salute
1770
83
James Wyatt, 1746–1813
Cobham Hall, Kent: Plan and Elevation of the Stables, Barn and Coach Houses
ca. 1790
84
James Wyatt, 1746–1813
Cobham Hall, Kent: Ground Plan
1798
85
James Wyatt, 1746–1813
Cobham Hall, Kent: Plan of the Water Closets Adjoining to the North West Tower
ca. 1790
86
James Wyatt, 1746–1813
Cobham Hall, Kent: Plan of the chamber story of part of the offices
1798
87
James Wyatt, 1746–1813
Cobham Hall, Kent: Unidentified Plan
ca. 1790
88
James Wyatt, 1746–1813
Cobham Hall, Kent: Ground Plan of Part of the Offices and New Passage
1798
89
James Wyatt, 1746–1813
Cobham Hall, Kent: Design for a Lintel for One End of a Passage
ca. 1790
90
James Wyatt, 1746–1813
Cobham Hall, Kent: Bow Window West End of South Wing, and Design for Facade for Roof
ca. 1790
91
James Wyatt, 1746–1813
Cobham Hall, Kent: Section of the Audit Room at Earl Darnley's
ca. 1790
92
Mary Harcourt, 1750–1833
On the Rhone
ca. 1780
93
Wenceslaus Hollar, 1607–1677
A View from Peterborough Tower at Tangier
1669
94
Matthew Haughton, 1768–1821
A Fashionable Audience
undated
95
Attributed to Sir Nicholas Hawksmoor, ca. 1662–1736
Bowling Green at Hampton Court Palace, Richmond: Bird's-eye View
ca. 1690
96
John Baverstock Knight, 1785–1859
Tree Study
undated
97
Henry Richard Greville third Earl of Warwick, 1779–1853