Materials & Techniques: brown wash and wove paper / Collection: Prints and Drawings / Period: 19th century / Image Available: Available

1. The Haunted Wood

Creator:: Francis Danby, 1793–1861
Date:: undated
Materials & Techniques:: Brown wash and brown ink with scratching out on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/4 x 4 7/8 inches (15.9 x 12.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. A Classical City

Creator:: Francis Danby, 1793–1861
Date:: undated
Materials & Techniques:: Graphite and brown wash on medium, slightly textured, gray wove paper
Dimensions:: Sheet: 5 × 7 3/8 inches (12.7 × 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

3. A Lake in Norway

Creator:: Francis Danby, 1793–1861
Date:: ca. 1825
Materials & Techniques:: Brown wash with gouache over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 3/16 x 16 5/16 inches (30.9 x 41.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. Subterranean Pool with Sculptural Torchere

Creator:: attributed to Francis Danby, 1793–1861
Date:: undated
Materials & Techniques:: Brown wash, with scraping on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/4 x 9 inches (26 x 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. Study of Waves

Creator:: attributed to Samuel Palmer, 1805–1881
Date:: undated
Materials & Techniques:: Gray and brown washes with white gouache over graphite on thick, slightly textured, gray wove paper
Dimensions:: Sheet: 5 13/16 × 8 7/8 inches (14.8 × 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. A Pastoral Scene

Creator:: Samuel Palmer, 1805–1881
Date:: 1835
Materials & Techniques:: Brown wash on wove paper
Dimensions:: Sheet: 3 3/4 x 4 1/2 inches (9.5 x 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. Rome from San Spirito

Creator:: Samuel Palmer, 1805–1881
Date:: undated
Materials & Techniques:: Brown wash black chalk and graphite with white chalk on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/8 x 23 3/8 inches (35.9 x 59.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. An Ancient Barn at Shoreham

Creator:: Samuel Palmer, 1805–1881
Date:: undated
Materials & Techniques:: Pen and black ink, gray wash, brown wash, and graphite on moderately textured, moderately thick, cream wove paper
Dimensions:: Sheet: 6 1/8 × 11 inches (15.6 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. Study of Old Buildings

Creator:: Samuel Palmer, 1805–1881
Date:: undated
Materials & Techniques:: Brown ink, brown wash, and graphite, with scraping out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 5/8 x 10 5/8 inches (19.4 x 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. Landscape Sketch

Creator:: attributed to Samuel Palmer, 1805–1881
Date:: undated
Materials & Techniques:: Pink wash, brown wash, pen and brown ink, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 7 3/8 x 15 3/4 inches (18.7 x 40 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. Boxhill

Creator:: attributed to Samuel Palmer, 1805–1881
Date:: 1868
Materials & Techniques:: Gray wash, green wash, brown wash, black chalk, and graphite on medium, slightly textured, brown wove paper
Dimensions:: Sheet: 9 1/2 x 12 1/8 inches (24.1 x 30.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. Study of a Pilgrim

Creator:: attributed to Samuel Palmer, 1805–1881
Date:: undated
Materials & Techniques:: Watercolor, brown wash, white gouache, gold, black chalk, and graphite on slightly textured, medium, green wove paper
Dimensions:: Sheet: 10 3/4 x 8 inches (27.3 x 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. A Moonlit Scene with a Winding River

Creator:: Samuel Palmer, 1805–1881
Date:: ca. 1827
Materials & Techniques:: Black and brown wash, gouache, and gum on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 x 7 1/8 inches (26.7 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. Dawn

Creator:: John Constable, 1776–1837
Date:: between 1831 and 1832
Materials & Techniques:: Pen and brown ink and brown wash on thin, smooth, cream wove paper
Dimensions:: Sheet: 2 1/4 x 4 3/8 inches (5.7 x 11.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. The Straw Yard

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1808
Materials & Techniques:: Etching and mezzotint, printed in brown ink, with scraping, brown ink, and brown wash Engraver's proof (aa) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/8 × 11 1/4 inches (20.6 × 28.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. Shipping Scene, with Fishermen

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: between 1815 and 1820
Materials & Techniques:: Brown wash, brushed brown ink and scraping out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/2 x 11 1/2 inches (21.6 x 29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. A Country House

Creator:: Edward Lear, 1812–1888
Date:: ca. 1834
Materials & Techniques:: Graphite and brown wash on moderately thick,slightly textured, beige wove paper
Dimensions:: Sheet: 6 7/8 x 10 inches (17.5 x 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

18. Memphis

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Brown wash, graphite, pen and brown ink on thick, rough, cream wove paper
Dimensions:: Sheet: 3 3/4 x 7 11/16 inches (9.5 x 19.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

19. Reggio, 26 July 1847

Creator:: Edward Lear, 1812–1888
Date:: 1847
Materials & Techniques:: Pen and brown ink, brown wash, and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 11 1/4 x 18 7/8 inches (28.6 x 47.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

20. S. Pietro Degli Agostiniani. Leonessa.

Creator:: Edward Lear, 1812–1888
Date:: 1844
Materials & Techniques:: Watercolor, graphite, brown wash, pen and brown ink on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 9 7/8 x 9 11/16 inches (25.1 x 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

21. Bavella, Corsica

Creator:: Edward Lear, 1812–1888
Date:: ca. 1868
Materials & Techniques:: Pen and brown ink, pen and black ink, brown wash, and graphite on moderately thick, rough, beige wove paper
Dimensions:: Sheet: 9 × 14 1/2 inches (22.9 × 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Turin, Italy

Creator:: Edward Lear, 1812–1888
Date:: after 1872
Materials & Techniques:: Pen in brown ink with brown wash over graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 13 1/2 x 21 1/2 inches (34.3 x 54.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. The Pontine Marshes above Terracina

Creator:: Edward Lear, 1812–1888
Date:: ca. 1880
Materials & Techniques:: Pen in brown ink with brown wash over graphite on very thick, slightly textured, beige wove paper
Dimensions:: Sheet: 9 3/8 x 12 7/16 inches (23.8 x 31.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Albania

Creator:: Edward Lear, 1812–1888
Date:: between 1848 and 1849
Materials & Techniques:: Watercolor with pen in brown ink and brown wash over graphite on thick, rough, cream wove paper
Dimensions:: Sheet: 5 3/16 x 9 13/16 inches (13.2 x 24.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. St. James Barracks

Creator:: Michel Jean Cazabon, 1813–1888
Date:: 1851
Materials & Techniques:: Pen and brown ink, brown wash, white goauche, and graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 7 1/2 × 12 inches (19.1 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Cedar Point, Mount Tamana

Creator:: Michel Jean Cazabon, 1813–1888
Date:: 1851
Materials & Techniques:: Pen and brown ink, brown wash, graphite, and white gouache on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 8 1/2 × 11 inches (21.6 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Regent's Park, London, The Colosseum, Clergy's Orphans' School and St. Andrew's Place, with Figures and Coaches

Creator:: Richard Morris, active 1830
Date:: ca. 1831
Materials & Techniques:: Pen in black ink with brown and gray wash on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 6 9/16 x 20 1/8 inches (16.7 x 51.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. A Seascape

Creator:: Richard Parkes Bonington, 1802–1828
Date:: undated
Materials & Techniques:: Brown wash on medium, smooth, cream wove paper
Dimensions:: Sheet: 3 7/8 x 6 inches (9.8 x 15.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House.

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, gray ink, black ink, gray wash, brown wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, gray ink, gray wash, brown wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 13/16 × 9 11/16 inches (32.5 × 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Hogarth Engraving His Master's Shop-bill the Sign of the Angel

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and black ink, brown ink, brown wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 15/16 × 9 11/16 inches (32.9 × 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Hogarth Declaring His Love to Miss Thornhill

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and black ink, brown ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 15/16 × 9 3/4 inches (32.9 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e

Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and black ink, brown ink, brown wash, gray wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and black ink, brown ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. The Smock Exposed

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 15/16 × 9 5/8 inches (32.9 × 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. The Reconcilation

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 3/4 × 9 3/4 inches (32.4 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Hogarth Drawing Sarah Malcolm

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 15/16 × 9 3/4 inches (32.9 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Hogarth Painting His Picture of Captain Coram for the Foundling Hospital

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, gray ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 15/16 × 9 11/16 inches (32.9 × 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Hogarth Sitting to Roubiliac for His Bust

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 13 × 9 9/16 inches (33 × 24.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Advanced Guard - Sunrise

Creator:: James Pattison Cockburn, 1779–1847
Date:: ca. 1832
Materials & Techniques:: Pen and brown ink, graphite, brown wash, and white gouache on moderately thick, moderately textured, brown wove paper
Dimensions:: Sheet: 3 7/8 × 5 3/4 inches (9.8 × 14.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Margate Hoy

Creator:: Joseph Clarendon Smith, 1778–1810
Date:: 1807
Materials & Techniques:: Graphite, brown wash, and pen and black ink on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/8 × 11 5/8 inches (23.2 × 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Music: Composition in a Garden

Creator:: John James Chalon, 1778–1854
Date:: ca. 1832
Materials & Techniques:: Brown and gray wash, graphite on textured, moderately thick, cream wove paper
Dimensions:: Sheet: 12 3/4 × 17 5/8 inches (32.4 × 44.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Roslyn Castle - a wooded river landscape

Creator:: Thomas Peploe Wood, 1817–1845
Date:: 1839
Materials & Techniques:: Brown wash with brown and black ink on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 9 1/2 × 12 5/8 inches (24.1 × 32.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Joshua Commanding the Sun to Stand Still

Creator:: John Martin, 1789–1854
Date:: 1818
Materials & Techniques:: Graphite, brown wash, scratching out and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 × 24 1/8 inches (40.6 × 61.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Gil Blas, While Practising Medicine under Dr. Sangrado, Encounters Dr. Cuchillo at the Bedside of the Grocer

Creator:: John James Chalon, 1778–1854
Date:: undated
Materials & Techniques:: Graphite and brown wash on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 12 13/16 × 16 1/8 inches (32.5 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. The Fight Interrupted

Creator:: William Mulready, 1786–1863
Date:: undated
Materials & Techniques:: Brown wash with pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 7/8 × 4 inches (12.4 × 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Wood Cutters

Creator:: John James Chalon, 1778–1854
Date:: undated
Materials & Techniques:: Brown and gray wash, gouache, graphite on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 13 13/16 × 17 9/16 inches (35.1 × 44.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Chiddingstone Place, View from the Lake

Creator:: William Knight, active 1807–1845
Date:: ca. 1850s
Materials & Techniques:: Brown wash, gray wash and graphite with scratching out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 × 11 7/8 inches (20.3 × 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Landscape with Tower and Approaching Storm

Creator:: John Martin, 1789–1854
Date:: undated
Materials & Techniques:: Brown wash, brown ink, graphite and scratching out on medium, slightly textured, cream wove paper mounted on thick, moderately textured, cream card
Dimensions:: Mount: 5 1/4 x 7 9/16 inches (13.4 x 19.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Margate Harbor

Creator:: Samuel Owen, 1768–1857
Date:: ca. 1806
Materials & Techniques:: Brown wash and pen and black ink over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/8 × 19 1/8 inches (30.8 × 48.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. A Castle at the Waterside by Moonlight

Creator:: Charles Parsons Knight, 1829–1897
Date:: undated
Materials & Techniques:: Pen and black ink and gray wash with scratching out. Verso: Brown wash on thick, rough, cream wove paper
Dimensions:: Sheet: 4 5/8 × 7 5/8 inches (11.7 × 19.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Maya Stela at Copan, Honduras

Creator:: Frederick Catherwood, 1799–1854
Date:: 1843
Materials & Techniques:: Watercolor, pen and brown ink, brown wash, graphite, and scratching out on thick, moderately textured, cream wove paper, mounted on moderately thick, moderately textured, cream wove paper
Dimensions:: Mount: 15 7/16 × 21 5/8 inches (39.2 × 54.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Henry Schnakenberg

57. The Dying Man

Creator:: Sir John Everett Millais, 1829–1896
Date:: ca. 1853
Materials & Techniques:: Pen and brown ink and brown wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 7/8 x 9 5/8 inches (20 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

58. Charlton House, Wiltshire

Creator:: John Preston Neale, 1771/80–1847
Date:: undated
Materials & Techniques:: Brown wash, white gouache, graphite on slightly textured, medium, cream wove paper
Dimensions:: Sheet: 3 7/8 × 5 1/4 inches (9.8 × 13.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Workmen at Refreshment (Banditti?)

Creator:: Mather Brown, 1761–1831
Date:: 1819
Materials & Techniques:: Pen and brown ink, brown wash, and graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 7 5/8 × 11 1/4 inches (19.4 × 28.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Old London Bridge and St. Paul's Cathedral From the Thames

Creator:: David Cox, 1783–1859
Date:: ca. 1808
Materials & Techniques:: Brown wash with scratching out on medium, moderately textured, beige wove paper
Dimensions:: Sheet: 4 1/8 x 7 inches (10.5 x 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. The Life of a Nobleman: Scene the First - The Inheritance

Creator:: Henry Dawe, 1790–1848
Date:: undated
Materials & Techniques:: Brown wash and graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 7 1/2 x 6 3/8 inches (19.1 x 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. The Life of a Nobleman: Scene the Second - The First Party

Creator:: Henry Dawe, 1790–1848
Date:: undated
Materials & Techniques:: Brown wash and graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 7 1/2 x 6 1/8 inches (19.1 x 15.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. The Life of a Nobleman: Scene the Third - The Night House

Creator:: Henry Dawe, 1790–1848
Date:: undated
Materials & Techniques:: Brown wash over graphite on medium, morderately textured, cream wove paper
Dimensions:: Sheet: 7 3/8 x 6 1/8 inches (18.7 x 15.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. The Life of a Nobleman: Scene the Fourth - The Betting Booth

Creator:: Henry Dawe, 1790–1848
Date:: undated
Materials & Techniques:: Brown wash and graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 7 3/4 x 6 3/8 inches (19.7 x 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. The Life of a Nobleman: Scene the Seventh - The Mess Room

Creator:: Henry Dawe, 1790–1848
Date:: undated
Materials & Techniques:: Brown wash and graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 7 1/2 x 6 1/2 inches (19.1 x 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. The Life of a Nobleman: Scene the Eighth - The Duel

Creator:: Henry Dawe, 1790–1848
Date:: undated
Materials & Techniques:: Brown wash and graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 7 3/4 x 6 5/8 inches (19.7 x 16.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. The Life of a Nobleman: Scene the Ninth - The Sick Room

Creator:: Henry Dawe, 1790–1848
Date:: undated
Materials & Techniques:: Brown wash and graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 7 7/8 x 6 5/8 inches (20 x 16.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. Wreck and the Merchant Vessel, St. George, at Deal, Kent

Creator:: John Samuel Hayward, 1778–1822
Date:: 1807
Materials & Techniques:: Brown wash and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 × 6 5/8 inches (13.3 × 16.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Fish Market, Hastings

Creator:: William Henry Harriott, active 1811, died 1839
Date:: 1824
Materials & Techniques:: Pen and brown ink, brown wash and graphite on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 × 10 3/8 inches (17.8 × 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. Portentous Things

Creator:: George Jones, 1786–1869
Date:: undated
Materials & Techniques:: Pen and brown ink, watercolor, brown wash, black chalk, white chalk, and graphite, with scraping out on smooth, thin, beige wove paper
Dimensions:: Sheet: 23 3/4 × 19 3/8 inches (60.3 × 49.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

71. Totnes from the Seymour Hotel

Creator:: Sir Charles D'Oyly, 1781–1845
Date:: 1838
Materials & Techniques:: Pen and black ink, brown ink, gray wash, brown wash and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 11 7/16 × 18 3/16 inches (29.1 × 46.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. Portrait Study of Martha, Lady Hayter

Creator:: Sir George Hayter, 1792–1871
Date:: 1863
Materials & Techniques:: Graphite, brown wash and white gouache on medium, slightly textured, brown wove paper
Dimensions:: Sheet: 7 3/4 × 5 3/4 inches (19.7 × 14.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. Sarcophagus in a Church

Creator:: John Kendall, 1766–1829
Date:: May 10, 1806
Materials & Techniques:: Gray and brown wash with pen and black ink over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 3/4 × 7 1/8 inches (19.7 × 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. Designs for Gothic Ornamentation, a Kneeler, and Two Sketches of the Interiors of Gothic Churches

Creator:: Augustus Welby Northmore Pugin, 1812–1852
Date:: undated
Materials & Techniques:: Pen and brown ink, brown wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 11 1/8 × 7 7/8 inches (28.3 × 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. Illustration for The New Doll: The Doll brought Home

Creator:: Edward Francis Burney, 1760–1848
Date:: 1825
Materials & Techniques:: Graphite, pen and brown ink, brown wash, and gray wash on medium, slightly textured, cream wove paper mounted to card
Dimensions:: Sheet: 4 1/2 × 3 3/4 inches (11.4 × 9.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

76. Illustration for The New Doll: Sewing Clothes for the Doll

Creator:: Edward Francis Burney, 1760–1848
Date:: 1825
Materials & Techniques:: Pen and brown ink, gray wash, and red chalk on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 3 3/4 × 4 3/8 inches (9.5 × 11.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

77. Designs for Gothic Ornamentation

Creator:: Augustus Welby Northmore Pugin, 1812–1852
Date:: undated
Materials & Techniques:: Graphite, brown wash, and pen and brown ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 7 1/2 × 13 5/8 inches (19.1 × 34.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. Government House from St. Andrew's Library - Calcutta

Creator:: Sir Charles D'Oyly, 1781–1845
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, brown wash, white gouache, and graphite on thick, moderately textured, blue/gray, wove paper
Dimensions:: Mount: 8 3/16 × 20 15/16 inches (20.8 × 53.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. Chowringhee Road from No. XI Esplanade

Creator:: Sir Charles D'Oyly, 1781–1845
Date:: undated
Materials & Techniques:: Watercolor, graphite, white gouache, brown wash, and gray wash on moderately thick, moderately textured, blue wove paper
Dimensions:: Mount: 6 11/16 × 21 inches (17 × 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. Ilustration for The New Doll: Untitled

Creator:: Edward Francis Burney, 1760–1848
Date:: 1825
Materials & Techniques:: Pen and brown ink, gray wash and red chalk on medium, slightly textured, cream wove paper mounted to card
Dimensions:: Sheet: 3 7/8 x 4 1/2in. (9.8 x 11.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

81. Illustration for The New Doll: Untitled

Creator:: Edward Francis Burney, 1760–1848
Date:: 1825
Materials & Techniques:: Pen and brown ink and brown wash and gray wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 1/2 × 3 7/8 inches (11.4 × 9.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

82. Illustration for The New Doll: Untitled

Creator:: Edward Francis Burney, 1760–1848
Date:: 1825
Materials & Techniques:: Graphite, pen and brown ink, brown wash, and gray wash on medium, slightly textured, cream wove paper mounted to card
Dimensions:: Sheet: 4 1/2 × 4 inches (11.4 × 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

83. The Life of a Nobleman: Scene the Fifth - The Gambling House

Creator:: Henry Dawe, 1790–1848
Date:: undated
Materials & Techniques:: Brown wash and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 7/8 x 6 1/2 inches (20 x 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. The Life of a Nobleman: Scene the Sixth - The Usurer

Creator:: Henry Dawe, 1790–1848
Date:: undated
Materials & Techniques:: Brown wash and graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 7 7/8 x 6 5/8 inches (20 x 16.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. Entrance to the Hudson Highlands

Creator:: William Henry Bartlett, 1809–1854
Date:: undated
Materials & Techniques:: Pen and brown ink and brown wash with white gouache over graphite with scraping out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 × 7 inches (12.7 × 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. John Hill Morgan

86. She Never Told Her Love, But Sat Like Patience on a Monument

Creator:: Robert Smirke, 1752–1845
Date:: 1827
Materials & Techniques:: Brown ink with brown wash and gouache and oil on medium, smooth, beige wove paper
Dimensions:: Sheet: 5 1/8 x 3 7/8 inches (13 x 9.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. Trinity Church, Port of Spain

Creator:: Michel Jean Cazabon, 1813–1888
Date:: 1851
Materials & Techniques:: Pen and brown ink, brown wash, graphite, and white goauche on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 7 1/2 × 10 1/2 inches (19.1 × 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. Queen's Park, Port of Spain

Creator:: Michel Jean Cazabon, 1813–1888
Date:: 1851
Materials & Techniques:: Pen and brown ink, brown wash, white goauche, and graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 6 1/2 × 11 5/8 inches (16.5 × 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him

Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 15/16 × 9 3/4 inches (32.9 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. Miss Elizabeth Siddal

Creator:: Dante Gabriel Rossetti, 1828–1882
Date:: between 1854 and 1855
Materials & Techniques:: Gray wash, brown wash, and graphite with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/8 x 4 1/4 inches (18.1 x 10.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. Rusthill Common near Tunbridge Wells, Kent

Creator:: unknown artist
Date:: ca. 1840
Materials & Techniques:: Graphite, blue wash, brown wash, and gray wash on moderately thick, slightly textured, blue wove paper
Dimensions:: Sheet: 9 7/8 × 13 7/8 inches (25.1 × 35.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. Port of Spain, from the Harbour

Creator:: Michel Jean Cazabon, 1813–1888
Date:: 1851
Materials & Techniques:: Pen and brown ink, brown wash, graphite, and white gouache on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 6 3/8 × 11 1/2 inches (16.2 × 29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. Bamboo Arches, St. Anns

Creator:: Michel Jean Cazabon, 1813–1888
Date:: 1851
Materials & Techniques:: Pen and brown ink, brown wash, graphite, and white gouache with scratching out on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 7 5/8 × 10 1/2 inches (19.4 × 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. The Cottage, Mount Tamana

Creator:: Michel Jean Cazabon, 1813–1888
Date:: 1851
Materials & Techniques:: Pen and brown ink, brown wash, graphite, and white gouache with scratching out on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 8 3/8 × 10 7/8 inches (21.3 × 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. Maraccas Waterfall

Creator:: Michel Jean Cazabon, 1813–1888
Date:: 1851
Materials & Techniques:: Pen and brown ink, black ink, brown wash, graphite, and white gouache with scratching out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 × 8 inches (26.7 × 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. On the Cimaronero River

Creator:: Michel Jean Cazabon, 1813–1888
Date:: 1857
Materials & Techniques:: Pen and brown ink, black ink, brown wash, graphite and scratching out on medium, slightly texturer, beige wove paper
Dimensions:: Sheet: 7 1/8 × 9 7/8 inches (18.1 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. Studies after Anthony van Dyck's Portrait of Arthur Goodwin

Creator:: James Ward, 1769–1859
Date:: 1825
Materials & Techniques:: Graphite and brown wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 x 10 3/8 inches (17.8 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. Plymouth Harbor

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Brown wash on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 5/16 x 11 13/16 inches (21.1 x 30 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. Crossing the Bridge

Creator:: unknown artist
Date:: early 19th century
Materials & Techniques:: Gray wash and brown wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/4 × 11 5/8 inches (23.5 × 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. Fulham Palace, Porter's Lodge

Creator:: John Gendall, 1790–1865
Date:: undated
Materials & Techniques:: Brown wash, pen and brown ink with white gouache over graphite on thick, textured, card
Dimensions:: Sheet: 5 × 5 15/16 inches (12.7 × 15.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Materials & Techniques brown wash

Materials & Techniques wove paper

Collection Prints and Drawings

Period 19th century

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Search Results

1. The Haunted Wood

2. A Classical City

3. A Lake in Norway

4. Subterranean Pool with Sculptural Torchere

5. Study of Waves

6. A Pastoral Scene

7. Rome from San Spirito

8. An Ancient Barn at Shoreham

9. Study of Old Buildings

10. Landscape Sketch

11. Boxhill

12. Study of a Pilgrim

13. A Moonlit Scene with a Winding River

14. Dawn

15. The Straw Yard

16. Shipping Scene, with Fishermen

17. A Country House

18. Memphis

19. Reggio, 26 July 1847

20. S. Pietro Degli Agostiniani. Leonessa.

21. Bavella, Corsica

22. Turin, Italy

23. The Pontine Marshes above Terracina

24. Albania

25. St. James Barracks

26. Cedar Point, Mount Tamana

27. Regent's Park, London, The Colosseum, Clergy's Orphans' School and St. Andrew's Place, with Figures and Coaches

28. A Seascape

29. Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House.

30. Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends

31. Hogarth Engraving His Master's Shop-bill the Sign of the Angel

32. Hogarth Declaring His Love to Miss Thornhill

33. Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e

34. Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber

35. The Smock Exposed

36. Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill

37. The Reconcilation

38. Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances

39. Hogarth Drawing Sarah Malcolm

40. Hogarth Painting His Picture of Captain Coram for the Foundling Hospital

41. Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers

42. Hogarth Sitting to Roubiliac for His Bust

43. Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont

44. Advanced Guard - Sunrise

45. Margate Hoy

46. Music: Composition in a Garden

47. Roslyn Castle - a wooded river landscape

48. Joshua Commanding the Sun to Stand Still

49. Gil Blas, While Practising Medicine under Dr. Sangrado, Encounters Dr. Cuchillo at the Bedside of the Grocer

50. The Fight Interrupted

51. Wood Cutters

52. Chiddingstone Place, View from the Lake

53. Landscape with Tower and Approaching Storm

54. Margate Harbor

55. A Castle at the Waterside by Moonlight

56. Maya Stela at Copan, Honduras

57. The Dying Man

58. Charlton House, Wiltshire

59. Workmen at Refreshment (Banditti?)

60. Old London Bridge and St. Paul's Cathedral From the Thames

61. The Life of a Nobleman: Scene the First - The Inheritance

62. The Life of a Nobleman: Scene the Second - The First Party

63. The Life of a Nobleman: Scene the Third - The Night House

64. The Life of a Nobleman: Scene the Fourth - The Betting Booth

65. The Life of a Nobleman: Scene the Seventh - The Mess Room

66. The Life of a Nobleman: Scene the Eighth - The Duel

67. The Life of a Nobleman: Scene the Ninth - The Sick Room

68. Wreck and the Merchant Vessel, St. George, at Deal, Kent

69. Fish Market, Hastings

70. Portentous Things

71. Totnes from the Seymour Hotel