Materials & Techniques: etching (printing process) and wove paper / Collection: Prints and Drawings / Subject Terms: genre subject and woman

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Materials & Techniques etching (printing process)

Materials & Techniques wove paper

Collection Prints and Drawings

Subject Terms genre subject

Subject Terms woman

Print made by Samuel Palmer, 1805–1881

The Early Ploughman

begun before 1861

Print made by Samuel Palmer, 1805–1881

The Morning of Life

1860-1861

Print made by Henry Heath, active 1824–1835

Miss-Ann-Thropy

undated

Print made by Robert Isaac Cruikshank, 1789–1856

Design for the Frontspiece of the Annals of Sporting and Fancy Gazette, Volume 1

1822

Print made by William Angus, 1752–1821

West Hill in Surrey, the Seat of D. H. Rucker Esqr

1810

Print made by Bradshaw & Blacklock, active ca.1850

Eight Rural Subjects

after 1850

Print made by Bradshaw & Blacklock, active ca.1850

Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things

after 1850

Print made by Bradshaw & Blacklock, active ca.1850

Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things

after 1850

Engraved by George Baxter, 1804–1867

Balmoral Castle

after 1850

Print made by Robert Sargent Austin, 1895–1973

Hero's Widow

1932

Print made by Richard Earlom, 1743–1822

A Landscape

1817

Print made by Alexander George Fraser, 1786–1865

A Highland Interior

undated

Print made by Anthony Cardon, 1772–1813

Credulity

1796

Print made by Philip Dawe, ca.1750–ca.1790

The Letter Woman

ca. 1769

Print made by George Cooke, 1781–1834

Tooting Church

1827

Print made by Bradshaw & Blacklock, active ca.1850

Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things

after 1850

Print made by Samuel Freeman, 1773–1857

Mamma at Romps

1810

Print made by John Copley, 1875–1950

Trio

1940

Sir George Hayter Ticket for Mr. George Hayter's Raffle for his Pictures of the Enlevement of Circassians, a Kurdish Bandit Chief, and an Historical Landscape

Sir George Hayter, 1792–1871

Ticket for Mr. George Hayter's Raffle for his Pictures of the Enlevement of Circassians, a Kurdish Bandit Chief, and an Historical Landscape

1828

Print made by Benjamin Comte, 1760–1851

Tynemouth Castle and Priory, Northumberland

1802

Print made by Francesco Bartolozzi, 1728–1815

Virtuous Love

1793

Print made by Sir George Clausen, 1852–1944

Night

undated

Print made by John Browne, 1741–1801

Moon-Light

ca. 1797

Print made by George Cruikshank, 1792–1878

Fitting out. - Plate 1

1820

Print made by E. J. Dumée, active 1790

The Discovery

1788

Print made by Robert Sargent Austin, 1895–1973

Woman Milking a Goat

1925

Print made by David Allan, 1744–1796

Bauldy and Mause

1808

Print made by David Allan, 1744–1796

Patie and Peggy

1808

Print made by George Cruikshank, 1792–1878

Jack Sheppard Exhibits a Vindictive Character

1835

Print made by David Allan, 1744–1796

Jenny and Roger

1808

John Hill, 1770–1850

St. Sepulchres, The Round Church

1814

Print made by Samuel Palmer, 1805–1881

The Early Ploughman

etching begun before 1861; impression printed in 1926

Print made by Samuel Palmer, 1805–1881

The Early Ploughman

begun before 1861

Print made by Samuel Palmer, 1805–1881

The Early Ploughman

begun before 1861

Print made by Samuel Palmer, 1805–1881

The Early Ploughman

1874

William Lee Hankey, 1869–1952

The Trinket Box

1919

Print made by William Ellis, 1747–1810

Clapham

1792

William Lee Hankey, 1869–1952

Mere et son fils

1918

William Lee Hankey, 1869–1952

The Sleeping Child

1918

William Lee Hankey, 1869–1952

Lizette et Pierre

1918

Print made by Francesco Bartolozzi, 1728–1815

February

1793

William Heath, 1795–1840

Oh Yes Believe Me. Love Has Eyes

undated

William Lee Hankey, 1869–1952

The Trinket Box

1919

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