Design for a Ceiling at Addiscombe: Bacchus and Ariadne
undated
3
Michael Searles, 1750–1813
Design for a London Townhouse: Elevation
undated
4
Thomas Sandby, 1721–1798
Whitehall Showing Holbein's Gate and Banqueting Hall
ca. 1760
5
James Miller, active 1773–1814
The Fulham End of Putney Bridge
undated
6
James Miller, active 1773–1814
View of Isleworth Church
undated
7
Michael "Angelo" Rooker, 1746–1801
The Admiralty Building from Whitehall
1782
8
unknown artist
Croydon Church
undated
9
Sir John Soane, 1753–1837
Hinton St. George, Somerset: View of the Saloon
1797
10
James Wyatt, 1746–1813
Design for the Staircase at Stratford Place
undated
11
Thomas Sandby, 1721–1798
Receipt for a Set of Six London Views
ca. 1758
12
Attributed to Theodore Jacobsen, died 1772
The Chapel of the Foundling Hospital, London
undated
13
William Kent, ca.1686–1748
The Treasury, Whitehall, London: Alternate Elevations of the Facade
ca. 1733
14
William Kent, ca.1686–1748
King's Mews, Charing Cross, London: Section
1731
15
William Henry Hunt, 1790–1864
St. Paul's Cathedral and Blackfriar's Bridge
ca. 1817
16
John Maurer, active 1713–1761
The Rotunda and Gardens, Ranelagh
ca. 1744
17
John Maurer, active 1713–1761
The Mansion House
undated
18
Attributed to Theodore Jacobsen, died 1772
The Chapel of the Foundling Hospital, London
undated
19
Attributed to Theodore Jacobsen, died 1772
The Chapel of the Foundling Hospital, London
undated
20
unknown artist
View of London from Richmond House, Whitehall
undated
21
Samuel Scott, 1701/2–1772
Westminster Abbey and Bridge from Somerset Garden
1759
22
John Varley, 1778–1842
View of New Street, near London Bridge
undated
23
William Beilby, 1740–1819
Syon House
undated
24
unknown artist
Design for the Parterre at Hampton Court
early 18th century
25
unknown artist
Whitehall Palace, London: Elevation of Proposed Design
between 1710 and 1740
26
attributed to Michael "Angelo" Rooker, 1746–1801
Scenery, Haymarket Theatre
undated
27
Samuel Scott, 1701/2–1772
A Wood Yard on the Thames at Nine Elms
undated
28
Samuel Scott, 1701/2–1772
Thames Side Buildings
undated
29
unknown artist
A Plan of Part of the Ancient City of Westminster, from College Street to Whitehall, and from the Thames to St. James's Park, in which are laid down all the New Streets that have been built & other alterations made since the building of Westminster Bridge
printed 1740, drawn ca. 1760
30
Attributed to John Carter, 1748–1817
Screen, or the outside of the Entrance or Porch of St Stephen's Chapel West
between 1790 and 1802
31
unknown artist
Entrance Doorway in the Tower, St Stephen's Chapel
undated
32
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
33
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
34
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
35
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
36
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
37
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
38
Attributed to John Carter, 1748–1817
Plan of the Basement Story under the House of Lords
between 1800 and 1807
39
Attributed to John Carter, 1748–1817
Parts in Stone Underhouse of Lords
between 1800 and 1807
40
Attributed to John Carter, 1748–1817
East End, Painted Chamber
between 1793 and 1799
41
Attributed to John Carter, 1748–1817
Continuation of East Line of Ancient Buildings on the Left of East End of Painted Chamber
between 1793 and 1799
42
Attributed to John Carter, 1748–1817
Window Detail, Princes Chamber
between 1800 and 1807
43
Attributed to John Carter, 1748–1817
Plan of Moldings, St Stephen's Chapel
between 1790 and 1802
44
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
45
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
46
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
47
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
48
Attributed to John Carter, 1748–1817
Princes Chamber, East Side with the Old House of Lords
between 1800 and 1807
49
Attributed to John Carter, 1748–1817
South Side of Princes Chamber West
between 1800 and 1807
50
Attributed to John Carter, 1748–1817
Princes Chamber
between 1800 and 1807
51
Attributed to John Carter, 1748–1817
Impost and Base of Columns, St Stephen's Chapel
between 1790 and 1802
52
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
53
Charles James Richardson, 1806–1871
Ceiling to Boudoir House in Old Palace Yard
1871
54
Attributed to John Carter, 1748–1817
Continuation of the Preceeding Ornaments
1793
55
Attributed to John Carter, 1748–1817
Detail for Preceding Elevations
between 1806 and 1815
56
Attributed to John Carter, 1748–1817
Buildings on East Side of Dean's Yard
between 1806 and 1815
57
Attributed to John Carter, 1748–1817
Buildings on North Side, Dean's Yard
between 1806 and 1815
58
Attributed to John Carter, 1748–1817
Continuation of Detail
between 1806 and 1815
59
Attributed to John Carter, 1748–1817
Continuation of Detail
between 1806 and 1815
60
Attributed to John Carter, 1748–1817
Detail, Dean's Yard
between 1806 and 1815
61
Attributed to John Carter, 1748–1817
Continuation of Details
between 1806 and 1815
62
Attributed to John Carter, 1748–1817
Window, Dean's Yard
between 1806 and 1815
63
Attributed to John Carter, 1748–1817
Figure study, Henry VII Chapel
ca. 1793
64
Attributed to John Carter, 1748–1817
Line of Buildings on East Side, Dean's Yard
between 1806 and 1815
65
Attributed to John Carter, 1748–1817
Basso-relievos in the Groins of the Undercroft of St Stephen's Chapel
ca. 1781
66
Print made by Charles Grignion, 1717–1810
House of Commons and the Entrance to the House of Lords with the Office of Ordnance
undated
67
Attributed to John Carter, 1748–1817
Palace at Westminster
between 1800 and 1807
68
Attributed to John Carter, 1748–1817
East Front of Painted Chamber
between 1793 and 1799
69
Attributed to John Carter, 1748–1817
Side Window, North, Painted Chamber
between 1793 and 1799
70
unknown artist
Details of Capitals and Arches, Painted Chamber
between 1793 and 1799
71
Attributed to John Carter, 1748–1817
Paintings on the Wall by H in Plan
between 1793 and 1799
72
Attributed to John Carter, 1748–1817
Details of one of the Figures
ca. 1795
73
Attributed to John Carter, 1748–1817
Wall Paintings
between 1793 and 1799
74
Attributed to John Carter, 1748–1817
Enlarged Detail of Figures from Painting Shown in Previous Sketch
between 1793 and 1799
75
Charles James Richardson, 1806–1871
Sections of Room under Painted Chamber
1827
76
Attributed to John Carter, 1748–1817
Plan of Princes Chamber, One Pair
between 1800 and 1807
77
Attributed to John Carter, 1748–1817
East Front of Princes Chamber
between 1800 and 1807
78
Charles James Richardson, 1806–1871
Drawing Room Ceiling, No. 3 Old Palace Yard
1871
79
Charles James Richardson, 1806–1871
Ceiling of Front Parlor House in Old Palace Yard
1871
80
Attributed to John Carter, 1748–1817
Seats in Henry VII Chapel, Westminster Abbey
ca. 1793
81
Attributed to John Carter, 1748–1817
North View of the Jerusalem Chamber, Taken from the West Porch of Westminster Abbey
1792
82
John Carter, 1748–1817
View of Modern Gateway in South East Angle of Dean's Yard
between 1780 and 1807
83
Attributed to John Carter, 1748–1817
Part of the Old Dormitory
1815
84
Attributed to John Carter, 1748–1817
Door-way in Wall of South Precints of Westminster Abbey
undated
85
Attributed to John Carter, 1748–1817
South View of the Abbey Church, Westminster, Taken from Dean's Yard
1785
86
unknown artist
Details of the Screen of Entrance Porch, St Stephen's Chapel
undated
87
Attributed to John Carter, 1748–1817
Half the Plan of Ceiling, St Stephen's Chapel
between 1790 and 1802
88
Attributed to John Carter, 1748–1817
Plan of Moldings, St Stephen's Chapel
between 1790 and 1802
89
John Carter, 1748–1817
East View of Modern Buildings in Continuation from St Stephen's Chapel
between 1790 and 1802
90
John Carter, 1748–1817
South View in the Entrance of Porch at West End of St. Stephen's Chapel West
between 1790 and 1802
91
Attributed to John Carter, 1748–1817
Springing of an Arch, St Stephen's Chapel
between 1790 and 1802
92
Attributed to John Carter, 1748–1817
New East Front, St Stephen's Chapel
ca. 1801
93
unknown artist
Stainborough Hall, Yorkshire: Three Floor Plans
undated
94
unknown artist
Bush Hill, Edmonton, London: Plan of a Knot Garden
1713
95
Sir William Chambers, 1723–1796
Design for Ceiling
ca. 1765
96
Sir William Chambers, 1723–1796
Facade for a Temple of Peace, Kew Gardens, Surrey
ca. 1763
97
unknown artist
Stainborough Hall, Yorkshire: Front and Back Elevations