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Materials & Techniques gray ink
Remove constraint Materials & Techniques: gray inkCredit Line Yale Center for British Art, Paul Mellon Collection
Remove constraint Credit Line: Yale Center for British Art, Paul Mellon CollectionOn-site Access Accessible by appointment in the Study Room
Remove constraint On-site Access: Accessible by appointment in the Study RoomSearch Results
1
- Over the Bank, Exmoor
- ca. 1895
2
- The Capo Sant' Angelo, Amalfi
- ca. 1885
3
- Wady Feiran, Peninsula of Mt. Sinai
- ca. 1880
4
- Illustration to Tennyson's "The Gardener's Daughter:" Mount Lebanon, Syria - `A Cedar spread his dark green layers of shade'
- undated
5
- Study of the Head of a Young Man
- undated
6
- The Widow Embracing Her Husband's Grave
- 1805 to 1808
7
- Mary Magdalen at the Sepulchre
- ca. 1805
8
- Satan Approaching the Court of Chaos
- 1784 to 1785
9
- Joseph and Potiphar's Wife
- 1803 to 1805
10
- Lambeth Palace from Across the River
- undated
11
- Design for a Shop Front: Elevation
- undated
12
- Robert Devereux, Second Earl of Essex
- ca. 1596
13
- Larchant near Fontainebleau
- undated
14
- Cottage and Foot Bridge
- 1794
15
- Design for a Temple on a Square Plan and with a Dome: Elevation
- undated
16
- Design for a Circular Domed Temple: Elevation
- undated
17
- The Falls at Powerscourt, Co. Wicklow, Ireland
- undated
18
- Indian Statue
- undated
19
- Landscape with Smokestack
- undated
20
- The Mansion House
- undated
21
- Part of Goodrich Castle
- 1842
22
- Copy of Man, 1549 (with Beham's monogram)
- undated
23
- Peter the Wild Boy
- undated
24
- Langley Park, Norfolk: Elevation of the South Front
- ca. 1750
25
- Elevations of a Room
- undated
26
- Lowestoft
- 1858
27
- A Fallen Oak
- ca. 1815
28
- The Acacia Tree - Figures in a Park
- undated
29
- The Cascade at Chiswick House, Middlesex: Elevation and Plan
- between 1720 and 1735
30
- Landscape with Trees and Sheep (Park Landscape with Sheep)
- undated
31
- River with Angler
- undated
32
- Landscape Set in an Oval (Mountain Landscape Through an Oval Window)
- ca. 1775
33
- Barnes Common, June 1836
- 1836
34
- Unidentified Town House: Front Elevation
- undated
35
- London Cries: "Turn your Copper into Silver Now before Your Eyes" (Title Page Design)
- 1760
36
- London Cries: Flowers
- undated
37
- Design for Court of Edinburgh University
- 1779
38
- My Pretty Little Ginny Tarters for a Ha'penny a Stick or a Penny a Stick, or a Stick to Beat Your Wives or Dust Your Clothes
- ca. 1759
39
- Design for the Parterre at Hampton Court
- early 18th century
40
- Brighton Races
- 1805
41
- Tivoli
- ca. 1768
42
- The Amphitheater at Nimes
- undated
43
- View of Leghorn
- undated
44
- Sketch of the Pont du Gard
- undated
45
- Venus and Adonis
- 1631
46
- Landscape by a Stream
- undated
47
- Sundorne Castle, Near Shrewsbury, Shropshire
- 1783
48
- The Picnic
- undated
49
- Design for a Ceiling
- undated
50
- Group of Three Young Women
- undated
51
- Somerset House, Saint Paul's Cathedral and Blackfriar's Bridge
- undated
52
- H.M.S. 'Time' in Deptford Dry Dock
- 1815
53
- Torquay
- undated
54
- Old Courthouse Street on Tank Square
- undated
55
- View of Hagia Sophia Mosque and Shadirvan Fountain, Istanbul
- undated
56
- Interior of a Stable
- undated
57
- Bucks of the First Head
- ca. 1785
58
- The Actresses Dressing Room at Drury Lane
- between 1800 and 1810
59
- Angry Scene in a Street
- between 1805 and 1810
60
- Docks, September 6, 1777
- 1777
61
- Campagna/ Rome
- 1818
62
- Convent, Mt. St. Bernard (Switzerland)
- ca. 1816
63
- Mt. St. Bernard (Switzerland)
- 1816
64
- Sion (Switzerland)
- ca. 1817
65
- Risposte Aprés Avoir Trompé la Parade du Poignard
- 1763
66
- Du Desarmement sur le Coup de Tierce
- 1763
67
- L'Epée & Lanterne Combattüe par L'Epée et Manteau
- 1763
68
- De la Volte sur la Passe au Dehors des Armes
- 1763
69
- Position Aprés Avoir Désarmé sur le Coup de Tierce
- 1763
70
- Garde de L'Epée & Manteau Attaquée par L'Epée & Lanterne
- 1763
71
- De la Garde Espagnole, Figure A Attaqueé par la Garde Françoise
- 1763
72
- De la Garde Espagnole Combattüe Aprês la Parade du Coup d'Estramasson
- 1763
73
- Garde de l'Espadonneur. Figure A. Garde Dêfensive du Pointeur. Figure B
- 1763
74
- A Girl with a Watering Can facing left: Sarah Hough, Mrs. T.P. Sandby's Nursery Maid
- ca. 1805
75
- Capri
- ca. 1818
76
- Tenby
- undated
77
- Political Caricature: "The Spiritualists"
- undated
78
- On the River Wye with Wilton Castle Ruins on a Bend in the River
- after 1794
79
- Haymaking
- 1792
80
- Crossing the Line Ceremony on Board the Ship, "Vestal"
- undated
81
- Premiere Position pour tirer L'Epée
- 1763
82
- De la Parade de Quarte au Dehors des Armes sur le Coup de Quarte hors des Armes
- 1763
83
- De la Parade de Seconde sur le Coup de Seconde
- 1763
84
- De la Parade du Demi-Cercle sur le Coup, de Quarte Basse
- 1763
85
- De la Parade du Cavé sur le Coup de Flanconnade
- 1763
86
- De la Parade Dequinte sur le Coup de Quinte
- 1763
87
- De la Parade de Prime sur le Coup de Seconde
- 1763
88
- De la Risposte de Quarte apres la Parade de Quarte
- 1763
89
- De la Risposte en Quinte de Pied forme sur le Coup de Seconde
- 1763
90
- De la Risposte en Seconde aprés Avoir paré la Quarte sur les Armes
- 1763
91
- De la Risposte du Cavé de Pied Ferme sur le Coup de Flanconnade a ceux qui n'Opposent pas de la Main Gauche
- 1763
92
- Du Coupé sur Pointe de Quarte en Quarte sur les Armes
- 1763
93
- De la Risposte de Prime Aprés Avoir Paré le Coup de Seconde
- 1763
94
- De la Risposte en Tierce de Pied Ferme sur le Coup de Tierce
- 1763
95
- De la Passe en Quarte du Dehors des Armes
- 1763
96
- Demi Volte sur les Coups Forcés au Dehors des Armes
- 1763
97
- Du Desarmement Aprés Avoir Paré le Coup de Quarte
- 1763
98
- Echappement du Pied Gauche en Arriere dans le Tems de la Passe au Dehors des Armes
- 1763
99
- Position Aprés Avoir Desarmé sur le Coup de Quarte
- 1763
100
- Du Desarmement Aprés la Parade au Dehors des Armes
- 1763