Materials & Techniques: gray wash / Credit Line: Yale Center for British Art, Paul Mellon Collection / Period: 19th century / Image Use: Free to Use

Robert Polhill Bevan, 1865–1925

A Harrow in the Orchard

ca. 1896

Samuel Palmer, 1805–1881

Shoreham, Kent

between 1831 and 1832

attributed to Samuel Palmer, 1805–1881

Study of Waves

undated

Samuel Palmer, 1805–1881

A Cottage among Trees, Shoreham

undated

Samuel Palmer, 1805–1881

A Shepherd and his Flock under the Moon and Stars

ca. 1827

Samuel Palmer, 1805–1881

Cornfields with Barn, Shoreham

ca. 1829

Samuel Palmer, 1805–1881

The Primitive Cottage, Shoreham

undated

Samuel Palmer, 1805–1881

An Ancient Barn at Shoreham

undated

Samuel Palmer, 1805–1881

Opening the Fold: Early Morning

ca. 1880

attributed to Samuel Palmer, 1805–1881

Boxhill

1868

Samuel Palmer, 1805–1881

Study for "The Shearers"

between 1833 and 1834

John Constable, 1776–1837

Helmingham: The Silent Pool

ca. 1800

John Constable, 1776–1837

Mr. Hobson of Markfield and Family

ca. 1806

John Constable, 1776–1837

Trees and Deer

1825

John Constable, 1776–1837

A Bridge near Salisbury Court, Perhaps Milford Bridge

ca. 1829

John Constable, 1776–1837

Cottage among Trees

ca. 1795

Joseph Mallord William Turner, 1775–1851

Rheinfels Looking to Katz and Gourhausen

1817

Edward Lear, 1812–1888

Illustration to Tennyson's "You Ask Me Why": Areka Palms, Ratanapooru, Ceylon - `I will see before I die The Palms and Temples of the South'

undated

Edward Lear, 1812–1888

Illustration to Tennyson's "The Gardener's Daughter:" Mount Lebanon, Syria - `A Cedar spread his dark green layers of shade'

undated

Edward Lear, 1812–1888

The Capo Sant' Angelo, Amalfi

ca. 1885

Edward Lear, 1812–1888

Wady Feiran, Peninsula of Mt. Sinai

ca. 1880

Print made by Sir Robert Smirke the younger, 1781–1867

Design for London Bridge Approach

between 1827 and 1835

Michel Jean Cazabon, 1813–1888

Custom House and St. Vincent's Wharf

1851

John Thomas Smith, 1766–1833

Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House

1817

John Thomas Smith Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends

John Thomas Smith, 1766–1833

Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends

1817

John Thomas Smith, 1766–1833

Hogarth Declaring His Love to Miss Thornhill

1817

John Thomas Smith Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e

John Thomas Smith, 1766–1833

Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e

1817

Lt. Paul Sandby, ca. 1820

A View of Carlisle Bay, Barbados, with Cottages

ca. 1820

Sir George Howland Beaumont seventh Baronet, 1753–1827

Welsh Landscape

ca. 1800

Joseph Wolf, 1820–1899

The Mansion House, London: Elevation

undated

Print made by Sir Robert Smirke the younger, 1781–1867

Design for London Bridge Approach

between 1827 and 1835

Thomas Sunderland, 1744–1828

Landscape at Ambleside

ca. 1800

Michel Jean Cazabon, 1813–1888

The Pitch Lake

1857

Michel Jean Cazabon, 1813–1888

Forest Scenery near Tamana

1857

Michel Jean Cazabon, 1813–1888

Los Gallos, Icacos Bay

1857

John Thomas Smith Hogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance

John Thomas Smith, 1766–1833

Hogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance

1817

John Thomas Smith, 1766–1833

The Eleventh Hour

1817

John Thomas Smith, 1766–1833

Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont

1817

unknown artist

Rusthill Common near Tunbridge Wells, Kent

ca. 1840

Robert Bremmel Schnebbelie, active 1803–1849

St. James Market, Saturday

1818

James Bruce, 1730–1794

Temple of Jupiter and Minerva, Thugga

18th century

William Alexander, 1767–1816

Conway, North Wales: The Castle and the Old College House

1802

Isaac Weld, 1774–1856

Capri

ca. 1818

Isaac Weld, 1774–1856

Naples, Chiaia

1818

Isaac Weld, 1774–1856

Rome From the Baths of Caracalla

1818

Isaac Weld, 1774–1856

Conway (Castle, North Wales), Nov. 1809

1809

Isaac Weld, 1774–1856

Caernarvon (Castle)

1809

Isaac Weld, 1774–1856

Dolbadarn Castle (North Wales)

1809

Thomas Sully, 1783–1872

Fishermen at a Mountain Stream

undated

Thomas Sully, 1783–1872

Landscape with Castle in Background

undated

Thomas Sully, 1783–1872

Two Hunters and Two Dogs in Winter Scene

undated

Thomas Sully, 1783–1872

Landscape with Figures in Field

undated

Augustus Welby Northmore Pugin, 1812–1852

Design for a Gothic Screen

undated

Sir Charles D'Oyly, 1781–1845

Garden Reach - Calcutta

undated

Sir Charles D'Oyly, 1781–1845

Town and Port of Calcutta

1812

Sir Charles D'Oyly, 1781–1845

Office of the Sudder Board of Revenue from Kyd Street - Calcutta

undated

Sir Charles D'Oyly, 1781–1845

Water View near Calcutta

undated

unknown artist

Erlestoke Park

ca. 1825

Thomas Sully, 1783–1872

Hints for Composition by Varley - 1805

1805

unknown artist

Study of a Thistle and Other Plants, Sept. 8

early 19th century

Paul Sandby, 1731–1809

A Girl with a Watering Can facing left: Sarah Hough, Mrs. T.P. Sandby's Nursery Maid

ca. 1805

Cornelius Varley, 1781–1873

Carnarvon

1802

Sir Charles D'Oyly, 1781–1845

Chowringhee Road from No. XI Esplanade

undated

Sir Charles D'Oyly, 1781–1845

Statue of the Marquis of Hastings in Tank Square - Calcutta

undated

John Baverstock Knight, 1785–1859

Quay at Dartmouth

1823

John Baverstock Knight, 1785–1859

Totness

1823