Cobham Hall, Kent: Elevation of South Front of South Wing
undated
4
John William Upham, 1772–1828
The Castle at Dieppe, Normandy
undated
5
Francis Place, 1647–1728
Panoramic View of Carlisle
undated
6
Thomas Anburey, 1759–1840
Mahore, a Fortress Belonging to Nizam Alley (1 of 6)
ca. 1792
7
Thomas Anburey, 1759–1840
Ruins of Baugnee-Ghur near Hydrabad (1 of 6)
ca. 1792
8
James Bruce, 1730–1794
Basso Relievos: Statues and Inscriptions 1765. Manuscript with Drawings.
1765
9
James Bruce, 1730–1794
No. 1 plan of a temple at Baalbec
undated
10
Monro School
Wingfield Castle, Suffolk
ca. 1795
11
James Wyatt, 1746–1813
Cobham Hall, Kent: Side Elevation
ca. 1790
12
William Taverner, 1703–1772
Landscape with Buildings: Possibly at Richmond, Surrey
undated
13
Henry Phillip Hope, active 1799–1818
La Fontaine de Ste. Sophie a Constantinople
1799
14
Henry Phillip Hope, active 1799–1818
Two Designs for Table Legs in Egyptian Style; One Design for Wall Decoration
undated
15
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay - Elevation sur la Cour
undated
16
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Premier etage du Chateau de Wildenstein
undated
17
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Plan au Rez-de-Chaussee (du Chateau de Wildenstein)
undated
18
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Second etage (du Chateau de Wildenstein)
undated
19
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Vue Perspective de la Propriete de la rue Plumer appartennant a Madame la Comtesse Rapp. Cote des cours
undated
20
Humphry Repton, 1752–1818
Cobham Hall, Kent: Landscape drawing for Cobham Hall
ca. 1790
21
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Deuxieme (2me) Etage Plan
undated
22
Henry Phillip Hope, active 1799–1818
La Fontaine de Topana a Constantinople
1799
23
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Elevation View
undated
24
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Sousterrain (du Chateau de Wildenstein)
undated
25
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Plan du Rez-de-Chaussee de la Propriete de la rue Plumer
undated
26
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Vue Perspective de la Propriete de la rue Plumer Appartenant a Madame la Comtesse Rap. Cote du Jardin
undated
27
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Plan generale de la Propriete de la rue Plumer - Entree sur la rue Plumer - Vue Perspective de la Fontaine
undated
28
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Plan, a Rez-de-Chaussee, du Petit Chateau de Brucourt dans son Etat Primitif
undated
29
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Coupe, sur la Ligne AB, du Petit Chateau de Brucourt dans son Etat Primitif
undated
30
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Plan, au Premier Etage, du Petit Chateau de Brucourt, avec un Agrandissement Projete
undated
31
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Coupe sur la Ligne AB du Petit Chateau de Brucourt avec l'Agrandissement Projete
undated
32
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Plan, a Rez-de-Chaussee, du Petit Chateau de Brucourt, avec un Agrandissement Projette
undated
33
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Vue Perspective d'une Maison de la rue Pigale Appartenant a Madame la Comtesse Rapp - Cote du Jardin
undated
34
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Plan du Rez-de-Chaussee d'une Maison de la Rue Pigale...(indiquant) les Changements faits par Monsieur le Duc d'Otrante
undated
35
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Caves et Souterreins - Plan
undated
36
Print made by Bernard Lens II, 1659–1725
Italianate Garden Terrace
1680-1690s
37
Print made by Bernard Lens II, 1659–1725
The Tomb of Mary Magdalene
1690s
38
Print made by Robert Robinson, active 1674–1706
Woman Seated in a Landscape with a Bridge
between 1683 and 1695
39
Print made by Sir David Young Cameron, 1865–1945
R. 42. Greenock, No. 1. No. 13 in the Clyde Set
1889
40
Print made by Sir David Young Cameron, 1865–1945
The Paris Set: R. 364 Saint Gervais, Rue des Barres
1904
41
Print made by Sir David Young Cameron, 1865–1945
The Paris Set: R. 366 Rue Saint Julien le Pauvre
1904
42
Print made by Robert Robinson, active 1674–1706
Couple Strolling in an Italianate Garden
1680s
43
Print made by Robert Robinson, active 1674–1706
Two Women at a Fountain
undated
44
Print made by Sir David Young Cameron, 1865–1945
The Paris Set: R. 362 Saint Germain l'Auxerrois
1904
45
Print made by Sir David Young Cameron, 1865–1945
The Paris Set: Hôtel de Sens
1904
46
Print made by Bernard Lens II, 1659–1725
Garden Perspective
1680-1690s
47
unknown artist
Paultons, Hampshire
undated
48
John Yenn, 1750–1821
Designs for Wall Decoration
ca. 1800
49
John Yenn, 1750–1821
Design for a Doorway
1781
50
unknown artist
Transept of St. Saviour's, Southwark, London
undated
51
John Yenn, 1750–1821
Design for Wall Decoration
ca. 1800
52
John Yenn, 1750–1821
Design for Wall Decoration
ca. 1800
53
John Yenn, 1750–1821
Design for a Doorway
ca. 1781
54
John Yenn, 1750–1821
Design for Wall Decoration
ca. 1800
55
unknown artist
Design for a Lamp
undated
56
John Yenn, 1750–1821
Design for a Doorway
1781
57
unknown artist
Design for a Lamp
undated
58
unknown artist
Design for a Tripod and Design for Entablature of the Upper Range of Windows in the Hall
undated
59
unknown artist
Design for a Library
undated
60
unknown artist
Design for a Clock Case
undated
61
unknown artist
Design for a Saloon
undated
62
George Richardson, ca.1738–ca.1813
Design for a Chimney Piece
1773
63
Hugh Cairncross, died 1808
Designs for Ardgowan House, A Volume
1797
64
James Wyatt, 1746–1813
Cobham Hall, Kent: Elevation and Plans of the Windows, Attic and Staircase
ca. 1790
65
James Wyatt, 1746–1813
Cobham Hall, Kent: Elevation of House with Alternative Design for Pediment
ca. 1790
66
James Wyatt, 1746–1813
Cobham Hall, Kent: Elevation of the Office
ca. 1790
67
James Wyatt, 1746–1813
Cobham Hall, Kent: Section of the Dining Parlor
ca. 1790
68
James Wyatt, 1746–1813
Cobham Hall, Kent: Section of a Courtyard
ca. 1790
69
James Wyatt, 1746–1813
Cobham Hall, Kent: Section of a Hallway
ca. 1790
70
James Wyatt, 1746–1813
Cobham Hall, Kent: Dressing Room Ceiling
ca. 1790
71
James Wyatt, 1746–1813
Cobham Hall, Kent: Section of a Room
ca. 1790
72
Henry Holland, 1745–1806
Design for Extending the Garden Front at Carlton House, Pall Mall, London: Elevation
between 1783 and 1796
73
Stephen Riou, 1720–1780
Design for 'the Houses of both sides of the intended Street to extend in a right line from the Mansion-House to More-Gate humbly proposed to consideration'
1762
74
Stephen Riou, 1720–1780
Design for a substantial villa. The `Forefront' and profile plan of the front elevation
1770
75
Stephen Riou, 1720–1780
Design for a villa: `Fore Front' (south-east elevation), `Garden Front' (north-west elevation) and overlay plan
1763
76
Stephen Riou, 1720–1780
Design for a villa: `The Ground Plan and Elevations of a Villa'
1770
77
unknown artist
Design for an Altar
undated
78
James Wyatt, 1746–1813
Cobham Hall, Kent: Plan and Elevations of the Music Hall
undated
79
unknown artist
Design for Herms
undated
80
unknown artist
Design for a Wine Cooler
undated
81
unknown artist
Elevation of a Bedchamber with Corinthian Decoration
undated
82
unknown artist
Alms-Houses at Greenhithe, Kent
1774
83
unknown artist
The Choir St. Marys (with ms. notes)
undated
84
unknown artist
Design for a Classical House
undated
85
unknown artist
A Half-timbered House
ca. 1800
86
Jacopo Barozzi da Vignola, 1507–1573
Regola delli Cinque Ordini d'Architettura, Libro d'Antonio Labacco Appartente a l'Architettura, Libro de Diversi Trophei Militari Cavati da gli Antichi, and Speculum Romanae