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Materials & Techniques laid paper

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1. Westminster Abbey from Dean's Yard

Westminster Abbey from Dean's Yard
Creator:
Alexander Nasmyth, 1758–1840
Date:
undated
Materials & Techniques:
Watercolor and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 11/16 × 8 15/16 inches (17 × 22.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. Croydon Church

Croydon Church
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Gray wash, graphite, pen and black ink on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 7 × 9 1/8 inches (17.8 × 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. Boston Church, Lincolnshire

Boston Church, Lincolnshire
Creator:
J. Harrison, active 1821
Date:
1821
Materials & Techniques:
Watercolor, graphite and pen and brown ink on medium, slightly textured, cream laid paper mounted to thick, rough cream wove paper
Dimensions:
Sheet: 8 1/2 × 7 inches (21.6 × 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. The Ruins of Leiston Abbey

The Ruins of Leiston Abbey
Creator:
Thomas Hearne, 1744–1817
Date:
1781
Materials & Techniques:
Watercolor, pen and black ink, gouache, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 9 3/4 x 12 3/8 inches (24.8 x 31.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. In Saint Paul's Church, One of the Choir Doors

In Saint Paul's Church, One of the Choir Doors
Creator:
Wenceslaus Hollar, 1607–1677
Date:
between 1656 and 1658
Materials & Techniques:
Pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 2 3/4 × 5 inches (7 × 12.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Bushey Church from the South West

Bushey Church from the South West
Creator:
William Henry Hunt, 1790–1864
Date:
ca. 1820
Materials & Techniques:
Watercolor and graphite on moderately thick, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 9 3/4 x 15 inches (24.8 x 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. City of Bath

City of Bath
Creator:
Francis Place, 1647–1728
Date:
1678
Materials & Techniques:
Gray wash and graphite with pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 3 15/16 × 12 9/16 inches (10 × 31.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Abbey Church at St. Albans

Abbey Church at St. Albans
Creator:
Sir George Howland Beaumont seventh Baronet, 1753–1827
Date:
1781
Materials & Techniques:
Pen and black ink, gray wash and graphite on medium, slightly textured, cream laid paper mounted to medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 3/4 × 9 5/8 inches (17.1 × 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Harbledown, a Village near Canterbury

Harbledown, a Village near Canterbury
Creator:
Jonathan Skelton, active 1754, died 1758
Date:
1757
Materials & Techniques:
Watercolor with pen and gray ink over graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Mount: 10 1/4 × 23 1/2 inches (26 × 59.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Netley Abbey

Netley Abbey
Creator:
John Linnell, 1792–1882
Date:
1810
Materials & Techniques:
Watercolor over graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 6 1/4 x 9 1/8 inches (15.9 x 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Scene near Shipton on Cherwell, Oxfordshire

Scene near Shipton on Cherwell, Oxfordshire
Creator:
William Turner of Oxford, 1789–1862
Date:
1835
Materials & Techniques:
Watercolor, gouache and brown ink over graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 21 1/2 x 29 5/8 inches (54.6 x 75.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

12. A Christening in Chevening Church, Kent

A Christening in Chevening Church, Kent
Creator:
Benjamin West, 1738–1820
Date:
undated
Materials & Techniques:
Graphite and white chalk on medium, slightly textured, blue laid paper
Dimensions:
Sheet: 4 9/16 x 7 1/4 inches (11.6 x 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. London: a View toward the City and St. Paul's from the North West

London: a View toward the City and St. Paul's from the North West
Creator:
Bernard Lens III, 1682–1740
Date:
undated
Materials & Techniques:
Gray wash, pen and black ink, and graphite on medium, smooth, cream laid paper
Dimensions:
Sheet: 8 3/8 x 12 3/4in. (21.3 x 32.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Badminton Church and Part of the Duke of Beaufort's House

Badminton Church and Part of the Duke of Beaufort's House
Creator:
Luke Sullivan, 1705–1771
Date:
undated
Materials & Techniques:
Gray wash and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 1/8 × 8 inches (13 × 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. Westminster Abbey and Bridge from Somerset Garden

Westminster Abbey and Bridge from Somerset Garden
Creator:
Samuel Scott, 1701/2–1772
Date:
1759
Materials & Techniques:
Graphite and red chalk on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 7/8 x 10 1/4 inches (20 x 26 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Capel Church, Near Dorking, Surrey

Capel Church, Near Dorking, Surrey
Creator:
John Monro, 1801–1880
Date:
undated
Materials & Techniques:
Gray wash and graphite on medium, slightly textured, blue white laid paper
Dimensions:
Sheet: 8 5/8 × 11 15/16 inches (21.9 × 30.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. St. Paul's and Blackfriars Bridge

St. Paul's and Blackfriars Bridge
Creator:
Amelia Long, 1762–1837
Date:
undated
Materials & Techniques:
Graphite and watercolor on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 6 3/8 x 16 1/8in. (16.2 x 41cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. A Ford at Wrentham, Suffolk

A Ford at Wrentham, Suffolk
Creator:
Benjamin West, 1738–1820
Date:
undated
Materials & Techniques:
Pen and gray ink over graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 7/8 x 9 1/8 inches (17.5 x 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. Pershore Abbey, Worcestershire

Pershore Abbey, Worcestershire
Creator:
Capt. Francis Grose, 1731–1791
Date:
1791
Materials & Techniques:
Pen and black ink, gray wash, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 x 13 3/4in. (25.4 x 34.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Paul Mellon in memory of Dudley Snelgrove

20. Binsey Church, Oxford

Binsey Church, Oxford
Creator:
Capt. Francis Grose, 1731–1791
Date:
1775
Materials & Techniques:
Pen and black ink, and gray wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 x 12in. (22.9 x 30.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Paul Mellon in memory of Dudley Snelgrove

21. Binsey Church, Oxford

Binsey Church, Oxford
Creator:
Capt. Francis Grose, 1731–1791
Date:
1775
Materials & Techniques:
Pen and black ink, and gray wash on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 9 x 13 1/2in. (22.9 x 34.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Paul Mellon in memory of Dudley Snelgrove

22. View of Isleworth Church

View of Isleworth Church
Creator:
James Miller, active 1773–1814
Date:
undated
Materials & Techniques:
Watercolor graphite, pen and black ink on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 5/16 × 7 13/16 inches (16 × 19.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Paul Mellon in memory of Dudley Snelgrove

23. South Mimms Church, Hertfordshire

South Mimms Church, Hertfordshire
Creator:
Capt. Francis Grose, 1731–1791
Date:
1787
Materials & Techniques:
Pen and black ink, black wash, and graphite, squared for transfer on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 1/2 x 12 1/2in. (24.1 x 31.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Paul Mellon in memory of Dudley Snelgrove

24. Chapel of St. Michael's Mount

Chapel of St. Michael's Mount
Creator:
Capt. Francis Grose, 1731–1791
Date:
1786
Materials & Techniques:
Watercolor and pen and ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 1/4 x 16 1/2in. (26 x 41.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Paul Mellon in memory of Dudley Snelgrove

25. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
ca. 1781
Materials & Techniques:
Graphite and pen and black ink on slightly textured, moderately thick, white laid paper
Dimensions:
Sheet: 5 3/4 × 4 1/2 inches (14.6 × 11.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. Rumburgh Priory Church, Suffolk, England

Rumburgh Priory Church, Suffolk, England
Creator:
James Moore, 1762–1799
Date:
1790
Materials & Techniques:
Graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 1/4 × 7 3/4 inches (15.9 × 19.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. Salisbury Cathedral

Salisbury Cathedral
Creator:
James Moore, 1762–1799
Date:
1791
Materials & Techniques:
Gray wash, yellow wash, graphite, pen and black ink on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 9/16 × 8 3/8 inches (16.7 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. The Old Church Portland

The Old Church Portland
Creator:
James Moore, 1762–1799
Date:
1791
Materials & Techniques:
Graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 9/16 × 8 3/8 inches (16.7 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. A View of Bristol with Ratcilffe Church and Lime Kiln Dock

A View of Bristol with Ratcilffe Church and Lime Kiln Dock
Creator:
Samuel Scott, 1701/2–1772
Date:
undated
Materials & Techniques:
Pen and brown ink, brown wash, gray wash and graphite on medium, slightly textured, cream laid paper mounted on moderately thick, slightly textured, cream laid paper
Dimensions:
Mount: 10 1/4 x 24 3/4 inches (26 x 62.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund in honor of John Baskett

30. Plan of Moldings, St Stephen's Chapel

Plan of Moldings, St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1790 and 1802
Materials & Techniques:
Graphite and pen and black ink on slightly textured, moderately thick, white laid paper with flier attached
Dimensions:
Sheet: 8 1/8 × 7 1/8 inches (20.6 × 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. Basso-relievos in the Groins of the Undercroft of St Stephen's Chapel

Basso-relievos in the Groins of the Undercroft of St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
ca. 1781
Materials & Techniques:
Graphite and pen and black and brown ink on three sheets of slightly textured, moderately thick, white laid paper pasted together
Dimensions:
Sheet: 14 5/8 × 8 3/4 inches (37.1 × 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
ca. 1780
Materials & Techniques:
Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 7/8 × 5 5/8 inches (17.5 × 14.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
ca. 1781
Materials & Techniques:
Graphite and pen and black ink on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 10 1/4 × 13 1/2 inches (26 × 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
ca. 1780
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 11/16 × 4 1/8 inches (14.4 × 10.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
ca. 1780
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 3/4 × 5 1/2 inches (17.1 × 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
ca. 1780
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 1/2 × 4 3/4 inches (14 × 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
ca. 1780
Materials & Techniques:
Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 1/2 × 5 1/2 inches (16.5 × 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38. Springing of an Arch, St Stephen's Chapel

Springing of an Arch, St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1790 and 1802
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 3/4 × 5 1/8 inches (14.6 × 13 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39. New East Front, St Stephen's Chapel

New East Front, St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
ca. 1801
Materials & Techniques:
Graphite on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 15 5/8 × 6 1/2 inches (39.7 × 16.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
ca. 1781
Materials & Techniques:
Graphite and pen and black ink on slightly textured, moderately thick, white laid paper
Dimensions:
Sheet: 6 3/8 × 3 13/16 inches (16.2 × 9.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

41. Plan of Moldings, St Stephen's Chapel

Plan of Moldings, St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1790 and 1802
Materials & Techniques:
Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 1/4 × 6 3/8 inches (21 × 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

42. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
ca. 1780
Materials & Techniques:
Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 1/8 × 4 inches (15.6 × 10.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

43. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
ca. 1781
Materials & Techniques:
Graphite and pen and black ink on slightly textured, moderately thick, white laid paper
Dimensions:
Sheet: 6 3/8 × 5 1/2 inches (16.2 × 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

44. Entrance Doorway in the Tower, St Stephen's Chapel

Entrance Doorway in the Tower, St Stephen's Chapel
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Graphite and traces of red chalk on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 5 1/2 × 3 1/2 inches (14 × 8.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

45. Details of the Screen of Entrance Porch, St Stephen's Chapel

Details of the Screen of Entrance Porch, St Stephen's Chapel
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 17 1/2 × 4 1/8 inches (44.5 × 10.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

46. Screen, or the outside of the Entrance or Porch of St Stephen's Chapel West

Screen, or the outside of the Entrance or Porch of St Stephen's Chapel West
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1790 and 1802
Materials & Techniques:
Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/8 × 13 inches (21.3 × 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

47. Half the Plan of Ceiling, St Stephen's Chapel

Half the Plan of Ceiling, St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1790 and 1802
Materials & Techniques:
Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 1/16 × 3 1/4 inches (15.4 × 8.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

48. Impost and Base of Columns, St Stephen's Chapel

Impost and Base of Columns, St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1790 and 1802
Materials & Techniques:
Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 1/4 × 4 3/16 inches (18.4 × 10.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

49. Basso-relievos in the Groins of the Cloisters, Adjoining St Stephen's Chapel West

Basso-relievos in the Groins of the Cloisters, Adjoining St Stephen's Chapel West
Creator:
Attributed to John Carter, 1748–1817
Date:
ca. 1781
Materials & Techniques:
Pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 14 1/2 × 9 5/8 inches (36.8 × 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

50. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
ca. 1781
Materials & Techniques:
Graphite on slightly textured, moderately thick, white laid paper
Dimensions:
Sheet: 4 7/16 × 3 1/8 inches (11.3 × 7.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

51. Amsbury Abbey, Wiltshsire, England

Amsbury Abbey, Wiltshsire, England
Creator:
James Moore, 1762–1799
Date:
1791
Materials & Techniques:
Graphite and gray wash on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 5/8 × 8 3/8 inches (16.8 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

52. Wimborne Minster, Dorset, Englad

Wimborne Minster, Dorset, Englad
Creator:
James Moore, 1762–1799
Date:
1791
Materials & Techniques:
Graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 5/8 × 8 3/8 inches (16.8 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

53. Chapel Church, Surrey

Chapel Church, Surrey
Creator:
Thomas Girtin, 1775–1802
Date:
ca. 1799
Materials & Techniques:
Watercolor, gouache and scraping over graphite on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 12 1/4 x 16 inches (31.1 x 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

54. Christ Church Cathedral, Oxford

Christ Church Cathedral, Oxford
Creator:
Rev. William Warren Porter, 1776–1804
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 3/8 × 13 3/4 inches (23.8 × 34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Edward Porter Street, Jr., Yale BE 1945W

55. West Front of Byland Abbey, Yorkshire

West Front of Byland Abbey, Yorkshire
Creator:
imitator of John Sell Cotman, 1782–1842
Date:
undated
Materials & Techniques:
Gray wash and graphite on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 8 3/8 x 6 1/4 inches (21.3 x 15.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

56. Old Church of St. Lawrence, Ayot St. Lawrence, Hertfordshire

Old Church of St. Lawrence, Ayot St. Lawrence, Hertfordshire
Creator:
Samuel Davis, 1760–1819
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 1/4 x 15 1/2 inches (28.6 x 39.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

57. Parish Church, Front and Partial Right View, Ayot St. Lawrence, Hertfordshire

Parish Church, Front and Partial Right View, Ayot St. Lawrence, Hertfordshire
Creator:
Samuel Davis, 1760–1819
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 1/4 x 15 3/8 inches (28.6 x 39.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

58. Leicester, St. Mary's Church

Leicester, St. Mary's Church
Creator:
Edward Edwards, 1738–1806
Date:
1778
Materials & Techniques:
Gray wash, pen, gray ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 1/2 × 14 3/4 inches (26.7 × 37.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

59. Pangbourne, Berkshire

Pangbourne, Berkshire
Creator:
Rev. William Warren Porter, 1776–1804
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 1/2 × 13 7/8 inches (24.1 × 35.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Edward Porter Street, Jr., Yale BE 1945W

60. Saint John's, Oxford

Saint John's, Oxford
Creator:
Rev. William Warren Porter, 1776–1804
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 × 13 1/4 inches (25.4 × 33.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Edward Porter Street, Jr., Yale BE 1945W

61. The River Stour, St. Mildred's Church and the Castle of Canterbury

The River Stour, St. Mildred's Church and the Castle of Canterbury
Creator:
Jonathan Skelton, active 1754, died 1758
Date:
1757
Materials & Techniques:
Watercolor with pen and black ink and gray wash over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 1/4 x 21 7/8in. (21 x 55.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

62. Study of the North Side of Canterbury Cathedral

Study of the North Side of Canterbury Cathedral
Creator:
unknown artist
Date:
ca. 1790
Materials & Techniques:
Gray wash and graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 4 1/4 × 7 1/8 inches (10.8 × 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

63. A Church at Stanstead

A Church at Stanstead
Creator:
Joseph Farington, 1747–1821
Date:
undated
Materials & Techniques:
Pen and brown ink and watercolor on medium, slightly textured, cream wove paper mounted to thick, moderately textured, beige laid paper
Dimensions:
Sheet: 6 1/4 × 8 7/8 inches (15.9 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection