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Materials & Techniques watercolor
Remove constraint Materials & Techniques: watercolorPeriod 18th century
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1
- View of Ely Cathedral
- ca. 1796
2
- Evening Landscape with Castle and Bridge in Yorkshire
- between 1798 and 1799
3
- In the Valley Near Vietri
- ca. 1794
4
- A Great Tree
- ca. 1796
5
- North East View of Grantham Church, Lincolnshire
- ca. 1797
6
- Windsor
- ca. 1798
7
- Near Grindelwald
- ca. 1796
8
- Landscape with Trees and Figures
- ca. 1796
9
- St. Augustine's Gate, Canterbury
- between 1792 and 1793
10
- Christ Church Gate, Canterbury
- 1793 to 1794
11
- America. A Prophecy, Plate 16, "In the Flames Stood...."
- 1793
12
- America. A Prophecy, Plate 2, Title Page
- 1793
13
- America. A Prophecy, Plate 13, "Fiery the Angels Rose...."
- 1793
14
- America. A Prophecy, Plate 6, "Appear to the Americans...."
- 1793
15
- Europe. A Prophecy, Plate 12, "Albions Angel rose . . . . " (Bentley 14)
- 1794
16
- Young's Night Thoughts, Page 41, "One Radiant Mark; the Deathbed of the Just"
- 1797
17
- Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"
- 1797
18
- America. A Prophecy, Plate 8, "The Morning Comes...."
- 1793
19
- America. A Prophecy, Plate 1, Frontispiece
- 1793
20
- America. A Prophecy, Plate 10, "The Terror Answered...."
- 1793
21
- Europe. A Prophecy, Plate 4, "Unwilling I look up . . . . " (Bentley 5)
- 1794
22
- Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."
- 1797
23
- Young's Night Thoughts, Page 75, "The Sun Beheld it -- No, the Shocking Scene"
- 1797
24
- Young's Night Thoughts, Page 86, "His Hand the Good Man Fastens on the Skies"
- 1797
25
- The Poems of Thomas Gray, Design 63, "The Bard."
- between 1797 and 1798
26
- Europe. A Prophecy, Plate 6, "The shrill winds wake . . . . " (Bentley 7)
- 1794
27
- The First Book of Urizen, Plate 16, "Two Nostrils Bent Down to the Deep...." (Bentley 13)
- 1794
28
- Europe. A Prophecy, Plate 9, "Arise O Rintrah . . . ." (Bentley 11)
- 1794
29
- The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
- between 1797 and 1798
30
- The Poems of Thomas Gray, Design 115, "Elegy Written in a Country Church-Yard."
- between 1797 and 1798
31
- The Poems of Thomas Gray, Design 59, "The Bard."
- between 1797 and 1798
32
- The Poems of Thomas Gray, Design 65, "The Bard."
- between 1797 and 1798
33
- Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"
- 1797
34
- Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"
- 1797
35
- Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"
- 1797
36
- The Poems of Thomas Gray, Design 83, "The Descent of Odin."
- between 1797 and 1798
37
- The Poems of Thomas Gray, Design 99, "Ode for Music."
- between 1797 and 1798
38
- The Poems of Thomas Gray, Design 95, "Ode for Music."
- between 1797 and 1798
39
- Songs of Innocence, Plate 8, "The Lamb" (Bentley 8)
- 1789
40
- The First Book of Urizen, Plate 11, "Two nostrils bent down to the deep . . . ." (Bentley 13)
- 1794
41
- Young's Night Thoughts, Page 86, "His hand the good man fastens on the skies"
- ca. 1797
42
- Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."
- ca. 1797
43
- Young's Night Thoughts, Page 41, "One radiant Mark, the Deathbed of the Just"
- ca. 1797
44
- Young's Night Thoughts, Page 75, "The Sun beheld it -- No, the shocking Scene"
- ca. 1797
45
- Young's Night Thoughts, Page 49, "As if the sun could envy, check'd his beam"
- ca. 1797
46
- Visions of the Daughters of Albion, Plate 1, Frontispiece
- 1793
47
- Visions of the Daughters of Albion, Plate 2, Title Page
- 1793
48
- Visions of the Daughters of Albion, Plate 8, "But when the morn arose . . . . "
- 1793
49
- Visions of the Daughters of Albion, Plate 4, "Visions | Enslav'd the Daughters . . . . "
- 1793
50
- Songs of Innocence and of Experience, Plate 45, "The Chimney Sweeper" (Bentley 37)
- 1794
51
- Songs of Innocence and of Experience, Plate 28, "Infant Joy" (Bentley 25)
- 1789
52
- Songs of Innocence and of Experience, Plate 34, "Introduction" (Bentley 30)
- 1794
53
- Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"
- ca. 1797
54
- Young's Night Thoughts, Page 35, "Teaching, we learn; and giving, we retain"
- ca. 1797
55
- Nîmes from the Tour Magne
- ca. 1765
56
- A View at Terracina
- 1778
57
- Eastbourne from Lord G.: Cavendish's Seat in the Park
- 1787
58
- Traveling Potter Outside a Cottage
- 1798
59
- North West View of Wakefield Lodge in Whittlebury Forest, Northamptonshire
- 1767
60
- The River Avon: with Passing Vessels
- 1785
61
- Country Scene: Figures by a Cottage Door and Cattle in a Stream
- 1795
62
- St. Mary's Priory, Thetford
- undated
63
- A View on the Island of Antigua: the English Barracks and Saint John's Church Seen from the Hospital
- ca. 1775
64
- The Bay of Naples from Capodimonte, Italy
- ca. 1790
65
- A View of Vinters at Boxley, Kent, with Mr. Whatman's Turkey Paper Mills
- 1794
66
- Modern Bridge at Narni
- 1795
67
- Glasgow Cathedral
- between 1794 and 1795
68
- Guisborough Priory
- undated
69
- Valle Crucis Abbey, near Llangollen
- between 1798 and 1801
70
- Shipping in the Solent off Calshot Castle
- between 1760 and 1793
71
- Tempio d' Antonio e Faustina
- between 1798 and 1799
72
- Valle Crucis Abbey, Denbighshire
- ca. 1799
73
- Turver's Farm, Wimbish, Essex
- ca. 1799
74
- The New Walk, York
- ca. 1798
75
- An English Frigate and Other Shipping in the Solent off Calshot Castle
- undated
76
- Country House
- ca. 1797
77
- Rocca del Papa, with Monte Cavo
- ca. 1796
78
- The Tithe Barn at Abbotsbury with the Abbey on the hill..
- ca. 1795
79
- Warships Preparing to Sail from their Anchorage
- 1782
80
- Tolleshunt-Beckingham, Essex
- ca. 1795
81
- Classical Composition
- 1798 to 1799
82
- Kirkstall Abbey from the N.W
- ca. 1792
83
- Tynemouth Priory, Northumberland
- ca. 1793
84
- Lichfield Cathedral, Staffordshire
- 1794
85
- Rochester, Kent: from the North
- ca. 1790
86
- Denbigh Castle
- ca. 1793
87
- In the Bay of Salerno, near Vietri
- undated
88
- Jedburgh Abbey, Roxburghshire
- ca. 1793
89
- Harrow-on-the-Hill, Middlesex
- ca. 1794
90
- Eton College from Datchet Road
- 1790
91
- View of Rochester
- 1791
92
- Pluscardine Abbey, Elgin
- ca. 1793
93
- Carlisle Cathedral, Cumberland, from the South-west
- ca. 1795
94
- Melville Castle, Midlothian
- ca. 1796
95
- The Great Bridge over the Taafe
- 1775
96
- Credulity
- 1796
97
- The Grotto at Posillipo
- ca. 1782
98
- Stable Boy Holding a Horse in a Landscape
- undated
99
- Fort St. George
- 1736
100
- Tellicherry
- 1736