The Mouth of the Cavern at Castleton in the Peak of Derby
1791
3
Attributed to John Absolon, 1815–1895
Group of Peasants with Musical Instruments
undated
4
Robert Adam, 1728–1792
Headfort House, Ireland: Lady's Room Ceiling
1772
5
Robert Adam, 1728–1792
Study for a Stable Court of Kirkdale, Wigtownshire, Scotland
between 1770 and 1780
6
William Alexander, 1767–1816
City of Lin Tsin, Shantung, with a View of the Grand Canal
1795
7
William Alexander, 1767–1816
The Dinner in Mote Park, Maidstone, after the Royal Review of the Kentish Volunteers
ca. 1799
8
William Alexander, 1767–1816
Three Chinese Women Street Vendors
undated
9
William Alexander, 1767–1816
A Village Street, Figures by Old Cottages
undated
10
William Alexander, 1767–1816
Natives of Cochin Playing Shuttlecock in China
1792 to 1794
11
William Alexander, 1767–1816
View in China: Figures with Pagoda and Mountain
1792 to 1794
12
Henry Thomas Alken, 1785–1851
Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": 'Mr. Jorrocks Beats the Baron for Speed'
undated
13
Henry Thomas Alken, 1785–1851
Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities:" 'Mr. Jorrocks Renounces the Acquaintance of the Yorkshireman'
undated
14
Henry Thomas Alken, 1785–1851
Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": "Water, I do Declare with Worms in it"
undated
15
Henry Thomas Alken, 1785–1851
Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": 'Mr. Jorrocks's Surprize on Seeing the Paris Diligence, "My Vig, Here's Wombwell's Wildbeast show" '
undated
16
Henry Thomas Alken, 1785–1851
Foxhunting: The Refreshment
undated
17
Henry Thomas Alken, 1785–1851
Foxhunting: The Toast
undated
18
John Augustus Atkinson, 1775–1831
Bologna, View in the Strada Maggiore
1819
19
Print made by Robert Barnes, 1840–1895
The Beehive
1854
20
John James Barralet, 1747–1815
The Road to East Grinstead
Undated
21
John James Barralet, 1747–1815
View of Lucan House
1782
22
William Beilby, 1740–1819
Brick Bridge
undated
23
C. Blake, active 1825–1826
"The Poacher's Progress:" Poachers Before the Magistrates
undated
24
C. Blake, active 1825–1826
"The Poacher's Progress:" Poachers in Prison (The Pardon)
undated
25
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 8, "The Ecchoing Green" (Bentley 6)
1789
26
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 20, "The Little Girl Lost" (Bentley 34)
1789
27
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 33, Experience Title Page (Bentley 29)
1794
28
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 38, "Holy Thursday" (Bentley 33)
1794
29
William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 48, "The Fly" (Bentley 40)
1794
30
William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 47, "My Pretty Rose Tree" (Bentley 43)
1794
31
William Blake, 1757–1827
Visions of the Daughters of Albion, Plate 2, Title Page
1793
32
William Blake, 1757–1827
Visions of the Daughters of Albion, Plate 8, "But when the morn arose . . . . "
1793
33
William Blake, 1757–1827
Visions of the Daughters of Albion, Plate 10, "In happy copulation . . . . "
1793
34
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 27, "O treacherous conscience!"
ca. 1797
35
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 43, "Night the Third, Narcissa."
ca. 1797
36
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 46, "Where sense runs savage broke from reason's chain"
ca. 1797
37
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 72, "And vapid; sense and reason shew the door"
ca. 1797
38
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 2(b), "Preludium" (Bentley 2b)
1794
39
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 11, "Two nostrils bent down to the deep . . . ." (Bentley 13)
1794
40
Print made by William Blake, 1757–1827
Jerusalem, Plate 40, "Los shudderd at beholding Albion...."
1804 to 1820
41
Print made by William Blake, 1757–1827
Jerusalem, Plate 45, "Bath, healing City!...."
1804 to 1820
42
Print made by William Blake, 1757–1827
Jerusalem, Plate 47, "From Camberwell to Highgate...."
1804 to 1820
43
Print made by William Blake, 1757–1827
Jerusalem, Plate 72, "And the Thirty-two Counties...."
1804 to 1820
44
Print made by William Blake, 1757–1827
Jerusalem, Plate 8, "Rose up against me...."
1804 to 1820
45
Print made by William Blake, 1757–1827
Jerusalem, Plate 89, "Tho divided by the Cross...."
1804 to 1820
46
Print made by William Blake, 1757–1827
Jerusalem, Plate 9, "Condens'd his Emanations...."
1804 to 1820
47
Print made by William Blake, 1757–1827
Jerusalem, Plate 96, "As the Sun & Moon lead forward...."
1804 to 1820
48
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"
1797
49
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"
1797
50
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"
1797
51
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 40, "Angels Should Paint It, Angels Ever There"
1797
52
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"
1797
53
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 54, "The Vale of Death! That Hush'd Cimmerian Vale"
1797
54
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 4, "What, though My Soul Fantastick Measures Trod"
1797
55
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 92, "When Faith Is Virtue, Reason Makes It So"
1797
56
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 10, "Disease Invades the Chastest Temperence"
1797
57
William Blake, 1757–1827
The Poems of Thomas Gray, Design 113, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
58
William Blake, 1757–1827
The Poems of Thomas Gray, Design 107, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
59
William Blake, 1757–1827
The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
60
William Blake, 1757–1827
The Poems of Thomas Gray, Design 11, "Ode on the Death of a Favourite Cat."
between 1797 and 1798
61
William Blake, 1757–1827
The Poems of Thomas Gray, Design 111, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
62
William Blake, 1757–1827
The Poems of Thomas Gray, Design 115, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
63
William Blake, 1757–1827
The Poems of Thomas Gray, Design 17, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
64
William Blake, 1757–1827
The Poems of Thomas Gray, Design 19, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
65
William Blake, 1757–1827
The Poems of Thomas Gray, Design 37, "Ode to Adversity."
between 1797 and 1798
66
William Blake, 1757–1827
The Poems of Thomas Gray, Design 41, "The Progress of Poesy."
between 1797 and 1798
67
William Blake, 1757–1827
The Poems of Thomas Gray, Design 45, "The Progress of Poesy."
between 1797 and 1798
68
William Blake, 1757–1827
The Poems of Thomas Gray, Design 49, "The Progress of Poesy."
between 1797 and 1798
69
William Blake, 1757–1827
The Poems of Thomas Gray, Design 59, "The Bard."
between 1797 and 1798
70
Print made by William Blake, 1757–1827
Jerusalem, Plate 12, "Why wilt thou give to her...."
1804 to 1820
71
Print made by William Blake, 1757–1827
Jerusalem, Plate 13, "And that toward Eden...."
1804 to 1820
72
Print made by William Blake, 1757–1827
Jerusalem, Plate 19, "His children exil'd from his breast...."
1804 to 1820
73
Print made by William Blake, 1757–1827
Jerusalem, Plate 2, Title Page
1804 to 1820
74
William Blake, 1757–1827
The Poems of Thomas Gray, Design 25, "A Long Story."
between 1797 and 1798
75
William Blake, 1757–1827
The Poems of Thomas Gray, Design 27, "A Long Story."
between 1797 and 1798
76
William Blake, 1757–1827
The Poems of Thomas Gray, Design 75, "The Fatal Sisters."
between 1797 and 1798
77
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 14, "Infant Joy" (Bentley 25)
1789
78
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 22, "Nurse's Song" (Bentley 38)
1789
79
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 4, "A Dream" (Bentley 26)
1789
80
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 6, "The Little Girl Found" (Bentley 35)
1789
81
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 2, Title Page
1793
82
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 3, "Preludium | The shadowy daughter...."
1793
83
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 5, "A | Prophecy | The Guardian Prince of Albion...."
1793
84
Print made by William Blake, 1757–1827
The Book of Thel, Plate 6, "III. / Then Thel astonish'd . . . ."
1789
85
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 10, "Enitharmon slept . . . . " (Bentley 12)
1794
86
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 12, "Albions Angel rose . . . . " (Bentley 14)
1794
87
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 7, "Now comes the night . . . . " (Bentley 8)
1794
88
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 8 (Bentley 9)
1794
89
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 18 (Bentley 21)
1794
90
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 19, "They Call'd Her Pity and Fled...." (Bentley 19)
1794
91
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 2, "Preludium to the Book of Urizen" (Bentley 2)
1794
92
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 17, "Shot from the heights . . . . " (Bentley 18)
1794
93
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 6, "The shrill winds wake . . . . " (Bentley 7)
1794
94
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 9, "Arise O Rintrah . . . ." (Bentley 11)
1794
95
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 16, "Two Nostrils Bent Down to the Deep...." (Bentley 13)
1794
96
Print made by William Blake, 1757–1827
Young's Night Thoughts, Title Page, "Night the First, On Life, Death and Immortality."
ca. 1797
97
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 10, "Disease invades the chastest temperence"
ca. 1797
98
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 49, "As if the sun could envy, check'd his beam"
ca. 1797
99
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 92, "When faith is virtue, reason makes it so"
ca. 1797
100
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 17, "They call'd her Pity and fled . . . ." (Bentley 19)