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Collection
Prints and Drawings
81
Creator
Ward, James, 1769–1859
30
Hills, Robert, 1769–1844
29
Edridge, Henry, 1769–1821
8
Barker, Thomas, 1769–1847
5
Daniell, William, 1769–1837
3
Owen, William, 1769–1825
2
Pyne, William Henry, 1769–1843
2
Gore, Charles, 1729–1807
1
Joy, John Cantiloe, 1806–1859
1
Joy, William, 1803–1867
1
La, Cave Peter, active 1769–1810
1
Owen, Samuel, 1768–1857
1
Unknown artist
1
Date
1796
304
1772
230
1771
122
1799
117
1784
[remove]
81
1775
74
1793
51
1795
48
1774
40
1790
38
1755
36
1789
36
1791
31
1782
28
1787
26
1751
24
1778
23
1768
22
1788
22
1748
21
1781
21
1797
21
1765
20
1700
19
1792
16
1763
15
1777
15
1780
15
1766
14
1794
14
1798
14
1756
13
1744
12
1757
12
1759
12
1764
12
1746
11
1779
11
1740
10
1770
10
1783
10
1785
10
1786
10
1800
10
1750
9
1762
9
1758
7
1760
7
1773
7
1769
6
1776
5
1808
5
1749
4
1753
4
1761
4
1767
4
1807
4
1898
4
1741
3
1745
3
1801
3
1811
3
1814
3
1827
3
1701
2
1706
2
1752
2
1754
2
1805
2
1806
2
1809
2
1813
2
1819
2
1823
2
1834
2
1863
2
0
1
1674
1
1736
1
1738
1
1739
1
1747
1
1803
1
1810
1
1812
1
1816
1
1820
1
1821
1
1825
1
1830
1
1832
1
1836
1
1840
1
1857
1
On-site Access
Accessible by appointment in the Study Room
81
Image Use
Free to Use
81
Image Available
Available
81
Classification
Drawings & Watercolors
81
Creator Gender
male
81
unknown
1
Collective Title
King Lear
1
Period
18th century-19th century
[remove]
81
Materials & Techniques
watercolor
[remove]
81
graphite
74
wove paper
60
laid paper
22
brown ink
15
pen
9
gouache
7
black ink
4
scratching out
4
scraping
2
black chalk
1
gray ink
1
gray wash
1
ink blue
1
oil paint
1
red crayon
1
scraping out
1
varnish
1
Height [cm]
Height [cm] range begin
–
Height [cm] range end
Current results range from
6
to
40
Width [cm]
Width [cm] range begin
–
Width [cm] range end
Current results range from
6
to
60
Work Type
watercolor
80
drawing
71
Genre
landscape
35
genre subject
15
architectural subject
14
animal art
13
figure study
8
marine art
5
still life
4
cityscape
3
portrait
2
literary theme
1
sporting art
1
Subject Terms
landscape
35
trees
22
architectural subject
15
animal art
13
genre subject
13
fence
8
figure study
7
clouds
6
horses (animals)
6
men
6
cows
5
farm
5
house
5
river
5
science
5
studies (visual works)
5
figures
4
hats
4
hills
4
marine art
4
more
Subject Terms
»
Associated Places
United Kingdom
15
England
10
Europe
10
Wales
5
Cymru
3
Surrey
3
Berkshire
2
Aberdulais
1
Albury
1
Althorp
1
Ashtead
1
Barvas
1
Belvoir
1
Belvoir Castle
1
Bilzen
1
Cardiganshire
1
Dorking
1
Englefield
1
Eton
1
Greater London
1
more
Associated Places
»
Associated People
Cordelia (character in King Lear)
1
King Lear (character in King Lear)
1
Shakespeare, William (1564–1616), playwright and poet
1
Exhibition History
Art in Focus: John Goto's High Summer (Yale Center for British Art, 2018-04-06 - 2018-08-19)
2
James Ward (Yale Center for British Art, 2004-05-21 - 2004-08-22)
2
Paul Mellon's Legacy : A Passion for British Art (Yale Center for British Art, 2007-04-18 - 2007-07-29)
2
Art in Focus : Wales (Yale Center for British Art, 2014-04-04 - 2014-08-10)
1
Fairest Isle - The Appreciation of British Scenery 1750-1850 (Yale Center for British Art, 1989-04-12 - 1989-06-25)
1
Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art (The State Hermitage Museum, 2007-10-23 - 2008-01-13)
1
Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art (Virginia Museum of Fine Arts, 2007-07-11 - 2007-09-30)
1
Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art (Yale Center for British Art, 2008-06-09 - 2008-08-17)
1
Shakespeare and British Art (Yale Center for British Art, 1981-04-23 - 1981-07-05)
1
The Critique of Reason : Romantic Art, 1760–1860 (Yale University Art Gallery, 2015-03-06 - 2015-07-26)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
80
Yale Center for British Art, Paul Mellon Fund
1
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Materials & Techniques
watercolor
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Date
1784
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Period
18th century-19th century
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1
Charles Gore, 1729–1807
Garden of Vieux Joncs near Maestricht
between 1784 and 1794
2
Peter La Cave, active 1769–1810
Haymakers
undated
3
Follower of William Owen, 1769–1825
Shipping in a Choppy Sea
undated
4
James Ward, 1769–1859
Landscape with Cottages and Figures
undated
5
James Ward, 1769–1859
Aberdulais Mill, Glamorganshire
undated
6
Thomas Barker, 1769–1847
Woodland Landscape
undated
7
James Ward, 1769–1859
Cottage and Farm Buildings
undated
8
James Ward, 1769–1859
Sea Breaking on Stony Cliffs at Left
undated
9
James Ward, 1769–1859
A Thatched Cottage and Trees at the Turn of a Country Road
undated
10
James Ward, 1769–1859
Study of a Hill Top and Sky
undated
11
James Ward, 1769–1859
Studies of Horses
undated
12
James Ward, 1769–1859
Waterfall, North Wales
undated
13
James Ward, 1769–1859
Studies of Figures
undated
14
James Ward, 1769–1859
Study of a Tree
undated
15
James Ward, 1769–1859
A Little Boy with Red Shoes (Child with Red Shoes and a Top Hat)
undated
16
attributed to Thomas Barker, 1769–1847
Man in a Blue Cloak
undated
17
James Ward, 1769–1859
Dolbadarn Castle
undated
18
James Ward, 1769–1859
Boy Carrying a Pail on His Head
undated
19
James Ward, 1769–1859
Scottish Peasant Women
undated
20
William Henry Pyne, 1769–1843
Old London, View from St. James Park Looking East
undated
21
James Ward, 1769–1859
Sky Study
undated
22
James Ward, 1769–1859
Landscape with a Castle on a Hill
undated
23
James Ward, 1769–1859
The Artist's Son, Henry, Asleep
undated
24
Thomas Barker, 1769–1847
Landscape with a Man Driving Sheep
undated
25
Thomas Barker, 1769–1847
Landscape with Shepherd and Sheep
undated
26
James Ward, 1769–1859
A Brown long-eared bat (Plecotus auritus)
undated
27
William Daniell, 1769–1837
Althorp House, Northamptonshire
undated
28
James Ward, 1769–1859
An Oat Cake
undated
29
James Ward, 1769–1859
A Foliated Branch
undated
30
James Ward, 1769–1859
Study of a Coat and Breeches
undated
31
James Ward, 1769–1859
Henry James William Ward, Son of the Artist
undated
32
James Ward, 1769–1859
A Rocky Hillside with Trees and Figures
undated
33
William Daniell, 1769–1837
Belvoir Castle, Rutland
undated
34
Robert Hills, 1769–1844
A Woodcutter and Other Studies
undated
35
Robert Hills, 1769–1844
Budds Green, Kent
undated
36
Robert Hills, 1769–1844
Carting Hops and Other Studies
undated
37
Robert Hills, 1769–1844
Farm Laborers and Other Studies
undated
38
Robert Hills, 1769–1844
Reminiscence of Gainsborough
undated
39
Robert Hills, 1769–1844
Studies of a Turkey
undated
40
Robert Hills, 1769–1844
Between Netley Heath and Albury
undated
41
William Daniell, 1769–1837
Druidical Stone at Strather, near Barvas, Isle of Lewis
undated
42
Follower of William Owen, 1769–1825
Shipping in a Choppy Sea
undated
43
Follower of Henry Edridge, 1769–1821
View of Harrow Church
undated
44
unknown artist
The Death of Cordelia
undated
45
Robert Hills, 1769–1844
Two Studies: a Foal, and a Mare and Foal
undated
46
James Ward, 1769–1859
A Canopied Boat and Two Rowing Boats at a Jetty; Inset Left, a Pencil Study of the Tintern Livestock Ferry-boat
undated
47
attributed to James Ward, 1769–1859
A Cottage Wall and Window
undated
48
Robert Hills, 1769–1844
Sketch of a Horse
undated
49
Possibly William Henry Pyne, 1769–1843
The Horse Guards Parade
undated
50
James Ward, 1769–1859
Study of a Plunging Eagle
undated
51
James Ward, 1769–1859
Farmyard and Horses
undated
52
Robert Hills, 1769–1844
A Wagon With Hops and Two Sketches of Horses
undated
53
attributed to James Ward, 1769–1859
Seashore and Cliffs, with a Horse and Cart and a Beached Boat on Shore
undated
54
James Ward, 1769–1859
Studies of Geese
undated
55
Henry Edridge, 1769–1821
Part of a House and Garden
undated
56
Henry Edridge, 1769–1821
On the Monnow, Monmouth
undated
57
Henry Edridge, 1769–1821
Farm Buildings among Trees
undated
58
Henry Edridge, 1769–1821
Boxhill from Westhumble Lane
undated
59
after Henry Edridge, 1769–1821
Singer's Farm, Bushey, Hertfordshire
undated
60
Robert Hills, 1769–1844
Figure Studies: A Farm Worker, Mr. Samuel, the Drawing Master Reclining and Dozing, and a Slight Sketch of a Man in a Hat
undated
61
Henry Edridge, 1769–1821
A Winding River
undated
62
Henry Edridge, 1769–1821
Portrait of an Indian Prince
undated
63
Robert Hills, 1769–1844
The Wave
undated
64
Robert Hills, 1769–1844
Drove of Sheep and Cows
undated
65
Robert Hills, 1769–1844
Children With a Dog in Farmyard
undated
66
Robert Hills, 1769–1844
Farmyard with Horses Waiting
undated
67
Robert Hills, 1769–1844
Looking Across the Maas from Rotterdam
undated
68
Robert Hills, 1769–1844
Three Donkeys
undated
69
Robert Hills, 1769–1844
Trees and Barns in Ashstead Park, Surrey
undated
70
Robert Hills, 1769–1844
Beech Trees
undated
71
Robert Hills, 1769–1844
Sketches of Cottages: Two Studies on one Sheet
undated
72
Robert Hills, 1769–1844
A Donkey and Foal
undated
73
Robert Hills, 1769–1844
A Country Lane with Haystack and Gate
undated
74
Robert Hills, 1769–1844
A Farm at Eton
undated
75
Robert Hills, 1769–1844
A Woodland Glade
undated
76
Robert Hills, 1769–1844
Long-Horned Cattle
undated
77
Robert Hills, 1769–1844
A Farm at Harrow
undated
78
Robert Hills, 1769–1844
Forest Pool
undated
79
Robert Hills, 1769–1844
The Wood
undated
80
James Ward, 1769–1859
Looking Upwards from Devil's Bridge, Cardiganshire, Wales
undated
81
Robert Hills, 1769–1844
An Oak in Englefield Park
undated