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Materials & Techniques watercolor
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Remove constraint Work Type: watercolorSubject Terms woman
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1
- Oberon and Titania
- 1837
2
- Study of a Woman Sewing
- undated
3
- A Great Tree
- ca. 1796
4
- Jerusalem, Plate 71, "And above Albions Land...."
- 1804 to 1820
5
- Young's Night Thoughts, Page 33, "Like That, the Dial Speaks; and Points to Thee"
- 1797
6
- Songs of Innocence and of Experience, Plate 16, "The Little Boy Lost" (Bentley 13)
- 1789
7
- Songs of Innocence and of Experience, Plate 18, "The Lamb" (Bentley 8)
- 1789
8
- Songs of Innocence and of Experience, Plate 26, "A Cradle Song" (Bentley 16)
- 1789
9
- The Poems of Thomas Gray, Design 105, "Elegy Written in a Country Church-Yard."
- between 1797 and 1798
10
- The Poems of Thomas Gray, Design 101, "Ode for Music."
- between 1797 and 1798
11
- The Poems of Thomas Gray, Design 23, "A Long Story."
- between 1797 and 1798
12
- The Poems of Thomas Gray, Design 43, "The Progress of Poesy."
- between 1797 and 1798
13
- The Poems of Thomas Gray, Design 83, "The Descent of Odin."
- between 1797 and 1798
14
- The Poems of Thomas Gray, Design 85, "The Descent of Odin."
- between 1797 and 1798
15
- The Poems of Thomas Gray, Design 97, "Ode for Music."
- between 1797 and 1798
16
- Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"
- 1797
17
- Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"
- 1797
18
- The Poems of Thomas Gray, Design 31, "A Long Story."
- between 1797 and 1798
19
- The Poems of Thomas Gray, Design 77, "The Descent of Odin."
- between 1797 and 1798
20
- The Poems of Thomas Gray, Design 93, "Ode for Music."
- between 1797 and 1798
21
- Songs of Innocence, Plate 8, "The Lamb" (Bentley 8)
- 1789
22
- The Poems of Thomas Gray, Design 99, "Ode for Music."
- between 1797 and 1798
23
- Songs of Innocence, Plate 18, "A Cradle Song" (Bentley 16)
- 1789
24
- Songs of Innocence, Plate 24, "On Anothers Sorrow" (Bentley 27)
- 1789
25
- Songs of Innocence, Plate 3, "Introduction" (Bentley 4)
- 1789
26
- The Poems of Thomas Gray, Design 13, "Ode on a Distant Prospect of Eton College."
- between 1797 and 1798
27
- There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)
- ca. 1788
28
- Mary Magdalen at the Sepulchre
- ca. 1805
29
- Italianate Landscape with Travelers, No. 1
- ca. 1765
30
- Italianate Landscape with Travellers no. 2
- ca. 1760
31
- Woman with a Blue Smock
- undated
32
- Street Scene at Stratford by Bow
- undated
33
- Woman with Cattle
- 1803
34
- The Assignation
- undated
35
- Evening
- 1828
36
- The Death of Cordelia
- undated
37
- A Fisherwoman, Hands under Apron
- undated
38
- A Woman of Fashion in Walking Dress
- undated
39
- A Landscape with a Portrait of a Lady, Full Length, Holding a Hat
- undated
40
- The Monnow Bridge, Monmouthshire
- before 1814
41
- Coast Scene near Plymouth
- undated
42
- Peasants Resting
- 1795
43
- Portrait of a Lady
- 1783
44
- Portrait of a Lady
- undated
45
- Woman Carrying Baskets
- undated
46
- London Cries: "Black Heart Cherries..."
- ca. 1759
47
- London Cries: "Do You Want any Spoons..."
- ca. 1759
48
- London Cries: A Fishmonger
- ca. 1759
49
- London Cries: A Muffin Man
- ca. 1759
50
- London Cries: Fun upon Fun
- 1759
51
- London Cries: Last Dying Speech and Confession
- ca. 1759
52
- London Cries: "Turn your Copper into Silver Now before Your Eyes" (Title Page Design)
- 1760
53
- My Pretty Little Ginny Tarters for a Ha'penny a Stick or a Penny a Stick, or a Stick to Beat Your Wives or Dust Your Clothes
- ca. 1759
54
- Hero and Leander
- 1801
55
- Wooded Landscape with Figures Round a Cooking Pot
- 1793
56
- Leander Taking Leave of Hero Before Swimming Back Across the Hellespont
- undated
57
- Faust and Margaret
- undated
58
- A Regency Pair
- 1802
59
- Beside the Lily-Pond
- 1869
60
- A Young Woman Looking Down
- undated
61
- Woodcutter and His Family
- undated
62
- A Goose and a Baboon
- undated
63
- A Lady Reading
- ca. 1835
64
- Landscape with Courting Couple
- 1839
65
- A Street in Florence with the Duomo and Campanile in the Background
- ca. 1765
66
- A Woman Seated and Holding an Image
- undated
67
- Prospero Summoning Ariel
- ca. 1800
68
- Figure Studies: Boy Standing
- undated
69
- Design for a Country House
- ca. 1840
70
- A Regency House
- ca. 1820
71
- Wanstead House
- undated
72
- The Rustic Lover
- 1786
73
- La Mancha
- 1828
74
- Old Farm Buildings
- ca. 1817
75
- Portrait Study of a Girl
- ca. 1823
76
- View Near the Mill Looking Toward Licenza: Horace's Villa on the Left
- 1783
77
- Sketches from Life in Paris: Woman and Man Carrying Buckets
- ca. 1835
78
- Cottage and Foot Bridge
- 1794
79
- An Old Market Woman Grinning and Gesturing with her Left Hand
- undated
80
- Couple in a Farmyard
- 1782
81
- View of the Bridge over Uduanulla, near Rahamahal, Bihar
- undated
82
- Brighton Town and Church
- ca. 1780
83
- Extensive wooded landscape with figures in foreground left
- Undated
84
- Scottish Peasant Women
- undated
85
- Gloucestershire - a woman and child on a road bordering fields of ripe corn at Moreton-in-Marsh
- undated
86
- Portrait of a Woman with a Pitcher
- 1858
87
- Druidical Stone at Strather, near Barvas, Isle of Lewis
- undated
88
- Girl in a Brown Dress
- undated
89
- The Meat Market
- undated
90
- A Young Woman in a Blue Dress
- undated
91
- A Dancer
- ca. 1836
92
- The Poultry Market
- undated
93
- The Spoiled Child, Scene III
- ca. 1802
94
- St. Vincent's Rock, Clifton, Bristol with Hotwell's Spring House in the Distance
- undated
95
- Incantation Scene
- undated
96
- Conway Castle
- 1789
97
- Adelaide
- between 1785 and 1786
98
- Hannah Snell - From the Life (in Male Dress)
- undated
99
- Woman and Child
- undated
100
- Portrait of a Lady, called Bella Ibbetson, the Artist's Second Wife
- undated