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Materials & Techniques wove paper

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Creator Gender male

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Work Type intaglio print

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Height [cm] 41

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Search Results

William Blake Young's Night Thoughts, Page 43, "Night the Third, Narcissa."
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 43, "Night the Third, Narcissa."
ca. 1797
William Blake Young's Night Thoughts, Page 40, "Angels should paint it, angels ever there"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 40, "Angels should paint it, angels ever there"
ca. 1797
William Blake Young's Night Thoughts, Page 41, "One radiant Mark, the Deathbed of the Just"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 41, "One radiant Mark, the Deathbed of the Just"
ca. 1797
William Blake Young's Night Thoughts, Page 63, "This King of Terrors is the Prince of Peace"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 63, "This King of Terrors is the Prince of Peace"
ca. 1797
William Blake Young's Night Thoughts, Page 70, "'Till death, that mighty hunter, earths them all"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 70, "'Till death, that mighty hunter, earths them all"
ca. 1797
William Blake Young's Night Thoughts, Page 27, "O treacherous conscience!"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 27, "O treacherous conscience!"
ca. 1797
William Blake Young's Night Thoughts, Page 31, "'Tis greatly wise to talk with our past hours"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 31, "'Tis greatly wise to talk with our past hours"
ca. 1797
William Blake Young's Night Thoughts, Page 57, "Trembling each gulp, lest death should snatch the bowl"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 57, "Trembling each gulp, lest death should snatch the bowl"
ca. 1797
William Blake Young's Night Thoughts, Page 35, "Teaching, we learn; and giving, we retain"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 35, "Teaching, we learn; and giving, we retain"
ca. 1797
William Blake Young's Night Thoughts, Page 37, "Love, and love only, is the loan for love"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 37, "Love, and love only, is the loan for love"
ca. 1797
William Blake Young's Night Thoughts, Page 46, "Where sense runs savage broke from reason's chain"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 46, "Where sense runs savage broke from reason's chain"
ca. 1797
William Blake Young's Night Thoughts, Page 49, "As if the sun could envy, check'd his beam"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 49, "As if the sun could envy, check'd his beam"
ca. 1797
William Blake Young's Night Thoughts, Page 13, "The present moment terminates our sight"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 13, "The present moment terminates our sight"
ca. 1797
William Blake Young's Night Thoughts, Page 19, "Emblem of that which shall awake the dead"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 19, "Emblem of that which shall awake the dead"
ca. 1797
William Blake Young's Night Thoughts, Page 10, "Disease invades the chastest temperence"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 10, "Disease invades the chastest temperence"
ca. 1797
William Blake Young's Night Thoughts, Page 16, "Oft Bursts My Song beyond the Bounds of Life"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 16, "Oft Bursts My Song beyond the Bounds of Life"
1797
William Blake Young's Night Thoughts, Page 7, "Till at Death's Toll, Whose Restless Iron Tounge"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 7, "Till at Death's Toll, Whose Restless Iron Tounge"
1797
William Blake Young's Night Thoughts, Page 10, "Disease Invades the Chastest Temperence"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 10, "Disease Invades the Chastest Temperence"
1797
William Blake Young's Night Thoughts, Page 13, "The Present Moment Terminates our Sight"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 13, "The Present Moment Terminates our Sight"
1797
William Blake Young's Night Thoughts, Page 15, "The Longest Night Though Longer Far, Would Fail"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 15, "The Longest Night Though Longer Far, Would Fail"
1797
William Blake Young's Night Thoughts, Page 19, "Emblem of That Which Shall Awake the Dead"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 19, "Emblem of That Which Shall Awake the Dead"
1797
William Blake Young's Night Thoughts, Page 25, "Behold Him, When Past by; What Then Is Seen"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 25, "Behold Him, When Past by; What Then Is Seen"
1797
William Blake Young's Night Thoughts, Page 27, "O Treacherous Conscience!"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 27, "O Treacherous Conscience!"
1797
William Blake Young's Night Thoughts, Page 31, "'Tis Greatly Wise to Talk with Our Past Hours"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 31, "'Tis Greatly Wise to Talk with Our Past Hours"
1797
William Blake Young's Night Thoughts, Page 33, "Like That, the Dial Speaks; and Points to Thee"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 33, "Like That, the Dial Speaks; and Points to Thee"
1797
William Blake Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"
1797
William Blake Young's Night Thoughts, Page 37, "Love, and Love Only, Is the Loan for Love"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 37, "Love, and Love Only, Is the Loan for Love"
1797
William Blake Young's Night Thoughts, Page 8, "Death! Great Proprietor of All!"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 8, "Death! Great Proprietor of All!"
1797
William Blake Young's Night Thoughts, Page 41, "One Radiant Mark; the Deathbed of the Just"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 41, "One Radiant Mark; the Deathbed of the Just"
1797
William Blake Young's Night Thoughts, Page 43, "Night the Third, Narcissa."
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 43, "Night the Third, Narcissa."
1797
William Blake Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"
1797
William Blake Young's Night Thoughts, Page 57, "Trembling Each Gulp, Lest Death Should Snatch the Bowl"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 57, "Trembling Each Gulp, Lest Death Should Snatch the Bowl"
1797
William Blake Young's Night Thoughts, Page 40, "Angels Should Paint It, Angels Ever There"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 40, "Angels Should Paint It, Angels Ever There"
1797
William Blake Young's Night Thoughts, Page 63, "This King of Terrors Is the Prince of Peace"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 63, "This King of Terrors Is the Prince of Peace"
1797
William Blake Young's Night Thoughts, Page 7, "Till at Death's toll, whose restless iron tounge"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 7, "Till at Death's toll, whose restless iron tounge"
ca. 1797
William Blake Young's Night Thoughts, Page 15, "The longest night though longer far, would fail"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 15, "The longest night though longer far, would fail"
ca. 1797
Henry Hulsberg Cobham Hall, Kent: First and Second Floor Plans
Print made by Henry Hulsberg, active 1700s–died 1729
Cobham Hall, Kent: First and Second Floor Plans
1715 to 1725
Edward Goodall Cologne
Print made by Edward Goodall, 1795–1870
Cologne
1824
Johann Jacobus Haid S. Andreas
Print made by Johann Jacobus Haid, 1704–1767
S. Andreas
undated
Johann Jacobus Haid S. Bartholomaeus
Print made by Johann Jacobus Haid, 1704–1767
S. Bartholomaeus
undated
Johann Jacobus Haid S. Jacobus Major
Print made by Johann Jacobus Haid, 1704–1767
S. Jacobus Major
undated
Johann Jacobus Haid S. Ionnes
Print made by Johann Jacobus Haid, 1704–1767
S. Ionnes
undated
Johann Jacobus Haid S. Philippus
Print made by Johann Jacobus Haid, 1704–1767
S. Philippus
undated
Johann Jacobus Haid Man Wearing a Hat
Print made by Johann Jacobus Haid, 1704–1767
Man Wearing a Hat
undated
George Baxter George Pritchard, Her Britannic Majesty's Consul
Print made by George Baxter, 1804–1867
George Pritchard, Her Britannic Majesty's Consul
1845
Thomas Malton Lleweney Bleach Works
Thomas Malton, 1726–1801
Lleweney Bleach Works
1798
James T. Willmore Destruction of Both Houses of Parliament
Print made by James T. Willmore, 1800–1863
Destruction of Both Houses of Parliament
1835
John Scott Aske Hall
Print made by John Scott, 1774–1828
Aske Hall
1821
Charles Turner William Spencer, Duke of Devonshire
Print made by Charles Turner, 1774–1857
William Spencer, Duke of Devonshire
1813
William Say The Right Honourable Henry Herbert, Lord Porchester, 2nd Earl of Carnarvon
William Say, 1768–1834
The Right Honourable Henry Herbert, Lord Porchester, 2nd Earl of Carnarvon
1811
Robert Mitchell Meadows Dodbery and Verges, with the Watch; "Much Ado About Nothing", Act III, Scene II
Robert Mitchell Meadows, Died before 1812
Dodbery and Verges, with the Watch; "Much Ado About Nothing", Act III, Scene II
1794
Caroline Kirkley Sir Joshua Reynolds
Print made by Caroline Kirkley, active 1796–1797
Sir Joshua Reynolds
1795
Anthony Cardon Admiral William Sidney Smith and The Seige of Acre
Anthony Cardon, 1772–1813
Admiral William Sidney Smith and The Seige of Acre
1804
William S. Leney Taming the Shrew, Act III, Scene II
William S. Leney, 1769–1831
Taming the Shrew, Act III, Scene II
1793
Samuel Cousins The Countess of Blessington
Print made by Samuel Cousins, 1801–1887
The Countess of Blessington
1837
George H. Phillips Lady Wallscourt
Print made by George H. Phillips, active 1819–1825
Lady Wallscourt
1839
William Say Hagar and Ishmael
Print made by William Say, 1768–1834
Hagar and Ishmael
1812
Henri Emile Lefort Benjamin Franklin
Print made by Henri Emile Lefort, 1852–1916
Benjamin Franklin
1896
Samuel Middiman High Street, Oxford
Etched by Samuel Middiman, ca. 1750–1831
High Street, Oxford
1812
Charles Wilkin The Right Honourable Lady Charlotte Duncombe
Print made by Charles Wilkin, 1750–1814
The Right Honourable Lady Charlotte Duncombe
1797
George H. Phillips Miss Murray
Print made by George H. Phillips, active 1819–1825
Miss Murray
1839
E. J. Dumée Connubial Happiness
Print made by E. J. Dumée, active 1790
Connubial Happiness
1786
unknown artist The Landlord's Daughter
Print made by unknown artist
The Landlord's Daughter
1798
unknown artist The Tenant's Daughter
Print made by unknown artist
The Tenant's Daughter
1798
W. R. Smith Dido and Aeneas; The Morning of the Chase
Print made by W. R. Smith, active 1819–1851
Dido and Aeneas; The Morning of the Chase
1842
Joseph Grozer Shepherdess (Miss Mary Palmer as the Young Shepherdess)
Joseph Grozer, ca. 1755–1798
Shepherdess (Miss Mary Palmer as the Young Shepherdess)
1799
Peltro W. Tomkins Sir Andrew Aguecheek, Sir Toby Belch and the Clown - "Twelfth Night", Act II, Scene III
Peltro W. Tomkins, 1760–1840
Sir Andrew Aguecheek, Sir Toby Belch and the Clown - "Twelfth Night", Act II, Scene III
1792
Edward Scriven George Colman, The Elder
Edward Scriven, 1775–1841
George Colman, The Elder
1813
Samuel Arlent Edwards Juliette Récamier
Print made by Samuel Arlent Edwards, 1861–1938
Juliette Récamier
undated
James T. Willmore Fire at Sea
Print made by James T. Willmore, 1800–1863
Fire at Sea
1835
Sir David Young Cameron The Little Devil of Florence
Print made by Sir David Young Cameron, 1865–1945
The Little Devil of Florence
1907
Francis Dodd Winter Afternoon
Print made by Francis Dodd, 1874–1949
Winter Afternoon
1910
Edward Rooker The Magicians Marching off After the Success of their Incantations
Edward Rooker, 1724–1774
The Magicians Marching off After the Success of their Incantations
ca. 1763
William Ward Jack in the Bilboes
William Ward, 1766–1826
Jack in the Bilboes
1790
Thomas Malton the Younger The Great Court and Chapel of Trinity College in the University of Cambridge
Thomas Malton the Younger, 1748–1804
The Great Court and Chapel of Trinity College in the University of Cambridge
1798
Edward Rooker A Morning Scene of the Forest with Rinaldo on the Bank of the Enchanted River
Edward Rooker, 1724–1774
A Morning Scene of the Forest with Rinaldo on the Bank of the Enchanted River
ca. 1763
Ernest Stephen Lumsden The Lamas
Print made by Ernest Stephen Lumsden, 1883–1948
The Lamas
1919
Henry Hoppner Meyer View of the New Country Prison at Abingdon, Berkshire
Henry Hoppner Meyer, ca. 1782–1847
View of the New Country Prison at Abingdon, Berkshire
undated
Frederick Landseer Maur Griggs Anglia Pedita
Print made by Frederick Landseer Maur Griggs, 1876–1938
Anglia Pedita
1925
George Dawe Benjamin West, Esqr.
Print made by George Dawe, 1781–1829
Benjamin West, Esqr
1804
unknown artist North Front of the Bank
unknown artist
North Front of the Bank
1797
Sir David Young Cameron The Five Sisters, York Minister
Print made by Sir David Young Cameron, 1865–1945
The Five Sisters, York Minister
1907
Thomas Malton the Younger Kings College, the Chapel and Clare Hall in the University of Cambridge
Thomas Malton the Younger, 1748–1804
Kings College, the Chapel and Clare Hall in the University of Cambridge
1799
Thomas Malton the Younger Cambridge University: Emmanuel College
Thomas Malton the Younger, 1748–1804
Cambridge University: Emmanuel College
1799
Thomas Malton the Younger Cambridge University: Queens College
Print made by Thomas Malton the Younger, 1748–1804
Cambridge University: Queens College
1800
Thomas Malton the Younger The East Front of the Library of Trinity College in the University of Cambridge
Thomas Malton the Younger, 1748–1804
The East Front of the Library of Trinity College in the University of Cambridge
1800
Thomas Malton the Younger South Front of the Senate House and West End of St. Mary's Church in the University of Cambridge
Thomas Malton the Younger, 1748–1804
South Front of the Senate House and West End of St. Mary's Church in the University of Cambridge
1799
Thomas Rowlandson Undertakers Regaling
Thomas Rowlandson, 1756–1827
Undertakers Regaling
1801
Sutton Nicholls Southampton or Bloomsbury Square
Sutton Nicholls, active 1725
Southampton or Bloomsbury Square
1754
William Walker A Literary Party at Sir Joshua Reynolds
William Walker, 1791–1867
A Literary Party at Sir Joshua Reynolds
1848
James Basire Plate XII: St Stephen's Chapel
Print made by James Basire, 1730–1802
Plate XII: St Stephen's Chapel
1795
James Basire Plate XIII: St Stephen's Chapel
Print made by James Basire, 1730–1802
Plate XIII: St Stephen's Chapel
1795
James Basire the younger Plate XI: St Stephen's Chapel
Print made by James Basire the younger, 1769–1822
Plate XI: St Stephen's Chapel
1795
Charles Fox John Burnet, Author of "Practical Hints on Painting"
Charles Fox, 1749–1809
John Burnet, Author of "Practical Hints on Painting"
1827
Henry Le Keux Abbotsford, Vignette Title
Print made by Henry Le Keux, 1787–1868
Abbotsford, Vignette Title
1834
Francesco Bartolozzi Luis Pinto de Sousa Coutinho, 1st Viscount of Balsemão
Print made by Francesco Bartolozzi, 1728–1815
Luis Pinto de Sousa Coutinho, 1st Viscount of Balsemão
before 1797
Edward Francis Finden Santa Maria della Spina, Pisa
Print made by Edward Francis Finden, 1791–1857
Santa Maria della Spina, Pisa
1832-1834
Niccoló Schiavonetti Rustic Benevolence
Niccoló Schiavonetti, 1771–1813
Rustic Benevolence
1804
William Henry Boucher Over the Nuts and Wine!
Print made by William Henry Boucher, 1842–1906
Over the Nuts and Wine!
1889
John Harris the elder Phalaena Aceris. Acer Rubrum (Grey Maple Moth, Red Maple), Plate 93 from James Edward Smith, the 'Natural History of the Rarer Lepidopterous Insects of Georgia', London, 1797
Print made by John Harris the elder, 1767–1832
Phalaena Aceris. Acer Rubrum (Grey Maple Moth, Red Maple), Plate 93 from James Edward Smith, the 'Natural History of the Rarer Lepidopterous Insects of Georgia', London, 1797
1797