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Materials & Techniques wove paper

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Credit Line Yale Center for British Art, Paul Mellon Collection

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Subject Terms sky

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John Constable Sky Study with Rainbow
John Constable, 1776–1837
Sky Study with Rainbow
1827
John Constable Stoke Poges Church
John Constable, 1776–1837
Stoke Poges Church
1834
Samuel Palmer Kensington Gardens
Samuel Palmer, 1805–1881
Kensington Gardens
ca. 1848
Samuel Palmer At Hailsham, Sussex: a Storm Approaching
Samuel Palmer, 1805–1881
At Hailsham, Sussex: a Storm Approaching
1821
Samuel Palmer Llwyngwynedd and Part of Llyn-y-ddina Between Capel Curig and Beddegelert, North Wales
Samuel Palmer, 1805–1881
Llwyngwynedd and Part of Llyn-y-ddina Between Capel Curig and Beddegelert, North Wales
1835 or 1836
Samuel Palmer The Bright Cloud
Samuel Palmer, 1805–1881
The Bright Cloud
undated
Samuel Palmer Opening the Fold
Print made by Samuel Palmer, 1805–1881
Opening the Fold
1880
Joseph Mallord William Turner The Moselle Bridge, Coblenz
Joseph Mallord William Turner, 1775–1851
The Moselle Bridge, Coblenz
ca. 1842
Joseph Mallord William Turner A Sea Piece - A Rough Sea with a Fishing Boat
Joseph Mallord William Turner, 1775–1851
A Sea Piece - A Rough Sea with a Fishing Boat
1820 to 1830
Edward Lear View near Palermo
Edward Lear, 1812–1888
View near Palermo
1847
Edward Lear Abu Simbel, 11-11:30 am, 8 February 1867 (374)
Edward Lear, 1812–1888
Abu Simbel, 11-11:30 am, 8 February 1867 (374)
1867
Edward Lear Amada, 9:30 am, 12 February 1867
Edward Lear, 1812–1888
Amada, 9:30 am, 12 February 1867
1867
Edward Lear The Capo Sant' Angelo, Amalfi
Edward Lear, 1812–1888
The Capo Sant' Angelo, Amalfi
ca. 1885
Edward Lear The Dead Sea, 16 and 17 April 1858
Edward Lear, 1812–1888
The Dead Sea, 16 and 17 April 1858
April 16 and 17, 1858
Edward Lear Tollygunge, Calcutta
Edward Lear, 1812–1888
Tollygunge, Calcutta
undated
Edward Lear A View of the Pine Woods Above Cannes
Edward Lear, 1812–1888
A View of the Pine Woods Above Cannes
1869
Edward Lear Illustration to Tennyson's "The Gardener's Daughter:" Mount Lebanon, Syria - `A Cedar spread his dark green layers of shade'
Edward Lear, 1812–1888
Illustration to Tennyson's "The Gardener's Daughter:" Mount Lebanon, Syria - `A Cedar spread his dark green layers of shade'
undated
Edward Lear Illustration to Tennyson's "You Ask Me Why": Areka Palms, Ratanapooru, Ceylon - `I will see before I die The Palms and Temples of the South'
Edward Lear, 1812–1888
Illustration to Tennyson's "You Ask Me Why": Areka Palms, Ratanapooru, Ceylon - `I will see before I die The Palms and Temples of the South'
undated
Edward Lear Wied Zurrik (Malta)
Edward Lear, 1812–1888
Wied Zurrik (Malta)
1848
Edward Lear Bavella, Corsica
Edward Lear, 1812–1888
Bavella, Corsica
ca. 1868
Edward Lear A View of the Harbour at Cannes
Edward Lear, 1812–1888
A View of the Harbour at Cannes
1869
George Romney A Procession of the Damned: Study for the Damned in Dante's "Inferno"
George Romney, 1734–1802
A Procession of the Damned: Study for the Damned in Dante's "Inferno"
undated
William Blake Air; Plate 6
Print made by William Blake, 1757–1827
Air; Plate 6
1793
William Blake I Want! I Want!; Plate 11
Print made by William Blake, 1757–1827
I Want! I Want!; Plate 11
1793
William Blake Help! Help!; Plate 12
Print made by William Blake, 1757–1827
Help! Help!; Plate 12
1793
William Blake Young's Night Thoughts, Page 12, "Its favours here are trials, not rewards"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 12, "Its favours here are trials, not rewards"
ca. 1797
William Blake For the Sexes: The Gates of Paradise, Plate 6, "Air"
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 6, "Air"
1826
William Blake The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 111, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 111, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 83, "The Descent of Odin."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 83, "The Descent of Odin."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 81, "The Descent of Odin."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 81, "The Descent of Odin."
between 1797 and 1798
William Blake For the Sexes: The Gates of Paradise, Plate 11, "I want! I want!"
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 11, "I want! I want!"
1826
William Blake Jerusalem, Plate 12, "Why wilt thou give to her...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 12, "Why wilt thou give to her...."
1804 to 1820
William Blake Jerusalem, Plate 14, "One hair nor particle of dust...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 14, "One hair nor particle of dust...."
1804 to 1820
William Blake Jerusalem, Plate 39, "By Satans Watch-fiends...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 39, "By Satans Watch-fiends...."
1804 to 1820
William Blake Jerusalem, Plate 4, "Jerusalem / Chap. 1...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 4, "Jerusalem / Chap. 1...."
1804 to 1820
William Blake Jerusalem, Plate 43, "They saw their Wheels...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 43, "They saw their Wheels...."
1804 to 1820
William Blake Jerusalem, Plate 53, "Jerusalem / Chap. 3"
Print made by William Blake, 1757–1827
Jerusalem, Plate 53, "Jerusalem / Chap. 3"
1804 to 1820
William Blake Jerusalem, Plate 65, "To decide Two Worlds...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 65, "To decide Two Worlds...."
1804 to 1820
William Blake Jerusalem, Plate 8, "Rose up against me...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 8, "Rose up against me...."
1804 to 1820
William Blake Jerusalem, Plate 83, "Corruptability appears upon thy limbs...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 83, "Corruptability appears upon thy limbs...."
1804 to 1820
William Blake Jerusalem, Plate 89, "Tho divided by the Cross...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 89, "Tho divided by the Cross...."
1804 to 1820
William Blake Jerusalem, Plate 92, "What do I see!...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 92, "What do I see!...."
1804 to 1820
William Blake Jerusalem, Plate 97, "Awake! Awake Jerusalem...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 97, "Awake! Awake Jerusalem...."
1804 to 1820
William Blake Jerusalem, Plate 100
Print made by William Blake, 1757–1827
Jerusalem, Plate 100
1804 to 1820
William Blake The Poems of Thomas Gray, Design 65, "The Bard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 65, "The Bard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 93, "Ode for Music."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 93, "Ode for Music."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 95, "Ode for Music."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 95, "Ode for Music."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 99, "Ode for Music."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 99, "Ode for Music."
between 1797 and 1798
William Blake Jerusalem, Plate 15, "And Hand & Hyle...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 15, "And Hand & Hyle...."
1804 to 1820
William Blake Jerusalem, Plate 24, "What have I said?...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 24, "What have I said?...."
1804 to 1820
William Blake Jerusalem, Plate 3, "To the Public...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 3, "To the Public...."
1804 to 1820
William Blake Jerusalem, Plate 37, "And One stood forth...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 37, "And One stood forth...."
1804 to 1820
William Blake Jerusalem, Plate 5, "The banks of the Thames...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 5, "The banks of the Thames...."
1804 to 1820
William Blake Jerusalem, Plate 57, "And the voices of Bath...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 57, "And the voices of Bath...."
1804 to 1820
William Blake Jerusalem, Plate 70, "And this the form of mighty Hand...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 70, "And this the form of mighty Hand...."
1804 to 1820
William Blake Young's Night Thoughts, Page 12, "Its Favours Here Are Trials, Not Rewards"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 12, "Its Favours Here Are Trials, Not Rewards"
1797
William Blake The Poems of Thomas Gray, Design 13, "Ode on a Distant Prospect of Eton College."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 13, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
William Blake For the Sexes: The Gates of Paradise, Plate 12, "Help! Help!"
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 12, "Help! Help!"
1826
William Blake Jerusalem, Plate 28 Proof Impression
Print made by William Blake, 1757–1827
Jerusalem, Plate 28 Proof Impression
ca. 1820
William Blake Jerusalem, Plate 18, "From every-one of the Four Regions...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 18, "From every-one of the Four Regions...."
1804 to 1820
William Blake Jerusalem, Plate 20, "But when they saw Albion...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 20, "But when they saw Albion...."
1804 to 1820
William Blake Jerusalem, Plate 22, "Albion thy Fear has made me tremble...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 22, "Albion thy Fear has made me tremble...."
1804 to 1820
William Blake Jerusalem, Plate 28, "Jerusalem / Chap. 2...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 28, "Jerusalem / Chap. 2...."
1804 to 1820
William Blake Jerusalem, Plate 69, "Then all the Males...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 69, "Then all the Males...."
1804 to 1820
William Blake Jerusalem, Plate 82, "I have heard Jerusalems groans...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 82, "I have heard Jerusalems groans...."
1804 to 1820
William Blake Jerusalem, Plate 85, "Became a Space & an Allegory...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 85, "Became a Space & an Allegory...."
1804 to 1820
William Blake The Poems of Thomas Gray, Design 101, "Ode for Music."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 101, "Ode for Music."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 115, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 115, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 43, "The Progress of Poesy."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 43, "The Progress of Poesy."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 67, "The Fatal Sisters."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 67, "The Fatal Sisters."
between 1797 and 1798
William Blake Visions of the Daughters of Albion, Plate 6, "And none but Bromian . . . . "
William Blake, 1757–1827
Visions of the Daughters of Albion, Plate 6, "And none but Bromian . . . . "
1793
William Blake Songs of Innocence and of Experience, Plate 34, "Introduction" (Bentley 30)
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 34, "Introduction" (Bentley 30)
1794
James Ward Cloud Study
James Ward, 1769–1859
Cloud Study
undated
John Linnell Ascent of Balloon from Burlington House, Piccadilly, from the Window at Mr. B. Palmer's
John Linnell, 1792–1882
Ascent of Balloon from Burlington House, Piccadilly, from the Window at Mr. B. Palmer's
after 1812
Francis Towne Houses near Plymouth
Francis Towne, 1740–1816
Houses near Plymouth
1810
John Henry Mole Study of a Cottage Interior
John Henry Mole, 1814–1886
Study of a Cottage Interior
undated
James Ward An Approaching Storm
James Ward, 1769–1859
An Approaching Storm
undated
unknown artist Landscape with trees, hill and dramatic sky
unknown artist
Landscape with trees, hill and dramatic sky
undated
unknown artist God Creating the Universe
unknown artist
God Creating the Universe
ca. 1800
James Ward Landscape with a Castle on a Hill
James Ward, 1769–1859
Landscape with a Castle on a Hill
undated
James Ward Study of a Hill Top and Sky
James Ward, 1769–1859
Study of a Hill Top and Sky
undated
William Callow The Rhine at Assmannshausen
William Callow, 1812–1908
The Rhine at Assmannshausen
1863
William Callow The Luxor, Paris, December 1833
William Callow, 1812–1908
The Luxor, Paris, December 1833
1833
William Callow Rheinfels and St. Goar
William Callow, 1812–1908
Rheinfels and St. Goar
1838
John Varley Romantic Composition
John Varley, 1778–1842
Romantic Composition
undated
Thomas Shotter Boys View at Swiss Cottage, London
Thomas Shotter Boys, 1803–1874
View at Swiss Cottage, London
1836
William Callow View of Paris from Charenton
William Callow, 1812–1908
View of Paris from Charenton
1834
William Callow Landscape with Sheep
William Callow, 1812–1908
Landscape with Sheep
undated
James Ward Sky Study
James Ward, 1769–1859
Sky Study
undated
Thomas Shotter Boys Versailles
Thomas Shotter Boys, 1803–1874
Versailles
between 1831 and 1837
Thomas Shotter Boys Notre Dame, Paris
Thomas Shotter Boys, 1803–1874
Notre Dame, Paris
between 1831 and 1845
Thomas Shotter Boys Street Scene at Stratford by Bow
Thomas Shotter Boys, 1803–1874
Street Scene at Stratford by Bow
undated
Thomas Shotter Boys Fountain in the Gardens, Paris: Evening
Thomas Shotter Boys, 1803–1874
Fountain in the Gardens, Paris: Evening
undated
William Callow Madonna with a Rabbit
William Callow, 1812–1908
Madonna with a Rabbit
undated
Nicholas Pocock The River Avon: with Passing Vessels
Nicholas Pocock, 1740–1821
The River Avon: with Passing Vessels
1785
Nicholas Pocock The Ranger, Private Ship of War, with her Prizes
Nicholas Pocock, 1740–1821
The Ranger, Private Ship of War, with her Prizes
1780
Paul Sandby North West View of Wakefield Lodge in Whittlebury Forest, Northamptonshire
Paul Sandby, 1731–1809
North West View of Wakefield Lodge in Whittlebury Forest, Northamptonshire
1767
Alfred Gomersal Vickers Kits Coty House, Near Maidstone, Kent
Alfred Gomersal Vickers, 1810–1837
Kits Coty House, Near Maidstone, Kent
undated
George Belton Moore A Proposed plan for Trafalgar Square
George Belton Moore, 1805–1875
A Proposed plan for Trafalgar Square
1841