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Materials & Techniques wove paper
Remove constraint Materials & Techniques: wove paperCredit Line Yale Center for British Art, Paul Mellon Collection
Remove constraint Credit Line: Yale Center for British Art, Paul Mellon CollectionSubject Terms wings
Remove constraint Subject Terms: wingsSearch Results
1
- Owl Standing, Anterior View
- 1795 to 1806
2
- Owl Standing, Anterior View
- 1795 to 1806
3
- Young's Night Thoughts, Page 27, "O treacherous conscience!"
- ca. 1797
4
- Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."
- ca. 1797
5
- Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"
- ca. 1797
6
- Young's Night Thoughts, Page 54, "The vale of death! that hush'd cimmerian vale"
- ca. 1797
7
- Jerusalem, Plate 2, Title Page
- 1804 to 1820
8
- Jerusalem, Plate 22, "Albion thy Fear has made me tremble...."
- 1804 to 1820
9
- Jerusalem, Plate 23, "Jerusalem! Jerusalem!...."
- 1804 to 1820
10
- Jerusalem, Plate 39, "By Satans Watch-fiends...."
- 1804 to 1820
11
- Jerusalem, Plate 44, "With one accord...."
- 1804 to 1820
12
- Jerusalem, Plate 71, "And above Albions Land...."
- 1804 to 1820
13
- Jerusalem, Plate 72, "And the Thirty-two Counties...."
- 1804 to 1820
14
- Jerusalem, Plate 74, "The Four Zoa's clouded rage...."
- 1804 to 1820
15
- Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"
- 1797
16
- Young's Night Thoughts, Page 41, "One Radiant Mark; the Deathbed of the Just"
- 1797
17
- Jerusalem, Plate 4, "Jerusalem / Chap. 1...."
- 1804 to 1820
18
- Jerusalem, Plate 46, "Bath, mild Physician...."
- 1804 to 1820
19
- Jerusalem, Plate 48, "These were his last words...."
- 1804 to 1820
20
- Jerusalem, Plate 6, "His Spectre driv'n...."
- 1804 to 1820
21
- Jerusalem, Plate 75, "And Rahab Babylon the Great...."
- 1804 to 1820
22
- Europe. A Prophecy, Frontispiece Proof Impression
- ca. 1820
23
- Jerusalem, Plate 11, "To labours mighty...."
- 1804 to 1820
24
- Jerusalem, Plate 14, "One hair nor particle of dust...."
- 1804 to 1820
25
- Songs of Innocence and of Experience, Plate 40, "The Angel" (Bentley 41)
- 1794
26
- Young's Night Thoughts, Page 41, "One radiant Mark, the Deathbed of the Just"
- ca. 1797
27
- Songs of Innocence and of Experience, Plate 16, "The Little Boy Lost" (Bentley 13)
- 1789
28
- Songs of Innocence and of Experience, Plate 30, "Night" (Bentley 20)
- 1789
29
- Songs of Innocence and of Experience, Plate 28, "Infant Joy" (Bentley 25)
- 1789
30
- Songs of Innocence and of Experience, Plate 32, Experience Frontispiece (Bentley 28)
- 1794
31
- Songs of Innocence and of Experience, Plate 12, "Spring" (Bentley 23)
- 1789
32
- At Length for Hatching Ripe He Breaks the Shell; Plate 8
- 1793
33
- Aged Ignorance; Plate 13
- 1793
34
- The Poems of Thomas Gray, Design 101, "Ode for Music."
- between 1797 and 1798
35
- Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."
- 1797
36
- The Poems of Thomas Gray, Design 45, "The Progress of Poesy."
- between 1797 and 1798
37
- The Poems of Thomas Gray, Design 5, "Ode on the Spring."
- between 1797 and 1798
38
- The Poems of Thomas Gray, Design 63, "The Bard."
- between 1797 and 1798
39
- The Poems of Thomas Gray, Design 67, "The Fatal Sisters."
- between 1797 and 1798
40
- Songs of Innocence, Plate 20, "The Little Boy Lost" (Bentley 13)
- 1789
41
- Jerusalem, Plate 3, "To the Public...."
- 1804 to 1820
42
- Jerusalem, Plate 30, "And the Two that escaped...."
- 1804 to 1820
43
- Jerusalem, Plate 37, "And One stood forth...."
- 1804 to 1820
44
- Jerusalem, Plate 58, "In beauty the Daughters of Albion...."
- 1804 to 1820
45
- Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"
- 1797
46
- Young's Night Thoughts, Page 25, "Behold Him, When Past by; What Then Is Seen"
- 1797
47
- Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"
- 1797
48
- Young's Night Thoughts, Page 27, "O Treacherous Conscience!"
- 1797
49
- Young's Night Thoughts, Page 54, "The Vale of Death! That Hush'd Cimmerian Vale"
- 1797
50
- The Poems of Thomas Gray, Design 77, "The Descent of Odin."
- between 1797 and 1798
51
- The Poems of Thomas Gray, Design 93, "Ode for Music."
- between 1797 and 1798
52
- Songs of Innocence, Plate 14, "Infant Joy" (Bentley 25)
- 1789
53
- Songs of Innocence, Plate 8, "The Lamb" (Bentley 8)
- 1789
54
- The Poems of Thomas Gray, Design 17, "Ode on a Distant Prospect of Eton College."
- between 1797 and 1798
55
- The Poems of Thomas Gray, Design 47, "The Progress of Poesy."
- between 1797 and 1798
56
- Songs of Innocence, Plate 16, "Night" (Bentley 20)
- 1789
57
- Songs of Innocence, Plate 26, "Spring" (Bentley 23)
- 1789
58
- For the Sexes: The Gates of Paradise, Plate 19, "To The Accuser . . . ." (Bentley 21)
- 1826
59
- For the Sexes: The Gates of Paradise, Plate 8, "At length for hatching ripe he breaks the shell"
- 1826
60
- There Is No Natural Religion, Plate 5, "III From a perception . . . . " (Bentley a6)
- ca. 1788
61
- Europe. A Prophecy, Plate 7, "Now comes the night . . . . " (Bentley 8)
- 1794
62
- Europe. A Prophecy, Plate 3, "Preludium"
- 1794
63
- Europe. A Prophecy, Plate 5, "A | Prophecy | The deep of winter came . . . . " (Bentley 6)
- 1794
64
- Europe. A Prophecy, Plate 12, "Albions Angel rose . . . . " (Bentley 14)
- 1794
65
- For the Sexes: The Gates of Paradise, Plate 1, Title Page
- 1826
66
- For the Sexes: The Gates of Paradise, Plate 13, "Aged Ignorance"
- 1826
67
- The Man Sweeping the Interpreter's Parlour
- ca. 1822
68
- Mary Magdalen at the Sepulchre
- ca. 1805
69
- Young's Night Thoughts, Page 25, "Behold him, when past by; what then is seen"
- ca. 1797
70
- Young's Night Thoughts, Page 23, "We censure nature for a span too short"
- ca. 1797
71
- Illustration to Tonson's Ovid Metamorphosis (two of four)
- ca. 1710
72
- Design for a Ceiling Decoration
- 1723
73
- Ticket: For the Benefit of Mr. Salpietro
- 1799
74
- Cupid Disarmed by Venus
- 1804
75
- The Meeting of a Family in Heaven
- 1808, published 1813
76
- The Day of Judgment
- 1808, published 1813
77
- Pan, Spying, From Behind a Tree, at Putti, Shooting Arrows
- undated
78
- Allegorical Scene
- undated
79
- Study of a Woman, being Taken Away by a Winged Being
- undated
80
- Figure Study of a Bacchanalia Celebration in a Wooded Landscape
- undated
81
- Five Vignettes of Scenes from Antiquity
- undated
82
- The Death of the Good Old Man
- 1808, published 1813
83
- Cupid and Cephisa: "Cephisa says, we ought to cut the Wings of Love..."
- 1789
84
- Angel and Instrument, Possibly Design for Interiors of St. Mary's, West Tofts, Norfolk
- undated
85
- Iris
- 1808
86
- Intemperance
- undated
87
- Where the Bee Sucks. The Tempest, Act V, Scene I, Ariel on a Hammock of Convolvulus
- 1853
88
- The Destruction of Job's Sons
- undated
89
- Cupid and Cephisa: "One Day as I was Walking in the Woods..."
- 1789
90
- Vulture and Lamb
- 1799
91
- Ticket: For the Benefit of Mr. Salpietro
- 1799
92
- Ticket: For the Benefit of Mr. Salpietro
- 1799
93
- Luis Pinto de Sousa Coutinho, 1st Viscount of Balsemão
- before 1797
94
- The Harpies Attacking the Daughters of Pandarus
- 1848
95
- Design after a Greek Vase
- undated
96
- Design after a Greek Vase
- undated
97
- Presages of the Millenium
- 1795
98
- Wrapper for six prints from Alfred Crowquill's Christmas Pieces
- undated
99
- Venus Crowned by Cupid
- between 1810 and 1815
100
- Ticket: For the Benefit of Mr. Salomon
- 1794