Materials & Techniques: wove paper / Associated Places: Europe / Subject Terms: hats and men

1. Enter Malvolio, Crossgartered...

Creator:: Sir John Gilbert, 1817–1897
Date:: 1863
Materials & Techniques:: Watercolor, pen and black ink, brown ink, gray ink, red ink, gouache, gum arabic, and graphite on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 19 1/4 × 29 3/4 inches (48.9 × 75.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

2. Study for the Proclamation of Don Carlos

Creator:: John Frederick Lewis, 1804–1876
Date:: between 1834 and 1838
Materials & Techniques:: Watercolor, gouache, black chalk and graphite with scratching out on medium, slightly textured, beige wove paper mounted on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 17 1/2 x 10 3/8 inches (44.5 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

3. View on Exmoor

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and red-brown ink, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 5 5/8 x 9 1/8 inches (14.3 x 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. Study of Figures at Ulm

Creator:: Samuel Prout, 1783–1852
Date:: undated
Materials & Techniques:: Graphite and watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 3 5/16 × 4 7/16 inches (8.4 × 11.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. Scenes from Life in Paris: Man Seated and Man Carrying Basket

Creator:: Ambrose Poynter, 1796–1886
Date:: ca. 1835
Materials & Techniques:: Watercolor and graphite with pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 3 7/8 × 5 5/16 inches (9.8 × 13.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. Fisherfolk on the Beach, Ostend

Creator:: Samuel Prout, 1783–1852
Date:: undated
Materials & Techniques:: Graphite and watercolor on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 3 9/16 × 6 1/4 inches (9 × 15.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. Le Château de Blois

Creator:: attributed to Thomas Shotter Boys, 1803–1874
Date:: undated
Materials & Techniques:: Watercolor with pen in brown ink over graphite with gouache on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 18 x 25 5/16 inches (45.7 x 64.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Hotel de Ville, Hague

Creator:: Thomas Shotter Boys, 1803–1874
Date:: 1859
Materials & Techniques:: Watercolor, pen and brown ink, gouache and graphite, with scratching out on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 16 1/16 x 12 1/16 inches (40.8 x 30.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. Edinburgh Castle and Horse Fair

Creator:: Walter Geikie, 1795–1837
Date:: 1830
Materials & Techniques:: Etching on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 6 × 8 1/4 inches (15.2 × 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. His Majesty's Ship Britannia Leaving Hamoaze with the Lord High Admiral On Board

Creator:: Louis Haghe, 1806–1885
Date:: ca. 1840
Materials & Techniques:: Lithograph, hand-colored on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 19 3/16 inches (36.9 x 48.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. Penzance, Cornwall

Creator:: Print made by James C. Allen, active 1821–1831
Date:: 1833
Materials & Techniques:: Line engraving and etching on moderately thick, slightly textured, beige wove paper with beige chine collé
Dimensions:: Plate: 5 11/16 x 9 inches (14.5 x 22.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. Blowing up the Pic Nic's: or Harlequin Quioxtte Attacking the Puppets

Creator:: James Gillray, 1756–1815
Date:: 1802
Materials & Techniques:: Etching with aquatint, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 14 1/16 × 10 1/16 inches (35.7 × 25.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. A View of Erith, Looking Up the Thames

Creator:: Print made by John Boydell, 1720–1804
Date:: 1750
Materials & Techniques:: Etching with hand coloring on moderately thick, rough, cream wove paper
Dimensions:: Sheet: 12 1/4 x 18 9/16 inches (31.1 x 47.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. The High Street, Southampton

Creator:: Print made by Day & Co., 1824–1913
Date:: 1828
Materials & Techniques:: Lithograph with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 13/16 x 18 3/4 inches (37.6 x 47.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. Sir William Worthy's Blessing

Creator:: Print made by David Allan, 1744–1796
Date:: 1808
Materials & Techniques:: Etching and aquatint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/8 x 8 15/16 inches (28.3 x 22.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

16. Siena

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1900
Materials & Techniques:: Etching and drypoint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 3/8 × 7 5/8 inches (34 × 19.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

17. The Theatrical Bubble: Being a New Specimen of the Astonishing Powers of the Great Politico-Punchinello, in the art of Dramatic Puffing

Creator:: Print made by James Gillray, 1756–1815
Date:: 1805
Materials & Techniques:: Etching and aquatint, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 14 7/16 x 10 inches (36.7 x 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

18. Croix de Moulin les Planches

Creator:: Print made by Richard Parkes Bonington, 1802–1828
Date:: 1827
Materials & Techniques:: Lithograph on moderately thick, smooth, cream wove paper with cream chine collé
Dimensions:: Sheet: 13 1/8 x 10 1/2 inches (33.3 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Apsley House, Hyde Park Corner: the Residence of his Grace the Duke of Wellington

Creator:: Print made by Thomas Barber, ca. 1768–1843
Date:: 1829
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper with beige chine collé
Dimensions:: Sheet: 5 11/16 x 8 7/8 inches (14.5 x 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Bradwell Lodge in Essex, the Seat of the Revd. Henry Bate Dudley

Creator:: Print made by William Angus, 1752–1821
Date:: 1793
Materials & Techniques:: Line engraving and etching on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 8 11/16 x 11 3/16 inches (22 x 28.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Column at Yarmouth to the Memory of Lord Nelson

Creator:: Print made by John Sell Cotman, 1782–1842
Date:: 1817
Materials & Techniques:: Etching on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 18 7/8 x 12 5/8 inches (47.9 x 32 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. The Late Entrance to Ber Street, Norwich

Creator:: Robert Dixon, 1780–1815
Date:: 1810
Materials & Techniques:: Soft-ground etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 5/8 x 8 1/8 inches (27 x 20.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. The Market Place, Brackley, Northamptonshire

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and black, gray and red brown ink over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/8 x 10 13/16 inches (20.6 x 27.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Still Life, Perugia

Creator:: Print made by Robert Sargent Austin, 1895–1973
Date:: 1933
Materials & Techniques:: Line engraving and etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 3/4 x 9 5/8 inches (22.3 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

25. L'Eglise de St. Gervais et St. Protais

Creator:: Print made by Richard Parkes Bonington, 1802–1828
Date:: 1824
Materials & Techniques:: Lithograph on moderately thick, smooth, cream wove paper with beige chine collé
Dimensions:: Sheet: 11 7/8 x 15 3/16 inches (30.2 x 38.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Anonymous Gift, The Frederick Benjamin Kaye Memorial Collection, transfer from the Yale University Art Gallery

26. Ratisbonne

Creator:: Print made by François-Séraphin Delpech, 1778–1825
Date:: between 1818 and 1825
Materials & Techniques:: Lithograph on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 13 x 9 5/16 inches (33 x 23.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, A. Conger Goodyear, B.A. 1899, Fund

27. The High Street, Southampton

Creator:: Print made by William Day, 1764–1807
Date:: 1828
Materials & Techniques:: Lithograph with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 15/16 x 18 11/16 inches (38 x 47.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. A Highland Interior

Creator:: Print made by Alexander George Fraser, 1786–1865
Date:: undated
Materials & Techniques:: Etching on thick, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 5 1/16 x 3 1/2 inches (12.8 x 8.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of James A. Bergquist

29. Viewing at the Royal Academy

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1815
Materials & Techniques:: Watercolor with pen and gray and brown ink over graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 5 3/4 x 9 1/2 inches (14.6 x 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. The London Citizen

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor and graphite with pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 5/16 x 9 inches (13.5 x 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. The Vicar Selling his Horse

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1817
Materials & Techniques:: Watercolor, with pen and red-brown ink, over graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 4 7/16 x 7 9/16 inches (11.3 x 19.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. The Vicar's Family on the Road to Church

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1817
Materials & Techniques:: Watercolor, with pen and brown and red-brown ink; verso: graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 4 1/2 x 7 1/2 inches (11.4 x 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. The Surprise

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1817
Materials & Techniques:: Watercolor, pen and red-brown ink; verso: graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 4 9/16 x 7 1/2 inches (11.6 x 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Embarkation at Southampton, June 20th 1794

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1794
Materials & Techniques:: Watercolor and pen and brown, gray, and red-brown ink over graphite on medium, slightly textured, cream wove paper
Dimensions:: Mount: 6 9/16 x 14 inches (16.7 x 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Comforts of Bath: The Concert

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1798
Materials & Techniques:: Watercolor with pen and gray and black ink on medium, slightly textured, cream wove paper
Dimensions:: Mount: 5 1/2 x 8 1/8 inches (14 x 20.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Comforts of Bath: The Pump Room

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1798
Materials & Techniques:: Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Mount: 5 5/8 x 8 3/8 inches (14.3 x 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. The Vicar of Wakefield: Frontispiece

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1817
Materials & Techniques:: Watercolor, with pen and red-brown ink; verso: graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 6 1/2 x 4 5/8 inches (16.5 x 11.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. The Welcome

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1817
Materials & Techniques:: Watercolor, with pen and red-brown and gray-brown ink; verso: graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 4 1/2 x 7 1/2 inches (11.4 x 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Soldiers in St. James Park

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor, graphite, pen and brown ink, and pen and gray ink on medium, moderately textured, beige wove paper
Dimensions:: Sheet: 5 x 7 1/4 inches (12.7 x 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. The Bookmaker and his Client outside the Ram Inn, Newmarket

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and gray ink over graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 9 7/16 x 7 9/16 inches (24 x 19.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. A Review of the Northapmton Militia at Brackley

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and gray ink and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 13/16 x 10 3/8 inches (19.8 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Doctor Syntax loses his Money on the Race Ground at York

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1820
Materials & Techniques:: Watercolor and graphite with pen and black ink, pen and gray ink, and pen and red-brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 5/16 x 6 13/16 inches (11 x 17.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Attendance on a Nobleman

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1817
Materials & Techniques:: Watercolor, with pen and gray-brown and red-brown ink, over graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 4 1/2 x 7 3/8 inches (11.4 x 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Comforts of Bath: Gouty Persons Fall on Steep HIll

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1798
Materials & Techniques:: Watercolor, pen and black ink, and graphite; verso: extensive watercolor blots on medium, slightly textured, cream wove paper
Dimensions:: Mount: 5 13/16 x 8 5/16 inches (14.8 x 21.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. The Comforts of Bath: The Breakfast

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1798
Materials & Techniques:: Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Mount: 5 5/8 x 8 1/2 inches (14.3 x 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. The Departure from Wakefield

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1817
Materials & Techniques:: Watercolor with pen and red-brown, brown and light gray ink over graphite; verso: graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 4 1/2 x 7 1/2 inches (11.4 x 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Bodmin Cornwall: The Arrival of the Stage-Coach

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1795
Materials & Techniques:: Watercolor with pen and gray and black ink over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/4 x 15 inches (23.5 x 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. George Fox Is Stoned by the Crowd at Walney Island

Creator:: Print made by Robert Spence, 1871–1964
Date:: between 1890 and 1911
Materials & Techniques:: Etching and drypoint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/16 x 9 1/8 inches (28.1 x 23.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of the George School, Newtown, Pennsylvania

49. George Fox and Captain Keat

Creator:: Print made by Robert Spence, 1871–1964
Date:: between 1890 and 1911
Materials & Techniques:: Etching and drypoint on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 9 1/8 x 11 3/4 inches (23.2 x 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of the George School, Newtown, Pennsylvania

50. Conversion of Elizabeth Trelawney

Creator:: Print made by Robert Spence, 1871–1964
Date:: between 1897 and 1909
Materials & Techniques:: Etching and drypoint on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 10 1/16 x 13 9/16 inches (25.5 x 34.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of the George School, Newtown, Pennsylvania

51. Covent Garden Market

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1795 and 1810
Materials & Techniques:: Watercolor with pen and red-brown and brown ink, and graphite, with pen and gray line and gray wash on border; verso: watercolor blots and pen and ink lines on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 3/16 x 9 9/16 inches (15.7 x 24.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. The Exhibition Stare-Case, Somerset House

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1800
Materials & Techniques:: Watercolor and pen and ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 1/2 x 11 11/16 inches (44.5 x 29.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Coast of Sussex, Pushing Off a Boat to a Vessel in Distress

Creator:: Joshua Cristall, 1768–1847
Date:: ca. 1808
Materials & Techniques:: Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 19 x 28 3/4 inches (48.3 x 73 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Presented by Andrew Wyld / W.S. Fine Art Ltd.

54. Hyde Park Corner

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Pen and black ink and gray wash over graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 8 15/16 x 24 7/16 inches (22.7 x 62.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Sir William Worthy and Patie

Creator:: Print made by David Allan, 1744–1796
Date:: 1808
Materials & Techniques:: Etching and aquatint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/8 x 8 15/16 inches (28.3 x 22.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

56. Acrobats at Lorca Fair

Creator:: Sir William Russell Flint, 1880–1969
Date:: 1931
Materials & Techniques:: Etching and drypoint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/8 x 18 1/8 inches (28.9 x 46 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

YCBA Collections Search

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Search Constraints

Materials & Techniques wove paper

Associated Places Europe

Subject Terms hats

Subject Terms men

Search Results

1. Enter Malvolio, Crossgartered...

2. Study for the Proclamation of Don Carlos

3. View on Exmoor

4. Study of Figures at Ulm

5. Scenes from Life in Paris: Man Seated and Man Carrying Basket

6. Fisherfolk on the Beach, Ostend

7. Le Château de Blois

8. Hotel de Ville, Hague

9. Edinburgh Castle and Horse Fair

10. His Majesty's Ship Britannia Leaving Hamoaze with the Lord High Admiral On Board

11. Penzance, Cornwall

12. Blowing up the Pic Nic's: or Harlequin Quioxtte Attacking the Puppets

13. A View of Erith, Looking Up the Thames

14. The High Street, Southampton

15. Sir William Worthy's Blessing

16. Siena

17. The Theatrical Bubble: Being a New Specimen of the Astonishing Powers of the Great Politico-Punchinello, in the art of Dramatic Puffing

18. Croix de Moulin les Planches

19. Apsley House, Hyde Park Corner: the Residence of his Grace the Duke of Wellington

20. Bradwell Lodge in Essex, the Seat of the Revd. Henry Bate Dudley

21. Column at Yarmouth to the Memory of Lord Nelson

22. The Late Entrance to Ber Street, Norwich

23. The Market Place, Brackley, Northamptonshire

24. Still Life, Perugia

25. L'Eglise de St. Gervais et St. Protais

26. Ratisbonne

27. The High Street, Southampton

28. A Highland Interior

29. Viewing at the Royal Academy

30. The London Citizen

31. The Vicar Selling his Horse

32. The Vicar's Family on the Road to Church

33. The Surprise

34. Embarkation at Southampton, June 20th 1794

35. Comforts of Bath: The Concert

36. Comforts of Bath: The Pump Room

37. The Vicar of Wakefield: Frontispiece

38. The Welcome

39. Soldiers in St. James Park

40. The Bookmaker and his Client outside the Ram Inn, Newmarket

41. A Review of the Northapmton Militia at Brackley

42. Doctor Syntax loses his Money on the Race Ground at York

43. Attendance on a Nobleman

44. Comforts of Bath: Gouty Persons Fall on Steep HIll

45. The Comforts of Bath: The Breakfast

46. The Departure from Wakefield

47. Bodmin Cornwall: The Arrival of the Stage-Coach

48. George Fox Is Stoned by the Crowd at Walney Island

49. George Fox and Captain Keat

50. Conversion of Elizabeth Trelawney

51. Covent Garden Market

52. The Exhibition Stare-Case, Somerset House

53. Coast of Sussex, Pushing Off a Boat to a Vessel in Distress

54. Hyde Park Corner

55. Sir William Worthy and Patie

56. Acrobats at Lorca Fair