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1. A View of Boppart, with Figures on the River Bank

A View of Boppart, with Figures on the River Bank
Creator:
Joseph Mallord William Turner, 1775–1851
Date:
1817
Materials & Techniques:
Watercolor, gouache, black chalk and scratching out on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 7/8 x 12 1/2 inches (20 x 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. The Poems of Thomas Gray, Design 113, "Elegy Written in a Country Church-Yard."

The Poems of Thomas Gray, Design 113, "Elegy Written in a Country Church-Yard."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. The Poems of Thomas Gray, Design 93, "Ode for Music."

The Poems of Thomas Gray, Design 93, "Ode for Music."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. The Poems of Thomas Gray, Design 97, "Ode for Music."

The Poems of Thomas Gray, Design 97, "Ode for Music."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. The Poems of Thomas Gray, Design 13, "Ode on a Distant Prospect of Eton College."

The Poems of Thomas Gray, Design 13, "Ode on a Distant Prospect of Eton College."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. The Poems of Thomas Gray, Design 15, "Ode on a Distant Prospect of Eton College."

The Poems of Thomas Gray, Design 15, "Ode on a Distant Prospect of Eton College."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. The Poems of Thomas Gray, Design 107, "Elegy Written in a Country Church-Yard."

The Poems of Thomas Gray, Design 107, "Elegy Written in a Country Church-Yard."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Jerusalem, Plate 15, "And Hand & Hyle...."

Jerusalem, Plate 15, "And Hand & Hyle...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Jerusalem, Plate 57, "And the voices of Bath...."

Jerusalem, Plate 57, "And the voices of Bath...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Jerusalem, Plate 84, "Highgates heights & Hampstead...."

Jerusalem, Plate 84, "Highgates heights & Hampstead...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Jerusalem, Plate 32, "Leaning against the pillars...."

Jerusalem, Plate 32, "Leaning against the pillars...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. The Parable of the Wise and Foolish Virgins

The Parable of the Wise and Foolish Virgins
Creator:
William Blake, 1757–1827
Date:
ca. 1825
Materials & Techniques:
Watercolor with pen and black ink on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 16 5/8 x 13 7/8 inches (42.2 x 35.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. Anglia Perdita

Anglia Perdita
Creator:
Print made by Frederick Landseer Maur Griggs, 1876–1938
Date:
1925
Materials & Techniques:
Etching; 4th state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 16 3/4 × 11 inches (42.5 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

14. Anglia Pedita

Anglia Pedita
Creator:
Print made by Frederick Landseer Maur Griggs, 1876–1938
Date:
1925
Materials & Techniques:
Etching; 5th state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 16 1/8 × 11 inches (41 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

15. Design for a Chapel at Enfield: Longitudinal Section

Design for a Chapel at Enfield: Longitudinal Section
Creator:
Lewis Vulliamy, 1791–1871
Date:
undated
Materials & Techniques:
Pen and black ink with watercolor on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 12 11/16 x 17 15/16 inches (32.2 x 45.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Design for a Chapel at Enfield: Transverse Sections of the East and West End

Design for a Chapel at Enfield: Transverse Sections of the East and West End
Creator:
Lewis Vulliamy, 1791–1871
Date:
undated
Materials & Techniques:
Pen and black ink with watercolor on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 12 5/8 x 18 9/16 inches (32.1 x 47.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. Design for a Chapel at Enfield: Transverse Sections, East and West End

Design for a Chapel at Enfield: Transverse Sections, East and West End
Creator:
Lewis Vulliamy, 1791–1871
Date:
undated
Materials & Techniques:
Pen and black ink with watercolor on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 12 7/16 x 18 7/16 inches (31.6 x 46.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. View of the Thuilleries and Bridge, etc., taken from Pont de la Concorde

View of the Thuilleries and Bridge, etc., taken from Pont de la Concorde
Creator:
Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/4 x 26 1/4 inches (46.4 x 66.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. Yarmouth, Norfolk

Yarmouth, Norfolk
Creator:
Edward Francis Finden, 1791–1857
Date:
1837
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 11 1/8 × 8 3/4 inches (28.3 × 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. Three Sketches of: a House, A Gothic Spires and Ornamentation

Three Sketches of: a House, A Gothic Spires and Ornamentation
Creator:
Print made by Augustus Welby Northmore Pugin, 1812–1852
Date:
undated
Materials & Techniques:
Lithograph on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 7/8 × 11 3/8 inches (20 × 28.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. Five Sketches of: A Gothic Church, Spires, a Fortification and Decorative Objects

Five Sketches of: A Gothic Church, Spires, a Fortification and Decorative Objects
Creator:
Print made by Augustus Welby Northmore Pugin, 1812–1852
Date:
undated
Materials & Techniques:
Lithograph on thin, smooth, white wove paper
Dimensions:
Sheet: 7 7/8 × 11 1/2 inches (20 × 29.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. King's College, Cambridge, from Trinity

King's College, Cambridge, from Trinity
Creator:
Print made by John Piper, 1903–1992
Date:
ca. 1954
Materials & Techniques:
Lithograph on moderately thick, moderately textured, white wove paper
Dimensions:
Sheet: 20 3/8 x 26 7/8 inches (51.8 x 68.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. Two Studies of Clare College

Two Studies of Clare College
Creator:
Colin Sorensen, active 1964–2001
Date:
1964
Materials & Techniques:
Brown wash, graphite, pen and brown ink, and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 5/8 × 8 11/16 inches (29.5 × 22.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. Title page for volume of drawings

Title page for volume of drawings
Creator:
Augustus Welby Northmore Pugin, 1812–1852
Date:
undated
Materials & Techniques:
Pen and brown ink on medium, very smooth, cream wove paper
Dimensions:
Sheet: 14 3/4 x 9 inches (37.5 x 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

25. London from the South West

London from the South West
Creator:
John Varley, 1778–1842
Date:
1831
Materials & Techniques:
Watercolor and scraping out on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 1/8 x 10 3/4 inches (15.6 x 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. Dinant [Belgian Set: No. 9]

Dinant [Belgian Set: No. 9]
Creator:
Print made by Sir David Young Cameron, 1865–1945
Date:
1907
Materials & Techniques:
Etching and drypoint on very thin, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/2 × 16 1/4 inches (26.7 × 41.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

27. The Cathedral of St. Pierre, Caen

The Cathedral of St. Pierre, Caen
Creator:
Ambrose Poynter, 1796–1886
Date:
undated
Materials & Techniques:
Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 15/16 × 7 3/16 inches (25.2 × 18.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. Paris from the Boulevard de L'Hopital

Paris from the Boulevard de L'Hopital
Creator:
Ambrose Poynter, 1796–1886
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 3/16 × 10 1/2 inches (13.2 × 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. The Fisherman

The Fisherman
Creator:
John Varley, 1778–1842
Date:
undated
Materials & Techniques:
Graphite, gray wash and brown wash on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 3 3/8 x 4 1/2 inches (8.6 x 11.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. The Tower of the Manor House, East Barsham, Norfolk

The Tower of the Manor House, East Barsham, Norfolk
Creator:
Joseph Nash, 1808–1878
Date:
undated
Materials & Techniques:
Brown wash and graphite with pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 × 6 3/4 inches (22.9 × 17.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. Corsham Court, Wiltshire: Elevation of the North Front

Corsham Court, Wiltshire: Elevation of the North Front
Creator:
John Nash, 1752–1835
Date:
ca. 1797
Materials & Techniques:
Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 9/16 × 14 3/8 inches (19.2 × 36.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. St. Paul's Cathedral

St. Paul's Cathedral
Creator:
Thomas Hosmer Shepherd, 1792–1864
Date:
undated
Materials & Techniques:
Watercolor, black ink, brown ink, graphite, and gouache on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 5/16 × 7 5/8 inches (13.5 × 19.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. St. Paul's from Southwark by Sunset

St. Paul's from Southwark by Sunset
Creator:
George Fennell Robson, 1788–1833
Date:
ca. 1832
Materials & Techniques:
Watercolor, gouache, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 23 1/4 × 35 1/4 inches (59.1 × 89.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

34. Doge's Palace

Doge's Palace
Creator:
Print made by Sir David Young Cameron, 1865–1945
Date:
1902
Materials & Techniques:
Etching and drypoint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 3/8 × 16 1/8 inches (26.4 × 41 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

35. The Ghost of Godiva

The Ghost of Godiva
Creator:
Print made by Miriam Garratt
Date:
ca. 1942
Materials & Techniques:
Photomechanical process on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 12 1/16 x 8 7/8 inches (30.6 x 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Ralph C. Garratt

36. Caen - Eglise Saint-Sauveur

Caen - Eglise Saint-Sauveur
Creator:
Print made by Richard Parkes Bonington, 1802–1828
Date:
1824
Materials & Techniques:
Lithograph with yellow tint on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 14 1/16 x 11 5/16 inches (35.7 x 28.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

37. Gloucester Cathedral

Gloucester Cathedral
Creator:
unknown artist
Date:
ca. 1795
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 1/8 x 10 inches (20.6 x 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38. Thames Ditton, Surrey: Design for Gothic Church

Thames Ditton, Surrey: Design for Gothic Church
Creator:
Sir Robert Taylor, 1714–1788
Date:
ca. 1776
Materials & Techniques:
Graphite, pen and black ink and watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 7/8 x 15 7/8 inches (30.2 x 40.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39. Cambridge from Coe Fen

Cambridge from Coe Fen
Creator:
Edward Vulliamy, 1876–1962
Date:
1917
Materials & Techniques:
Watercolor and brown ink over graphite on moderately thick, slightly textured, cream wove paper, pasted on mount
Dimensions:
Sheet: 8 7/16 × 11 1/4 inches (21.5 × 28.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40. Perspective View: the New Houses of Parliament

Perspective View: the New Houses of Parliament
Creator:
Sir Charles Barry, 1795–1860
Date:
ca. 1840-1849
Materials & Techniques:
Watercolor over traces of graphite, with gouache, pen and black and brown ink on medium, smooth, weige wove paper
Dimensions:
Sheet: 15 7/8 x 30 1/8 inches (40.3 x 76.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

41. Vue Generale de l'Eglise de l'Abbaye de Tournus

Vue Generale de l'Eglise de l'Abbaye de Tournus
Creator:
Print made by Richard Parkes Bonington, 1802–1828
Date:
1825
Materials & Techniques:
Lithograph on moderately thick, smooth, cream wove paper with beige chine collé
Dimensions:
Sheet: 11 7/8 × 14 1/4 inches (30.2 × 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

42. Eaton Hall

Eaton Hall
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Etching and color woodcut on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 5 7/16 × 7 3/8 inches (13.8 × 18.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

43. Newstead Abbey

Newstead Abbey
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Etching and color woodcut on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 5 9/16 × 7 15/16 inches (14.2 × 20.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

44. Edinbourgh vu de la Chapelle S. Antoine

Edinbourgh vu de la Chapelle S. Antoine
Creator:
Print made by Richard Parkes Bonington, 1802–1828
Date:
ca. 1826
Materials & Techniques:
Lithograph on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 10 7/16 x 13 3/16 inches (26.5 x 33.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

45. Oxford, Folly Bridge

Oxford, Folly Bridge
Creator:
William Turner of Oxford, 1789–1862
Date:
undated
Materials & Techniques:
Graphite on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 6 1/8 x 9 7/8 inches (15.6 x 25.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

46. The Houses of Parliament

The Houses of Parliament
Creator:
Thomas Hosmer Shepherd, 1792–1864
Date:
undated
Materials & Techniques:
Watercolor, brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 13/16 × 7 5/8 inches (12.2 × 19.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

47. The Entrance to Hengrave Hall, 1819

The Entrance to Hengrave Hall, 1819
Creator:
Anna Mills, active 1819
Date:
1819
Materials & Techniques:
Watercolor and pen and black ink on medium, slightly textured, cream wove paper in contemporary wove paper insert with wash boader
Dimensions:
Sheet: 15 15/16 x 10 5/8 inches (40.5 x 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

48. Eglise de St. Jean a Lyons

Eglise de St. Jean a Lyons
Creator:
Print made by Richard Parkes Bonington, 1802–1828
Date:
ca. 1824
Materials & Techniques:
Lithograph on medium, smooth, cream wove paper pasted on contemporary mount
Dimensions:
Sheet: 8 7/8 × 11 15/16 inches (22.5 × 30.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

49. Façade St. Jean

Façade St. Jean
Creator:
Print made by Richard Parkes Bonington, 1802–1828
Date:
ca. 1824
Materials & Techniques:
Lithograph on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 15/16 x 18 3/8 inches (30.4 x 46.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

50. The Greyfriars Tower, Lynn, as it appeared 1801

The Greyfriars Tower, Lynn, as it appeared 1801
Creator:
Robert Dixon, 1780–1815
Date:
between 1810 and 1811
Materials & Techniques:
Soft-ground etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 15/16 x 8 1/16 inches (25.3 x 20.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

51. Blockley Church

Blockley Church
Creator:
Print made by Thomas Bonnor, ca. 1740–ca. 1812
Date:
ca. 1793
Materials & Techniques:
Line engraving with etching on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 8 5/16 × 11 11/16 inches (21.1 × 29.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

52. Londres. Vue Prise de la Tour de l'Eglise de St. Paul

Londres. Vue Prise de la Tour de l'Eglise de St. Paul
Creator:
Print made by Henry Walter, 1786–1849
Date:
1860
Materials & Techniques:
Lithograph, hand colored on moderately thick, smooth, cream wove paper
Dimensions:
Mount: 21 x 30 1/2 inches (53.4 x 77.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

53. Design for a Chapel at Enfield: Longitudinal Section

Design for a Chapel at Enfield: Longitudinal Section
Creator:
Lewis Vulliamy, 1791–1871
Date:
undated
Materials & Techniques:
Pen and black ink with watercolor on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 12 5/8 x 18 13/16 inches (32.1 x 47.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

54. Inverness

Inverness
Creator:
David Roberts, 1796–1864
Date:
1859
Materials & Techniques:
Graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 4 15/16 × 7 1/16 inches (12.5 × 17.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

55. Old House and Church Tower

Old House and Church Tower
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Pen and brown ink, brown wash and gray wash on thick, rough, beige wove paper
Dimensions:
Sheet: 7 1/2 × 10 3/8 inches (19.1 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

56. Lichfield Cathedral, Staffordshire

Lichfield Cathedral, Staffordshire
Creator:
Thomas Girtin, 1775–1802
Date:
1794
Materials & Techniques:
Watercolor with pen in gray ink over graphite on moderately thick, moderatetly textured, brown wove paper
Dimensions:
Sheet: 15 1/16 x 11 3/8 inches (38.3 x 28.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

57. The Hippodrome, Constantinople

The Hippodrome, Constantinople
Creator:
John Foster, ca. 1787–1846
Date:
between 1811 and 1813
Materials & Techniques:
Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 7/8 × 16 inches (25.1 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection