Creator Gender: male / Period: 19th century / Height [cm]: 39 / Classification: Prints

1. Winchelsea, Sussex

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1812
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/2 × 10 1/2 inches (39.4 × 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

2. Illustrations of The Book of Job, Title Page

Creator:: William Blake, 1757–1827
Date:: 1825
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/4 × 10 3/4 inches (38.7 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. Book of Job, Plate 1, Job and His Family

Creator:: William Blake, 1757–1827
Date:: 1825
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/4 × 10 3/4 inches (38.7 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. Book of Job, Plate 6, Satan Smiting Job with Boils

Creator:: William Blake, 1757–1827
Date:: 1825
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/4 × 10 7/8 inches (38.7 × 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. Book of Job, Plate 21, Job and His Family Restored to Prosperity

Creator:: William Blake, 1757–1827
Date:: 1825
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/4 × 10 7/8 inches (38.7 × 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]

Creator:: William Blake, 1757–1827
Date:: 1827
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove India proof paper
Dimensions:: Sheet: 15 1/4 × 21 1/4 inches (38.8 × 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]

Creator:: William Blake, 1757–1827
Date:: 1827
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove India proof paper
Dimensions:: Sheet: 15 3/8 × 21 9/16 inches (39 × 54.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]

Creator:: William Blake, 1757–1827
Date:: 1827
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove India proof paper
Dimensions:: Sheet: 15 7/16 × 21 1/4 inches (39.2 × 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,'Hell; Canto xxv. line 45.]

Creator:: William Blake, 1757–1827
Date:: 1827
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove India proof paper
Dimensions:: Sheet: 15 1/4 × 21 1/2 inches (38.8 × 54.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. View of HRH the Princess Elizabeth's Cottage at Old Windsor with a View of the Moss House Below

Creator:: Print made by James Clark, 19th century
Date:: 1812
Materials & Techniques:: Hand colored aquatint with etching on moderately thick, smooth, brown wove paper
Dimensions:: Sheet: 15 3/16 × 16 1/16 inches (38.5 × 40.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. Coaching: The Cambridge Telegraph, Starting from the White Horse

Creator:: George Hunt, active 1820–1840
Date:: 1831
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 15 3/8 x 20 5/8in. (39.1 x 52.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. Pheasant Shooting

Creator:: Print made by Matthew Dubourg, active 1786–1838
Date:: 1822
Materials & Techniques:: Aquatint and etching with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 15 3/16 x 20 13/16 inches (38.5 x 52.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. Ascot Heath Race for His Majesty's Gold Plate

Creator:: James Pollard, 1792–1867
Date:: 1826
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 15 1/4 x 26 3/8in. (38.7 x 67cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. 'Satirist'. (with 'Coronation') Rode by W. Scott. / The Winner of the Great St. Leger Stakes at Doncaster 1841...

Creator:: Charles Hunt, 1803–1877
Date:: 1841
Materials & Techniques:: Aquatint, printed in color
Dimensions:: Sheet: 15 1/4 x 19 1/4in. (38.7 x 48.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. Cadland, the Winner of the Derby Stakes at Epsom, 1828

Creator:: Richard Gilson Reeve, 1803–1889
Date:: 1828
Materials & Techniques:: Hand colored aquatint
Dimensions:: Sheet: 15 1/2 x 19 3/4in. (39.4 x 50.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. Racing : "Don John" / Winner of The Great St. Leger Stakes at Doncaster, 1838, rode W. Scott. / Bred in 1835, by Mr. Garforth ...

Creator:: Charles Hunt, 1803–1877
Date:: 1838
Materials & Techniques:: Aquatint, hand-colored with varnish over color on horse
Dimensions:: Sheet: 15 1/4 x 19 1/4in. (38.7 x 48.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. Racing: "Harkaway", Winner of the Gold Cup at Goodwood, 1838

Creator:: Charles Hunt, 1803–1877
Date:: 1838
Materials & Techniques:: Color printed aquatint
Dimensions:: Sheet: 15 1/4 x 18 3/4in. (38.7 x 47.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. Racing: Deception, Winner of the Oaks' Stakes at Epsom, 1839

Creator:: Edward Duncan, 1803–1882
Date:: 1839
Materials & Techniques:: Aquatint, hand-colored with varnish over color on horse
Dimensions:: Sheet: 15 3/16 x 19 1/4in. (38.6 x 48.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Short Horned White Ox

Creator:: Thomas Fairland, 1804–1852
Date:: 1843
Materials & Techniques:: Hand colored lithograph
Dimensions:: Sheet: 15 5/16 x 19 5/8in. (38.9 x 49.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Miss Mary Anne Kirkley

Creator:: Print made by George Dawe, 1781–1829
Date:: 1801
Materials & Techniques:: Mezzotint and line engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 15 7/8 x 11 15/16 inches (40.3 x 30.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

21. Henry D'Esterre Darby, Esq.

Creator:: Richard Earlom, 1743–1822
Date:: 1801
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 15 3/8 x 21 3/8in. (39.1 x 54.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Mr. and Mrs. J. Richardson Dilworth

22. Sir Charles Cotton

Creator:: Henry Hoppner Meyer, ca. 1782–1847
Date:: 1812
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 15 3/8 x 20 7/8in. (39.1 x 53cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Mr. and Mrs. J. Richardson Dilworth

23. The Young Dealer

Creator:: Thomas Williamson, active 1802
Date:: 1805
Materials & Techniques:: Hand colored soft-ground etching
Dimensions:: Sheet: 17 1/2 x 20 1/2in. (44.5 x 52.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Tired Gypsies

Creator:: Thomas Williamson, active 1802
Date:: 1805
Materials & Techniques:: Hand colored soft-ground etching
Dimensions:: Sheet: 17 1/2 x 20 1/2in. (44.5 x 52.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. The Water Works at Marli,and St. Germain en Laye Seen in the Distance.

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/2 × 24 1/2 inches (39.4 × 62.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. The Opening of the Seventh Seal

Creator:: John Martin, 1789–1854
Date:: ca. 1837
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 15 1/2 x 16 inches (39.4 x 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Returning from a Review...Paris

Creator:: unknown artist
Date:: 1802
Materials & Techniques:: Aquatint, hand-colored on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 18 11/16 × 25 inches (47.5 × 63.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Changing Horses Near Clermont

Creator:: unknown artist
Date:: 1802
Materials & Techniques:: Aquatint, hand-colored on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 18 7/8 × 26 7/8 inches (47.9 × 68.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. Breakfast at Breteuil

Creator:: unknown artist
Date:: 1801
Materials & Techniques:: Aquatint, hand-colored on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 19 1/4 × 26 3/8 inches (48.9 × 67 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Inn Yard at Calais

Creator:: unknown artist
Date:: 1802
Materials & Techniques:: Aquatint, hand-colored on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 18 5/8 × 26 1/4 inches (47.3 × 66.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Cowdray Ruins

Creator:: Print made by James Clark, 19th century
Date:: 1824
Materials & Techniques:: Colored aquatint on thick, textured, beige wove paper
Dimensions:: Sheet: 15 3/8 × 20 11/16 inches (39 × 52.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. The British Museum

Creator:: William Simpson, 1823–1899
Materials & Techniques:: Hand colored engraving
Dimensions:: Sheet: 15 5/16 x 18in. (38.9 x 45.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. South Front of St. Pauls

Creator:: unknown artist
Date:: 1801
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 15 1/4 x 11 1/4in. (38.7 x 28.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. A View of Worcester College &c.

Creator:: Print made by James Basire the younger, 1769–1822
Date:: 1804
Materials & Techniques:: Line engraving, engraver's proof (c) on medium, smooth, cream wove paper
Dimensions:: Sheet: 15 1/2 × 21 1/4 inches (39.4 × 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. View of Oxford from the South Side of Heddington Hill

Creator:: Print made by James Basire the younger, 1769–1822
Date:: 1808
Materials & Techniques:: Line engraving, engraver's proof (b) on medium, smooth, cream wove paper
Dimensions:: Sheet: 15 1/4 × 22 inches (38.7 × 55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. The Vale of Ashburnham

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1816
Materials & Techniques:: Etching and line engraving; first published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 1/4 × 21 1/2 inches (38.7 × 54.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Hurstmonceux Castle

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1820
Materials & Techniques:: Etching; open etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/4 × 22 1/4 inches (38.7 × 56.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. View of the Worcester Race-Course and Grand Stand

Creator:: George Hunt, active 1820–1840
Date:: 1823
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 15 7/16 x 23 7/8in. (39.2 x 60.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Alnwick Castle, Northumberland

Creator:: Print made by James T. Willmore, 1800–1863
Date:: 1827-1838
Materials & Techniques:: Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 15 1/2 × 20 1/8 inches (39.4 × 51.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Lord Lyons

Creator:: Georg Zobel, 1810–1881
Date:: 1856
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 15 3/8 x 20 1/8in. (39.1 x 51.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Mr. and Mrs. J. Richardson Dilworth

41. Ehenbreitstein, During the Demolition of the Fortress in 1817 from the Quay at Coblentz.

Creator:: Print made by James C. Allen, active 1821–1831
Date:: 1824
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 15 1/2 × 22 inches (39.4 × 55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Dunwich, Suffolk

Creator:: Print made by James C. Allen, active 1821–1831
Date:: ca. 1830
Materials & Techniques:: Line engraving, engraver's proof (late) on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 15 1/4 × 20 5/8 inches (38.7 × 52.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Sir Ronald Craufurd Ferguson, M.P.

Creator:: Anthony Cardon, 1772–1813
Date:: 1810
Materials & Techniques:: Stipple engraving on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 15 3/8 × 11 3/8 inches (39.1 × 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Charles Grey, 2nd Earl Grey

Creator:: Charles Turner, 1774–1857
Date:: 1811
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 15 1/2 × 10 13/16 inches (39.4 × 27.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Ancient Carthage - The Embarcation of Regulus

Creator:: Print made by Daniel Wilson, 1816–1892
Date:: 1840
Materials & Techniques:: Etching and line engraving; engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 25 1/8 × 31 1/8 inches (63.8 × 79.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. The Grand Canal, Venice

Creator:: Print made by William Miller, 1796–1882
Date:: 1838
Materials & Techniques:: Etching; engraver's proof, open etched state on thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 15 3/8 × 22 inches (39.1 × 55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Master Lambton

Creator:: Print made by Samuel Cousins, 1801–1887
Date:: 1827
Materials & Techniques:: Mezzotint (first published state) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 18 1/2 × 14 1/4 inches (47 × 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

48. Julia, Lady Peel

Creator:: Print made by Samuel Cousins, 1801–1887
Date:: 1832
Materials & Techniques:: Mezzotint, line engraving, and stipple engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 17 11/16 x 14 3/8 inches (45 x 36.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

49. Miss Peel, Daughter of the Right Honble. Sir Robert Peel, Bart.

Creator:: Print made by Samuel Cousins, 1801–1887
Date:: 1833
Materials & Techniques:: Mezzotint (first published state) on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 21 3/4 × 17 1/2 inches (55.2 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

50. The Ecstasy of St. Francis

Creator:: Print made by William Say, 1768–1834
Date:: 1809
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 21 3/8 × 16 1/2 inches (54.3 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

51. Lady Hamilton

Creator:: Print made by William Say, 1768–1834
Date:: 1806
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 15 3/8 × 11 inches (39.1 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

52. William Shakespeare

Creator:: Print made by Samuel Cousins, 1801–1887
Date:: 1849
Materials & Techniques:: Mezzotint on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 22 1/4 x 17 1/8 inches (56.5 x 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

53. Sunshine of Love

Creator:: Print made by Samuel Cousins, 1801–1887
Date:: 1837
Materials & Techniques:: Mezzotint, stipple engraving, and line engraving on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 17 3/8 x 13 7/8 inches (44.2 x 35.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

54. Simmer Lake near Askrig

Creator:: Print made by Henry Le Keux, 1787–1868
Date:: 1818-1823
Materials & Techniques:: Etching and line engraving; engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 15 1/2 × 19 15/16 inches (39.4 × 50.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Kirkby Lonsdale Churchyard

Creator:: Print made by Charles Heath, 1785–1848
Date:: 1818-1823
Materials & Techniques:: Line engraving and etching, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 15 5/16 × 21 1/4 inches (38.9 × 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Weathercote Cave when Half Filled with Water

Creator:: Print made by Samuel Middiman, ca. 1750–1831
Date:: 1821
Materials & Techniques:: Etching and line engraving; engraver's proof on moderately thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 15 3/8 × 22 3/8 inches (39.1 × 56.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Edinburgh Castle, Vignette Title to Vol. I

Creator:: Print made by George Cooke, 1781–1834
Date:: 1826
Materials & Techniques:: Line engraving, first published state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 15 3/16 × 11 1/16 inches (38.6 × 28.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Ingleborough, from Hornby Castle Terrace

Creator:: Print made by Charles Heath, 1785–1848
Date:: 1818-1823
Materials & Techniques:: Etching; open etched state on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 15 1/4 × 22 1/8 inches (38.7 × 56.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Genoa

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1832-1834
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 15 1/4 × 10 5/8 inches (38.7 × 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Edinburgh from Leith Harbour, Vignette Title to Vol. II

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1826
Materials & Techniques:: Line engraving, first published state on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 15 1/4 × 11 1/16 inches (38.7 × 28.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Samuel Whitbread Esq.

Creator:: Samuel William Reynolds, 1773–1835
Date:: 1806
Materials & Techniques:: Mezzotint on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 15 1/2 × 11 1/8 inches (39.4 × 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Lieutenant General William Wynyard

Creator:: Print made by William Whiston Barney, active 1805–1817
Date:: 1809
Materials & Techniques:: Mezzotint on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 16 1/16 × 11 15/16 inches (40.8 × 30.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Vice Admiral Lord Hugh Seymour

Creator:: Samuel William Reynolds, 1773–1835
Date:: 1802
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/2 × 11 9/16 inches (39.4 × 29.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. The Breaking Up of the Agamemnon, no. 2

Creator:: Print made by Sir Francis Seymour Haden, 1818–1910
Date:: after 1880
Materials & Techniques:: Etching and drypoint on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/16 x 21 7/8 inches (38.6 x 55.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection; Gift of Mrs. Howard Mansfield

65. Interior, Abery

Creator:: Print made by N. Hanhart, active 1841–1852
Date:: 1856
Materials & Techniques:: Chromolithograph on moderately thick, smooth, beige wove paper, laid on contemporary mount made of thick, smooth, beige card
Dimensions:: Mount: 15 1/4 x 12 3/8 inches (38.8 x 31.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection; Gift of the Reverend DeWolf Perry

66. The Review of the Queens Own Regiment of the Yeomanry Cavalry

Creator:: Henry Papprill, 1816–d.after 1883
Materials & Techniques:: Aquatint, hand-colored on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 × 25 1/2 inches (46.4 × 64.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. The Boxes: O woe is me, t' have seen what I have seen Seeing what I see.

Creator:: Print made by Thomas Rowlandson, 1756–1827
Date:: 1809
Materials & Techniques:: Etching, colored
Dimensions:: Sheet: 15 1/2 x 9 3/4 inches (39.4 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Miss Edith Wetmore

68. A Lancashire River

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: 1881
Materials & Techniques:: Etching and drypoint, with plate tone on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/2 x 21 3/4 inches (39.4 x 55.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection; Gift of Mrs. Howard Mansfield

69. Reverend Hugh Blair, D.D.

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1801
Materials & Techniques:: Stipple engraving and line engraving on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 15 1/4 × 11 15/16 inches (38.7 × 30.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. View of Charing Cross and Northumberland House

Creator:: Henri Gaugain, active 1833–1844
Date:: 1830
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 15 1/4 x 11 1/2in. (38.7 x 29.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. View of the Front of Sir Paul Pindar's House on the West Side of Bishopsgate Street

Creator:: Richard Sawyer, active 1820–1830
Date:: 1812
Materials & Techniques:: Engraving
Dimensions:: Sheet: 15 5/16 x 11 7/8in. (38.9 x 30.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. The Fire in H.M. Dockyard at Devonport on the Morning of the 27th of September 1840

Creator:: Print made by William Clerk, ? 19th c.
Date:: after 1840
Materials & Techniques:: Hand-colored lithograph on moderately thick, smooth, beige card
Dimensions:: Sheet: 15 3/16 x 18 3/4 inches (38.6 x 47.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. Hadleigh Castle, Large Plate

Creator:: Print made by David Lucas, 1802–1881
Date:: 1830 to 1832
Materials & Techniques:: Mezzotint; proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/4 x 19 1/2 inches (38.7 x 49.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. The Brazen Image Erected on a Pedestal Wrought by Himself

Creator:: Charles Williams, active 1796–1830
Date:: 1802
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 15 1/4 x 9 3/8in. (38.7 x 23.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. West Highland Heifer Kyloe

Creator:: Print made by Charles Turner, 1774–1857
Date:: 1823
Materials & Techniques:: Mezzotint with hand coloring on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 19 1/8 x 22 5/8 inches (48.6 x 57.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. Priam. The Winner of the Derby Stakes at Epsom

Creator:: Edward Duncan, 1803–1882
Date:: 1830
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 15 1/4 x 20 1/4in. (38.7 x 51.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. Portrait of the Celebrated Short Horned Cow Bracelet / The Property of John Booth, Esquire, Killerby, Yorkshire

Creator:: Thomas Landseer, 1795–1880
Date:: ca. 1850
Materials & Techniques:: Hand colored mezzotint
Dimensions:: Sheet: 15 5/16 x 19 3/4in. (38.9 x 50.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. William Howitt (Better Known by the Name of Jackson the American Deer)

Creator:: William Bromley, active 1835–1888
Date:: 1845
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 15 1/2 x 12 3/4in. (39.4 x 32.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. The Rural Cott

Creator:: William Woollett, 1735–1785
Date:: 1797
Materials & Techniques:: Engraving; proof on moderately thick, slightly textured, cream wove paper, with chine collé
Dimensions:: Sheet: 19 1/8 × 24 1/8 inches (48.6 × 61.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. Cape Coast Castle, a British Settlement on the Gold Coast of Africa

Creator:: John Hill, 1770–1850
Date:: 1806
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 15 1/4 x 21 3/4in. (38.7 x 55.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Mortar Battery at Woolwich

Creator:: Charles Hunt, 1803–1877
Date:: undated
Materials & Techniques:: Colored aquatint
Dimensions:: Sheet: 15 1/4 x 20 1/4in. (38.7 x 51.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. Great Fall of the Fynach

Creator:: Joseph Constantine Stadler, active 1780–1812
Date:: 1809
Materials & Techniques:: Colored aquatint
Dimensions:: Sheet: 15 1/2 x 21 1/4in. (39.4 x 54cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. Launch of the Great Britain Steamship, at Bristol, July 19th 1843

Creator:: Henry Papprill, 1816–d.after 1883
Date:: 1843
Materials & Techniques:: Colored lithograph
Dimensions:: Sheet: 15 1/2 x 22in. (39.4 x 55.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. Harkaway. A Chesnut horse, foaled in Ireland in 1834, was bred by Thomas Ferguson, Esq. His sire Economist, his dam, a chesnut mare bred by Lord Cremorne, in 1823, ...

Harkaway. A Chesnut horse, foaled in Ireland in 1834, was bred by Thomas Ferguson, Esq. His sire Economist, his dam, a chesnut mare bred by Lord Cremorne, in 1823, ...

Creator:: Edward Duncan, 1803–1882
Date:: 1840
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 15 3/8 x 19 3/8in. (39.1 x 49.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. A Cognocenti Contemplating ye Beauties of ye Antique

Creator:: Print made by James Gillray, 1756–1815
Date:: 1801
Materials & Techniques:: Etching, hand-colored on moderately thick, smooth, cream wove paper mounted on green card
Dimensions:: Sheet: 15 3/8 × 10 11/16 inches (39 × 27.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Barbara and Max Wilk, Yale BA 1941

86. Crossing the Brook

Creator:: Print made by William Richardson, active 1842–1877
Date:: between 1859 and 1861
Materials & Techniques:: Etching and line engraving on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 15 1/2 × 11 3/4 inches (39.4 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. Henry Tresham, Esq. R. A.

Creator:: Print made by Anthony Cardon, 1772–1813
Date:: 1814
Materials & Techniques:: Stipple engraving and etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/16 × 12 5/16 inches (38.6 × 31.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. John E. Millais

Creator:: Print made by Daniel J. Pound, active ca. 1860
Date:: 1859
Materials & Techniques:: Engraving
Dimensions:: Sheet: 15 1/4 x 11 3/8in. (38.7 x 28.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. David Roberts

Creator:: Print made by Charles Baugniet, 1814–1886
Date:: 1844
Materials & Techniques:: Lithograph on thick, smooth, beige card with gray chine collé
Dimensions:: Sheet: 15 3/8 × 12 3/16 inches (39.1 × 30.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. Rosehill

Creator:: Print made by Joseph Constantine Stadler, active 1780–1812
Date:: ca. 1810
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Image: 15 3/8 x 22in. (39.1 x 55.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. Sir George Beaumont, Bart.

Creator:: Print made by John Samuel Agar, ca. 1773–1858
Date:: 1812
Materials & Techniques:: Crayon manner and stipple engraving on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 15 1/4 x 13 1/8 inches (38.7 x 33.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. Valombre

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1834
Materials & Techniques:: Line engraving, engraver's proof on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 15 3/8 × 9 7/8 inches (39.1 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. The Boy of Egremond

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1834
Materials & Techniques:: Line engraving, engraver's proof on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 15 1/4 × 10 1/16 inches (38.7 × 25.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. Mrs. Siddons

Creator:: William Holl II, 1807–1871
Materials & Techniques:: Engraving
Dimensions:: Sheet: 15 3/8 x 11 1/2in. (39.1 x 29.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Herman W. Liebert

95. The Devil's Tower, Norwich Oct. 1841

Creator:: Print made by Miles Edmund Cotman, 1810–1858
Date:: 1847
Materials & Techniques:: Lithograph on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/2 × 18 7/8 inches (39.4 × 47.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. Itteringham | Nov. 12th 1841

Creator:: Print made by Miles Edmund Cotman, 1810–1858
Date:: 1847
Materials & Techniques:: Lithograph on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 22 3/8 × 16 1/2 inches (56.8 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. The Haunted House

Creator:: Print made by Simeon Solomon, 1840–1905
Date:: 1858
Materials & Techniques:: Etching on moderately thick, slightly textured, beige wove paper with cream chine-collé
Dimensions:: Sheet: 15 1/2 × 10 1/4 inches (39.4 × 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of James A. Bergquist, Boston

98. Partridge Shooting

Creator:: Dean Wolstenholme, 1798–1882
Date:: 1824
Materials & Techniques:: Aquatint, printed in color and colored by hand
Dimensions:: Sheet: 15 1/4 x 20 1/4in. (38.7 x 51.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. Reverend. William Mason

Creator:: Edward Scriven, 1775–1841
Date:: 1813
Materials & Techniques:: Stipple engraving on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 15 1/4 × 12 11/16 inches (38.7 × 32.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. Lake of Lucerne

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1854
Materials & Techniques:: Etching and line engraving; India proof, second state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 23 1/2 × 34 3/4 inches (59.7 × 88.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Creator Gender male

Period 19th century

Height [cm] 39

Classification Prints

Search Results

1. Winchelsea, Sussex

2. Illustrations of The Book of Job, Title Page

3. Book of Job, Plate 1, Job and His Family

4. Book of Job, Plate 6, Satan Smiting Job with Boils

5. Book of Job, Plate 21, Job and His Family Restored to Prosperity

6. Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]

7. Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]

8. Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]

9. Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,'Hell; Canto xxv. line 45.]

10. View of HRH the Princess Elizabeth's Cottage at Old Windsor with a View of the Moss House Below

11. Coaching: The Cambridge Telegraph, Starting from the White Horse

12. Pheasant Shooting

13. Ascot Heath Race for His Majesty's Gold Plate

14. 'Satirist'. (with 'Coronation') Rode by W. Scott. / The Winner of the Great St. Leger Stakes at Doncaster 1841...

15. Cadland, the Winner of the Derby Stakes at Epsom, 1828

16. Racing : "Don John" / Winner of The Great St. Leger Stakes at Doncaster, 1838, rode W. Scott. / Bred in 1835, by Mr. Garforth ...

17. Racing: "Harkaway", Winner of the Gold Cup at Goodwood, 1838

18. Racing: Deception, Winner of the Oaks' Stakes at Epsom, 1839

19. Short Horned White Ox

20. Miss Mary Anne Kirkley

21. Henry D'Esterre Darby, Esq.

22. Sir Charles Cotton

23. The Young Dealer

24. Tired Gypsies

25. The Water Works at Marli,and St. Germain en Laye Seen in the Distance.

26. The Opening of the Seventh Seal

27. Returning from a Review...Paris

28. Changing Horses Near Clermont

29. Breakfast at Breteuil

30. Inn Yard at Calais

31. Cowdray Ruins

32. The British Museum

33. South Front of St. Pauls

34. A View of Worcester College &c.

35. View of Oxford from the South Side of Heddington Hill

36. The Vale of Ashburnham

37. Hurstmonceux Castle

38. View of the Worcester Race-Course and Grand Stand

39. Alnwick Castle, Northumberland

40. Lord Lyons

41. Ehenbreitstein, During the Demolition of the Fortress in 1817 from the Quay at Coblentz.

42. Dunwich, Suffolk

43. Sir Ronald Craufurd Ferguson, M.P.

44. Charles Grey, 2nd Earl Grey

45. Ancient Carthage - The Embarcation of Regulus

46. The Grand Canal, Venice

47. Master Lambton

48. Julia, Lady Peel

49. Miss Peel, Daughter of the Right Honble. Sir Robert Peel, Bart.

50. The Ecstasy of St. Francis

51. Lady Hamilton

52. William Shakespeare

53. Sunshine of Love

54. Simmer Lake near Askrig

55. Kirkby Lonsdale Churchyard

56. Weathercote Cave when Half Filled with Water

57. Edinburgh Castle, Vignette Title to Vol. I

58. Ingleborough, from Hornby Castle Terrace

59. Genoa

60. Edinburgh from Leith Harbour, Vignette Title to Vol. II

61. Samuel Whitbread Esq.

62. Lieutenant General William Wynyard

63. Vice Admiral Lord Hugh Seymour

64. The Breaking Up of the Agamemnon, no. 2

65. Interior, Abery

66. The Review of the Queens Own Regiment of the Yeomanry Cavalry

67. The Boxes: O woe is me, t' have seen what I have seen Seeing what I see.

68. A Lancashire River

69. Reverend Hugh Blair, D.D.

70. View of Charing Cross and Northumberland House

71. View of the Front of Sir Paul Pindar's House on the West Side of Bishopsgate Street

72. The Fire in H.M. Dockyard at Devonport on the Morning of the 27th of September 1840