Creator Gender: male / Work Type: intaglio print / Subject Terms: cane

Print made by William Blake, 1757–1827

Death's Door; Plate 17

1793

Print made by William Blake, 1757–1827

I Have Said to the Worm, Thou Art My Mother & My Sister; Plate 18

1793

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 19, "To The Accuser . . . ." (Bentley 21)

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 17, "Death's Door"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 18, "I have said to the Worm . . . ."

1826

Print made by Bernard Lens II, 1659–1725

Ecce Homo

undated

Print made by Johann Jacobus Haid, 1704–1767

S. Simon

undated

Print made by Thomas Gaugain, 1748–1812

Diligence and Dissipation: The Wanton Dying in Poverty and Disease Visited by the Modest Girl (Plate 9)

1797

Print made by Johann Jacobus Haid, 1704–1767

S. Jacobus Major

undated

Print made by Johann Jacobus Haid, 1704–1767

S. Philippus

undated

Print made by Johann Jacobus Haid, 1704–1767

S. Judas Thaddaeus

undated

Print made by Johann Jacobus Haid, 1704–1767

S. Paulus

undated

Print made by James Walker, 1748–1808

Rochester

1794

Print made by John Landseer, 1769–1852

Alum Bay, Isle of Wight

1799

Print made by James Walker, 1748–1808

Rochester

1794

Print made by Samuel Rawle, 1771–1860

North East View of Dunster Castle, Somersetshire

1800

William Nutter, 1754–1802

Mr. Macklin and Mrs. Pope in the Characters of Shylock and Portia

1789

Print made by Agostino Brunias, 1728–1796

Free Natives of Dominica

1780

William Nutter, 1754–1802

Sunday Morning, A Cottage Family Going to Church

1795

Print made by James Bretherton, ca. 1730–1806

The Full Blown Macaroni

1772

Robert Dixon, 1780–1815

Beeston Priory, Beeston Regis

between 1810 and 1811

James Gillray, 1756–1815

The Rake's-Progress at the University - No. 4 - "Expulsion waits that Son of Alma Mater who dares to shew his face in Boot or Gaiter"

1806

James Gillray, 1756–1815

The Rake's-Progress at the University - No. 5 - "Convened for wearing Gaiters - sad offence! Expelled - nor e'en permitted a defence."

1806

Print made by George Cruikshank, 1792–1878

Davy Jones

undated

Print made by George Cruikshank, 1792–1878

Untitled

undated

Print made by James Gillray, 1756–1815

A Cognocenti Contemplating ye Beauties of ye Antique

1801

Print made by John Finlayson, 1730–1776

Mr. Foote and Mr. Weston in the Characters of the President and Dr. Last

1769

Johann Jacobus Haid, 1704–1767

Mr. Garrick in "The Farmer's Return"

1766

Thomas Girtin, 1775–1802

View of Thuilleries and Bridge taken from the Quay d'Orsai

1802

Print made by William Faithorne, ca. 1620–1691

Henry More

1675

Print made by James Walker, 1748–1808

Rochester

1794

Print made by Agostino Brunias, 1728–1796

Free Natives of Dominica

1780

Print made by John Blackmore, active 1740–1780

Samuel Foote Esq

1771

Print made by Frederick Landseer Maur Griggs, 1876–1938

Laneham

1922

Print made by Frederick Landseer Maur Griggs, 1876–1938

Laneham

1923

Print made by Thomas Barber, ca. 1768–1843

Apsley House, Hyde Park Corner: the Residence of his Grace the Duke of Wellington

1829

Print made by Samuel Bellin, 1799–1894

David Cox

undated