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Collection Prints and Drawings
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1
- Who-o-p!
- 1898-1899
2
- Labourers
- 1789
3
- The Third Stage of Cruelty: Cruelty in Perfection - The Murder
- 1751, printed 1790
4
- Rome from Monte Mario
- ca. 1818
5
- Christ and the Woman of Samaria
- 1819
6
- The Deluge
- between 1813 and 1823
7
- Val di Roppa, Corfu, 22 May 1868
- 1868
8
- The Book of Thel, Plate 6, "III. / Then Thel astonish'd . . . ."
- 1789
9
- Alas!; Plate 9
- 1793
10
- My Son! My Son!; Plate 10
- 1793
11
- Aged Ignorance; Plate 13
- 1793
12
- Songs of Innocence and of Experience, Plate 1, Innocence Frontispiece (Bentley 2)
- 1789
13
- Songs of Innocence and of Experience, Plate 22, "The Little Girl Found" (Bentley 36)
- 1789
14
- Songs of Innocence and of Experience, Plate 32, Experience Frontispiece (Bentley 28)
- 1794
15
- Songs of Innocence and of Experience, Plate 41, "A Poison Tree" (Bentley 49)
- 1794
16
- Songs of Innocence and of Experience, Plate 4, "The Shepherd" (Bentley 5)
- 1789
17
- Songs of Innocence and of Experience, Plate 6, "The Little Black Boy" (Bentley 10)
- 1789
18
- Songs of Innocence and of Experience, Plate 8, "The Ecchoing Green" (Bentley 6)
- 1789
19
- Songs of Innocence and of Experience, Plate 24, "The Divine Image" (Bentley 18)
- 1789
20
- Songs of Innocence and of Experience, Plate 46, "The Human Abstract" (Bentley 47)
- 1794
21
- Visions of the Daughters of Albion, Plate 4, "Visions | Enslav'd the Daughters . . . . "
- 1793
22
- Young's Night Thoughts, Page 4, "What, though my soul fantastick measures trod"
- ca. 1797
23
- Young's Night Thoughts, Page 37, "Love, and love only, is the loan for love"
- ca. 1797
24
- Sheet from the Blake-Varley Sketchbook of 1819, Pages 37 and 38
- 1819
25
- Songs of Innocence and of Experience
- 1789-1794
26
- Songs of Innocence, Plate 22, "Nurse's Song" (Bentley 38)
- 1789
27
- Songs of Innocence, Plate 28, "Laughing Song" (Bentley 15)
- 1789
28
- Songs of Innocence, Plate 4, "A Dream" (Bentley 26)
- 1789
29
- There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)
- ca. 1788
30
- America. A Prophecy, Plate 16, "In the Flames Stood...."
- 1793
31
- The First Book of Urizen, Plate 6, "Muster around the Bleak Desarts...." (Bentley 4)
- 1794
32
- For the Sexes: The Gates of Paradise, Plate 10, "My son! my Son!"
- 1826
33
- For the Sexes: The Gates of Paradise, Plate 13, "Aged Ignorance"
- 1826
34
- Songs of Innocence, Plate 30, "The Little Black Boy" (Bentley 10)
- 1789
35
- The First Book of Urizen, Plate 1, "The First Book of Urizen." (Bentley 1)
- 1794
36
- Water; Plate 4
- 1793
37
- Jerusalem, Plate 37, "And One stood forth...."
- 1804 to 1820
38
- Jerusalem, Plate 49, "The secret coverts of Albion...."
- 1804 to 1820
39
- There Is No Natural Religion, Plate 8, "VI The desires & perceptions . . . . " (Bentley a9)
- ca. 1788
40
- There Is No Natural Religion, Plate 9, "Therefore God becomes . . . . " (Bentley b12)
- ca. 1788
41
- The Book of Thel, Plate 6, "III. / Then Thel astonish'd . . . ."
- 1789
42
- Songs of Innocence, Plate 14, "Infant Joy" (Bentley 25)
- 1789
43
- Songs of Innocence, Plate 12, "The Divine Image" (Bentley 18)
- 1789
44
- For the Sexes: The Gates of Paradise, Plate 9, "Alas!"
- 1826
45
- Young's Night Thoughts, Page 37, "Love, and Love Only, Is the Loan for Love"
- 1797
46
- The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
- between 1797 and 1798
47
- The Poems of Thomas Gray, Design 55, "The Bard."
- between 1797 and 1798
48
- The Poems of Thomas Gray, Design 57, "The Bard."
- between 1797 and 1798
49
- There Is No Natural Religion, Plate 2, "The Argument . . . . " (Bentley a3)
- ca. 1788
50
- There Is No Natural Religion, Plate 5, "III From a perception . . . . " (Bentley a6)
- ca. 1788
51
- America. A Prophecy, Plate 14, "So Cried He...."
- 1793
52
- America. A Prophecy, Plate 3, "Preludium | The shadowy daughter...."
- 1793
53
- America. A Prophecy, Plate 4, "Silent as despairing love...."
- 1793
54
- America. A Prophecy, Plate 9, "In Thunders Ends the Voice...."
- 1793
55
- The First Book of Urizen, Plate 1, "The First Book of Urizen." (Bentley 1)
- 1794
56
- Young's Night Thoughts, Page 70, "'Till Death, That Mighty Hunter, Earths Them All"
- 1797
57
- Young's Night Thoughts, Page 4, "What, though My Soul Fantastick Measures Trod"
- 1797
58
- The Poems of Thomas Gray, Design 107, "Elegy Written in a Country Church-Yard."
- between 1797 and 1798
59
- The Poems of Thomas Gray, Design 53, "The Bard."
- between 1797 and 1798
60
- The Poems of Thomas Gray, Design 65, "The Bard."
- between 1797 and 1798
61
- The Poems of Thomas Gray, Design 97, "Ode for Music."
- between 1797 and 1798
62
- For the Sexes: The Gates of Paradise, Plate 4, "Water"
- 1826
63
- Young's Night Thoughts, Page 70, "'Till death, that mighty hunter, earths them all"
- ca. 1797
64
- The First Book of Urizen, Plate 4, "Muster around the bleak desarts . . . ." (Bentley 4)
- 1794
65
- Songs of Innocence and of Experience, Plate 14, "Laughing Song" (Bentley 15)
- 1789
66
- Songs of Innocence and of Experience, Plate 20, "The Little Girl Lost" (Bentley 34)
- 1789
67
- The Poems of Thomas Gray, Design 111, "Elegy Written in a Country Church-Yard."
- between 1797 and 1798
68
- The Poems of Thomas Gray, Design 113, "Elegy Written in a Country Church-Yard."
- between 1797 and 1798
69
- The Poems of Thomas Gray, Design 15, "Ode on a Distant Prospect of Eton College."
- between 1797 and 1798
70
- The Poems of Thomas Gray, Design 17, "Ode on a Distant Prospect of Eton College."
- between 1797 and 1798
71
- The Poems of Thomas Gray, Design 3, "Ode on the Spring."
- between 1797 and 1798
72
- The Poems of Thomas Gray, Design 35, "Ode to Adversity."
- between 1797 and 1798
73
- The Poems of Thomas Gray, Design 5, "Ode on the Spring."
- between 1797 and 1798
74
- Jerusalem, Plate 76
- 1804 to 1820
75
- The Shepherd, from Songs of Innocence
- ca. 1795
76
- Christ with Three Figures
- undated
77
- Mountainous Landscape with Figures and a Rock Above a Lake
- undated
78
- Preparatory drawing for Design 19, Plate 17 of A Collection of Designs for Rural Retreats
- 1802
79
- Three Soldiers in Armour Sitting on Stone Blocks
- undated
80
- Roundway Park, Wiltshire: Exterior View
- ca. 1840
81
- Landscape at Henstead
- undated
82
- River Landscape with Men Fishing and Cattle
- undated
83
- Figures in a Landscape by a River
- undated
84
- Preparing to lay eel traps
- undated
85
- Landscape with Sportsman and Guns
- 1779
86
- The Chapel of the Greyfriars Monastery, Winchester
- between 1790 and 1795
87
- Country Scene: Figures by a Cottage Door and Cattle in a Stream
- 1795
88
- North West View of Wakefield Lodge in Whittlebury Forest, Northamptonshire
- 1767
89
- Lismore Castle, Ireland
- 1783
90
- The Picnic
- undated
91
- The Good Samaritan
- undated
92
- The Garden of Thomas Sandby's House at Englefield Green near Windsor
- ca. 1800
93
- A Village Snow Scene
- 1819
94
- The Globe Inn
- undated
95
- Labourers
- 1790
96
- Harvesters Resting in a Corn Field
- between 1805 and 1810
97
- Bath: The North Parade
- 1773
98
- Barlborough Hall, near Chesterfield, Derbyshire: the Main Front of the Hall
- undated
99
- An Artist Sketching in Windsor Park
- 1789
100
- Kensington Gardens
- undated