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Georg Goldberg "Antony and Cleopatra," Act III, Scene XI
Georg Goldberg, 1830–1894
"Antony and Cleopatra," Act III, Scene XI
undated
Henry Thomas Alken "Sporting Notions": 'All He Is Fit For Sir, Now is to Be Cut Up. I Have a Notion That He Can't Be Cut up More Than Myself'
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'All He Is Fit For Sir, Now is to Be Cut Up. I Have a Notion That He Can't Be Cut up More Than Myself'
between 1831 and 1832
Henry Thomas Alken "Sporting Notions": 'I Had No Notion of the Comforts of Hunting by Water'
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Had No Notion of the Comforts of Hunting by Water'
between 1831 and 1832
Henry Thomas Alken "Sporting Notions": 'I Have a Notion That I Don't Look Unlike Mazeppa'
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion That I Don't Look Unlike Mazeppa'
between 1831 and 1832
Henry Thomas Alken "Sporting Notions": 'I Have a Notion That My Horse Looks Like 40 Guineas in the Pound'
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion That My Horse Looks Like 40 Guineas in the Pound'
between 1831 and 1832
Henry Thomas Alken "Sporting Notions": 'I Have a Notion This May be Called "Riding to the Hounds at a Smashing Rate" '
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion This May be Called "Riding to the Hounds at a Smashing Rate" '
between 1831 and 1832
Henry Thomas Alken "Sporting Notions": 'I Have a Notion You Must Either Pull Him Over or Persuade Him to Pull You Back Again'
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion You Must Either Pull Him Over or Persuade Him to Pull You Back Again'
between 1831 and 1832
Henry Thomas Alken "Sporting Notions": 'It's My Notion That This is the Only Way to Get Her Along'
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'It's My Notion That This is the Only Way to Get Her Along'
between 1831 and 1832
Henry Thomas Alken "Sporting Notions": 'My Good Fellows Have You any Notion Where You Can Get a Saw'
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'My Good Fellows Have You any Notion Where You Can Get a Saw'
between 1831 and 1832
Henry Thomas Alken "Sporting Notions": 'This Gives Me a Notion it's Better to "Look Before You Leap" '
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'This Gives Me a Notion it's Better to "Look Before You Leap" '
between 1831 and 1832
Henry Thomas Alken "Sporting Notions:" 'Hav'nt You a Notion That Tthis is the Best Mode of Monveyance Over a brook? and I Think by the Look of the Fellow he Never Had Any Thing so Neat in His Thing-a-My Before'
Henry Thomas Alken, 1785–1851
"Sporting Notions:" 'Hav'nt You a Notion That Tthis is the Best Mode of Monveyance Over a brook? and I Think by the Look of the Fellow he Never Had Any Thing so Neat in His Thing-a-My Before'
between 1831 and 1832
Thomas Rowlandson 'The Doctor is so Severely Bruised that Cupping is Judged Necessary'
Thomas Rowlandson, 1756–1827
'The Doctor is so Severely Bruised that Cupping is Judged Necessary'
between 1809 and 1811
Charles John Smith 1. Grammar School and 2. Edial Hall near Lichfield
Charles John Smith, 1803–1838
1. Grammar School and 2. Edial Hall near Lichfield
Robert Cockburn [Landscape]
Robert Cockburn, 1812–1836
[Landscape]
1835-1836
Hablot Knight Browne [Mr. Jorrocks rescued from a ditch]
Hablot Knight Browne, 1815–1882
[Mr. Jorrocks rescued from a ditch]
1838
Rev. James Bulwer [One from] A Volume of Drawings and Prints
Rev. James Bulwer, 1794–1879
[One from] A Volume of Drawings and Prints
1837
Rev. James Bulwer [One from] A Volume of Drawings and Prints
Rev. James Bulwer, 1794–1879
[One from] A Volume of Drawings and Prints
1831
Rev. James Bulwer [One from] A Volume of Drawings and Prints
Rev. James Bulwer, 1794–1879
[One from] A Volume of Drawings and Prints
undated
Rev. James Bulwer [One from] A Volume of Drawings and Prints
Rev. James Bulwer, 1794–1879
[One from] A Volume of Drawings and Prints
1837
Rev. James Bulwer [One from] A Volume of Drawings and Prints
Rev. James Bulwer, 1794–1879
[One from] A Volume of Drawings and Prints
undated
Rev. James Bulwer [One from] A Volume of Drawings and Prints
Rev. James Bulwer, 1794–1879
[One from] A Volume of Drawings and Prints
1837
Rev. James Bulwer [One from] A Volume of Drawings and Prints
Rev. James Bulwer, 1794–1879
[One from] A Volume of Drawings and Prints
1837
Rev. James Bulwer [One from] A Volume of Drawings and Prints
Rev. James Bulwer, 1794–1879
[One from] A Volume of Drawings and Prints
1837
Rev. James Bulwer [One from] A Volume of Drawings and Prints
Rev. James Bulwer, 1794–1879
[One from] A Volume of Drawings and Prints
undated
Rev. James Bulwer [One from] A Volume of Drawings and Prints
Rev. James Bulwer, 1794–1879
[One from] A Volume of Drawings and Prints
1837
Richard Purcell [set of 16]: 1-12:Fox-hunting subjects (no titles)
Richard Purcell, active 1746–1766
[set of 16]: 1-12:Fox-hunting subjects (no titles)
1823
Richard Purcell [set of 16]: 1-12:Fox-hunting subjects (no titles)
Richard Purcell, active 1746–1766
[set of 16]: 1-12:Fox-hunting subjects (no titles)
1823
Richard Purcell [set of 16]: 1-12:Fox-hunting subjects (no titles)
Richard Purcell, active 1746–1766
[set of 16]: 1-12:Fox-hunting subjects (no titles)
1823
Richard Purcell [set of 16]: 1-12:Fox-hunting subjects (no titles)
Richard Purcell, active 1746–1766
[set of 16]: 1-12:Fox-hunting subjects (no titles)
1823
Richard Purcell [set of 16]: 1-12:Fox-hunting subjects (no titles)
Richard Purcell, active 1746–1766
[set of 16]: 1-12:Fox-hunting subjects (no titles)
1823
Richard Purcell [set of 16]: 1-12:Fox-hunting subjects (no titles)
Richard Purcell, active 1746–1766
[set of 16]: 1-12:Fox-hunting subjects (no titles)
1823
Richard Purcell [set of 16]: 1-12:Fox-hunting subjects (no titles)
Richard Purcell, active 1746–1766
[set of 16]: 1-12:Fox-hunting subjects (no titles)
1823
Richard Purcell [set of 16]: 1-12:Fox-hunting subjects (no titles)
Richard Purcell, active 1746–1766
[set of 16]: 1-12:Fox-hunting subjects (no titles)
1823
Richard Purcell [set of 16]: 1-12:Fox-hunting subjects (no titles)
Richard Purcell, active 1746–1766
[set of 16]: 1-12:Fox-hunting subjects (no titles)
1823
Richard Purcell [set of 16]: 1-12:Fox-hunting subjects (no titles)
Richard Purcell, active 1746–1766
[set of 16]: 1-12:Fox-hunting subjects (no titles)
1823
Richard Purcell [set of 16]: 1-12:Fox-hunting subjects (no titles)
Richard Purcell, active 1746–1766
[set of 16]: 1-12:Fox-hunting subjects (no titles)
1823
Richard Purcell [set of 16]: 1-12:Fox-hunting subjects (no titles)
Richard Purcell, active 1746–1766
[set of 16]: 1-12:Fox-hunting subjects (no titles)
1823
Richard Purcell [set of 16]: 13. Hunting Instead of Shooting
Richard Purcell, active 1746–1766
[set of 16]: 13. Hunting Instead of Shooting
1823
Richard Purcell [set of 16]: 14. The Spoiled Shot
Richard Purcell, active 1746–1766
[set of 16]: 14. The Spoiled Shot
1823
Richard Purcell [set of 16]: 15.Change of Sport
Richard Purcell, active 1746–1766
[set of 16]: 15.Change of Sport
1823
Richard Purcell [set of 16]: 16. Phesant[sic] shooting
Richard Purcell, active 1746–1766
[set of 16]: 16. Phesant[sic] shooting
1823
James McNeill Whistler A Child on a Couch, No. 1
James McNeill Whistler, 1834–1903
A Child on a Couch, No. 1
between 1873 and 1875
John Martin A Classical City
Print made by John Martin, 1789–1854
A Classical City
1816
Thomas Creswick A Country Lane with Cottages
Attributed to Thomas Creswick, 1811–1869
A Country Lane with Cottages
undated
unknown artist A Fraternal Embrace, Or - The First Day of Term
unknown artist
A Fraternal Embrace, Or - The First Day of Term
1801
John Frederick Lewis A Head Keeper, Windsor Castle, 1826
John Frederick Lewis, 1804–1876
A Head Keeper, Windsor Castle, 1826
1826
John Leech A Jockey-Cart
John Leech, 1817–1864
A Jockey-Cart
undated
unknown artist A View of Cold Harbor in Thames Street, London
unknown artist
A View of Cold Harbor in Thames Street, London
1818
John Byrne A View of Hall-head Sugar Plantation, Jamaica
Print made by John Byrne, 1786–1847
A View of Hall-head Sugar Plantation, Jamaica
1816
unknown artist A View of Lausanne from Ouchy
unknown artist
A View of Lausanne from Ouchy
between 1826 and 1866
unknown artist A View of Shattesbrook Mansion
unknown artist
A View of Shattesbrook Mansion
between 1826 and 1866
Samuel Howitt A Zebra
Samuel Howitt, 1756–1822
A Zebra
ca. 1807
John Buckler FSA a. The Staircase at Longleat / b. Ground Plan of Longleat House, Wiltshire
John Buckler FSA, 1770–1851
a. The Staircase at Longleat / b. Ground Plan of Longleat House, Wiltshire
1811
Anthony Cardon Admiral William Sidney Smith and The Seige of Acre
Anthony Cardon, 1772–1813
Admiral William Sidney Smith and The Seige of Acre
1804
Claude-Marie Ferrier Agricultural Implements by Crosskill
Claude-Marie Ferrier, 1811–1889
Agricultural Implements by Crosskill
1851
M. Gauci Alexander Morison M.D.
M. Gauci, 1810–1846
Alexander Morison M.D
ca.1829
Godefroy Engelmann Aloys Senefelder
Godefroy Engelmann, 1788–1839
Aloys Senefelder
undated
Thomas Rowlandson An Artist's Studio
Thomas Rowlandson, 1756–1827
An Artist's Studio
1814
unknown artist An Irish Discovery!
unknown artist
An Irish Discovery!
1800
William Henry Fox Talbot Ancient Doorway, Magdalen College, Oxford
William Henry Fox Talbot, 1800–1877
Ancient Doorway, Magdalen College, Oxford
1843
unknown artist Ancient Tower at Canonbury
unknown artist
Ancient Tower at Canonbury
1811
John Bell And This Was Caesar
Print made by John Bell, 1811–1895
And This Was Caesar
between 1838 and 1850
George Cruikshank Another Part of the Field: 'Henry IV Part I,' Act V, Scene IV
Print made by George Cruikshank, 1792–1878
Another Part of the Field: 'Henry IV Part I,' Act V, Scene IV
after 1857
Henry Le Keux Aosta (vignette)
Print made by Henry Le Keux, 1787–1868
Aosta (vignette)
1830
Henry Le Keux Aosta (vignette)
Print made by Henry Le Keux, 1787–1868
Aosta (vignette)
1830
Edward Francis Finden Ashbourne, Derbyshire
Edward Francis Finden, 1791–1857
Ashbourne, Derbyshire
Miles Edmund Cotman Barge on the Medway with Warships Grampian and Dreadnaugh in the Background
Print made by Miles Edmund Cotman, 1810–1858
Barge on the Medway with Warships Grampian and Dreadnaugh in the Background
ca. 1838
Sir Francis Seymour Haden Bark Refitting
Sir Francis Seymour Haden, 1818–1910
Bark Refitting
1865
James McNeill Whistler Battersea Reach
James McNeill Whistler, 1834–1903
Battersea Reach
1863
David Allan Bauldy and Mause
Print made by David Allan, 1744–1796
Bauldy and Mause
1808
Robert Dixon Beeston Priory, Beeston Regis
Robert Dixon, 1780–1815
Beeston Priory, Beeston Regis
between 1810 and 1811
Edward Lear Beni Eddeir
Edward Lear, 1812–1888
Beni Eddeir
1867
William Daniell Benjamin West, R.A.
Print made by William Daniell, 1769–1837
Benjamin West, R.A
1809
William Miller Berwick on Tweed
Print made by William Miller, 1796–1882
Berwick on Tweed
1834
William Miller Berwick-on-Tweed
Print made by William Miller, 1796–1882
Berwick-on-Tweed
1834
William Miller Berwick-on-Tweed
Print made by William Miller, 1796–1882
Berwick-on-Tweed
1834
William Miller Berwick-on-Tweed
Print made by William Miller, 1796–1882
Berwick-on-Tweed
1834
William Miller Berwick-on-Tweed
Print made by William Miller, 1796–1882
Berwick-on-Tweed
1834
Robert Brandard Between Quilleboeuf and Villequier
Print made by Robert Brandard, 1805–1862
Between Quilleboeuf and Villequier
1834
James McNeill Whistler Bibi L'alouette
Print made by James McNeill Whistler, 1834–1903
Bibi L'alouette
1859
unknown artist Biggin Street and St. Mary's Church, Dover
unknown artist
Biggin Street and St. Mary's Church, Dover
between 1826 and 1866
George Cooke Blackfriar's Bridge
George Cooke, 1781–1834
Blackfriar's Bridge
1827
Samuel Noble Blackheath
Samuel Noble, 1779–1853
Blackheath
1808
John Augustus Atkinson Bologna, View in the Strada Maggiore
John Augustus Atkinson, 1775–1831
Bologna, View in the Strada Maggiore
1819
Edward Francis Finden Bolton Abbey, Wharfdale
Print made by Edward Francis Finden, 1791–1857
Bolton Abbey, Wharfdale
1826
Thomas Girtin Bolton Abbey, Yorkshire
Thomas Girtin, 1775–1802
Bolton Abbey, Yorkshire
ca. 1801
Capt. Thomas Hastings Brick Archway Adjoining the Great Gateway of St. Augustine's Monastery, Canterbury
Capt. Thomas Hastings, 1778–1854
Brick Archway Adjoining the Great Gateway of St. Augustine's Monastery, Canterbury
1812
William Miller Brienne
Print made by William Miller, 1796–1882
Brienne
1834
William Miller Brienne
Print made by William Miller, 1796–1882
Brienne
1834
William Miller Brienne
Print made by William Miller, 1796–1882
Brienne
1834
John Constable Brighton Beach Looking West
John Constable, 1776–1837
Brighton Beach Looking West
undated
William Say Brougham Castle, near the Junction of the Rivers Eamont and Lowther
Print made by William Say, 1768–1834
Brougham Castle, near the Junction of the Rivers Eamont and Lowther
1823 to 1827
William Miller Brussels - Distant View
Print made by William Miller, 1796–1882
Brussels - Distant View
1834
William Miller Brussels - Distant View
Print made by William Miller, 1796–1882
Brussels - Distant View
1834
William Miller Brussels - Distant View
Print made by William Miller, 1796–1882
Brussels - Distant View
1834
William Miller Brussels, Distant View
Print made by William Miller, 1796–1882
Brussels, Distant View
1834
Sir Francis Seymour Haden By Twickenham
Sir Francis Seymour Haden, 1818–1910
By Twickenham
1865
Sir Francis Seymour Haden By Twickenham
Sir Francis Seymour Haden, 1818–1910
By Twickenham
1865
John Sell Cotman Cader Idris from the Mawddach Estuary above Barmouth
John Sell Cotman, 1782–1842
Cader Idris from the Mawddach Estuary above Barmouth
ca. 1802
Edward Goodall Caerlaverock Castle
Print made by Edward Goodall, 1795–1870
Caerlaverock Castle
1834