Collection: Prints and Drawings / Image Available: Available / Work Type: drawing and watercolor / Height [cm]: 24

1. Salisbury Cathedral From the Meadows

Creator:: John Constable, 1776–1837
Date:: 1829
Materials & Techniques:: Graphite on medium, moderately textured, cream wove paper mounted on card
Dimensions:: Mount: 11 5/8 × 16 5/8 inches (29.5 × 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. Italian Hill Town

Creator:: Samuel Palmer, 1805–1881
Date:: after 1838
Materials & Techniques:: Watercolor, gouache, and graphite on medium, slightly textured, blue wove paper
Dimensions:: Sheet: 9 1/4 x 12 5/8 inches (23.5 x 32.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. Underriver Hills, near Sevenoaks, Kent, from the Grounds of J. Herries, Esq.

Creator:: Samuel Palmer, 1805–1881
Date:: ca. 1840
Materials & Techniques:: Watercolor, gouache, pen and black ink, and graphite on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 5/8 x 14 1/16 inches (24.4 x 35.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. Boxhill

Creator:: attributed to Samuel Palmer, 1805–1881
Date:: 1868
Materials & Techniques:: Gray wash, green wash, brown wash, black chalk, and graphite on medium, slightly textured, brown wove paper
Dimensions:: Sheet: 9 1/2 x 12 1/8 inches (24.1 x 30.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. Near Grindelwald

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1796
Materials & Techniques:: Watercolor, graphite, blue wash and gray wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/2 x 14 7/8 inches (24.1 x 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. Landscape with Barn

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1795
Materials & Techniques:: Graphite and watercolor on medium, slightly textured, cream wove paper, mounted on thick, smooth, wove paper
Dimensions:: Mount: 9 3/4 x 15 1/4 inches (24.8 x 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Richard L. Purdy

7. Rocky Valley of Mosta, Malta, 2:15 p.m. (April 3, 1866)

Creator:: Edward Lear, 1812–1888
Date:: 1866
Materials & Techniques:: Watercolor with pen and brown ink over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 5/8 x 14 1/4 inches (24.4 x 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Michael D. Coe, Yale MAH 1968

8. Rocky Valley of Mosta, Malta, 1:30 p.m. (April 3, 1866)

Creator:: Edward Lear, 1812–1888
Date:: 1866
Materials & Techniques:: Watercolor, pen and brown ink, white gouache, and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 9 1/2 x 13 7/8 inches (24.1 x 35.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Michael D. Coe, Yale MAH 1968

9. Oasis Village

Creator:: Edward Lear, 1812–1888
Date:: 1854
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 9 5/8 x 17 inches (24.4 x 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. Gerf Hoseyn, 2:30 pm, 15 February 1867 (484)

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor with pen and brown ink over graphite on moderately thick, rough, beige wove paper
Dimensions:: Sheet: 9 1/2 × 13 3/4 inches (24.1 × 34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

11. Toske

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor, graphite, pen and brown ink on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 9 5/16 x 12 1/2 inches (23.7 x 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

12. Rocky Valley of Mosta, Malta

Creator:: Edward Lear, 1812–1888
Date:: 1866
Materials & Techniques:: Watercolor, graphite, gouache, pen and brown ink on moderately thick, slightly textured, beige wove paper, mounted on medium, slightly textured, brown wove paper
Dimensions:: Sheet: 9 1/4 x 13 7/16 inches (23.5 x 34.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of George E. Dix, B.A. 1934, M.A. 1942

13. Seated Figure

Creator:: George Romney, 1734–1802
Date:: undated
Materials & Techniques:: Gray wash and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/4 x 5 5/8 inches (23.5 x 14.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938, to the Yale University Art Gallery

14. Iphigenia Kneeling over an Altar

Creator:: George Romney, 1734–1802
Date:: undated
Materials & Techniques:: Gray wash and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 3/8 x 7 1/8 inches (23.8 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938, to the Yale University Art Gallery

15. America. A Prophecy, Plate 10, "The Terror Answered...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Color-printed relief etching in green-black ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. America. A Prophecy, Plate 11, "Sound! Sound! My Loud War-Trumpets...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Color-printed relief etching in green-black ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. America. A Prophecy, Plate 15, "What Time the Thirteen Governors...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. America. A Prophecy, Plate 16, "In the Flames Stood...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Color-printed relief etching in green-black ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. America. A Prophecy, Plate 18, "Over the Hills...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. America. A Prophecy, Plate 2, Title Page

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Color-printed relief etching in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Europe. A Prophecy, Frontispiece Proof Impression

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1820
Materials & Techniques:: Relief etching prined in brown ink; verso: color printed relief etching, pen and black ink, and gray ink; proof on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 12 1/2 x 9 1/4 inches (31.8 x 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. America. A Prophecy, Plate 8, "The Morning Comes...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Color-printed relief etching in green-black ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Europe. A Prophecy, Plate 2, Title Page

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper inlaid to size
Dimensions:: Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Europe. A Prophecy, Plate 3, "Preludium"

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper inlaid to size
Dimensions:: Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Europe. A Prophecy, Plate 5, "A | Prophecy | The deep of winter came . . . . " (Bentley 6)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper inlaid to size
Dimensions:: Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Europe. A Prophecy, Plate 4, "Unwilling I look up . . . . " (Bentley 5)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper inlaid to size
Dimensions:: Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Europe. A Prophecy, Plate 10, "Enitharmon slept . . . . " (Bentley 12)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Europe. A Prophecy, Plate 11, "In thoughts perturb'd . . . ." (Bentley 13)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. America. A Prophecy, Plate 9, "In Thunders Ends the Voice...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Color-printed relief etching in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Europe. A Prophecy, Plate 12, "Albions Angel rose . . . . " (Bentley 14)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Europe. A Prophecy, Plate 8 (Bentley 9)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Europe. A Prophecy, Plate 7, "Now comes the night . . . . " (Bentley 8)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Europe. A Prophecy, Plate 9, "Arise O Rintrah . . . ." (Bentley 11)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Europe. A Prophecy, Plate 13 (Bentley 10)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Europe. A Prophecy, Plate 14, "And the clouds & fires . . . . " (Bentley 15)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Jerusalem, Plate 53, "Jerusalem / Chap. 3"

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 × 10 3/8 inches (34.3 × 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. America. A Prophecy, Plate 1, Frontispiece

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Color-printed relief etching in brown ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. America. A Prophecy, Plate 12, "Thus Wept the Angel Voice...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. America. A Prophecy, Plate 13, "Fiery the Angels Rose...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Color-printed relief etching in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. America. A Prophecy, Plate 14, "So Cried He...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Color-printed relief etching in green-black ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. America. A Prophecy, Plate 17, "On Albions Angels...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. America. A Prophecy, Plate 5, "A | Prophecy | The Guardian Prince of Albion...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. America. A Prophecy, Plate 7, "Albions Angel stood...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Satan Approaching the Court of Chaos

Creator:: William Blake, 1757–1827
Date:: 1784 to 1785
Materials & Techniques:: Graphite with pen and gray ink and gray wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 1/4 x 13 1/4 inches (23.5 x 33.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Unfinished Sketch of an Elaborately Saddled Horse

Creator:: Robert Mabon, died 1798
Date:: undated
Materials & Techniques:: Watercolor and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 1/2 × 13 3/8 inches (24.1 × 34 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Standing Dignitary

Creator:: Robert Mabon, died 1798
Date:: undated
Materials & Techniques:: Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 5/8 × 6 inches (24.4 × 15.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Mosque at Borranypore

Creator:: Sir Charles D'Oyly, 1781–1845
Date:: undated
Materials & Techniques:: Watercolor, gouache and graphite on moderately thick, moderately textured, gray wove paper
Dimensions:: Sheet: 9 1/4 × 14 3/8 inches (23.5 × 36.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Statue of the Marquis of Hastings in Tank Square - Calcutta

Creator:: Sir Charles D'Oyly, 1781–1845
Date:: undated
Materials & Techniques:: Watercolor, white gouache, gray wash, and graphite on moderately thick, moderately textured, blue-gray wove paper
Dimensions:: Sheet: 8 1/4 × 15 inches (21 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. A Parrot

Creator:: James de Carle Sowerby, 1787–1871
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 9 1/4 × 5 3/4 inches (23.5 × 14.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. An English Child

Creator:: Robert Mabon, died 1798
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 5/8 × 6 inches (24.4 × 15.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Air Man, July 10, 1828

Creator:: John Gantz, 1772–1853
Date:: 1828
Materials & Techniques:: Pen and black ink and watercolor on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 9 1/4 × 7 3/8 inches (23.5 × 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. A Bird

Creator:: James Sowerby, 1756–1822
Date:: undated
Materials & Techniques:: Gouache on vellum
Dimensions:: Sheet: 9 1/4 × 6 7/8 inches (23.5 × 17.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Portrait of a Priest of the Borahs [Bohras]

Creator:: Attributed to Gangaram Chintaman Tambat, active 1790s
Date:: 1794
Materials & Techniques:: Watercolor and gouache with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 5/8 × 6 inches (24.4 × 15.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. A Goose

Creator:: James Sowerby, 1756–1822
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/2 × 11 3/4 inches (24.1 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. The Bayswater Turnpike

Creator:: Paul Sandby, 1731–1809
Date:: undated
Materials & Techniques:: Watercolor, pen and black and gray ink on medium, slightly textured, wove paper mounted on card
Dimensions:: Mount: 9 1/2 x 11 1/2 inches (24.1 x 29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. De la Parade de Quarte au Dehors des Armes sur le Coup de Quarte hors des Armes

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 7/8 × 16 inches (27.6 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Windsor Castle from the North

Creator:: Bernard Lens II, 1659–1725
Date:: undated
Materials & Techniques:: Gray wash, pen and black ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 7/16 x 13 5/8in. (24 x 34.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Demi Volte sur les Coups Forcés au Dehors des Armes

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 15/16 × 16 inches (27.8 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. De la Passe en Quarte du Dehors des Armes

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 11 × 15 3/8 inches (27.9 × 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Du Desarmement Aprés Avoir Paré le Coup de Quarte

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 11 3/16 × 15 1/2 inches (28.4 × 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. De la Garde Espagnole Combattüe Aprês la Parade du Coup d'Estramasson

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 11 1/8 × 16 5/8 inches (28.3 × 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. L'Epée & Lanterne Combattüe par L'Epée et Manteau

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 11 1/16 × 17 inches (28.1 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Garde de L'Epée & Manteau Attaquée par L'Epée & Lanterne

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 11 3/16 × 16 3/8 inches (28.4 × 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Garde de l'Espadonneur. Figure A. Garde Dêfensive du Pointeur. Figure B.

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 11 1/16 × 16 7/16 inches (28.1 × 41.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Cairo Bazaar

Creator:: William James Muller, 1812–1845
Date:: undated
Materials & Techniques:: Watercolor, gouache, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 9 1/2 x 12 11/16 inches (24.1 x 32.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Anonymous Gift

66. View on the London and Birmingham Railway at Chalk Farm Showing the Train Carrying Livestock

Creator:: W. S. Penson, 19th century
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, gouache, and graphite on thick, smooth, cream wove paper
Dimensions:: Sheet: 9 1/2 x 14 7/8in. (24.1 x 37.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Le Port Vieux de Toulon: Dessiné du Point C Marqué sur le Plan

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, gray ink, brown ink and graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 15 1/8 × 20 1/2 inches (38.4 × 52.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

68. Le Port de Brest: Dessiné du Point, A, Marqué sur La Carte De La Rade

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, brown ink, gray ink and graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 15 1/8 × 20 3/4 inches (38.4 × 52.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

69. Le Port de Brest: Dessiné du Point I Marqué sur Le Plan

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, gray ink, brown ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Mount: 15 5/16 × 20 1/2 inches (38.9 × 52.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

70. Le Port De Brest: Dessiné Du Point K Marqué sur Le Plan

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, gray ink and graphite on medium, moderately textured, beige laid paper
Dimensions:: Mount: 15 × 20 1/2 inches (38.1 × 52.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

71. Le Port De Brest: Dessiné Du Point F Marqué sur Le Plan

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, gray ink, brown ink and graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 15 1/8 × 20 13/16 inches (38.4 × 52.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

72. Le Pont de Brest/ Definne du Point H. Marque fur la Plan: Dock Scene with Laborers employed on Various Aspects of Ship Construction

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, pen, and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 5/8 × 17 inches (24.4 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

73. Le Port de Rochefort: Vu Du Point A Marque sur le Plan:

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, gray ink, and graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 14 5/16 × 21 9/16 inches (36.4 × 54.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

74. Faux-Bourg de St. Serran: Dessine du Point C. Marque sur Le Plan

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, gray ink, brown ink, red ink and graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 14 11/16 × 20 11/16 inches (37.3 × 52.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

75. A British Encampment

Creator:: Dirk Langendyck, 1748–1805
Date:: 1799 to 1801
Materials & Techniques:: Watercolor, pen and brown ink, pen and black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 9/16 x 14 5/16in. (24.3 x 36.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. De la Parade de Seconde sur le Coup de Seconde

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 15/16 × 17 1/4 inches (27.8 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. De la Parade Dequinte sur le Coup de Quinte

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 3/4 × 17 1/2 inches (27.3 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. De la Parade de Prime sur le Coup de Seconde

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 11 1/16 × 16 inches (28.1 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. De la Risposte en Tierce de Pied Ferme sur le Coup de Tierce

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 11 × 17 3/8 inches (27.9 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. De la Risposte du Cavé de Pied Ferme sur le Coup de Flanconnade a ceux qui n'Opposent pas de la Main Gauche

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 7/8 × 16 15/16 inches (27.6 × 43 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Du Desarmement Aprés la Parade au Dehors des Armes

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 7/8 × 14 15/16 inches (27.6 × 37.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. Position de la Garde Italienne de L'Epée & Poignard

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 3/4 × 15 15/16 inches (27.3 × 40.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. De la Garde Espagnole, Figure A Attaqueé par la Garde Françoise

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 11 1/8 × 16 5/8 inches (28.3 × 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. London from Blackheath

Creator:: Francis Nicholson, 1753–1844
Date:: undated
Materials & Techniques:: Watercolor over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 3/8 x 15 7/8in. (23.8 x 40.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. Single Brig; Sketches of Separate Stern and Rubber

Creator:: Joseph Cartwright, c.1789–1829
Date:: undated
Materials & Techniques:: Watercolor, pen and gray ink, and graphite on medium, moderately textured, beige wove paper
Dimensions:: Mount: 9 7/16 × 16 11/16 inches (24 × 42.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

86. View on the London and Birmingham Railway, Primrose Hill, Chalk Farm, Showing the Travelling Post Office

Creator:: W. S. Penson, 19th century
Date:: undated
Materials & Techniques:: Graphite, pen and ink, watercolor, and gouache, with scratching out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/2 x 14 7/8in. (24.1 x 37.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. Old Mill at Battersea

Creator:: formerly John Varley, 1778–1842
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 5/8 × 13 1/2 inches (24.4 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. Market Hill, Cambridge

Creator:: unknown artist
Date:: ca. 1895
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 3/8 × 14 1/4 inches (23.8 × 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. Le Port de L'Orient: Dessine du Point B. Marque fur la Carte:

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, gray ink and graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 15 1/8 × 20 7/16 inches (38.4 × 51.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

90. Cat Like Courtship

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor, pen and gray ink, pen and red-brown ink, gray wash, and graphite on medium, slightly textured, beige wove paper mounted on thick, moderately textured, beige wove paper
Dimensions:: Sheet: 9 5/8 × 7 3/4 inches (24.4 × 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. On the River Wye with Wilton Castle Ruins on a Bend in the River

Creator:: John Glover, 1767–1849
Date:: after 1794
Materials & Techniques:: Gray ink and gray wash over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 x 11 5/8 inches (20.3 x 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. Tree Study

Creator:: Sir George Howland Beaumont seventh Baronet, 1753–1827
Date:: 1807
Materials & Techniques:: Graphite and black chalk on medium, moderately textured, gray wove paper
Dimensions:: Sheet: 9 1/2 × 12 inches (24.1 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. Barges on a Canal in Rotterdam

Creator:: James Holland, 1799–1870
Date:: 1845
Materials & Techniques:: Watercolor, gouache, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 9 5/8 × 17 1/8 inches (24.4 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. A Dramatic Scene with Three Women in an Interior

Creator:: William Hamilton, 1751–1801
Date:: 1794
Materials & Techniques:: Watercolor, gray wash, pen and black ink, pen and blue ink, black chalk, gouache, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 5/8 × 13 5/8 inches (24.4 × 34.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. Design for Covent Garden Drop Curtain

Creator:: Thomas Grieve, 1799–1882
Date:: 1823
Materials & Techniques:: Pen and black ink, gray wash, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 3/8 × 10 1/8 inches (23.8 × 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. View of Erthig, Denbigshire, Wales

Creator:: Moses Griffith, 1747–1819
Date:: undated
Materials & Techniques:: Graphite, pen and black ink and watercolor on medium, slightly textured cream laid paper
Dimensions:: Sheet: 9 1/2 x 18 7/8in. (24.1 x 47.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. The Beautiful Vale and Mowddach River, Merionethshire

Creator:: Moses Griffith, 1747–1819
Date:: 1805
Materials & Techniques:: Watercolor over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/2 x 13in. (24.1 x 33cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. The Tower of the Clergy, Oporto

Creator:: James Holland, 1799–1870
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 9 1/4 × 6 3/4 inches (23.5 × 17.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

99. African Civet

Creator:: Samuel Howitt, 1756–1822
Date:: ca. 1817
Materials & Techniques:: Watercolor, pen and black ink and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 5/8 × 7 3/8 inches (24.4 × 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. A Bulldog

Creator:: Samuel Howitt, 1756–1822
Date:: after 1815
Materials & Techniques:: Watercolor and pen and black ink over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 3/8 × 12 7/8 inches (23.8 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Collection Prints and Drawings

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1. Salisbury Cathedral From the Meadows

2. Italian Hill Town

3. Underriver Hills, near Sevenoaks, Kent, from the Grounds of J. Herries, Esq.

4. Boxhill

5. Near Grindelwald

6. Landscape with Barn

7. Rocky Valley of Mosta, Malta, 2:15 p.m. (April 3, 1866)

8. Rocky Valley of Mosta, Malta, 1:30 p.m. (April 3, 1866)

9. Oasis Village

10. Gerf Hoseyn, 2:30 pm, 15 February 1867 (484)

11. Toske

12. Rocky Valley of Mosta, Malta

13. Seated Figure

14. Iphigenia Kneeling over an Altar

15. America. A Prophecy, Plate 10, "The Terror Answered...."

16. America. A Prophecy, Plate 11, "Sound! Sound! My Loud War-Trumpets...."

17. America. A Prophecy, Plate 15, "What Time the Thirteen Governors...."

18. America. A Prophecy, Plate 16, "In the Flames Stood...."

19. America. A Prophecy, Plate 18, "Over the Hills...."

20. America. A Prophecy, Plate 2, Title Page

21. Europe. A Prophecy, Frontispiece Proof Impression

22. America. A Prophecy, Plate 8, "The Morning Comes...."

23. Europe. A Prophecy, Plate 2, Title Page

24. Europe. A Prophecy, Plate 3, "Preludium"

25. Europe. A Prophecy, Plate 5, "A | Prophecy | The deep of winter came . . . . " (Bentley 6)

26. Europe. A Prophecy, Plate 4, "Unwilling I look up . . . . " (Bentley 5)

27. Europe. A Prophecy, Plate 10, "Enitharmon slept . . . . " (Bentley 12)

28. Europe. A Prophecy, Plate 11, "In thoughts perturb'd . . . ." (Bentley 13)

29. America. A Prophecy, Plate 9, "In Thunders Ends the Voice...."

30. Europe. A Prophecy, Plate 12, "Albions Angel rose . . . . " (Bentley 14)

31. Europe. A Prophecy, Plate 8 (Bentley 9)

32. Europe. A Prophecy, Plate 7, "Now comes the night . . . . " (Bentley 8)

33. Europe. A Prophecy, Plate 9, "Arise O Rintrah . . . ." (Bentley 11)

34. Europe. A Prophecy, Plate 13 (Bentley 10)

35. Europe. A Prophecy, Plate 14, "And the clouds & fires . . . . " (Bentley 15)

36. Jerusalem, Plate 53, "Jerusalem / Chap. 3"

37. America. A Prophecy, Plate 1, Frontispiece

38. America. A Prophecy, Plate 12, "Thus Wept the Angel Voice...."

39. America. A Prophecy, Plate 13, "Fiery the Angels Rose...."

40. America. A Prophecy, Plate 14, "So Cried He...."

41. America. A Prophecy, Plate 17, "On Albions Angels...."

42. America. A Prophecy, Plate 5, "A | Prophecy | The Guardian Prince of Albion...."

43. America. A Prophecy, Plate 7, "Albions Angel stood...."

44. Satan Approaching the Court of Chaos

45. Unfinished Sketch of an Elaborately Saddled Horse

46. Standing Dignitary

47. Mosque at Borranypore

48. Statue of the Marquis of Hastings in Tank Square - Calcutta

49. A Parrot

50. An English Child

51. Air Man, July 10, 1828

52. A Bird

53. Portrait of a Priest of the Borahs [Bohras]

54. A Goose

55. The Bayswater Turnpike

56. De la Parade de Quarte au Dehors des Armes sur le Coup de Quarte hors des Armes

57. Windsor Castle from the North

58. Demi Volte sur les Coups Forcés au Dehors des Armes

59. De la Passe en Quarte du Dehors des Armes

60. Du Desarmement Aprés Avoir Paré le Coup de Quarte

61. De la Garde Espagnole Combattüe Aprês la Parade du Coup d'Estramasson

62. L'Epée & Lanterne Combattüe par L'Epée et Manteau

63. Garde de L'Epée & Manteau Attaquée par L'Epée & Lanterne

64. Garde de l'Espadonneur. Figure A. Garde Dêfensive du Pointeur. Figure B.

65. Cairo Bazaar

66. View on the London and Birmingham Railway at Chalk Farm Showing the Train Carrying Livestock

67. Le Port Vieux de Toulon: Dessiné du Point C Marqué sur le Plan

68. Le Port de Brest: Dessiné du Point, A, Marqué sur La Carte De La Rade

69. Le Port de Brest: Dessiné du Point I Marqué sur Le Plan

70. Le Port De Brest: Dessiné Du Point K Marqué sur Le Plan

71. Le Port De Brest: Dessiné Du Point F Marqué sur Le Plan