Credit Line: Yale Center for British Art, Paul Mellon Collection / Genre: animal art

201. A Harrow in the Orchard

Creator:: Robert Polhill Bevan, 1865–1925
Date:: ca. 1896
Materials & Techniques:: Pen and black ink and gray wash; verso: graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 7/8 × 15 3/8 inches (25.1 × 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

202. Sale at Ward's Repository (Wards No. 2)

Creator:: Robert Polhill Bevan, 1865–1925
Date:: 1921
Materials & Techniques:: Lithograph on wove paper
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

203. The Horse Mart (Barbican No. 1)

Creator:: Robert Polhill Bevan, 1865–1925
Date:: 1920
Materials & Techniques:: Lithograph on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 × 20 1/16 inches (38.1 × 51 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

204. The Flying Pack

Creator:: Print made by Robert Polhill Bevan, 1865–1925
Date:: 1898-1899
Materials & Techniques:: Lithograph on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 15 1/16 x 19 1/2 inches (38.3 x 49.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

205. Found!

Creator:: Print made by Robert Polhill Bevan, 1865–1925
Date:: 1898-1899
Materials & Techniques:: Lithograph on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 15 x 19 7/16 inches (38.1 x 49.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

206. Who-o-p!

Creator:: Print made by Robert Polhill Bevan, 1865–1925
Date:: 1898-1899
Materials & Techniques:: Lithograph on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 14 15/16 x 19 1/2 inches (38 x 49.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

207. The Meet

Creator:: Print made by Robert Polhill Bevan, 1865–1925
Date:: 1898-1899
Materials & Techniques:: Lithograph on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 15 x 19 5/16 inches (38.1 x 49 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

208. Huntsman and Hounds

Creator:: Print made by Robert Polhill Bevan, 1865–1925
Date:: 1898-1899
Materials & Techniques:: Lithograph on thick, smooth, gray wove card
Dimensions:: Sheet: 7 7/8 x 6 5/8 inches (20.1 x 16.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

209. The Rising Moon

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1857
Materials & Techniques:: Etching and drypoint, with plate tone on thick, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 10 7/8 x 16 3/8 inches (27.6 x 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

210. The Rising Moon

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1857
Materials & Techniques:: Etching and drypoint, with plate tone on moderately thick, slightly textured, cream wove paper with beige chine collé
Dimensions:: Sheet: 10 3/8 x 13 3/4 inches (26.3 x 35 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

211. The Homeward Star

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: etching begun ca. 1880; impression printed in 1924
Materials & Techniques:: Etching and drypoint, with plate tone on thin, moderately textured, cream laid paper
Dimensions:: Sheet: 6 7/16 x 9 1/2 inches (16.4 x 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

212. The Homeward Star

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: begun ca. 1880
Materials & Techniques:: Etching and drypoint, with plate tone on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 6 5/8 x 9 5/16 inches (16.8 x 23.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

213. The Homeward Star

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: etching begun ca. 1880; impression printed in 1924
Materials & Techniques:: Etching and drypoint, with plate tone on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 3/16 x 9 1/16 inches (15.7 x 23 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

214. Moeris and Galatea

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: plate etched between 1880 and 1883; impression printed in 1924
Materials & Techniques:: Etching and drypoint, with plate tone, retouched with white watercolor, gouache or chalk on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 11 7/16 x 13 13/16 inches (29.1 x 35.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

215. The Weary Ploughman

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1858
Materials & Techniques:: Etching and drypoint on thick, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 11 3/4 x 17 1/16 inches (29.8 x 43.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

216. The Sleeping Shepherd

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1857
Materials & Techniques:: Etching and drypoint on thick, smooth, cream wove paper with cream chine collé
Dimensions:: Sheet: 4 13/16 x 4 1/16 inches (12.2 x 10.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

217. The Rising Moon

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1857
Materials & Techniques:: Etching and drypoint, retouched with black ink or oil paint, gray watercolor or gouache, and pale brown watercolor, gouache or chalk on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 7/8 x 14 7/16 inches (27.6 x 36.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

218. The Homeward Star

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: etching begun ca. 1880; impression printed in 1924
Materials & Techniques:: Etching and drypoint, with plate tone on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 10 13/16 x 12 15/16 inches (27.4 x 32.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

219. The Morning of Life

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1860-1861
Materials & Techniques:: Etching, engraving and drypoint, with plate tone on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 x 10 7/8 inches (19 x 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

220. The Weary Ploughman

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1858
Materials & Techniques:: Etching and drypoint, with plate tone on thick, smooth, beige wove paper
Dimensions:: Sheet: 6 7/16 x 9 3/16 inches (16.3 x 23.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

221. The Rising Moon

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1857
Materials & Techniques:: Etching and drypoint, with plate tone on thick, smooth, cream wove paper
Dimensions:: Sheet: 6 x 9 inches (15.3 x 22.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

222. The Rising Moon

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1857
Materials & Techniques:: Etching and drypoint, with plate tone on thick, slightly textured, beige wove paper with beige chine collé
Dimensions:: Sheet: 9 x 12 3/16 inches (22.8 x 31 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

223. The Herdsman's Cottage

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1850
Materials & Techniques:: Etching and drypoint retouched with graphite on thick, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 11 3/4 x 8 9/16 inches (29.9 x 21.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

224. A Horse Affrighted by a Lion

Creator:: Print made by George Stubbs, 1724–1806
Date:: 1777
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 3/4 × 19 inches (37.5 × 48.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

225. Horses Fighting

Creator:: after George Stubbs, 1724–1806
Date:: undated
Materials & Techniques:: Watercolor, gouache, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 17 1/8 x 23 1/4 inches (43.5 x 59.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

226. A Tiger and a Sleeping Leopard

Creator:: Print made by George Stubbs, 1724–1806
Date:: 1788
Materials & Techniques:: Soft-ground etching with roulette on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 3/4 × 12 1/2 inches (24.8 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

227. A Sleeping Leopard

Creator:: Print made by George Stubbs, 1724–1806
Date:: 1791
Materials & Techniques:: Soft-ground etching with roulette on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 13 3/4 inches (25.4 x 34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

228. A Horse Affrighted by a Lion

Creator:: Print made by George Stubbs, 1724–1806
Date:: 1788
Materials & Techniques:: Etching with roulette work, third state
Dimensions:: Plate: 9 7/8 x 13 inches (25.1 x 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

229. A Foxhound on the Scent

Creator:: George Stubbs, 1724–1806
Date:: 1788
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 3 5/8 × 4 inches (9.2 × 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

230. Bridge and Cows

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1807
Materials & Techniques:: Etching and mezzotint, printed in brown ink Engraver's proof on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/8 × 11 3/8 inches (21.3 × 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

231. Bridge and Cows

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1807
Materials & Techniques:: Etching and mezzotint, printed in brown ink First published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 × 15 1/4 inches (27.9 × 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

232. The Bridge and Goats

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1812
Materials & Techniques:: Etching and mezzotint, printed in brown ink First published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 5/8 × 17 1/2 inches (29.5 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

233. The Crypt of Kirkstall Abbey

Creator:: Etched and engraved by Joseph Mallord William Turner, 1775–1851
Date:: 1812
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 5/8 × 16 1/4 inches (27 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

234. Norham Castle, on the River Tweed, 1816

Creator:: after Joseph Mallord William Turner, 1775–1851
Materials & Techniques:: Planogrpahic printing
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

235. Hedging and Ditching

Creator:: after Joseph Mallord William Turner, 1775–1851
Date:: 1812
Materials & Techniques:: Line engraving and etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

236. North-West Front, Cassiobury, with Hounds and Huntsmen

Creator:: after Joseph Mallord William Turner, 1775–1851
Materials & Techniques:: Photogravure
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

237. Swan

Creator:: after Joseph Mallord William Turner, 1775–1851
Materials & Techniques:: Photolithograph
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

238. Bridge and Cows

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1807
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 5/8 × 15 7/8 inches (27 × 40.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

239. A Weasel

Creator:: Edward Lear, 1812–1888
Date:: 1832
Materials & Techniques:: Watercolor with pen in brown ink, with gouache and gum over graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 7 3/8 x 11 inches (18.7 x 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

240. A Rhinoceros

Creator:: James Sowerby, 1756–1822
Date:: undated
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/2 × 11 inches (21.6 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

241. A Porpoise?

Creator:: James Sowerby, 1756–1822
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 3/4 × 12 3/4 inches (19.7 × 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

242. View in the Island of Pulo Condore

Creator:: John Webber, 1752–1793
Date:: 1792
Materials & Techniques:: Graphite; verso: transferred soft ground on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 11 5/8 × 17 inches (29.5 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

243. Carnedd Llewelyn and Carnedd David, Carnarvonshire, Seen Across the River Ogwen

Creator:: John Warwick Smith, 1749–1831
Date:: undated
Materials & Techniques:: Watercolor over graphite on medium, slightly textured, cream wove paper mounted on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 8 3/4 inches (13.3 x 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

244. Stable Boy on a Pony

Creator:: Arthur James Stark, 1831–1902
Date:: undated
Materials & Techniques:: Watercolor, gouache, and graphite on medium, smooth, beige wove paper
Dimensions:: Sheet: 5 1/2 × 6 7/8 inches (14 × 17.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

245. Sleeping Pig

Creator:: James Ward, 1769–1859
Date:: undated
Materials & Techniques:: Black and red chalk and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/2 x 10 1/4 inches (14 x 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

246. The Shepherd

Creator:: Engraved by Welby Sherman, active 1827
Date:: between 1827 and 1836
Materials & Techniques:: Engraving on thick, slightly textured beige wove paper with beige chine collé
Dimensions:: Sheet: 12 7/8 x 11 9/16 inches (32.7 x 29.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

247. Fonthill House in Wiltshire, the Seat of William Beckford Esqr.

Creator:: Print made by William Angus, 1752–1821
Date:: 1800
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/16 × 7 3/4 inches (15.4 × 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

248. Distant View of Chester

Creator:: Print made by William Byrne, 1743–1805
Date:: 1810
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 7/8 × 14 1/4 inches (27.6 × 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

249. Pope's Villa

Creator:: Print made by John Pye, 1782–1874
Date:: 1811
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 5/8 × 13 3/8 inches (24.4 × 34 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

250. Crypt in Kirkstall Abbey, Yorkshire

Creator:: Print made by John Scott, 1774–1828
Date:: 1814
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/8 × 10 11/16 inches (20.6 × 27.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

251. The Shepherd

Creator:: Print made by George Richmond, 1809–1896
Date:: 1827
Materials & Techniques:: Engraving on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 8 15/16 x 6 9/16 inches (22.7 x 16.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

252. Cows in a Pool

Creator:: attributed to Peter DeWint, 1784–1849
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, rough, cream wove paper
Dimensions:: Sheet: 8 5/8 x 10 5/8 inches (21.9 x 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

253. Head of a Lioness

Creator:: Henri Gaudier-Brzeska, 1891–1915
Date:: between 1910 and 1915
Materials & Techniques:: Black chalk on thin, smooth, beige wove paper
Dimensions:: Sheet: 9 3/4 x 8 3/4 inches (24.8 x 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

254. Porpoises, July 7, 1883

Creator:: Henry Moore, 1831–1895
Date:: 1883
Materials & Techniques:: Watercolor with graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 13 15/16in. (25.4 x 35.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

255. The Shepherdess of the Alps

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1776
Materials & Techniques:: Line engraving and stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

256. Tityus' Liver being Attacked by Vulture

Creator:: Francesco Bartolozzi, 1728–1815
Materials & Techniques:: Line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

257. Diana, The Huntress

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1763
Materials & Techniques:: Line engraving and stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

258. Laocoon And His Sons Wrestling With Two Snakes

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1765
Materials & Techniques:: Line engraving and stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

259. A Sacrifice To Diana The Goddess Of Hunting

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1791
Materials & Techniques:: Line engraving and stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

260. Jupiter and Leda

Creator:: Benjamin Comte, 1760–1851
Date:: 1814
Materials & Techniques:: Line engraving and stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

261. Wickham from the Marlow Road

Creator:: Print made by William Byrne, 1743–1805
Date:: 1803
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 3/4 × 10 3/4 inches (19.7 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

262. Hampton Court, Herefordshire

Creator:: Print made by James S. Storer, 1771–1853
Date:: 1801
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 × 8 3/8 inches (12.7 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

263. Donnington Castle

Creator:: Print made by Letitia Byrne, 1779–1849
Date:: 1805
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 5/16 × 12 3/8 inches (26.2 × 31.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

264. Newbury From Speen Hill

Creator:: Print made by William Byrne, 1743–1805
Date:: 1805
Materials & Techniques:: Line engraving on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 8 × 10 3/4 inches (20.3 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

265. The Adoration of the Shepherds

Creator:: Francesco Bartolozzi, 1728–1815
Materials & Techniques:: Line engraving, stipple engraving, mezzotint, and etching, with brown wash
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

266. Flight Into Egypt

Creator:: Francesco Bartolozzi, 1728–1815
Materials & Techniques:: Line engraving, stipple engraving, mezzotint, and etching, with brown wash
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

267. Meleager and the Boar

Creator:: Francesco Bartolozzi, 1728–1815
Materials & Techniques:: Line engraving, stipple engraving, and etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

268. As You Like It, Act IV, Orlando and Oliver

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1788
Materials & Techniques:: Line engraving, stipple engraving, and ething
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

269. Two Greyhounds Chasing a Hare

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, pen and brown ink, and white gouache on thick, rough, cream wove paper
Dimensions:: Sheet: 11 1/8 × 15 1/4 inches (28.3 × 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

270. Bridge at Narni

Creator:: Print made by Samuel Middiman, ca. 1750–1831
Date:: 1819
Materials & Techniques:: Line engraving and etching on medium, smooth, cream wove paper
Dimensions:: Sheet: 10 5/8 × 15 1/8 inches (27 × 38.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

271. Stone Henge, Wiltshire

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1829
Materials & Techniques:: Line engraving and etching, 1st state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 10 11/16 × 14 1/2 inches (27.1 × 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

272. Views in the Levant: A Camel

Creator:: Willey Reveley, 1760–1799
Date:: ca. 1785
Materials & Techniques:: Watercolor, over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 1/8 × 13 1/8 inches (23.2 × 33.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

273. The Kracken, Supposed a Sepia or Cuttle Fish

Creator:: James Stewart, 1791–1863
Date:: ca. 1837
Materials & Techniques:: Pen and gray ink, black ink, gray wash, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 7/16 × 7 15/16 inches (13.8 × 20.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

274. Snow Leopard

Creator:: Charles Hamilton Smith, 1776–1859
Date:: ca. 1837
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 4 13/16 × 7 3/4 inches (12.2 × 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

275. Sunda Stink Badger

Creator:: James Stewart, 1791–1863
Date:: ca. 1837
Materials & Techniques:: Watercolor, pen and brown ink, gray ink and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 4 13/16 × 7 3/8 inches (12.2 × 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

276. Yellow Mongoose

Creator:: Charles Hamilton Smith, 1776–1859
Date:: ca. 1837
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 3/8 × 8 1/16 inches (13.7 × 20.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

277. Duvaucel's Squirrel

Creator:: Charles Hamilton Smith, 1776–1859
Date:: ca. 1837
Materials & Techniques:: Watercolor, pen and brown ink and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 4 3/16 × 6 5/8 inches (10.6 × 16.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

278. The Great Sea Serpent

Creator:: James Stewart, 1791–1863
Date:: ca. 1837
Materials & Techniques:: Pen and black ink, gray wash and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 5/16 × 7 13/16 inches (13.5 × 19.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

279. Chile Skunk

Creator:: Charles Hamilton Smith, 1776–1859
Date:: ca. 1837
Materials & Techniques:: Watercolor, pen and brown ink and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 3 9/16 × 6 1/16 inches (9 × 15.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

280. Pink Fairy Armadillo

Creator:: Charles Hamilton Smith, 1776–1859
Date:: ca. 1837
Materials & Techniques:: Watercolor, pen and brown ink and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 4 7/8 × 7 11/16 inches (12.4 × 19.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

281. The Capybara

Creator:: Charles Hamilton Smith, 1776–1859
Date:: ca. 1837
Materials & Techniques:: Watercolor, pen and brown ink and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 4 13/16 × 7 9/16 inches (12.2 × 19.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

282. Chlamyphorus Truncatus

Creator:: Charles Hamilton Smith, 1776–1859
Date:: ca. 1837
Materials & Techniques:: Watercolor, pen and brown ink and graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 4 1/16 × 6 1/2 inches (10.3 × 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

283. Halmaturus Rutilans

Creator:: Charles Hamilton Smith, 1776–1859
Date:: ca. 1837
Materials & Techniques:: Watercolor, pen and black ink, brown ink, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 4 5/16 × 6 13/16 inches (11 × 17.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

284. Corsac Dog-Fox

Creator:: Charles Hamilton Smith, 1776–1859
Date:: ca. 1837
Materials & Techniques:: Watercolor, pen and black ink, brown ink and graphite on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 4 3/16 × 6 5/8 inches (10.6 × 16.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

285. Sooty Falcon

Creator:: William Swainson, 1789–1855
Date:: ca. 1837
Materials & Techniques:: Watercolor, pen and black ink, gouache, gum arabic, gray wash and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 × 5 7/8 inches (22.9 × 14.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

286. Paradoxurus Dubius

Creator:: Charles Hamilton Smith, 1776–1859
Date:: ca. 1837
Materials & Techniques:: Watercolor, pen and brown ink and graphite on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 5 × 8 inches (12.7 × 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

287. Falkland Islands Wolf

Creator:: Charles Hamilton Smith, 1776–1859
Date:: ca. 1837
Materials & Techniques:: Watercolor, pen and brown ink and graphite on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 4 3/16 × 6 1/2 inches (10.6 × 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

288. Magellanic Aguara Fox: Cerdocyon Magellanicus

Creator:: Charles Hamilton Smith, 1776–1859
Date:: ca. 1837
Materials & Techniques:: Watercolor, pen and brown ink and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 3 15/16 × 6 9/16 inches (10 × 16.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

289. Peruvian Paso

Creator:: Charles Hamilton Smith, 1776–1859
Date:: ca. 1837
Materials & Techniques:: Watercolor, pen and brown ink and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 4 × 6 3/8 inches (10.2 × 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

290. Macacus (Maimon) Brachyurus, White Maimon

Creator:: Charles Hamilton Smith, 1776–1859
Date:: ca. 1837
Materials & Techniques:: Watercolor, pen and red ink, gray ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 3/4 × 4 3/8 inches (17.1 × 11.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

291. Dongola Horse

Creator:: Charles Hamilton Smith, 1776–1859
Date:: ca. 1837
Materials & Techniques:: Watercolor, pen and black ink, brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 1/4 × 6 3/8 inches (10.8 × 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

292. English Draught Horse

Creator:: Charles Hamilton Smith, 1776–1859
Date:: ca. 1837
Materials & Techniques:: Watercolor, pen and black ink and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 × 6 3/8 inches (10.2 × 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

293. Eelback Dun Stock, Ukraine Decussated Horse

Creator:: Charles Hamilton Smith, 1776–1859
Date:: ca. 1837
Materials & Techniques:: Watercolor, pen and black ink and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 4 1/8 × 6 5/8 inches (10.5 × 16.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

294. Medo-Persian Horse and Egyptian Horse

Creator:: Charles Hamilton Smith, 1776–1859
Date:: ca. 1837
Materials & Techniques:: Graphite and pen and gray ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/2 × 4 inches (16.5 × 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

295. The Hlymar, or Hamur, Persian Wild Ass

Creator:: Charles Hamilton Smith, 1776–1859
Date:: ca. 1837
Materials & Techniques:: Watercolor, pen and brown ink, black ink and graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 3 7/8 × 6 3/8 inches (9.8 × 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

296. Guaraxa Aguara-Fox

Creator:: Charles Hamilton Smith, 1776–1859
Date:: ca. 1837
Materials & Techniques:: Watercolor, pen and brown ink and graphite on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 4 3/4 × 7 7/16 inches (12.1 × 18.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

297. Naked Hyaena of the Deserts of Nubia

Creator:: Charles Hamilton Smith, 1776–1859
Date:: ca. 1837
Materials & Techniques:: Watercolor, pen and brown ink and graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 3 7/8 × 6 11/16 inches (9.8 × 17 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

298. Title Page: The Naturalist Library: Mammalia. Introduction. Volume: 1:13

Creator:: Charles Hamilton Smith, 1776–1859
Date:: ca. 1837
Materials & Techniques:: Pen and gray ink, gray wash and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 3/4 × 5 3/4 inches (19.7 × 14.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

299. The Hinny

Creator:: Charles Hamilton Smith, 1776–1859
Date:: ca. 1837
Materials & Techniques:: Watercolor, pen and gray ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 3 7/8 × 6 3/8 inches (9.8 × 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

300. Brood Mare and Third Foal, with Marks of Quagga

Creator:: Charles Hamilton Smith, 1776–1859
Date:: ca. 1837
Materials & Techniques:: Watercolor, graphite, pen and black ink and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 3 7/8 × 6 1/2 inches (9.8 × 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Credit Line Yale Center for British Art, Paul Mellon Collection

Genre animal art

Search Results

201. A Harrow in the Orchard

202. Sale at Ward's Repository (Wards No. 2)

203. The Horse Mart (Barbican No. 1)

204. The Flying Pack

205. Found!

206. Who-o-p!

207. The Meet

208. Huntsman and Hounds

209. The Rising Moon

210. The Rising Moon

211. The Homeward Star

212. The Homeward Star

213. The Homeward Star

214. Moeris and Galatea

215. The Weary Ploughman

216. The Sleeping Shepherd

217. The Rising Moon

218. The Homeward Star

219. The Morning of Life

220. The Weary Ploughman

221. The Rising Moon

222. The Rising Moon

223. The Herdsman's Cottage

224. A Horse Affrighted by a Lion

225. Horses Fighting

226. A Tiger and a Sleeping Leopard

227. A Sleeping Leopard

228. A Horse Affrighted by a Lion

229. A Foxhound on the Scent

230. Bridge and Cows

231. Bridge and Cows

232. The Bridge and Goats

233. The Crypt of Kirkstall Abbey

234. Norham Castle, on the River Tweed, 1816

235. Hedging and Ditching

236. North-West Front, Cassiobury, with Hounds and Huntsmen

237. Swan

238. Bridge and Cows

239. A Weasel

240. A Rhinoceros

241. A Porpoise?

242. View in the Island of Pulo Condore

243. Carnedd Llewelyn and Carnedd David, Carnarvonshire, Seen Across the River Ogwen

244. Stable Boy on a Pony

245. Sleeping Pig

246. The Shepherd

247. Fonthill House in Wiltshire, the Seat of William Beckford Esqr.

248. Distant View of Chester

249. Pope's Villa

250. Crypt in Kirkstall Abbey, Yorkshire

251. The Shepherd

252. Cows in a Pool

253. Head of a Lioness

254. Porpoises, July 7, 1883

255. The Shepherdess of the Alps

256. Tityus' Liver being Attacked by Vulture

257. Diana, The Huntress

258. Laocoon And His Sons Wrestling With Two Snakes

259. A Sacrifice To Diana The Goddess Of Hunting

260. Jupiter and Leda

261. Wickham from the Marlow Road

262. Hampton Court, Herefordshire

263. Donnington Castle

264. Newbury From Speen Hill

265. The Adoration of the Shepherds

266. Flight Into Egypt

267. Meleager and the Boar

268. As You Like It, Act IV, Orlando and Oliver

269. Two Greyhounds Chasing a Hare

270. Bridge at Narni

271. Stone Henge, Wiltshire

272. Views in the Levant: A Camel

273. The Kracken, Supposed a Sepia or Cuttle Fish

274. Snow Leopard