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Credit Line Yale Center for British Art, Paul Mellon Collection

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William Blake The Book of Thel, Plate 4, "Why should the mistress . . . ."
Print made by William Blake, 1757–1827
The Book of Thel, Plate 4, "Why should the mistress . . . ."
1789
William Blake The Book of Thel, Plate 6, "III. / Then Thel astonish'd . . . ."
Print made by William Blake, 1757–1827
The Book of Thel, Plate 6, "III. / Then Thel astonish'd . . . ."
1789
William Blake Songs of Innocence, Plate 30, "The Little Black Boy" (Bentley 10)
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 30, "The Little Black Boy" (Bentley 10)
1789
William Blake The Poems of Thomas Gray, Design 111, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 111, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake Songs of Innocence, Plate 26, "Spring" (Bentley 23)
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 26, "Spring" (Bentley 23)
1789
William Blake Songs of Innocence, Plate 8, "The Lamb" (Bentley 8)
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 8, "The Lamb" (Bentley 8)
1789
William Blake The Poems of Thomas Gray, Design 97, "Ode for Music."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 97, "Ode for Music."
between 1797 and 1798
William Blake Songs of Innocence, Plate 4, "A Dream" (Bentley 26)
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 4, "A Dream" (Bentley 26)
1789
William Blake The Poems of Thomas Gray, Design 83, "The Descent of Odin."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 83, "The Descent of Odin."
between 1797 and 1798
William Blake Songs of Innocence, Plate 1, Frontispiece (Bentley 2)
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 1, Frontispiece (Bentley 2)
1789
William Blake The Poems of Thomas Gray, Design 55, "The Bard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 55, "The Bard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 57, "The Bard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 57, "The Bard."
between 1797 and 1798
William Blake The First Book of Urizen, Plate 2, "Preludium to the Book of Urizen" (Bentley 2a)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 2, "Preludium to the Book of Urizen" (Bentley 2a)
1794
William Blake The Book of Thel, Plate 6, "III. / Then Thel astonish'd . . . ."
Print made by William Blake, 1757–1827
The Book of Thel, Plate 6, "III. / Then Thel astonish'd . . . ."
1789
William Blake Songs of Innocence and of Experience, Plate 40, "The Angel" (Bentley 41)
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 40, "The Angel" (Bentley 41)
1794
William Blake Young's Night Thoughts, Page 4, "What, though my soul fantastick measures trod"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 4, "What, though my soul fantastick measures trod"
ca. 1797
William Blake Young's Night Thoughts, Page 70, "'Till death, that mighty hunter, earths them all"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 70, "'Till death, that mighty hunter, earths them all"
ca. 1797
William Blake Songs of Innocence and of Experience, Plate 1, Innocence Frontispiece (Bentley 2)
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 1, Innocence Frontispiece (Bentley 2)
1789
William Blake Songs of Innocence and of Experience, Plate 2, Innocence Title Page (Bentley 3)
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 2, Innocence Title Page (Bentley 3)
1789
William Blake Songs of Innocence and of Experience, Plate 3, "Introduction" (Bentley 4)
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 3, "Introduction" (Bentley 4)
1789
William Blake Songs of Innocence and of Experience, Plate 4, "The Shepherd" (Bentley 5)
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 4, "The Shepherd" (Bentley 5)
1789
William Blake Songs of Innocence and of Experience, Plate 8, "The Ecchoing Green" (Bentley 6)
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 8, "The Ecchoing Green" (Bentley 6)
1789
William Blake Songs of Innocence and of Experience, Plate 12, "Spring" (Bentley 23)
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 12, "Spring" (Bentley 23)
1789
William Blake Songs of Innocence and of Experience, Plate 14, "Laughing Song" (Bentley 15)
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 14, "Laughing Song" (Bentley 15)
1789
William Blake Young's Night Thoughts, Page 37, "Love, and love only, is the loan for love"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 37, "Love, and love only, is the loan for love"
ca. 1797
William Blake Songs of Innocence and of Experience, Plate 46, "The Human Abstract" (Bentley 47)
William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 46, "The Human Abstract" (Bentley 47)
1794
William Blake Songs of Innocence and of Experience, Plate 22, "The Little Girl Found" (Bentley 36)
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 22, "The Little Girl Found" (Bentley 36)
1789
William Blake Songs of Innocence and of Experience, Plate 32, Experience Frontispiece (Bentley 28)
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 32, Experience Frontispiece (Bentley 28)
1794
William Blake Songs of Innocence and of Experience, Plate 38, "Holy Thursday" (Bentley 33)
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 38, "Holy Thursday" (Bentley 33)
1794
William Blake Songs of Innocence and of Experience, Plate 41, "A Poison Tree" (Bentley 49)
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 41, "A Poison Tree" (Bentley 49)
1794
William Blake Songs of Innocence and of Experience, Plate 42, "The Tyger" (Bentley 42)
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 42, "The Tyger" (Bentley 42)
1794
William Blake Songs of Innocence and of Experience, Plate 48, "The Fly" (Bentley 40)
William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 48, "The Fly" (Bentley 40)
1794
William Blake Songs of Innocence and of Experience, Plate 47, "My Pretty Rose Tree" (Bentley 43)
William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 47, "My Pretty Rose Tree" (Bentley 43)
1794
William Blake Visions of the Daughters of Albion, Plate 4, "Visions | Enslav'd the Daughters . . . . "
William Blake, 1757–1827
Visions of the Daughters of Albion, Plate 4, "Visions | Enslav'd the Daughters . . . . "
1793
William Blake The Poems of Thomas Gray, Design 105, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 105, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 107, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 107, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 17, "Ode on a Distant Prospect of Eton College."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 17, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 27, "A Long Story."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 27, "A Long Story."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 3, "Ode on the Spring."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 3, "Ode on the Spring."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 113, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 113, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 15, "Ode on a Distant Prospect of Eton College."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 15, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
William Blake Young's Night Thoughts, Page 37, "Love, and Love Only, Is the Loan for Love"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 37, "Love, and Love Only, Is the Loan for Love"
1797
William Blake The Poems of Thomas Gray, Design 21, "Ode on a Distant Prospect of Eton College."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 21, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 35, "Ode to Adversity."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 35, "Ode to Adversity."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 45, "The Progress of Poesy."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 45, "The Progress of Poesy."
between 1797 and 1798
William Blake Jerusalem, Plate 49, "The secret coverts of Albion...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 49, "The secret coverts of Albion...."
1804 to 1820
William Blake The First Book of Urizen, Plate 1, "The First Book of Urizen." (Bentley 1)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 1, "The First Book of Urizen." (Bentley 1)
1794
William Blake The First Book of Urizen, Plate 2, "Preludium to the Book of Urizen" (Bentley 2)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 2, "Preludium to the Book of Urizen" (Bentley 2)
1794
William Blake The First Book of Urizen, Plate 6, "Muster around the Bleak Desarts...." (Bentley 4)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 6, "Muster around the Bleak Desarts...." (Bentley 4)
1794
William Blake Jerusalem, Plate 76
Print made by William Blake, 1757–1827
Jerusalem, Plate 76
1804 to 1820
William Blake Young's Night Thoughts, Page 4, "What, though My Soul Fantastick Measures Trod"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 4, "What, though My Soul Fantastick Measures Trod"
1797
William Blake Young's Night Thoughts, Page 70, "'Till Death, That Mighty Hunter, Earths Them All"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 70, "'Till Death, That Mighty Hunter, Earths Them All"
1797
William Blake The Book of Thel, Plate 4, "Why should the mistress . . . ."
Print made by William Blake, 1757–1827
The Book of Thel, Plate 4, "Why should the mistress . . . ."
1789
William Blake The Entrance Front of Hayley's House at Eartham
William Blake, 1757–1827
The Entrance Front of Hayley's House at Eartham
1801
William Blake A Woody Landscape
William Blake, 1757–1827
A Woody Landscape
ca. 1801
Patrick Nasmyth Part of Regent's Park
Patrick Nasmyth, 1787–1831
Part of Regent's Park
1805
John Malchair Road Between Hills
pupil of John Malchair, 1730–1812
Road Between Hills
undated
John Malchair Mountainous Landscape with Castle on Hill
Pupil of John Malchair, 1730–1812
Mountainous Landscape with Castle on Hill
undated
John Malchair Castle on a Distant Hill
pupil of John Malchair, 1730–1812
Castle on a Distant Hill
undated
James Malton Preparatory drawing for Design 21, Plate 19 of A Collection of Designs for Rural Retreats
James Malton, 1761–1803
Preparatory drawing for Design 21, Plate 19 of A Collection of Designs for Rural Retreats
1802
John Preston Neale Gaunt's House, Wimborne
John Preston Neale, 1771/80–1847
Gaunt's House, Wimborne
undated
John Preston Neale On the Colne, Middlesex
John Preston Neale, 1771/80–1847
On the Colne, Middlesex
undated
William Marlow Nîmes from the Tour Magne
William Marlow, 1740–1813
Nîmes from the Tour Magne
ca. 1765
William Marlow Oxcart in the Grotto at Posillipo
William Marlow, 1740–1813
Oxcart in the Grotto at Posillipo
ca. 1770
Mary Mitford On the Seine
Mary Mitford, active 1770
On the Seine
1770
Alexander Monro Boxhill from West Humble Lane
Alexander Monro, 1802–1844
Boxhill from West Humble Lane
undated
Henry Monro High Street at Bushey, Hertfordshire
Henry Monro, 1791–1814
High Street at Bushey, Hertfordshire
1812
John Monro Farm Building
John Monro, 1801–1880
Farm Building
undated
Dr. Thomas Monro Composition: Hilly Country
Dr. Thomas Monro, 1759–1833
Composition: Hilly Country
undated
John Monro Capel Church, Near Dorking, Surrey
John Monro, 1801–1880
Capel Church, Near Dorking, Surrey
undated
George Morland Peasants Resting
George Morland, 1763–1804
Peasants Resting
1795
Aaron Edwin Penley Sheet of Studies of Deer, Figures and Landscape
Aaron Edwin Penley, 1807–1870
Sheet of Studies of Deer, Figures and Landscape
undated
Joseph Powell River Landscape with Lock in Foreground
Joseph Powell, 1780–1834
River Landscape with Lock in Foreground
undated
George Morland Landscape with Horses, Farmer and Dog
George Morland, 1763–1804
Landscape with Horses, Farmer and Dog
1794
Henry Morton The Fish Ponds
Henry Morton, ca. 1807–1825
The Fish Ponds
undated
Joseph Powell Dunster Castle, Somerset: Showing Castle in Distance
Joseph Powell, 1780–1834
Dunster Castle, Somerset: Showing Castle in Distance
undated
Samuel Prout Kingsteignton, Devon
Samuel Prout, 1783–1852
Kingsteignton, Devon
ca. 1819
William Pars The Falls at Powerscourt, Co. Wicklow, Ireland
William Pars, 1742–1782
The Falls at Powerscourt, Co. Wicklow, Ireland
undated
unknown artist Standing Woman
unknown artist
Standing Woman
undated
unknown artist Mountainous Landscape with Cows
unknown artist
Mountainous Landscape with Cows
undated
unknown artist Two Trees
unknown artist
Two Trees
undated
unknown artist Landscape
unknown artist
Landscape
undated
T. E. Jeffers Barnes Common, June 1836
T. E. Jeffers, active 1836
Barnes Common, June 1836
1836
unknown artist Greenisland Looking Towards Carnck Castle, Belfast Lough
unknown artist
Greenisland Looking Towards Carnck Castle, Belfast Lough
undated
unknown artist Shanklin Church/ Isle of Wight
unknown artist
Shanklin Church/ Isle of Wight
undated
unknown artist Great Oakley Hall, Northamptonshire
unknown artist
Great Oakley Hall, Northamptonshire
ca. 1840
John Martin The Rescue of Lot
John Martin, 1789–1854
The Rescue of Lot
1833
John Martin Rocky River Landscape
John Martin, 1789–1854
Rocky River Landscape
undated
John Martin Travelers on a Road above a River
John Martin, 1789–1854
Travelers on a Road above a River
1821
John Martin Adam and Eve
attributed to John Martin, 1789–1854
Adam and Eve
undated
John Martin The Baptism of Christ
Attributed to John Martin, 1789–1854
The Baptism of Christ
undated
John Preston Neale Kingston Lacy, Dorset
John Preston Neale, 1771/80–1847
Kingston Lacy, Dorset
undated
Octavius Oakley A Gypsy Encampment
Octavius Oakley, 1800–1867
A Gypsy Encampment
undated
Dr. Thomas Monro Composition: The Edge of a Wood
Dr. Thomas Monro, 1759–1833
Composition: The Edge of a Wood
undated
William Payne View at Caernarvon, Wales
William Payne, active 1850s
View at Caernarvon, Wales
1826
William Pearson Unidentified Landscape: Trees with Church
William Pearson, 1772–1849
Unidentified Landscape: Trees with Church
undated
William Pearson Landscape with a Church among Trees
Attributed to William Pearson, 1772–1849
Landscape with a Church among Trees
undated
Aaron Edwin Penley River Landscape
Aaron Edwin Penley, 1807–1870
River Landscape
undated
unknown artist Landscape with Trees and Church Spire
unknown artist
Landscape with Trees and Church Spire
undated