On-site Access: Accessible by appointment in the Study Room / Date: 1831 / Image Available: Available / Classification: Prints

1. Folkestone: Harbour, and Coast to Dover, Kent

Creator:: Print made by John Horsburgh, 1791–1869
Date:: 1831
Materials & Techniques:: Line engraving, 3rd state on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 15 × 21 inches (38.1 × 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. Folkestone: Harbour, and Coast to Dover, Kent

Creator:: Print made by John Horsburgh, 1791–1869
Date:: 1831
Materials & Techniques:: Line engraving, engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 15 9/16 × 21 9/16 inches (39.5 × 54.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. Gosport, Entrance to Portsmouth Harbor

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1831
Materials & Techniques:: Etching and engraving, touched with graphite (Engraver's Proof)
Dimensions:: Plate: 10 x 12in. (25.4 x 30.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. Gasport, Entrance to Portsmouth Harbor

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1831
Materials & Techniques:: Etching and engraving, first published state
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. Coteaux de Mauves

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1831
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. Airth Castle, Stirlingshire; page 4 (Volume One)

Creator:: Print made by Henry Wallis, 1805–1890
Date:: 1831
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. [Shooting] The Pointer

Creator:: Print by John Scott, 1774–1828
Date:: 1831
Materials & Techniques:: Engraving
Dimensions:: Sheet: 12 7/8 x 16in. (32.7 x 40.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. At Hellesdon

Creator:: Henry Ninham, 1793–1874
Date:: 1831
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. The Temple 1722; This View of the Temple, as it appeared in 1722, was re-engraved (from a print presented to the honourable society of the Inner Temple) in the year 1831

The Temple 1722; This View of the Temple, as it appeared in 1722, was re-engraved (from a print presented to the honourable society of the Inner Temple) in the year 1831

Creator:: unknown artist
Date:: 1831
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. Chelsea Pensioners

Creator:: John Burnet, 1784–1868
Date:: 1831
Materials & Techniques:: Engraving
Dimensions:: Sheet: 21 1/2 x 30 1/2in. (54.6 x 77.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. Ominum Gatherum, Second Series, No. 5

Creator:: Henry Heath, active 1824–1835
Date:: 1831
Materials & Techniques:: Etching on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 5/8 x 14 7/16 inches (27 x 36.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. Chelsea Pensioners

Creator:: John Burnet, 1784–1868
Date:: 1831
Materials & Techniques:: Engraving
Dimensions:: Sheet: 21 1/2 x 30 1/2in. (54.6 x 77.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. R. P. Bonington

Creator:: J. P. Quilley, active 1828
Date:: 1831
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 23 7/16 × 17 inches (59.5 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. A Summerland

Creator:: Print made by David Lucas, 1802–1881
Date:: 1831
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 5/16 × 15 inches (26.2 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. Summer Morning

Creator:: Print made by David Lucas, 1802–1881
Date:: 1831
Materials & Techniques:: Mezzotint and drypoint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/4 x 17 inches (28.6 x 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. A Lock on the Stour, Suffolk

Creator:: Print made by David Lucas, 1802–1881
Date:: 1831
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/8 x 17 1/8 inches (30.8 x 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. A Heath

Creator:: Print made by David Lucas, 1802–1881
Date:: 1831
Materials & Techniques:: Mezzotint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 5/8 x 13 1/2 inches (29.5 x 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. Mill Stream

Creator:: Print made by David Lucas, 1802–1881
Date:: 1831
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 11 3/8 x 17 inches (28.9 x 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Summer Evening

Creator:: Print made by David Lucas, 1802–1881
Date:: 1831
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 7/8 x 16 3/8 inches (37.8 x 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Windsor Castle

Creator:: Print made by William Miller, 1796–1882
Date:: 1831
Materials & Techniques:: Line engraving and etching on moderately thick, slightly textured, cream wove paper, with beige chine collé
Dimensions:: Sheet: 10 9/16 × 14 9/16 inches (26.8 × 37 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Coaching: The Blenheim, Leaving the Star Hotel, Oxford

Creator:: Frederick James Havell, 1801–1840
Date:: 1831
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 13 3/4 x 21in. (34.9 x 53.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Spaniel. The Winner of the Derby Stakes at Epsom 1831

Creator:: Edward Duncan, 1803–1882
Date:: 1831
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 15 x 19 7/8in. (38.1 x 50.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Coaching: The Royal Mails Preparing to Start for the West of England

Creator:: Frederick Rosenberg, active 1816–1832
Date:: 1831
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 19 3/4 x 25 3/8in. (50.2 x 64.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Coaching: The Cambridge Telegraph, Starting from the White Horse

Creator:: George Hunt, active 1820–1840
Date:: 1831
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 15 3/8 x 20 5/8in. (39.1 x 52.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. [Coaching]: Highgate Tunnel

Creator:: George Hunt, active 1820–1840
Date:: 1831
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 17 1/2 x 22 1/4in. (44.5 x 56.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Angling: Anglers Packing Up

Creator:: Richard Gilson Reeve, 1803–1889
Date:: 1831
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 13 1/4 x 17 1/8in. (33.7 x 43.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. River Stour, Suffolk

Creator:: Print made by David Lucas, 1802–1881
Date:: 1831
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 3/8 x 15 3/4 inches (31.4 x 40 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, University Purchase

28. Frontispiece, Artist's Home at East Bergholt, Suffolk

Creator:: Print made by David Lucas, 1802–1881
Date:: 1831
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 3/4 x 17 1/2 inches (29.8 x 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. John Archer Gee for History of Art (History of Prints)

29. Autumnal Sunset

Creator:: Print made by David Lucas, 1802–1881
Date:: 1831
Materials & Techniques:: Mezzotint and drypoint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 5/8 x 17 3/8 inches (29.5 x 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. John Archer Gee for History of Art (History of Prints)

30. Mill Stream

Creator:: Print made by David Lucas, 1802–1881
Date:: 1831
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 5/8 x 17 inches (29.5 x 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. John Archer Gee for History of Art (History of Prints)

31. A Heath

Creator:: Print made by David Lucas, 1802–1881
Date:: 1831
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 3/4 x 17 1/4in. (29.8 x 43.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. John Archer Gee for History of Art (History of Prints)

32. A Lock on the Stour, Suffolk

Creator:: Print made by David Lucas, 1802–1881
Date:: 1831
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 7/8 x 12 1/4 inches (27.6 x 31.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, University Purchase

33. Fraser's Panoramic Plan of London

Creator:: unknown artist
Date:: 1831
Materials & Techniques:: Engraving with some hand coloring
Dimensions:: Sheet: 10 3/8 x 17 11/16in. (26.4 x 44.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Ludlow Castle

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1831
Materials & Techniques:: Line engraving and etching, 3rd state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 5/8 × 14 5/8 inches (27 × 37.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Folkestone, Harbour, and Coast to Dover, Kent

Creator:: Print made by John Horsburgh, 1791–1869
Date:: 1831
Materials & Techniques:: Line engraving and etching, 2nd state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 8 3/8 × 11 1/8 inches (21.3 × 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Tynemouth, Northumberland

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1831
Materials & Techniques:: Etching and line engraving, Engraver's proof on moderately thick, smooth, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 3/16 × 14 13/16 inches (28.4 × 37.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Bedford, Bedfordshire

Creator:: Print made by James T. Willmore, 1800–1863
Date:: 1831
Materials & Techniques:: Line engraving, 1st state on thick, smooth, cream wove paper, with cream chine collé
Dimensions:: Sheet: 10 11/16 × 14 11/16 inches (27.1 × 37.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Eton College

Creator:: Print made by William Radclyffe, 1780–1855
Date:: 1831
Materials & Techniques:: Line engraving, 3rd state on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 10 5/8 × 14 5/8 inches (27 × 37.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Gosport, Entrance to Portsmouth Harbor

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1831
Materials & Techniques:: Line engraving and etching, 2nd state on moderately thick, smooth, cream wove paper, with cream chine collé
Dimensions:: Sheet: 10 7/8 × 14 15/16 inches (27.6 × 37.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Pembroke Castle, Wales

Creator:: Print made by Thomas Jeavons, ca. 1800–1867
Date:: 1831
Materials & Techniques:: Line engraving and etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 5/8 × 14 5/8 inches (27 × 37.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. The Chamber Idyll

Creator:: Print made by Edward Calvert, 1799–1883
Date:: 1831
Materials & Techniques:: Wood-engraving on thin, smooth, cream Asian paper
Dimensions:: Sheet: 2 1/8 x 3 7/16 inches (5.4 x 8.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. River Stour, Suffolk

Creator:: Print made by David Lucas, 1802–1881
Date:: 1831
Materials & Techniques:: Mezzotint; printer's proof on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 x 12 3/4 inches (25.4 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

43. River Stour, Suffolk

Creator:: Print made by David Lucas, 1802–1881
Date:: 1831
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/4 x 14 1/4 inches (26 x 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

44. Summer Evening

Creator:: Print made by David Lucas, 1802–1881
Date:: 1831
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/2 x 17 1/2 inches (29.2 x 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. John Archer Gee for History of Art (History of Prints)

45. A Summerland

Creator:: Print made by David Lucas, 1802–1881
Date:: 1831
Materials & Techniques:: Mezzotint and drypoint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 x 17 1/4 inches (30.5 x 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. John Archer Gee for History of Art (History of Prints)

46. Summer Afternoon, After a Shower

Creator:: Print made by David Lucas, 1802–1881
Date:: 1831
Materials & Techniques:: Mezzotint and drypoint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/2 x 17 1/4in. (29.2 x 43.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. John Archer Gee for History of Art (History of Prints)

47. Vignette, Hampstead Heath, Middlesex

Creator:: Print made by David Lucas, 1802–1881
Date:: 1831
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 3/4 x 17 3/8 inches (29.8 x 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. John Archer Gee for History of Art (History of Prints)

48. Summer Morning

Creator:: Print made by David Lucas, 1802–1881
Date:: 1831
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 5/8 x 17 inches (29.5 x 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. John Archer Gee for History of Art (History of Prints)

49. Folkestone Harbour and Coast to Dover

Creator:: Print made by James T. Willmore, 1800–1863
Date:: 1831
Materials & Techniques:: Etching and line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. St. Germain-en-laye

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1831
Materials & Techniques:: Line engraving on medium, smooth, beige wove paper
Dimensions:: Sheet: 5 5/16 × 9 inches (13.5 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. John Jackson, R. A.

Creator:: James Thomson, 1789–1850
Date:: 1831
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Coteaux de Mauves

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1831
Materials & Techniques:: Line engraving, early proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 3/4 × 8 3/8 inches (14.6 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Coteaux de Mauves

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1831
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 8 1/16 × 11 1/16 inches (20.5 × 28.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Tynemouth, Northumberland

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1831
Materials & Techniques:: Etching and line engraving, 3rd state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 5/8 × 14 5/8 inches (27 × 37.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Bedford, Bedfordshire

Creator:: Print made by James T. Willmore, 1800–1863
Date:: 1831
Materials & Techniques:: Line engraving, 3rd state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 5/8 × 14 7/8 inches (27 × 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Coteaux de Mauves

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1831
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Conflagration of the City of Bristol, Taken from the Centre of Somerset Street - (Below) A View of the Gloucester Gaol..

Creator:: Charles Rosenberg, active 1828–1848
Date:: 1831
Materials & Techniques:: Aquatint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 17 13/16 × 20 inches (45.2 × 50.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Pandemonium

Creator:: Print made by John Martin, 1789–1854
Date:: 1831
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 22 3/8 × 30 3/4 inches (56.8 × 78.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Windsor Castle, Berkshire

Creator:: Print made by William Miller, 1796–1882
Date:: 1831
Materials & Techniques:: Line engraving, 3rd state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 × 14 1/2 inches (26.7 × 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. The Tower of London

Creator:: Print made by William Miller, 1796–1882
Date:: 1831
Materials & Techniques:: Line engraving on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 3 9/16 × 5 13/16 inches (9 × 14.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Marly

Creator:: Print made by William Miller, 1796–1882
Date:: 1831
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 10 7/8 × 16 1/8 inches (27.6 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Miss Macdonald

Creator:: Print made by Samuel Cousins, 1801–1887
Date:: 1831
Materials & Techniques:: Mezzotint, stipple engraving, and line engraving on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 14 1/8 x 11 1/8 inches (35.8 x 28.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Frank Altschul, Yale BA 1908, PhD (HON.) 1967, transfer from the Yale University Art Gallery

63. St. Mary, Lambeth

Creator:: Thomas Higham, 1796–1844
Date:: 1831
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Lincoln from the Castle

Creator:: Frederick James Havell, 1801–1840
Date:: ca. 1836
Materials & Techniques:: Etching with stipple engraving on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 5 3/8 × 8 3/4 inches (13.6 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Eaton College, Berkshire

Creator:: Print made by William Radclyffe, 1780–1855
Date:: 1831
Materials & Techniques:: Line engraving, open etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Bedford, Bedfordshire

Creator:: Print made by James T. Willmore, 1800–1863
Date:: 1831
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Eaton College, Berkshire

Creator:: Print made by William Radclyffe, 1780–1855
Date:: 1831
Materials & Techniques:: Line engraving, first published state
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. Bedford, Bedfordshire

Creator:: Print made by James T. Willmore, 1800–1863
Date:: 1831
Materials & Techniques:: Line engraving, first published state
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Bedford, Bedfordshire

Creator:: Print made by James T. Willmore, 1800–1863
Date:: 1831
Materials & Techniques:: Line engraving, engraver's proof (early)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. Bedford, Bedfordshire

Creator:: Print made by James T. Willmore, 1800–1863
Date:: 1831
Materials & Techniques:: Line engraving, open etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. Pembroke Castle, Wales

Creator:: Print made by Thomas Jeavons, ca. 1800–1867
Date:: 1831
Materials & Techniques:: Line engraving, open etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. Pembroke Castle, Wales

Creator:: Print made by Thomas Jeavons, ca. 1800–1867
Date:: 1831
Materials & Techniques:: Line engraving, first published state
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. Margate, Kent

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1831
Materials & Techniques:: Line engraving, with scraping out, touched with graphite (Engraver's Proof)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. Margate, Kent

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1831
Materials & Techniques:: Line engraving, open etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. Florence from the Chiesa al Monte

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1831
Materials & Techniques:: Line engraving, first published state on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 11 5/8 × 17 3/16 inches (29.5 × 43.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. Marly

Creator:: Print made by William Miller, 1796–1882
Date:: 1831
Materials & Techniques:: Line engraving, engraver's proof on thick, moderately textured, beige wove paper
Dimensions:: Sheet: 11 3/4 × 17 3/16 inches (29.8 × 43.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. Mary Elizabeth, Countess Grey, with Her Two Children

Creator:: Print made by Samuel Cousins, 1801–1887
Date:: 1831
Materials & Techniques:: Mezzotint, line engraving, and stipple engraving on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 17 1/8 x 13 3/4 inches (43.5 x 35 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

78. Summer Evening

Creator:: Print made by David Lucas, 1802–1881
Date:: 1831
Materials & Techniques:: Mezzotint on medium, slightly textured, cream wove paper with chine collé
Dimensions:: Sheet: 9 3/4 x 14 1/4 inches (24.8 x 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. Windsor Castle, Berkshire

Creator:: Print made by William Miller, 1796–1882
Date:: 1831
Materials & Techniques:: Line engraving, open etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. Windsor Castle, Berkshire

Creator:: Print made by William Miller, 1796–1882
Date:: 1831
Materials & Techniques:: Line engraving, first published state
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Eaton College, Berkshire

Creator:: Print made by William Radclyffe, 1780–1855
Date:: 1831
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. Margate, Kent

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1831
Materials & Techniques:: Line engraving, engraver's proof, early
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. Margate, Kent

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1831
Materials & Techniques:: Line engraving, (Completed Engraver's Proof)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. The Tower of London

Creator:: Print made by William Miller, 1796–1882
Date:: 1831
Materials & Techniques:: Line engraving, first published state on moderately thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 5/16 × 14 15/16 inches (28.7 × 37.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. Florence from the Chiesa al Monte

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1831
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 12 1/16 × 15 inches (30.6 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. The Tower of London

Creator:: Print made by William Miller, 1796–1882
Date:: 1831
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 3/4 × 17 3/16 inches (29.8 × 43.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. Summer Morning

Creator:: Print made by David Lucas, 1802–1881
Date:: 1831
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream wove paper with chine collé
Dimensions:: Sheet: 10 1/8 x 14 1/4 inches (25.7 x 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. Procession of their Most Gracious Majesties King William and Queen Adelaide to London Bridge

Creator:: William Day, 1764–1807
Date:: 1831
Materials & Techniques:: Hand colored lithograph
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. Return of their most Gracious Majesties King William and Queen Adelaide to Somerset House after the Opening of London Bridge

Creator:: William Day, 1764–1807
Date:: 1831
Materials & Techniques:: Hand colored lithograph
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. St. Germain-en-Laye

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1831
Materials & Techniques:: Line engraving, 1st state on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 10 7/8 × 16 1/4 inches (27.6 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. Folkstone: Harbour, and Coast to Dover, Kent

Creator:: Print made by John Horsburgh, 1791–1869
Date:: 1831
Materials & Techniques:: Line engraving, 3rd state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 13/16 × 14 3/4 inches (27.5 × 37.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. Sir Thomas Lawrence P.R.A. Aged 35

Creator:: Print made by Frederick Christian Lewis the Elder, 1779–1856
Date:: 1831
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. Portrait of Lawrence When a Boy

Creator:: Print made by Thomas Anthony Dean, 1801–1860
Date:: 1831
Materials & Techniques:: Line engraving, stipple engraving, and etching on moderately thick, slightly textured, cream wove paper, laid in mount
Dimensions:: Sheet: 8 9/16 × 5 3/16 inches (21.8 × 13.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. James Northcote

Creator:: Benjamin Holl, 1808–1884
Date:: 1831
Materials & Techniques:: Stipple Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. James Northcote

Creator:: Print made by Philip Audinet, 1766–1837
Date:: 1831
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 13/16 x 5 9/16 inches (22.4 x 14.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. Paul Sandby

Creator:: Print made by Richard Dagley, ca. 1765–1841
Date:: 1831
Materials & Techniques:: Stipple engraving and soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 3/8 x 4 7/8 inches (16.2 x 12.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. The Opening of London Bridge with the Old Bridge in the Background

Creator:: unknown artist
Date:: 1831
Materials & Techniques:: Hand colored lithograph
Dimensions:: Sheet: 8 3/4 x 19 1/8in. (22.2 x 48.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. Coronation of King William IV and Queen Adelaide

Creator:: William Woolnoth, active 1806–1830
Date:: 1831
Materials & Techniques:: Engraving, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

99. Travelling on the Liverpool & Manchester Railway: A Train of the First Class Carrriages, with the Mail and A Train of the Second Class for Outside Passengers, Plate I (one of a pair)

Travelling on the Liverpool & Manchester Railway: A Train of the First Class Carrriages, with the Mail and A Train of the Second Class for Outside Passengers, Plate I (one of a pair)

Creator:: S. G. Hughes, active 1832
Date:: 1831
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 9 x 25in. (22.9 x 63.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. Travelling on the Liverpool & Manchester Railway: A Train of Waggons with Goods and A Train of Carriages with Cattle, Plate II (one of a pair)

Creator:: S. G. Hughes, active 1832
Date:: 1831
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 9 x 25in. (22.9 x 63.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Date 1831

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1. Folkestone: Harbour, and Coast to Dover, Kent

2. Folkestone: Harbour, and Coast to Dover, Kent

3. Gosport, Entrance to Portsmouth Harbor

4. Gasport, Entrance to Portsmouth Harbor

5. Coteaux de Mauves

6. Airth Castle, Stirlingshire; page 4 (Volume One)

7. [Shooting] The Pointer

8. At Hellesdon

9. The Temple 1722; This View of the Temple, as it appeared in 1722, was re-engraved (from a print presented to the honourable society of the Inner Temple) in the year 1831

10. Chelsea Pensioners

11. Ominum Gatherum, Second Series, No. 5

12. Chelsea Pensioners

13. R. P. Bonington

14. A Summerland

15. Summer Morning

16. A Lock on the Stour, Suffolk

17. A Heath

18. Mill Stream

19. Summer Evening

20. Windsor Castle

21. Coaching: The Blenheim, Leaving the Star Hotel, Oxford

22. Spaniel. The Winner of the Derby Stakes at Epsom 1831

23. Coaching: The Royal Mails Preparing to Start for the West of England

24. Coaching: The Cambridge Telegraph, Starting from the White Horse

25. [Coaching]: Highgate Tunnel

26. Angling: Anglers Packing Up

27. River Stour, Suffolk

28. Frontispiece, Artist's Home at East Bergholt, Suffolk

29. Autumnal Sunset

30. Mill Stream

31. A Heath

32. A Lock on the Stour, Suffolk

33. Fraser's Panoramic Plan of London

34. Ludlow Castle

35. Folkestone, Harbour, and Coast to Dover, Kent

36. Tynemouth, Northumberland

37. Bedford, Bedfordshire

38. Eton College

39. Gosport, Entrance to Portsmouth Harbor

40. Pembroke Castle, Wales

41. The Chamber Idyll

42. River Stour, Suffolk

43. River Stour, Suffolk

44. Summer Evening

45. A Summerland

46. Summer Afternoon, After a Shower

47. Vignette, Hampstead Heath, Middlesex

48. Summer Morning

49. Folkestone Harbour and Coast to Dover

50. St. Germain-en-laye

51. John Jackson, R. A.

52. Coteaux de Mauves

53. Coteaux de Mauves

54. Tynemouth, Northumberland

55. Bedford, Bedfordshire

56. Coteaux de Mauves

57. Conflagration of the City of Bristol, Taken from the Centre of Somerset Street - (Below) A View of the Gloucester Gaol..

58. Pandemonium

59. Windsor Castle, Berkshire

60. The Tower of London

61. Marly

62. Miss Macdonald

63. St. Mary, Lambeth

64. Lincoln from the Castle

65. Eaton College, Berkshire

66. Bedford, Bedfordshire

67. Eaton College, Berkshire

68. Bedford, Bedfordshire

69. Bedford, Bedfordshire

70. Bedford, Bedfordshire

71. Pembroke Castle, Wales

72. Pembroke Castle, Wales