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Date 1770
Remove constraint Date: 1770Period 18th century-19th century
Remove constraint Period: 18th century-19th centuryImage Use Free to Use
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![Thomas Stothard February 1st: Amy Fear Me Not (Vol. 1, p. 81) February 2nd: [Tressilian] Drew His Sword as He Spoke (Vol. 1, P. 89)](https://media.collections.yale.edu/thumbnail/ycba/48b1ec09-041e-4bcd-b9e2-3707f3363a7e)
1
- February 1st: Amy Fear Me Not (Vol. 1, p. 81) February 2nd: [Tressilian] Drew His Sword as He Spoke (Vol. 1, P. 89)
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2
- May 1st: No Man Lives That Looks on Him (Vol. 1, p. 255) May 2nd: He Found Only Two Gentlemen (Vol. 2, p. 23)
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![Thomas Stothard August 1st: She Wrote Her Own Line (Vol. 2, p. 141) August 2nd: Amen! [Pretty] Janet (Vol. 2, p. 286)](https://media.collections.yale.edu/thumbnail/ycba/62eb7eb2-0cc1-44eb-b049-334872524376)
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- August 1st: She Wrote Her Own Line (Vol. 2, p. 141) August 2nd: Amen! [Pretty] Janet (Vol. 2, p. 286)
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![Thomas Stothard June 1st: There Is Nothing to Be Feared (Vol. 2, p. 83) June 2nd: [Laid if] on the [Very] Spot (Vol. 2, p. 48)](https://media.collections.yale.edu/thumbnail/ycba/de8c44cf-d537-4631-b1ea-c9a0bdfd4121)
4
- June 1st: There Is Nothing to Be Feared (Vol. 2, p. 83) June 2nd: [Laid if] on the [Very] Spot (Vol. 2, p. 48)
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5
- November 1st: Where is My Lord of Leicester (Vol. 3, p. 164) November 2nd: Die a Liar as They Hast Lived (Vol. 3, p. 282)
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6
- Punt Fishing in the Thames
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7
- Anglers Packing Up
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![Thomas Stothard April 1st: It is I your Host (Vol. 1, p. 199) April 2nd: There is a Marsh [Hard] By (Vol. 1, p. 257)](https://media.collections.yale.edu/thumbnail/ycba/f8db807a-6d7f-48bc-910a-9b7ddb6f96f0)
8
- April 1st: It is I your Host (Vol. 1, p. 199) April 2nd: There is a Marsh [Hard] By (Vol. 1, p. 257)
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9
- Fly Fishing
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- Bottom Fishing Near Totten Mill
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![Thomas Stothard July 1st: She [Sat] Beneath an Awning (Vol. 2, p. 50) July 2nd: Here Sussex is My Hand (Vol. 2, p. 85)](https://media.collections.yale.edu/thumbnail/ycba/0ae9084f-1996-47c0-b330-55951080ff4b)
11
- July 1st: She [Sat] Beneath an Awning (Vol. 2, p. 50) July 2nd: Here Sussex is My Hand (Vol. 2, p. 85)
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12
- January 1st: "of all the birds on bush or tree" (Vol. 1, p.30) January 2nd: The Stood in an Avenue (Vol. 1, p. 54)
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13
- December 1st: The Mangled and Yet Warm Remains (Vol. 3, p. 343) December 2nd: Had There Perished Miserably (Vol. 3, p. 345)
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14
- October 1st: Yeomen Make Room (Vol. 2, p. 335) October 2nd: She Stood With One Foot Advanced (Vol. 3, p. 156)
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15
- Francis Drake Esqr
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16
- Chinese Flower Seller
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17
- Study for Illustration - A Princess with her Attendants
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18
- Girl, Full Length, Facing Right
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19
- Frieze of a Medieval Wedding
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20
- Apollo Preceding Hector with His Aegis, and Dispersing the Greeks, Fuseli's Lectures
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21
- Chinese Youth (balancing a jar held aloft)
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22
- Memoranda
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23
- Chinese Youth Weaving
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24
- The Adoration of the Magi, a Design for Bas Relief
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25
- Miss Haffey
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26
- Study for the Wellington Shield
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27
- Classical Figures Drawing
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28
- Relief Design for a Silver Salt Cellar
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29
- Illustration to the Virtuous Orphan
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30
- For the Triumph of Britannia
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31
- Study of Trees
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32
- Tree Study
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33
- Back of Naked Figure
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34
- Charity Children and Little Vagabonds
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35
- Seated Girl by an Urn
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36
- Girl, Full Length, Facing Front
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37
- Twenty Young Girls in a Group Walking to the Left
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38
- Untitled
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39
- Trees in the Villa Negroni Planted by M. Angelo
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40
- Westminster Bridge and the Royal Barge (The Royal Barge and Westminster)
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41
- Study for Telemachus
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42
- Sketch of Classical Figures in Action
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43
- A Study for the Wellington Monument
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44
- A Woman Rescued from the Sea and Assisted Ashore, Rowing Boat and Rescuers in Background
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45
- Solicitude: A Man Supporting a Fainting Woman
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46
- Study of a Gentleman, called Dr. Johnson
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47
- Dr. Johnson
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48
- Dr. Johnson
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49
- Sir Roger de Coverly
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50
- A Tiger, Full-Length, in Profile, Walking Towards Right
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51
- Illustration to Milton's Paradise Lost: Adam and Eve Guarded by the Angels
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52
- To Phoebus at His Birth, From Aeschylus, Furies
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53
- The Morn, All Beauteous to Behold, from Aeschylus, The Persians
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54
- The Reverend Anthony Stephen Mathew
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55
- Study of Three Lampstands
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56
- Prometheus
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57
- Two Women Talking to a Man at a Counter
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58
- Woman Carrying a Child in Her Arms
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59
- Back View of a Woman with Child Looking Over Her Shoulder
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60
- Two Women and a Child
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61
- The Club
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62
- A Girl Giving a Key to a Cavalier
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63
- John Flaxman
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64
- Illustrations for 'Gil Blas', plate II
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65
- Sheet of Figure Studies for The Odyssey
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66
- The Judgement of Paris
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67
- Design for a Silver Chalice (Design for a Wine-Cooler (?) for Rundell, Bride and Rundell)
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68
- British Provincial 'Carlo Maratta' frame
- late 18th to early 19th century
69
- British, 'Carlo Maratta' frame
- late 18th to early 19th century
70
- British, Neoclassical frame
- late 18th to early 19th century
71
- British, Neoclassical frame
- late 18th to early 19th century
72
- British Neoclassical frame
- late 18th to early 19th century
73
- British, Neoclassical frame
- late 18th to early 19th century
74
- British, Neoclassical frame
- late 18th to early 19th century
75
- British, Neoclassical frame
- late 18th to early 19th century
76
- Italian, Neoclassical frame
- late 18th to early 19th century
77
- British, Régence style frame
- late 18th to early 19th century
78
- British, Neoclassical frame
- late 18th to early 19th century
79
- British, 'Carlo Maratta' frame
- late 18th to early 19th century
80
- British, Neoclassical frame
- late 18th to early 19th century
81
- British, Neoclassical frame
- late 18th to early 19th century
82
- British, 'Carlo Maratta' - NeoClassical variant frame
- late 18th to early 19th century
83
- British, Neoclassical style frame
- late 18th to early 19th century
84
- British, Neoclassical frame
- late 18th to early 19th century
85
- British, Neoclassical frame
- late 18th century to early 19th century
86
- British, Neoclassical frame
- late 18th to early 19th century
87
- British, Louis XIV style frame
- late 18th to early 19th century
88
- British, 'Carlo Maratta', NeoClassical variant frame
- late 18th to early 19th century
89
- British, Neoclassical frame
- late 18th to early 19th century
90
- British 'Carlo Maratta' frame
- late 18th to early 19th century
91
- British Neoclassical frame
- late 18th to early 19th century
92
- British, Neoclassical frame
- late 18th to early 19th century
93
- British 'Carlo Maratta' frame
- late 18th to early 19th century
94
- British Neoclassical frame
- late 18th to early 19th century
95
- British, Neoclassical frame
- late 18th to early 19th century
96
- British, 'Carlo Maratta' - NeoClassical variant frame
- late 18th to early 19th century
97
- British Neoclassical frame
- late 18th to early 19th century
98
- French, Neoclassical frame
- late 18th to early 19th century
99
- British (?), Neoclassical frame
- late 18th to early 19th century
100
- British (?), Neoclassical frame
- late 18th to early 19th century