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1
- The Ferry
- ca. 1840
2
- Crocks
- ca. 1924
3
- Over the Bank, Exmoor
- ca. 1895
4
- The Bayhorse, Tattersall’s
- 1921
5
- Sale at Ward's Repository, No. 2
- ca. 1918
6
- Timber Hauling
- ca. 1917
7
- The Horse Mart (with further sketches in the margin)
- ca. 1918
8
- Under the Hammer
- between 1912 and 1913
9
- Ploughing the Hillside
- ca. 1905
10
- A Morning at Tattersalls (with further sketches in left margin folded over)
- undated
11
- Figures at Mass, Poland
- ca. 1904
12
- Human Figure, Lateral View
- 1795 to 1806
13
- Grotesque Male Head
- undated
14
- Grotesque Male Head
- undated
15
- Grotesque Male Head
- undated
16
- Grotesque Male Head
- undated
17
- Grotesque Male Head
- undated
18
- Grotesque Male Head
- undated
19
- Grotesque Male Head
- undated
20
- Grotesque Male Head
- undated
21
- The First Stage of Cruelty
- ca. 1750
22
- Grotesque Male Head
- undated
23
- Gabriel Hunt
- undated
24
- Rome from Monte Mario
- ca. 1818
25
- Folkestone Harbour and Coast to Dover
- ca. 1829
26
- Teignmouth, Devonshire
- ca. 1813
27
- Silsilis
- 1854
28
- Val di Roppa, Corfu, 22 May 1868
- 1868
29
- Studies of Camels and Egyptian Men
- 1867
30
- Seated Men
- 1867
31
- Howatke
- 1867
32
- Opposite Beni Hassan
- 1867
33
- Near Suez, evening, 15 January 1849 (43)
- 1849
34
- Three Sketches of a Man in Uniform
- undated
35
- Lear Awakened by Cordelia
- between 1774 and 1775
36
- David Playing the Harp
- undated
37
- The Accusation of Susanna by the Elders
- undated
38
- Miranda, Prospero, and Caliban: The Tempest
- undated
39
- Prison Scene
- undated
40
- Howard Visiting a Prison
- undated
41
- Prison Scene
- undated
42
- Howard Visiting a Prison
- undated
43
- Prison Scene
- undated
44
- Howard Visiting a Prison
- undated
45
- The Banquet Scene
- ca. 1792
46
- Sketches for "The Accusation of Susanna"
- undated
47
- David before Saul
- undated
48
- Men Going out to Fight, with a Crowd of Cowering Women Behind
- undated
49
- The Accusation of Susanna
- ca. 1773
50
- Samson Overpowered
- undated
51
- Prison Scene
- undated
52
- Bacchanalian Scene (Possibly Antediluvian)
- undated
53
- Howard Visiting a Prison
- between 1790 and 1794
54
- Howard Visiting a Prison
- undated
55
- Howard Visiting a Prison
- undated
56
- The Two Friends
- undated
57
- Two Men Fighting
- undated
58
- Prison Scene
- undated
59
- Songs of Innocence and of Experience, Plate 6, "The Little Black Boy" (Bentley 10)
- 1789
60
- Young's Night Thoughts, Page 57, "Trembling each gulp, lest death should snatch the bowl"
- ca. 1797
61
- Songs of Innocence and of Experience, Plate 33, Experience Title Page (Bentley 29)
- 1794
62
- Songs of Innocence and of Experience, Plate 37, "Nurses Song" (Bentley 38)
- 1794
63
- Songs of Innocence and of Experience, Plate 20, "The Little Girl Lost" (Bentley 34)
- 1789
64
- Songs of Innocence and of Experience, Plate 24, "The Divine Image" (Bentley 18)
- 1789
65
- The Shepherd, from Songs of Innocence
- ca. 1795
66
- Jerusalem, Plate 1, Frontispiece
- 1804 to 1820
67
- Jerusalem, Plate 100
- 1804 to 1820
68
- Jerusalem, Plate 20, "But when they saw Albion...."
- 1804 to 1820
69
- Jerusalem, Plate 26, "Such Visions Have...."
- 1804 to 1820
70
- Jerusalem, Plate 37, "And One stood forth...."
- 1804 to 1820
71
- Jerusalem, Plate 40, "Los shudderd at beholding Albion...."
- 1804 to 1820
72
- Jerusalem, Plate 41, "Bath who is Legions...."
- 1804 to 1820
73
- Jerusalem, Plate 42, "Thus Albion sat...."
- 1804 to 1820
74
- Jerusalem, Plate 45, "Bath, healing City!...."
- 1804 to 1820
75
- Jerusalem, Plate 47, "From Camberwell to Highgate...."
- 1804 to 1820
76
- Europe. A Prophecy, Plate 7, "Now comes the night . . . . " (Bentley 8)
- 1794
77
- The First Book of Urizen, Plate 4 (Bentley 24)
- 1794
78
- Europe. A Prophecy, Plate 10, "Enitharmon slept . . . . " (Bentley 12)
- 1794
79
- Europe. A Prophecy, Plate 12, "Albions Angel rose . . . . " (Bentley 14)
- 1794
80
- Europe. A Prophecy, Plate 6, "The shrill winds wake . . . . " (Bentley 7)
- 1794
81
- Jerusalem, Plate 95, "Her voice pierc'd Albions clay cold ear...."
- 1804 to 1820
82
- America. A Prophecy, Plate 12, "Thus Wept the Angel Voice...."
- 1793
83
- America. A Prophecy, Plate 2, Title Page
- 1793
84
- America. A Prophecy, Plate 3, "Preludium | The shadowy daughter...."
- 1793
85
- America. A Prophecy, Plate 4, "Silent as despairing love...."
- 1793
86
- America. A Prophecy, Plate 5, "A | Prophecy | The Guardian Prince of Albion...."
- 1793
87
- America. A Prophecy, Plate 8, "The Morning Comes...."
- 1793
88
- America. A Prophecy, Plate 9, "In Thunders Ends the Voice...."
- 1793
89
- The Book of Thel, Plate 2, Title Page
- 1789
90
- America. A Prophecy, Plate 14, "So Cried He...."
- 1793
91
- America. A Prophecy, Plate 15, "What Time the Thirteen Governors...."
- 1793
92
- America. A Prophecy, Plate 16, "In the Flames Stood...."
- 1793
93
- America. A Prophecy, Plate 6, "Appear to the Americans...."
- 1793
94
- America. A Prophecy, Plate 7, "Albions Angel stood...."
- 1793
95
- The Book of Thel, Plate 3, "Thel / I / The daughters of Mne Seraphim . . . ."
- 1789
96
- The Poems of Thomas Gray, Design 5, "Ode on the Spring."
- between 1797 and 1798
97
- The Poems of Thomas Gray, Design 51, "The Progress of Poesy."
- between 1797 and 1798
98
- The Poems of Thomas Gray, Design 53, "The Bard."
- between 1797 and 1798
99
- The Poems of Thomas Gray, Design 59, "The Bard."
- between 1797 and 1798
100
- The Poems of Thomas Gray, Design 61, "The Bard."
- between 1797 and 1798