De la Parade de Quarte au Dedans des Armes sur le Coup de Quarte
1763
2
James Gwin, 1700–1769
De la Parade de Quarte au Dehors des Armes sur le Coup de Quarte hors des Armes
1763
3
James Gwin, 1700–1769
Cinquieme Position du Salut
1763
4
James Gwin, 1700–1769
De la Parade du Demi-Cercle sur le Coup, de Quarte Basse
1763
5
James Gwin, 1700–1769
De la Parade du Cavé sur le Coup de Flanconnade
1763
6
James Gwin, 1700–1769
De la Parade Dequinte sur le Coup de Quinte
1763
7
James Gwin, 1700–1769
De la Parade de Prime sur le Coup de Seconde
1763
8
James Gwin, 1700–1769
De la Risposte en Tierce de Pied Ferme sur le Coup de Tierce
1763
9
James Gwin, 1700–1769
De la Risposte du Cavé de Pied Ferme sur le Coup de Flanconnade a ceux qui n'Opposent pas de la Main Gauche
1763
10
James Gwin, 1700–1769
De la Risposte en Quinte de Pied forme sur le Coup de Seconde
1763
11
James Gwin, 1700–1769
De la Risposte de Quarte apres la Parade de Quarte
1763
12
James Gwin, 1700–1769
De la Risposte en Seconde aprés Avoir paré la Quarte sur les Armes
1763
13
James Gwin, 1700–1769
De la Risposte de Prime Aprés Avoir Paré le Coup de Seconde
1763
14
James Gwin, 1700–1769
Du Coupé sur Pointe de Quarte en Quarte sur les Armes
1763
15
James Gwin, 1700–1769
De la Passe en Quarte du Dehors des Armes
1763
16
James Gwin, 1700–1769
Echappement du Pied Gauche en Arriere dans le Tems de la Passe au Dehors des Armes
1763
17
James Gwin, 1700–1769
Demi Volte sur les Coups Forcés au Dehors des Armes
1763
18
James Gwin, 1700–1769
Position Aprés Avoir Desarmé sur le Coup de Quarte
1763
19
James Gwin, 1700–1769
Du Desarmement sur le Coup de Tierce
1763
20
James Gwin, 1700–1769
De la Volte sur la Passe au Dehors des Armes
1763
21
James Gwin, 1700–1769
Du Desarmement Aprés la Parade au Dehors des Armes
1763
22
James Gwin, 1700–1769
Position Aprés Avoir Desarme sur le Coup de Quarte ou de Seconde Paré de Prime
1763
23
James Gwin, 1700–1769
Du Desarmement Aprés Avoir Paré le Coup de Quarte
1763
24
James Gwin, 1700–1769
Risposte Aprés Avoir Trompé la Parade du Poignard
1763
25
James Gwin, 1700–1769
Position de la Garde Italienne de L'Epée & Poignard
1763
26
James Gwin, 1700–1769
De la Garde Espagnole, Figure A Attaqueé par la Garde Françoise
1763
27
James Gwin, 1700–1769
Garde de L'Epée & Manteau Attaquée par L'Epée & Lanterne
1763
28
James Gwin, 1700–1769
De la Garde Espagnole Combattüe Aprês la Parade du Coup d'Estramasson
1763
29
James Gwin, 1700–1769
Garde de l'Espadonneur. Figure A. Garde Dêfensive du Pointeur. Figure B
1763
30
James Gwin, 1700–1769
Position pour la Garde en Tierce
1763
31
James Gwin, 1700–1769
Position pour la Garde en Quarte et le Coup de Quarte
1763
32
James Gwin, 1700–1769
Position pour le Garde en Tierce et le Coup de Tierce
1763
33
James Gwin, 1700–1769
Premiere Position pour tirer L'Epée
1763
34
James Gwin, 1700–1769
Position pour la Garde de Tierce, et le Coup de Quarte sur les Armes
1763
35
James Gwin, 1700–1769
Position de la Garde de Tierce et le Coup de Seconde
1763
36
James Gwin, 1700–1769
Premiere Position du Salut
1763
37
James Gwin, 1700–1769
Position de la Garde en Quarte, et le Coup de Flanconnade
1763
38
James Gwin, 1700–1769
Position pour la Garde en Quarte
1763
39
James Gwin, 1700–1769
Seconde Position du Salut
1763
40
James Gwin, 1700–1769
Troisieme Position du Salut
1763
41
James Gwin, 1700–1769
Quatrieme Position du Salut
1763
42
James Gwin, 1700–1769
De la Parade de Tierce, sur le Coup de Tierce
1763
43
James Gwin, 1700–1769
De la Parade de Seconde sur le Coup de Seconde
1763
44
James Gwin, 1700–1769
Du Desarmement sur le Coup de Quarte ou de Seconde Paré de Prime
1763
45
James Gwin, 1700–1769
L'Epée & Lanterne Combattüe par L'Epée et Manteau
1763
46
James Gwin, 1700–1769
Position Aprés Avoir Désarmé sur le Coup de Tierce
1763
47
Hubert-François Gravelot, 1699–1773
Two Prize Fighters
ca. 1742
48
Frederick George Byron, 1764–1794
Shooting Party Setting Out
1789
49
Frederick George Byron, 1764–1794
Shooting Party Returning Home
1789
50
Samuel Howitt, 1756–1822
The Kill
1792
51
James Seymour, 1702–1752
Racehorse at Exercise, Ridden by a Training-Groom
undated
52
James Seymour, 1702–1752
Foxhunting
undated
53
James Seymour, 1702–1752
Racehorse at Exercise, Ridden by a Training-Groom
undated
54
James Seymour, 1702–1752
A Lady and a Gentleman Riding Out
undated
55
James Seymour, 1702–1752
Racehorse at Exercise, Ridden by a Training-Groom
undated
56
James Seymour, 1702–1752
A Gentleman on a Managed Horse Riding Out With a Lady
undated
57
James Seymour, 1702–1752
Victorious
undated
58
James Seymour, 1702–1752
Lord Godolphin's White Foot, a Very Famous Horse That Was Never Beat
undated
59
James Seymour, 1702–1752
Groom Leading a Racehorse Wearing Hood and Sweaters, June 24, 1743
1743
60
unknown artist
Mid-Day
1799
61
unknown artist
Morning
1799
62
unknown artist
Evening
1799
63
John Hoppner, 1758–1810
A Young Man with a Horse, with Studies of Hounds and Dead Hare
ca. 1785
64
Samuel Howitt, 1756–1822
Coursing: Setting Out
1794
65
Samuel Howitt, 1756–1822
Coursing: The Kill
1794
66
James Seymour, 1702–1752
A Racehorse, Bridled and Saddled
undated
67
James Seymour, 1702–1752
Riders and Hounds in an Open Landscape
undated
68
James Seymour, 1702–1752
A Boar Hunt
undated
69
James Seymour, 1702–1752
'True Blue Beat by Whitefoot': Galloping to Left, with Jockey Up Whipping-On
undated
70
James Seymour, 1702–1752
Flying Childers at Exercise: Hooded and Rugged, with Jockey Up, Galloping Up, Galloping to Left
undated
71
James Seymour, 1702–1752
Kindly, with Jockey Up
undated
72
James Seymour, 1702–1752
Foxhunter, with Jockey Up
undated
73
James Seymour, 1702–1752
Conqueror Going to Start
undated
74
John Vanderbank, 1694–1739
"The Passage to the Right Aided by the Rider's Rod & the Master Holding the Alonge: Engraved as plate 10 in Twenty Five Actions of the Manage Horse..
1729
75
John Collet, ca. 1725–1780
A Game of Bowls
undated
76
unknown artist
Tattersall's Training School
1771
77
Hubert-François Gravelot, 1699–1773
The Sporting Lady
undated
78
Edward Hull, 1810–1877
Foxhunting at Melton Mowbray, 1835: Taking the Gate at the Hinge Post While Snob Walks Thro'
ca. 1835
79
James Seymour, 1702–1752
A Chestnut Horse at Exercise
undated
80
Samuel Howitt, 1756–1822
Racing Scene
1792
81
Julius Caesar Ibbetson, 1759–1817
Skating in Hyde Park
ca. 1785
82
George Garrard, 1760–1826
Colonel Thornton Driving Tandem on His Sporting Tour of Scotland
1786
83
Thomas Ross, active from 1753
Netting Partridges
ca. 1750
84
Thomas Rowlandson, 1756–1827
The Return from the Hunt
1787
85
Possibly James Seymour, 1702–1752
Huntsman Galloping: Left Arm Upraised, His Horn Slung Over His Left Shoulder
undated
86
John Collet, ca. 1725–1780
Stable Boy Leading a Trotting Horse in a Landscape with a Castle Tower
undated
87
John Collet, ca. 1725–1780
Stable Boy Holding a Horse in a Landscape
undated
88
Thomas Rowlandson, 1756–1827
Breakfast before the Hunt
between 1785 and 1790
89
Thomas Rowlandson, 1756–1827
An English Postilion
ca. 1785
90
James Seymour, 1702–1752
Coursing - After the Kill
undated
91
Louis Philippe Boitard, active 1734–1760
Dosing a Racehorse
undated
92
John Vanderbank, 1694–1739
"The Capriole, When He Rises Before & at the Same Time Thro's Out His Hind Legs & Quarters Upon a Strait Line:" Engraved as Plate 25 in "Twenty Five Actions of the Manage Horse..."
1729
93
John Vanderbank, 1694–1739
"The Manege-Gallop with the right leg" engraved as plate 14 in "Twenty Five Actions of the Manage Horse..."
1729
94
Thomas Daniell, 1749–1840
Preparing for a Hunt at Selhurst Park, Nov. 14, 1796
1796
95
James Seymour, 1702–1752
Two Horses Racing, Jockeys Up: Railings in the Background
undated
96
Thomas Rowlandson, 1756–1827
A French Nobleman out Shooting
1778
97
James Gwin, 1700–1769
Desseins Originaux des Attitudes Continuée dans L'École des Armes