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Materials & Techniques brown wash
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Remove constraint Materials & Techniques: penCollection Prints and Drawings
Remove constraint Collection: Prints and DrawingsOn-site Access Accessible by appointment in the Study Room
Remove constraint On-site Access: Accessible by appointment in the Study RoomSearch Results
1
- An Ancient Barn at Shoreham
- undated
2
- Landscape Sketch
- undated
3
- Dawn
- between 1831 and 1832
4
- Trees and Deer
- 1825
5
- Manor (Knowsley Lane?)
- undated
6
- Memphis
- 1867
7
- Reggio, 26 July 1847
- 1847
8
- S. Pietro Degli Agostiniani. Leonessa
- 1844
9
- Bavella, Corsica
- ca. 1868
10
- Turin, Italy
- after 1872
11
- The Pontine Marshes above Terracina
- ca. 1880
12
- Albania
- between 1848 and 1849
13
- Mythological Group of Women and Children
- undated
14
- Shepherdess Cutting an Inscription on a Tree
- undated
15
- Howard Visiting a Prison
- undated
16
- Regent's Park, London, The Colosseum, Clergy's Orphans' School and St. Andrew's Place, with Figures and Coaches
- ca. 1831
17
- Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House
- 1817
18
- Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends
- 1817
19
- Hogarth Engraving His Master's Shop-bill the Sign of the Angel
- 1817
20
- Hogarth Declaring His Love to Miss Thornhill
- 1817
21
- Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
- 1817
22
- Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
- 1817
23
- The Smock Exposed
- 1817
24
- Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill
- 1817
25
- The Reconcilation
- 1817
26
- Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances
- 1817
27
- Hogarth Drawing Sarah Malcolm
- 1817
28
- Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
- 1817
29
- Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers
- 1817
30
- Hogarth Sitting to Roubiliac for His Bust
- 1817
31
- Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont
- 1817
32
- A Design for a Mural Executed in the Salon at Roehampton House, Surrey: Apollo Carrying off Aeneas in a Cloud
- ca. 1715
33
- Design for a portrait of an architect or a painter
- undated
34
- Margate Hoy
- 1807
35
- A Study for the Wellington Monument
- undated
36
- Wooded Landscape with Cattle, Figures and a House
- undated
37
- Cobham Hall, Kent: Plan and Elevation of Lodge
- ca. 1790
38
- Plans of Ancient Roman Church: 4. Terme di Tito
- undated
39
- Plans of Ancient Roman Baths: Terme del Imp. Diocleziano
- undated
40
- Woman and Child Holding a Doll
- between 1758 and 1760
41
- Loading Sacks into a Cart
- undated
42
- Prospero and Ariel
- 1821
43
- The Building of Waterloo Bridge
- ca. 1816
44
- Leda and the Swan
- undated
45
- Margate Harbor
- ca. 1806
46
- Design for a Temple on a Square Plan and with a Dome: Elevation
- undated
47
- View of Revel, Capital of Esthonia
- undated
48
- Shed
- undated
49
- Design for a Wall Panel
- undated
50
- Langley Park, Norfolk: Elevation of the South Front
- ca. 1750
51
- Unidentified Country House: Ground Floor Plan
- undated
52
- Maya Stela at Copan, Honduras
- 1843
53
- Civita Castellana
- undated
54
- Hinton St. George, Somerset: Plan of the Dressing Room
- 1801
55
- Design of Apollo and the Python for a Painted over-door Decoration
- undated
56
- Design for a Monument to Sir James Reade, Hatfield
- undated
57
- Lullingstone Castle
- ca. 1670
58
- Male with Arms Spread Wide Seen from Behind
- undated
59
- St. Michael and Lucifer
- undated
60
- Characters in the Streets of London
- 1799
61
- Design for an Altarpiece with a drawing of St. Luke mounted at the center
- undated
62
- Workmen at Refreshment (Banditti?)
- 1819
63
- Design for a decoration incorporating motifs allusive to the Arts, Arms, and Religion
- undated
64
- Bottom of Sword Sheath
- undated
65
- The Old Black Lion, Chelsea
- undated
66
- Old Chelsea Church
- undated
67
- Pass of Glyndiffis
- undated
68
- Four Galloping Horses
- undated
69
- Scene in a Roman Prison
- undated
70
- Design for Stables: Plan and Elevation
- undated
71
- The Villa Adrianna, Rome
- 1824
72
- Totnes from the Seymour Hotel
- 1838
73
- Design for a Pavilion in a Deer Park
- ca. 1735
74
- Stowe House, Buckinghamshire: Design for Ceiling and Wall Decoration
- between 1728 and 1732
75
- Octagonal Temple at Shotover Park, Oxfordshire: Plan, Section and Elevation
- ca. 1738
76
- Entrance Screen at Stowe House, Buckinghamshire: Elevation and Plan
- ca. 1733
77
- The Cascade at Chiswick House, Middlesex: Elevation and Plan
- between 1720 and 1735
78
- The Treasury, Whitehall, London: Alternate Elevations of the Facade
- ca. 1733
79
- Townsend's Building at Rousham, Oxfordshire: Elevation and Plan
- ca. 1738
80
- King's Mews, Charing Cross, London: Section
- 1731
81
- Stowe House, Buckinghamshire: Elevation and Section of Chimney Piece in the Hall
- ca. 1733
82
- Design for a Pavilion in a Deer Park
- ca. 1735
83
- Design for an Unidentified Gothic Structure
- undated
84
- Design for an Ornamented Spandrel
- undated
85
- Designs for Gothic Ornamentation, a Kneeler, and Two Sketches of the Interiors of Gothic Churches
- undated
86
- Castle Ruin in Landscape Scene with a Lake
- undated
87
- West Cowes, Isle of Wight
- undated
88
- An Orchestra Rehearsing
- undated
89
- Designs for Gothic Ornamentation
- undated
90
- Government House from St. Andrew's Library - Calcutta
- undated
91
- Two Boats at Anchor
- undated
92
- Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him
- 1817
93
- Sheet of Classical Figure Studies
- undated
94
- On the Cimaronero River
- 1857
95
- A Horse pulling a Drag
- undated
96
- Page Boy Asleep
- undated
97
- A Study of Agostino Cornacchini's Statue of Charlemagne, St. Peter's Basilica, Rome
- Between 1747 and 1755
98
- Design for Wall Paper
- ca. 1760
99
- The House of Commons
- after 1731
100
- Preparatory drawing for The Waltz
- 1820s