plate etched between 1880 and 1883; impression printed in 1924
8
Print made by Samuel Palmer, 1805–1881
The Homeward Star
etching begun ca. 1880; impression printed in 1924
9
Print made by Samuel Palmer, 1805–1881
The Lonely Tower
1879
10
Print made by Samuel Palmer, 1805–1881
The Sepulchre
etching begun ca. 1800; impression printed in 1924
11
Print made by Samuel Palmer, 1805–1881
The Sleeping Shepherd
1857
12
Print made by Samuel Palmer, 1805–1881
The Bellman
1879
13
Print made by Samuel Palmer, 1805–1881
The Homeward Star
etching begun ca. 1880; impression printed in 1924
14
Print made by Samuel Palmer, 1805–1881
The Homeward Star
begun ca. 1880
15
Print made by Samuel Palmer, 1805–1881
The Homeward Star
etching begun ca. 1880; impression printed in 1924
16
George Stubbs, 1724–1806
The Farmer's Wife and the Raven
1788
17
Etched by Joseph Mallord William Turner, 1775–1851
Procris and Cephalus
1812
18
Etched by Joseph Mallord William Turner, 1775–1851
From Spenser's Fairy Queen
1811
19
Etched by Joseph Mallord William Turner, 1775–1851
The Fifth Plague of Egypt
1808
20
Etched by Joseph Mallord William Turner, 1775–1851
Apuleia in Search of Apuleius
between 1813 and 1823
21
Etched and engraved by Joseph Mallord William Turner, 1775–1851
Aesacus and Hesperie
1819
22
Etched by Joseph Mallord William Turner, 1775–1851
Apuleia in Search of Apuleius
between 1813 and 1823
23
Joseph Mallord William Turner, 1775–1851
Design for an Illustration for Walter Scott's "Lady of the Lake", Loch Achray
ca. 1832
24
Print made by Edward Goodall, 1795–1870
Fingal's Cave, Staffa
1833
25
Print made by William Woollett, 1735–1785
Celadon and Amelia
1766
26
Print made by Sir Frank Short, 1857–1945
Procris and Cephalus
1885
27
Print made by Thomas Abiel Prior, 1809–1886
The Golden Bough
1875
28
Print made by Thomas Goff Lupton, 1791–1873
Procris and Cephalus
1864
29
Print made by Edward Goodall, 1795–1870
Fingal's Cave, Staffa - from XLVII 'Scott's Poetical Works'
1834
30
Print made by Richard Ansdell, 1815–1885
Sleepest or Wakest Thou?
ca. 1853
31
Print made by Sir Frank Short, 1857–1945
Aesacus and Hesperie
1896
32
Print made by Sir Frank Short, 1857–1945
Pan and Syrinx
1896
33
Print made by Sir Frank Short, 1857–1945
Pan and Syrinx
1896
34
Thomas Grieve, 1799–1882
Design for Midsummer Night's Dream
undated
35
Print made by Henry Thomas Alken, 1785–1851
The School-Boy
1824
36
Print made by Edward Goodall, 1795–1870
Fingal's Cave, Staffa
1834
37
Print made by Elisha Kirkall, ca. 1682–1742
Apollo and Daphne
undated
38
Print made by Luigi Schiavonetti, 1765–1810
The Descent of Man into the Vale of Death
1808, published 1813
39
Edward Burne-Jones, 1833–1898
The Land of Beulah
1881
40
George Fennell Robson, 1788–1833
Macbeth and Banquo on the Heath
ca. 1830
41
Richard Earlom, 1743–1822
Thomas King and Sophia Baddely in "The Clandestine Marriage"
1772
42
Keith Vaughan, 1912–1977
Je Dus Voyager
1949
43
Print made by William Forrest, 1802–1889
Smailholm Tower
1836
44
Print made by William Forrest, 1802–1889
Fingal's Cave Staffa
1836
45
Print made by William Forrest, 1802–1889
Abbotsford, Large Vignette
1836
46
Print made by William Richardson, active 1842–1877
Ashestiel
1835
47
Samuel Howitt, 1756–1822
The Tiger at Bay: an illustration for Captain Thomas Williamson's "Oriental Field Sports"
1807
48
Samuel Howitt, 1756–1822
Going Out in the Morning: an illustration for Captain Thomas Williamson's "Oriental Field Sports"
1807
49
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Check: 'What the Devil Do You Do Here..'
undated
50
Print made by Edward Goodall, 1795–1870
Fingal's Cave, Staffa
1834
51
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower
1745
52
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Meet: 'With Bright Faces and Merry Hearts'
undated
53
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field:" Full Cry: 'Let's Keep the Lead'
undated
54
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": Getting Away: 'Let's Take the Lead'
undated
55
Henry Thomas Alken, 1785–1851
An Illustration of C.J. Apperley ('Nimrod'), "The Life of a Sportsman": 'A Night Scene with Sir Thomas Mostyn'
1842
56
Print made by George Richmond, 1809–1896
The Fatal Bellman
1827
57
Richard Dadd, 1817–1886
Sketch for the Passions: Love
1853
58
Joseph Farington, 1747–1821
Shakespearean Scene (?): A Pilgrim
1796
59
Rev. William Warren Porter, 1776–1804
Castle of Udolpho
undated
60
unknown artist
Scene from the Inferno Dramatic Landscape
undated
61
unknown artist
Study for the Damned
undated
62
Print made by Samuel Palmer, 1805–1881
Opening the Fold
plate etched in 1880; impression printed in 1920
63
Print made by Samuel Palmer, 1805–1881
Opening the Fold
plate etched in 1880; impression printed in 1926
64
Print made by unknown artist
The Bay of Baiae - Apollo and the Sibyl
between 1852 and 1856
65
Print made by Sir Frank Short, 1857–1945
Aesacus and Hesperie
1896
66
Print made by Thomas Abiel Prior, 1809–1886
The Bay of Baiae, Apollo and the Sibyl
1873
67
William John Chamberlayne, 1821–1910
Mauritius - a scene with figures wearing classical costume standing by a pool flanked by palms; in the background is the Pieter Both Mountain