Print made by Bradshaw & Blacklock, active ca.1850
Castles in England
after 1850
2
Print made by George Baxter, 1804–1867
The Great Exhibition: Exterior View from the Southwest
1851
3
Print made by Bradshaw & Blacklock, active ca.1850
Cathedrals in England
after 1850
4
George Siegmund Facius, 1750–1804
West Window of the Chapel, New College Oxford: The Virtues - Prudence
1782
5
George Siegmund Facius, 1750–1804
West Window of the Chapel, New College Oxford: The Virtues - Fortitude
1782
6
Richard Earlom, 1743–1822
The West Window of the Chapel, New College Oxford
1785
7
George Siegmund Facius, 1750–1804
West Window of the Chapel, New College Oxford, Angel Contemplating the Mystery of the Cross
1785
8
George Siegmund Facius, 1750–1804
West Window of the Chapel, New College Oxford, Adoration of the Shepherds, From the Nativity Scene
1785
9
George Siegmund Facius, 1750–1804
West Window of the Chapel, New College Oxford: The Shepherd Offering, Nativity Scene
1805
10
George Siegmund Facius, 1750–1804
West Window of the Chapel, New College Oxford, Clouds, Part of the Nativity Scene
1785
11
George Siegmund Facius, 1750–1804
West Window of the Chapel, New College Oxford: Shepherd Boy and Dog, Part Nativity Window
1785
12
George Siegmund Facius, 1750–1804
West Window of the Chapel, New College Oxford: The Virtues - Temperance
1782
13
George Siegmund Facius, 1750–1804
West Window of the Chapel, New College Oxford: The Virtues - Hope
1781
14
George Siegmund Facius, 1750–1804
West Window of the Chapel, New College Oxford: The Virtues - Faith
1781
15
George Siegmund Facius, 1750–1804
West Window of the Chapel, New College Oxford: The Virtues - Justice
1782
16
George Siegmund Facius, 1750–1804
West Window of the Chapel, New College Oxford: The Virtues - Charity
1781
17
George Siegmund Facius, 1750–1804
West Window of the Chapel, New College Oxford, Part of Clouds From the Nativity Scene
1785
18
Print made by George Vertue, 1684–1756
William Cavendish of Newcastle
1739
19
Engraved by George Baxter, 1804–1867
Balmoral Castle
after 1850
20
Imitator of George Baxter, 1804–1867
The Bride, Paul and Virginia, the Chalees Satoon, East India
after 1850
21
Imitator of George Baxter, 1804–1867
Funeral of the Late Duke of Wellington
after 1852
22
Print made by George Baxter, 1804–1867
Gems of the Great Exhibition No. 4: The Foreign Department
1852 or 1854
23
Engraved by George Baxter, 1804–1867
Balmoral Castle
after 1850
24
Print made by Bradshaw & Blacklock, active ca.1850
Osborne House
after 1850
25
Print made by Bradshaw & Blacklock, active ca.1850
Balmoral Castle
after 1850
26
Bradshaw & Blacklock, active ca.1850
Set of Needle-Box Prints
after 1850
27
Print made by Vincent Robert Alfred Brooks, 1814–1885
Ten Needle-Box Prints
undated
28
Print made by Thomas Ryder, 1746–1810
The Captive
1786
29
William Finden, 1787–1852
An Arabesque
1834
30
William Finden, 1787–1852
An Arabesque
1834
31
D. P. Pariset, born 1740, active in Britain from 1767
Sir William Chambers
1769
32
Print made by John Pye, 1782–1874
The Rialto, Venice
1818-1820
33
Print made by John Pye, 1782–1874
The Rialto, Venice
1818-1820
34
Print made by William Byrne, 1743–1805
View of Leiston Abbey
1781
35
Print made by Samuel Freeman, 1773–1857
Statue of Achilles in Hyde Park
1827
36
Frederick James Havell, 1801–1840
The Stone Bow, Lincoln
1836
37
Frederick James Havell, 1801–1840
Lincoln from the Castle
ca. 1836
38
Print made by Jacob Bonneau, 1741–1786
One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens
1751
39
Print made by Jacob Bonneau, 1741–1786
One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens
1751
40
Print made by Jacob Bonneau, 1741–1786
One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens
1751
41
Print made by Jacob Bonneau, 1741–1786
One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens
1751
42
Print made by Thomas Chambars, ca. 1724–1789
Sir Balthazar Gerbier
undated
43
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire
1745
44
Print made by Jacob Bonneau, 1741–1786
One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens