Etched by Joseph Mallord William Turner, 1775–1851
Hedging and Ditching
1812
68
Etched by Joseph Mallord William Turner, 1775–1851
Peat Bog, Scotland
1812
69
Etched by Joseph Mallord William Turner, 1775–1851
The Hindoo Worshipper
1811
70
Robert Dighton, 1752–1814
A Lesson Westward - or A Morning Visit to Betsy Cole
1782
71
Print made by Jacob Hogg, active 1751
John Howard, Esq. Visiting and Relieving the Miseries of a Prison
1790
72
Anker Smith, 1759–1819
Goldsmith's "Deserted Village"
1800
73
Anker Smith, 1759–1819
Goldsmith's "Deserted Village"
1800
74
L. Truchy, 1721–1764
Pamela is represented in this first Piece, writing in her late Lady's dressing room, her History being known only by her letters. She is here surprised by Mr. B. who improves this occasion to further his designs
1762
75
Print made by Robert Isaac Cruikshank, 1789–1856
Design for the Frontspiece of the Annals of Sporting and Fancy Gazette, Volume 1
1822
76
Print made by Edward Radclyffe, 1809–1863
Peat-Gatherers
undated
77
Print made by Edward Radclyffe, 1809–1863
A Welsh Funeral
undated
78
Paul Drury, 1903–1987
After Work
1926
79
William Ward, 1766–1826
Garrick in the Green Room
1829
80
Print made by Sir Muirhead Bone, 1876–1953
A Manhattan Excavation
1923
81
Print made by William Bernard Cooke, 1778–1855
Bodiham Castle, Sussex
1817
82
Print made by William Bernard Cooke, 1778–1855
Winchelsea
1816 to 1820
83
Print made by James C. Allen, active 1821–1831
Ivy Bridge, Devonshire
1816
84
Print made by William Bernard Cooke, 1778–1855
Dartmoor; Source of the Tamar and the Torridge
1816
85
Print made by Samuel Rawle, 1771–1860
Hylton Castle, County of Durham
1820
86
Print made by Frederick Christian Lewis the Elder, 1779–1856